The Top 10 Short Stories - Unreliable Narrator: The ten best short stories of all time with unreliable narrators
Written by George Eliot, Edgar Allan Poe, Guy de Maupassant and
Narrated by Richard Mitchley, Ian Holm and Liza Ross
4/5
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About this audiobook
In this series we try to offer up tried and trusted ‘Top Tens’ across many different themes and authors. But any anthology will immediately throw up the questions – Why that story? Why that author?
The theme itself will form the boundaries for our stories which range from well-known classics, newly told, to stories that modern times have overlooked but perfectly exemplify the theme. Throughout the volume our authors whether of instant recognition or new to you are all leviathans of literature.
Some you may disagree with but they will get you thinking; about our choices and about those you would have made. If this volume takes you on a path to discover more of these miniature masterpieces then we have all gained something.
In this volume our authors play games. Their talents are undoubted, but their intentions are to lead us astray, maybe to confuse or place many a red herring in our path. With the undoubted talents of Robert W Chambers, J M Barrie, Nikolai Gogol, George Eliot amongst those telling the truth short stories may never be the same.
1 - The Top 10 Short Stories - Unreliable Narrator - An Introduction
2 - The Lifted Veil - Part 1 by George Eliot
3 - The Lifted Veil - Part 2 by George Eliot
4 - The Tell Tale Heart by Edgar Allan Poe
5 - The Horla by Guy De Maupassant
6 - Diary of a Madman by Nikolai Gogol
7 - The Yellow Wall Paper by Charlotte Perkins Gilman
8 - The Diary of a God by Barry Pain
9 - An Occurrence At Owl Creek Bridge by Ambrose Bierce
10 - The Inconsiderate Waiter by J M Barrie
11 - In A Grove by Ryūnosuke Akutagawa
12 - The Repairer of Reputations Part 1 by Robert W Chambers
13 - The Repairer of Reputations Part 2 by Robert W Chambers
George Eliot
<p><b>Mary Ann Evans, George Eliot</b> para la historia de la literatura, nació en 1819 en Chilvers Coton (Warwickshire), hija de un agente inmobiliario. A los ocho años se la consideraba ya «fuera de lo normal» por su peculiar inteligencia y brillantez; a los diecisiete confesaba su agnosticismo, y su padre, que le había dado una rigurosa educación religiosa, la echó de casa.</p><p> De hecho, sus primeras obras surgieron a raíz de esa truncada formación: tradujo la <i>Vida de Jesús</i> del teólogo alemán David Strauss y proyectó escribir una historia de la Iglesia desde Jesús hasta la Reforma. Tradujo <i>La esencia del cristianismo</i> de Feuerbach y la <i>Ética</i> de Spinoza y se hizo cargo de la subdirección de la revista <i>Westminster Review</i>, el foro intelectual progresista más importante de su tiempo.</p><p> El crítico George Henry Lewes, que la alentó a dedicarse a la literatura, llegaría a ser su compañero: decidieron vivir juntos a pesar de que él estaba casado.</p><p> Las primeras novelas de George Eliot, situadas en su Warwichshire natal, tienen cierto aire idílico: <i>Scenes of Clerical Life</i> (1858), <i>Adam Bede</i> (1859), <i>El molino junto al Floss</i> (1860), <i>Silas Marner</i> (1861), aunque algunos insólitos experimentos, como la novela corta <i>El velo alzado</i> (1859; ALBA CLÁSICA núm. XXVIII), anunciaron ya a una escritora de gran ambición y originalidad. Con la novela histórica <i>Romola</i> (1863) inició su etapa de madurez, caracterizada por un realismo de fuerte base intelectual: a ella pertenecen <i>Felix Holt</i> (1866), <i>Middlemarch</i> (1871-1872) y <i>Daniel Deronda</i> (1876). A la muerte de Lewes en 1878, se ocupó de concluir la obra más importante de éste, <i>Problems of Life and Mind</i>. En 1880 se casó con el agente de bolsa John Walter Cross, pero en diciembre de ese mismo año falleció en Londres.</p>
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