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    Girl at Sea
    Girl at Sea
    Girl at Sea
    Ebook330 pages4 hours

    Girl at Sea

    By Maureen Johnson

    4/5

    ()

    Read preview

    About this ebook

    Sometimes you have to get lost . . .

    The Girl: Clio Ford, seventeen, wants to spend the summer smooching her art-store crush, not stuck on a boat in the Mediterranean. At least she'll get a killer tan.

    The Mission: Survive her father's crazy antics. Oh, and also find some missing underwater treasure that could unlock the secrets of civilization.

    The Crew: Dad's wacky best friend Martin, his bizarre research partner Julia, her voluptuous daughter Elsa . . . and then there's Aidan, Julia's incredibly attractive, incredibly arrogant assistant.

    What's going on behind Aidan's intellectual, intensely green eyes, anyway?

    As Clio sails into uncharted territory she unveils secrets that have the power to change history. But her most surprising discovery is that there's something deeper and more cryptic than the sea—her own heart.

    . . . to find what you're looking for

    LanguageEnglish
    PublisherHarperTeen
    Release dateOct 6, 2009
    ISBN9780061973932
    Girl at Sea
    Author

    Maureen Johnson

    Maureen Johnson is the bestselling author of several novels, including 13 Little Blue Envelopes, the Truly Devious series, the Suite Scarlett series, and the Shades of London series. She has also written collaborative works such as Let It Snow with John Green and Lauren Myracle and the Bane Chronicles with Cassandra Clare and Sarah Rees Brennan. Maureen lives in New York and online on Twitter @maureenjohnson or at maureenjohnsonbooks.com. 

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    Reviews for Girl at Sea

    4/5

    250 ratings19 reviews

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    • 4/5
      I love when authors take me on unexpecetd turns. Also, a good booik is one where I feel I have learned something. I was disappointed in the ending, which kept me from giving this 5 stars.
    • 3/5
      Not quite as good as her others. It took me a while to get into it.
    • 3/5
      More fluffy contemporary YA. I didn’t like this one nearly as much as I like the Scarlett Martin series (speaking of which, third book?). [Nov. 2010]
    • 3/5
      Much like with Devilish, I rank this among the weaker of Maureen Johnson’s works. I like the plot, I the characters, and I like the set-up…until I get to the end and I’m left going “Wait, what?” And I end up wanting so much more from it than what I got.

      The premise is very strong. I like the set-up of Clio having to be shipped off to sea with her not-very reliable dad and having come to terms with their relationship. I like that Clio is frustrated with no one telling her exactly why they’re on this trip in the first place and that she also calls people out for keeping secrets from her. It’s mentioned later on that Clio’s brash personality is the result of the accident that drove her parents’ marriage apart, but I really didn’t get that from her. (More like she was brash and bitchy because no one would tell her anything.)

      Aside from the sudden “Omg, you like the designated love interest, you’re now my rival,” I also really liked Elsa’s character. (Oh, how I hate the automatic rival. Haaaate.) I liked that she’s just as frustrated as Clio with the situation and responds with booze and trying to make the best of everything. Aidan is okay, although his only purpose is to be the frustrating love interest—I wish there had there been more to flesh him out. I do wish that the adults had been more fleshed out, specifically, Clio’s dad and Julia. (I did like that Julia and Clio start warming up to one another.)

      There are several reasons why this doesn’t work for me. First, there are several flashbacks interspersed throughout the book detailing the life of Maguerite Magwell and her continuing her father’s archeology work. I get the thematic reasons of including in them, but largely they feel like they’re hitting the reader over the head repeatedly. The flashbacks also don’t help in that you can guess what Clio’s father and Julia are looking for very early on in the book and Clio herself doesn’t find out why until about a hundred and fifty pages in.

      Second, Clio’s aforementioned brash personality when it comes to guys. We only ever see her interact with two love interests in the whole book. We rarely get any mention of previous crushes/love interests. It just doesn’t fit anywhere. I didn’t get the idea that she was brash; Clio feels very much like a teenage girl throughout the whole thing. And the whole lead-up in the climax and Clio’s growth is that she’s never been kissed. I don’t mind the romance angle in this, but it feels like her growth should have been more with her father than rather making out with Aidan.

      And there’s the random thugs who show up in the end. What. Just…what. Again, they’re barely alluded to early on, and it feels like a last minute addition to the book.

      It’s an enjoyable read, but I have a lot of issues with the developments. I want more from this book, and in comparison to Maureen Johnson’s other books, this really comes up short.
    • 2/5
      a good deal of it was boooring..
      the only thing that perked me up was when Aidan told Clio about alien theories and Atlantis.
    • 4/5
      Clio Ford just wants to spend her summer working in the art store and flirting with Ollie, the gorgeous guy who already works there. But instead she's been shipped off to Italy to spend her summer with her father and his small crew who are working on some top secret project. Clio isn't thrilled at this turn of events but as the summer unfurls, Clio finds herself intrigued by Aidan, one of the guys on the crew, and the mystery of the project, which has the potential to entirely alter history.

      This novel was a lot of fun. Clio is very much a typical teenager in that she has some whiny and petty moments, but in the context of the novel, they're totally understandable. While Clio's relationship with her father is a big part of the novel, there's also the fun of Clio's attempts at romance and the mystery of why the group is out on the boat in the first place. With a dash of historical fiction tossed in throughout, the book is a great summer read and enjoyable throughout.
    • 4/5
      Clio has just gotten a job at the local art store where her dream guy works, when she learns that she has to spend the summer with her flaky father in Italy. She is annoyed, to say the least. Being trapped on a yacht with her father's new girlfriend and an annoying college boy, among others, doesn't help her mood. Neither does the extreme secrecy.

      Despite various implausible misadventures, Clio grows a lot and makes new friends.
    • 5/5
      Girl at Sea is one of my favourite books by Maureen Johnson. There was history, mystery (unintentional rhyme!), scuba diving, and cute boys (which are all of my favourite things) all mixed up into one exciting tale. Clio has an out of the ordinary past with her father, which was interesting to watch it unfold. Maureen Johnson portrayed Clio brilliantly and I was really able to connect with her character, even though we’re totally different. I felt her frustration with her father like it was my own, as well as many other emotions that Clio felt. It was a great read and I definitely recommend it.
    • 4/5
      I am a huge Maureen Johnson fan, and her tweets always make me smile. I love the Suite Scarlet series so far but when I read 13 Little Blue Envelopes… I doubted the great Jar Keeper (twitter joke, sorry). I enjoyed the story, but I could never suspend my disbelief enough to believe that the underage main character’s parents were ok with her going on this crazy overseas mission with no information whatsoever. Maybe I missed the part where she explained about that. I felt uncomfortable having these tiny doubts about MJ, so I have embarked on a goal to read her other books.

      I read this book in an escapist’s dream. During the recent snowpocalypse, I was physically nestled in 5 layers of clothes and my puff blanket on our couch. Mentally, however, I was on a yacht in the Mediterranean. I was cruising with Clio and her father, trying to figure out why we were on this ship and what precisely her father was looking for. Clio is an amazing personality, and I loved watching her backstory develop. I’m sorry— there are a LOT of twists in this novel (both plot and character development related), so that’s why I’m being kind of cagey. I wouldn’t want to rob you of the opportunity to discover for yourself exactly how Clio got her tattoo, what exactly is up with Julia, or why Maureen Johnson is so terrified of jellyfish. I mean, I knew MJ was afraid of jellyfish, but after reading this book I may be a little afraid of jellyfish too.
      Some readers seem to thin that Clio is whiny, which may be a valid opinion. Even she points out that she sounds like a brat for complaining about going to Italy for the summer. However, the main point of the whining and the Main Conflict of the novel is that there is this conflict that develops between parents and late teens if parents don’t realize their kid’s need for autonomy. Clio had plans for the summer— she was going to work in an art store with her crush. And then out of the blue her parents force her to adjust her schedule and plan her summer out extensively without ever consulting her. If you can’t remember how annoying that is, please, stop and try for a second.
      This book is primarily a character development book, but there were still plenty of plot-related points that kept me (a plot reader) interested. Mostly we see how Clio, her father, and Aidan all grow as individuals and improve their relationships. The rest of the characters are fairly complex, but they aren’t so complex that they clutter the story.
      The only thing holding me back from giving this book a 9 is… my snobbery. When I read the Suite Scarlett series, I read a LOT of the same wit, humor, and random kitsch that I love about Maureen’s Twitter posts. I think she’s really found a voice that is completely and uniquely her own, and THAT’s what I love about Suite Scarlett and her portion of Let It Snow. Don’t get me wrong— she was developing that tone in this book. I just feel she may have been holding it back a little, maybe to be a little more mainstream, whereas now she may know she can wave her Quirk-Flag high. But this book is still a must-read for MJ fans!
    • 4/5
      The novel, Girl at Sea, encompasses the adventures and conflicts of a father and daughter at sea. In the beginning, Clio, the protagonist struggles with having to leave her home and the guy she likes to go to Italy for the summer with her dad. Throughout the middle, she perseveres through tryig to figure out what is going on when everybody is trying to keep it a secret. By the end, she has learned that being a snooper can lead to finding many things, in this case good.
    • 4/5
      This is a good book that has adventure and family conflicts. It's not a quick read... and it's best if you take your time to understand what exactly is going on. But other then that it is a fantastic read! :)
    • 4/5
      A friend of mine asked me to read this so she'd have someone to talk to about it and so I did. My second Maureen Johnson book was far from disappointing, unlike much of the story for Clio, our main character. Clio's parents are divorced and her mom goes to Kansas with her boyfriend, leaving Clio in the care of her father -- the last place she wants to be. Having just purchased a new yacht, Clio's father takes her on a journey she, as the cliche goes, won't soon forget. The story is cute, tense and focuses on, among other things, a mystery Clio's father won't discuss. Johnson's characters are fun, interesting and at times frustrating. But, all in all, I enjoyed the book.
    • 4/5
      A high school girl gets the summer job of her dreams, just in time to find out that she has to spend the vacation with her father in Italy. On a boat. Sounds great, right? Except her dad has a tendency for wild schemes that seem like a good idea at the time (to him) but never go quite right after all (especially for her). What type of crazy is he cooking up this time?

      Girl At Sea was a stressful book to read; it never seemed to slow down. From the very beginning, and especially after she gets to Italy, it's just one thing after another - and often it's one near-disaster after another. On the other hand, it really reflects the feeling of the main character, who is resentful and angry at the situation she has been stuck in. It is well written and the plot kept me guessing, but it is not a book I'll read again.
    • 5/5
      Seventeen-year-old Clio Ford has just gotten a summer job at an art store working alongside a guy she likes. She's not happy when her father whisks her away for the summer on a ship to Italy for his research. However, she finds herself making friends with the other girl onboard and developing interest in the guy helping with the research.

      Maureen Johnson does an excellent job of writing the tone of a witty, sarcastic teenager while also keeping it light. The characters are interesting to read, the plot is a perfect balance of discovery and mystery, and Clio's voice is just fun to read. I loved Girl at Sea, and I heartily recommend it.
    • 4/5
      Taken away from her chances of winning over a handsome Southern, Clio is pulled into the world of seasickness and tiny spaces. Her father, ambitious and hopeful (and should I say cute), bought a yacht. The yacht isn’t huge but it would get them from here to there, right? What about from Sorrento, Italy to the middle of the sea? Stuck on a yacht (which should be exciting) but with five other people, can be tiring. Especially if there is a statuesque archeologist’s daughter who Clio envies, a cute research assistant who just might be taken, her father’s best friend who suffers from heart problems, her father’s new girlfriend, and, of course her father. Clio is annoyed already but the real reason is … what are they doing in the middle of the sea?The first half of this book (pages 166 and earlier) where slow at getting to the point. It was boring to read about the same scenes, setting, characters, and problems. It was really a teenage drama. But when page 167 arrived, I was sucked in. The story behind the main secret (the reason they are on a yacht in the middle of the sea) began to intertwine with Clio’s personal life. That, itself, is exciting! Author Maureen Johnson is clever in so many ways. She took unoriginal characters (ex. snobbish, hot, etc.) and made their small qualities seem important through humorous dialogue and vivid descriptions of the whole ordeal. If you are patient enough, which means if you can deal with reading the first half of the book, this is a great story to have on your bookshelf.
    • 4/5
      I thought this book would be better. Some of the things that happened don't seem to be believable with the storyline. I like the book through. I gald Clio found out more about herself. It just goes to show that we don't really know ourselves sometimes.
    • 4/5
      17-year-old Clio Ford wants to make the summer before her senior year her best yet, starting with a job at the local art supply store alongside her longtime crush Ollie. Then her mother delivers the blow: she’s going to Kansas on some art grant. She’s taking her boyfriend with her. And Clio is relegated to spending the summer with her father aboard a boat in Italy. Her father, the man who had made her childhood perfect, but through continuous absentmindedness and impulsiveness had almost ruined them.

      Things get even worse. Clio’s shipmates are her dad’s girlfriend Julia, an intense professor/researcher; Julia’s daughter Elsa, beautiful and loyal; Martin, Clio’s dad’s longtime friend; and Aidan’s, Julia’s research assistant with the arrogant attitude. And this motley crew is supposed to live together on a yacht and search for something that nobody has told Clio anything about.

      Can this summer, which is shaping up to be the worst one ever, actually end with Clio finding true love, a best friend, and a better relationship with the man who had once deserted her?

      Once again Maureen Johnson delivers a winner. Not much really goes on, and all the mystery surrounding the crew’s mission is a bit overdone, but Johnson creates remarkably vivid characters, flavored with snappy, smart dialogue and off-handed snort-out-loud remarks. Fans of her previous books should love this one just as much.
    • 4/5
      I really enjoyed this book. very different from Johnson's other books. This had adventure, romance and flashbacks to characters who existed a hundred years ago. Clio, the main character, is very likeable and although her was a bit unusual and unrealistic, she experienced things that every teen girl does - boy crushes, the feeling that she never ber kissed.
    • 4/5
      Clio wants a simple summer at home working in the art shop with Ollie, a potential boyfriend. What she gets instead is a rollicking and dangerous summer adventure on a yacht with her father, his new girl friend, her teenage daughter, and a her cute but infuriating assistant. No sunning on the sea for Clio, instead she is forced to share a bed with her potential step sister, Elsa, and do all the cooking while her father chases some mystery all over the sea.

      Clio's story is utterly absorbing. Her issues with her father, his girl friend, and her self are well played out and mostly realistically tied up. Clio is a fun character, adventurous, and flawed enough to make her seem real. Great summer read or for anytime the winter blahs get you down.

    Book preview

    Girl at Sea - Maureen Johnson

    London, May 1897

    Lightning flashed over Big Ben, and a bruise-like darkness draped over the dome of St. Paul’s. On the streets of London, sudden claps of thunder caused horses to start and carriages to collide. The British Museum was packed with people seeking shelter from the oppressive weather within its massive halls, among its great stones. Unfortunately, too many people had the same idea; there was hardly room for them. The pressure in the air grew as screaming children ran between the display cases and tables, knocking into them. Crowds bumped around the priceless Elgin marbles from the crown of the Parthenon.

    Eighteen-year-old Marguerite Magwell slipped through easily, not really noticing the chaos that was going on around her. She was even unaware of the ominous sky outside. If you had asked her at that moment if it was hot in the museum, she would not have been able to answer. Her own body was bone cold. The humidity that dampened her cornflower blue dress simply made her colder. She was hatless and gloveless. Her blond hair was loosely pinned up and curled wildly in this intense weather. Her appearance was not a concern; she didn’t know what she looked like, didn’t care. The only thing that mattered was the small slip of paper she clutched in her right hand. In her mind there was one thought only: go to Jonathan. Jonathan Hill had been her father’s favorite student, besides herself. Jonathan needed to know. Jonathan could help her now, at the only time in her life when she truly did not know what to do.

    Other people noticed her. Even in this state, Marguerite was striking, equal parts wild and delicate, with a face whose fine proportions could have been immortalized in marble. People eased aside as she pressed her way forward to the statue of Ramses II in the long Egyptian gallery. The statue occupied a place of pride in the columned hall. Marguerite fixed her eyes on the cold, pupil-less ones above her, the eyes of a king dead for thousands of years. She had never understood until this moment why the Egyptians tried so hard to preserve themselves after death. How wonderful it must have been for them to believe so strongly that the dead lived on, that they could be reached, that they would need their bodies!

    No time to think about that.

    She continued on, pushing between the overstuffed display cases and people, moving from room to room, feeling like she had less and less air to breathe. The door she was looking for was unmarked. Most people would not have been able to tell that it wasn’t just a wooden panel between two cases of monkey skulls. The curators worked behind these secret doors, unseen by the populace, in offices even more crowded than the museum floor itself. Having practically grown up in the museum, she knew exactly what she was looking for. Marguerite moved aside two little boys who leaned on the panel she required and pounded on the door with the flat of her hand. A moment later, a familiar face appeared, smiling, slightly dazed. Jonathan’s sandy hair was in need of a barber’s touch, and he had ink all over his long fingers.

    Marguerite! he said, shifting his collar nervously. What brings you to the museum today? Sorry, I’ve been writing all morning; I don’t want to cover you in this . . . Oh, I’ve just gotten it on my neck, haven’t I? Never mind. . . .

    Marguerite could not bring herself to say why she had come just yet. Her throat was dry, and it felt like a hand had grabbed it and was squeezing it.

    It’s very hot today, he sputtered, noticing her distress. Would you care to take a walk around the courtyard with me? They’re selling lemon ices in the square.

    Lemon what? she asked abruptly.

    Ices? he repeated.

    Oh. Ices.

    There was a darkening at the windows, and a great crack of thunder broke above the museum, causing several ladies to cry out. A moment later, there was a pounding on the roof as the rain came down.

    Listen to that, Jonathan said, looking up at the ceiling. It’s like the great flood out there. I suppose that rules out the possibility of the lemon ices. Let me get the porter to start turning on the lights so that they—

    I have news of my father, she interrupted.

    Wonderful! He touched her hand lightly. How’s the work in Pompeii going? When does he arrive home? Did I get ink on you? Oh, I did, didn’t I? Here, let me—

    He doesn’t, she interrupted him again.

    What do you mean? he asked, already grabbing for his handkerchief and dabbing the spot of ink on her hand unsuccessfully.

    His ship, she managed.

    His ship? he repeated. What about his ship? Marguerite, are you well? Do you need to sit down? You’ve gone very pale.

    She held out her tightly closed fist, the paper sticking out of it. Jonathan carefully pried it loose. She watched him take in the words. He reached up and held the doorframe, then looked at her.

    Marguerite, I—

    There was another enormous crack overhead. The heavens were screaming. It was as if the waters were coming for her as well. The whole world would drown.

    He’s gone, she said.

    The Secret That Dare Not Speak Its Name

    Ollie was in aisle five of Galaxy Art Supply stocking oil paints when Clio Ford emerged from the manager’s office. From her vantage spot by the modeling clay, she could watch him for a moment, drink it all in.

    Ollie Myers. Absurdly tall at six-foot five. His hair was shaggy today. He was wearing a deep navy blue button-down shirt and a wide, seventies-style tie. He looked down over the slots that the little tubes went into, carefully making sure that the right colors went into the right places. He cared about that, and it killed her. It really did. She could watch him putting paints away all day. Sad, but extremely true.

    Time for the show.

    She was standing straight, so she slumped a little and arranged her face into a mask of minor melancholy. She approached slowly.

    Hey, she said.

    Ollie turned. Good reflexes. (He used to do all-terrain skateboarding. Very badly, he said. Very, very badly. Humble as well. Could you ask for more in a man? No. It was impossible. All human wants had been fulfilled in him.)

    Which was why this could never work. She had to be dreaming.

    Well? he said.

    Well . . . Clio began. I’m only a junior in high school, and apparently, most Galaxy employees are in college. And I have no retail experience. No job experience at all, actually.

    Oh, Ollie said. His face fell.

    But . . . Clio went on. I have this.

    She held up her arm, showing the long tattoo that wound around her right forearm: an electric-blue-and-pink zipper with three yellow-and-black stars flying out of the toggle.

    You got the job! he said.

    You know it! Clio said, feeling herself beaming.

    Clio had prepared for the interview with her typical precision. White jeans, gently streaked with lavender paint from when she repainted her room. A pink short-sleeved T-shirt from a manga publisher. A chunky belt she’d made herself by attaching laminated matchbook covers to a plain old leather belt from a thrift store. Long, honey-brown hair worn up, pinned in place with two green cloisonné chopsticks. And the master stroke, her tattoo boldly on display. No long sleeves, no arm warmers, no sticking her arm behind her back. No excuses. The freak flag was flying at full mast.

    Her cell phone buzzed in her bag. It had gone off four times during the interview. She ignored it.

    I’m still amazed, she said. "I didn’t think they liked to see tattoos at job interviews. Unless you’re applying to work at a meth lab. Or a tattoo parlor. I guess that would make sense. . . ."

    Or an art store, he said. I told you that tattoo would do it. Daphne loves Masahiro Sato. You were in the second she heard he drew that.

    She did get excited, Clio said, remembering the glow in the store manager’s eyes when she said the name of the man who had drawn her tattoo. He was one of Tokyo’s most famous manga artists. He had a massive cult following.

    This may be a historical moment, she said. This is the first time one of my dad’s insane impulses actually worked out for me.

    Your dad wanted you to get the tattoo? he asked.

    Not exactly, Clio said. It’s a long story. A long, boring story.

    I doubt that, he answered. I guess I’ll have to make your name tag. I can even make it now. Want a name tag?

    Ollie was from Texas, and he had a voice that dripped low and slow into Clio’s ear. He could draw out the words name tag and make it sound like something you would deeply want and cherish forever. She found herself nodding heavily. He took her to a back corner of the store, where there was a small cabinet and a computer. He reached into the cabinet and produced a little machine.

    Okay, he said. "It’s C-l-e-o, right?"

    C-l-i-o.

    Is that a family name or something? he asked.

    Not exactly, Clio said. I was named after a Muse.

    A Muse? As in the Greek Muses?

    Yep, Clio said. Weird parents. What can I tell you?

    You’re a muse, he said. I’ve always wanted a muse. Can you help me paint?

    I’m the muse of history, she said. Is that any help?

    A muse is always a help, he said, typing into the label maker.

    Muuuuse. How had she never noticed the magical power of the Southern accent before? In the eight months that she had known Ollie, she had realized that it was attractive, but she hadn’t heard it much. Their exchanges took place at the counter, when he was telling her how much stuff cost. Even still, he could make things that cost eight dollars and sixty-four cents seem worth every penny.

    It wasn’t until this last month, when he started talking to her as he restocked the shelves, that she got to hear the accent in all its glory. He was a painter and a freshman at Penn. He shared her obsessive love of beautiful, rich inks. He usually wore a vintage pinstripe jacket, rode an old purple bicycle, and smelled like an art studio—a faintly chemical, extremely familiar and homey smell. He missed his sisters in Austin, had no spare cash, and wasn’t above attending openings of art exhibitions he didn’t like just to get the snacks.

    Clio, on the other hand, was a high school junior with a past and yet very little to say about the present. She tended to make her own clothes. (Out of other clothes, so it didn’t really count. It wasn’t like she was wearing homespun or sweaters she had knitted herself.) She lived in a massive, messy Victorian right near the Penn campus. And once upon a time, her parents had been married, and she and her father had invented a little game called Dive!, which turned into a very big deal. Once upon a time, she had been almost rich, not exactly famous, and totally happy. Her life had been unusual. There was a lot of traveling. A Japanese comic book artist had drawn on her arm. Things like that.

    But an unusual life is not, by definition, a great one. And now, at seventeen, she felt the deficiencies had been made painfully clear. And there was one that was bothering Clio more than any other.

    She had never been kissed.

    It was shocking. It was embarrassing. It was largely inexplicable, but Clio knew the general place where the blame could be cast. But that was a long story, too. One that was about to end, she hoped.

    The phone buzzed again. She shoved it farther down in her bag.

    Ollie carefully tore off the clear sticky strip with Clio’s name printed on it and stuck it to his cheek as he went rummaging in a box for a blank tag. Once he found one, he applied the sticker to it with extreme care. The tag was tiny in his massive hands.

    Here we go, he said. Do I get to pin it on you?

    Sure, she said, struggling to keep her voice from cracking.

    He leaned down to her, which genuinely took some effort, considering he was a foot taller than she was. Now he was at face level with her. He gently pinched up some of her shirt, choosing his spot carefully, just under the left shoulder, directly above her heart. She watched his face as he delicately pierced the fabric; he bit the corner of his lower lip while he worked. The pin shut with a snap, but he didn’t move. He just looked her right in the eye.

    Was this it? The kiss? The one she’d been waiting her whole pathetic life for? Here? Now? In the aisle of an art store? Was that possible? It certainly looked like he was in the right position. Levels correct. Expression correct.

    Pretend you know what you’re doing, she told herself quickly. This is a good general rule in life. When in doubt, pretend that you know what you’re doing. Just go with it. Do something. Fake it until you catch on.

    A man came around the corner and stood behind Clio, waiting patiently. Ollie looked at him over Clio’s head and backed up.

    Have to help the next person, he said, a trace of regret on his face. When do you come in again?

    I start training tomorrow, she said.

    I’ll train you myself, he said. If that’s okay. But you already know your way around pretty well. Probably better than anyone here.

    He smiled that slow, Southern smile.

    Her phone buzzed again.

    Someone really wants to talk to you, he said.

    Yeah, she said.

    I get that, he said, closing with a smile before turning his attention to the man, who was already mumbling something about looking for a reliable adhesive for small tiles.

    The phone continued to buzz and shake and generally rattle itself to pieces as Clio walked home. She looked at the display.

    Unknown caller.

    Unknown caller.

    Unknown caller.

    Mom.

    Jackson.

    Unknown caller four more times.

    She was popular today, at least with the unknown caller, who wasn’t unknown at all. That was her dad. Unknown caller plus insane repetition equaled dad, every time. He could get on a calling jag and be relentless about it. He was like a little kid—once he got an idea in his head, he made a big fuss until he got what he was screaming for.

    Well, he could wait. She needed time to savor this blissful moment. It was a light, gorgeous late afternoon in the springtime, and she wanted to play her favorite fantasy in her head. . . .

    They were at the beach, she and Ollie. They were sharing that brown-and-orange blanket that Clio had gotten in Peru for five dollars—the one she thought would make such a good beach blanket, except she had never taken it to the beach. It covered the bamboo chair in the corner of her room. Ollie wore long, blue trunks with a pattern of flames coming from the bottom of each leg. She wore a red bikini. She didn’t own a red bikini, but she was wearing one. Sometimes her brain misfired in the fantasy and gave her red boots as well, and she would have to fix the image and start again.

    Anyway, they were on the beach, sharing the blanket. Clio’s best friend, Jackson, was there on a towel next to them. Jackson would be trying to read her magazine, but every time she looked up, Clio and Ollie would be kissing again. Obviously, because he was so tall—he was like Mr. Torso—he would have to crane his neck down to kiss her.

    Seriously, Jackson would say. You guys. You have to stop.

    I can’t, Ollie would say. Come on, look at her! I can’t.

    And then something would happen—Clio couldn’t figure out what, but something—that would pull Ollie away for a minute. Maybe he would rescue a small child from a giant tangle of killer New Jersey seaweed. Jackson would move closer and say, Sorry. It’s just jealousy. You guys are so perfect together. It’s not fair.

    Yeah . . . Clio would answer. I know.

    Long sigh here.

    You were right to wait seventeen years for the perfect, kissable guy, Jackson would go on. I just dated whichever guy crossed my path. I feel dirty now. Cheap. Like a balled-up napkin from a coffee place that you find at the bottom of your purse, and it’s kind of . . . hard. And you don’t know why. That’s what I feel like. The mystery napkin.

    Clio would smile benevolently.

    Admittedly, the real Jackson would never say this, not in a million years. The real Jackson considered herself a connoisseur of kisses. In fact, she classified them using the same method normally employed by wine tasters. She claimed this was the best way. A look test. A sniff test. A taste test. A consistency test.

    Some guys, she explained, had a thin, smooth technique. Quick, darting moves. They tended to taste of mint because they were obsessed with technique and chewed gum compulsively if they thought they had any shot at all. Some were more full-bodied. With them, it was a slower experience, one that Jackson always said had woody aftertones.

    She stopped short of the swilling-and-spitting part of the wine-tasting metaphor because it kind of fell apart there.

    The phone was ringing again. Unknown number. Clio had reached her house by this point. The call could wait. She had good news to deliver first.

    Where There Is a Balloon, There Is Always a Pin

    This was a Thursday night, and Thursday nights were Clio’s mother’s date night. Date nights had been going on for the last eight months—basically, since the start of the school year, when Rob (the date) turned up on a tour of the Philadelphia Museum of Art that her mom had been leading. Thursday was the only free night they had in common, so it became the night that Clio got the house to herself, plus twenty dollars to spend on Thai takeout. Thursdays smelled of jasmine and ginger and were washed down with delicious, sugary Thai iced teas. Jackson would probably come over at some point, and they’d do homework or watch TV. Or they’d just blast music and mess around online.

    Thursdays were beautiful things, and this was the king of Thursdays.

    But her mom was home, and she didn’t look even remotely date-ready. She was standing at the kitchen bar in one of the oversized men’s dress shirts she always wore when she’d been working in the studio. Her hair was in pigtails. Suki, Clio’s orange cat, sat on one of the stools looking deeply shocked about something. Clio picked him up, set him gently on the floor, and took his seat. There was nothing to eat at the bar but a jar of sesame seeds her mom had left out after cooking last night’s stir-fry. Clio shook some into her palm and licked them off.

    I’m thirty percent more lovable than when I left, she said, picking the last spare seeds off her hand and popping them into her mouth triumphantly. Ask me why.

    Impossible, her mom answered. You’re already too lovable. Did your dad call?

    Yes, Clio said. About sixty times. But I’m about to get unbearably lovable. Go on. Ask me why.

    Did you talk to him? her mom asked.

    Not yet. Go on. Ask me why. ‘Why are you so lovable, Clio?’ The answer will amaze you.

    Okay, her mother said, sighing just a little. Why?

    Because I think I just got a job at Galaxy. That means thirty percent discount. I did the math. Between us, we spend about three hundred dollars a month there. With the discount, that’s a hundred bucks for nothing. A hundred bucks! Or ninety. Whatever. Plus Ollie says that sometimes we get opened containers that they have to accept as returns.

    Who’s Ollie? her mother said, still not looking quite checked in. This news should have brought a lot more enthusiasm.

    Just some guy who works there, she said quickly. Of course, this summer was when he would become much more than that, Clio hoped. But no announcements until it was all official. Did you hear the part about the discount? Because I can repeat it. I can even throw in a few dance moves to really bring it home.

    Do you want a cup of coffee? her mom asked. I just put the pot on.

    The coffeepot hissed and dripped in the corner as if to prove its existence and role in the conversation. Clio looked at it, then at her mom, who still wasn’t smiling. Her expression was kind of like the one she’d worn after she’d had laughing gas at the dentist, just before she’d started having a heated, emotional conversation with the sofa.

    What’s wrong? Clio asked. Why aren’t you jumping up and down? Why aren’t you on a date? Why are you making coffee at five in the evening? You didn’t . . . break up, did you?

    No, it’s not that. It’s something else.

    Clio’s brain went searching for what something else might mean, and the answer readily presented itself. Her mom and her boyfriend, Rob, had been dating for eight months. Her mom had come home every time, and Rob had never stayed over. It was only a matter of time before she got the Clio, when a man and a woman love each other very much . . . or when one lives in University City and one lives in Society Hill . . . sometimes, there must be sleepovers talk.

    Maybe I’ll get some coffee, Clio said dismally as she got up to take a mug from the counter. Do we still have that fancy vanilla creamer?

    No. You drank it all. Listen, Clio. Sit down a minute.

    Clio sat on one of the stools at the kitchen island, where they ate all of their meals. She steadied herself and told herself that in a minute’s time, she would need to smile graciously and accept the inevitable. It was time for breakfast with Rob. There would be a man’s razor in the bathroom again. There could even be a boxer shorts sighting.

    I got a letter today, her mom began.

    Clio loosened. This was going in a strange direction, one that didn’t sound like it had anything to do with Rob’s underwear.

    A few months ago, her mom went on, I applied for some funding for school. A real long-shot fellowship through a private benefactor. I never thought I’d get it. But I did.

    That’s amazing! Clio said. You were scaring me back there! How much is it for? Does it give you a salary?

    Yes, it does. A good one. And it pays for the rest of my research fees. It even pays off one of my loans.

    Okay. You completely beat my thirty percent discount. I give.

    The catch is, her mom said, I have to do a ten-week special project this summer. The foundation that gave me this money just bought two sixteenth-century Dutch paintings. They’re in very bad condition. They were lost in the Second World War, and they’ve just come to light. They were stored in houses and warehouses and knocked around. They’re a mess. I have to work on them.

    That doesn’t sound like a catch, Clio said. That sounds like your job. The thing you like to do.

    It is. It’s a very exciting opportunity, actually. The trouble is . . . the paintings are in their private facility, a new workshop space they just built. That’s where the work has to be done. And it’s in Kansas.

    Clio felt her stomach plunge.

    Kansas is far from here, she managed to say.

    It gets slightly more complex, her mom went on. The reason your dad was calling . . .

    Clio cocked her head. This made

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