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The Son
The Son
The Son
Ebook669 pages12 hours

The Son

Rating: 4 out of 5 stars

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Soon to be a TV Series on AMC starring Pierce Brosnan and co-written by Philipp Meyer.

Now in paperback, the critically acclaimed, New York Times bestselling epic, a saga of land, blood, and power that follows the rise of one unforgettable Texas family from the Comanche raids of the 1800s to the oil booms of the 20th century.

Part epic of Texas, part classic coming-of-age story, part unflinching examination of the bloody price of power, The Son is a gripping and utterly transporting novel that maps the legacy of violence in the American west with rare emotional acuity, even as it presents an intimate portrait of one family across two centuries.

Eli McCullough is just twelve-years-old when a marauding band of Comanche storm his Texas homestead and brutally murder his mother and sister, taking him as a captive. Despite their torture and cruelty, Eli--against all odds--adapts to life with the Comanche, learning their ways, their language, taking on a new name, finding a place as the adopted son of the chief of the band, and fighting their wars against not only other Indians, but white men, too-complicating his sense of loyalty, his promised vengeance, and his very understanding of self. But when disease, starvation, and westward expansion finally decimate the Comanche, Eli is left alone in a world in which he belongs nowhere, neither white nor Indian, civilized or fully wild.

Deftly interweaving Eli’s story with those of his son, Peter, and his great-granddaughter, JA, The Son deftly explores the legacy of Eli’s ruthlessness, his drive to power, and his life-long status as an outsider, even as the McCullough family rises to become one of the richest in Texas, a ranching-and-oil dynasty of unsurpassed wealth and privilege.

Harrowing, panoramic, and deeply evocative, The Son is a fully realized masterwork in the greatest tradition of the American canon-an unforgettable novel that combines the narrative prowess of Larry McMurtry with the knife edge sharpness of Cormac McCarthy.

Editor's Note

Powerful story of the Old West…

Phillip Meyer’s critically acclaimed and bestselling novel of the Old West is a fully-realized tale of identity, family, and belonging. Make sure to read the excellent novel before checking out the AMC adaptation, starring Pierce Brosnan.

LanguageEnglish
PublisherHarperCollins
Release dateMay 28, 2013
ISBN9780062120410
Author

Philipp Meyer

Philipp Meyer is the author of the critically lauded novel American Rust, winner of the 2009 Los Angeles Times Book Prize. It was an Economist Book of the Year, a Washington Post Top Ten Book of the Year, and a New York Times Notable Book. He is a graduate of Cornell University and has an MFA from the University of Texas at Austin, where he was a James Michener Fellow. A native of Baltimore, he now lives mostly in Texas.

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Rating: 4.040584273051948 out of 5 stars
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  • Rating: 3 out of 5 stars
    3/5

    Apr 1, 2019

    This long family saga set in Texas is primarily told from the point of view of three related characters of different generations. Unfortunately, I found the story of only one of the characters interesting and even that storyline sort of petered out. Eli McCullough is taken by the Comanche when he is 12 and lives with them until he is 16. I liked his description of life with his captors, who became his new family. His life after he returned to live with white people also had an interesting progression. In contrast, the lives of the other two protagonists had no progression at all and did not interest me very much. The story of Eli's son Peter is mostly about the murder of Mexicans by the white Texans who then stole their land. There was also Peter's affair with a Mexican woman, which probably wasn't a good idea for either of them. The chapters of the book dealing with Eli's great granddaughter were like episodes of Dallas - all money, politics and oil deals. Also there was a lot of whining about the problems of a woman in a man's world (which are hard to take seriously coming from someone enormously wealthy). I don't think the blurb does this book any favors by comparing it to the work of Larry McMurtry and Cormac McCarthy.I'd had this book for a while but only decided to read it when I heard about the upcoming TV series based on the book. After listening to the audiobook, I'm still undecided about whether or not I want to watch the series. I can easily see it sinking in a morass of sex and violence. The audiobook had multiple narrators and I particularly liked the narration of the Eli chapters by Will Patton.
  • Rating: 3 out of 5 stars
    3/5

    Apr 1, 2019

    The Son by Philip Meyer, while extremely well written, was not a book I enjoyed. However, my son, who prefers this sort of genre found the book to be quite exciting. I highly suggest reading the book synopsis well (better than I did) and checking out other reviews before deciding of this is the book for you.
  • Rating: 5 out of 5 stars
    5/5

    Apr 1, 2019

    One of the best ever.
  • Rating: 4 out of 5 stars
    4/5

    Apr 1, 2019

    Multigenerational novel that covers white man's taming of Texas and fulfillment of Manifest Destiny. Reminiscent of a Michener novel. Eli's story is the most interesting to me: captured by Comanches, he lived with them for three years and the book describes aboriginal life pretty well. Reading through 21st century eyes, the killing and racism seems offensive, but I tried to put it in perspective of the period. That said, the human relationships haven't changed much and are good and well explained. Some of the 21st century euphemisms were apparent and not appreciated. Geographically, the book covered some familiar territory. I'd like to read some more by this author.
  • Rating: 4 out of 5 stars
    4/5

    Apr 1, 2019

    This 2013 multi-generational novel spans events in Texas from the early 19th century to the present day, concentrating on Eli McCullough, (who at age 13 is captured by Comanches and fits right into their way of life, learning many able things and doing much evil as well), and on his son Peter (who is appalled by .the things his father does against the Mexicans who were in Texas long before the whites) and on Peter's granddaughter who lives into the present time. None of the characters in the novel are wholly admirable and some more evil than good. The book jumps between the characters in successive chapters and while I usually dislike that device in this case it did not annoy. The book is easy to read and holds one's interest, but it would have been neat to have some more admirable characters--but I suppose that would have made it unhistorical. It reminded me of Larry McMurtry's Lonesome Dove (read by me 17 Jan 1987) and of Edna Ferber's Giant (read July 11, 2007). It was good to see that Peter had adverse reactions to his father's evil doings but even Peter was a flawed man. It would have made a better novel if it had had more actual history in the account, though apparently the author did huge amounts of reading preparatory to writing the book, so one perhaps can rely on the book not being ahistorical--though when reading of the torture and murders one hoped it was,
  • Rating: 5 out of 5 stars
    5/5

    Apr 26, 2017

    Yes. Timeless perspective on the frontier. Beautiful and haunting. Full of spirit.
  • Rating: 5 out of 5 stars
    5/5

    Jun 22, 2024

    Excellent! American, Indian, Mexican Historic Lore ! Page turner ! Vibrant Characters building America! Love and hate, failure and success ! We stand on the shoulders of Giants , Great hardships overcome! Wonderfull story of our Wonderous America The Beautiful !
  • Rating: 3 out of 5 stars
    3/5

    May 18, 2020

    Wow. I'm exhausted. I LOVED the parts with Eli/Tiehteti. The descriptions of life with the Comanches was so vividly written- I hated when those chapters ended. This book jumped between so many characters and time frames that it was work to read and then suddenly, it was over- for everyone.
  • Rating: 4 out of 5 stars
    4/5

    Oct 31, 2022

    “You could butcher and pillage but as long as you did it for people you loved, it never mattered. You did not see any Comanches with the long stare—there was nothing they did that was not to protect their friends, their families, or their band. The war sickness was a disease of the white man, who fought in armies far from his home, for men he didn’t know, and there is a myth about the West, that it was founded and ruled by loners, while the truth is just the opposite; the loner is a mental weakling, and was seen as such, and treated with suspicion. You did not live long without someone watching your back and there were very few people, white or Indian, who did not see a stranger in the night and invite him to join the campfire.” – Philipp Meyer, The Son

    Epic saga of the American southwest, focusing on a Texas family from the 1830’s to the 1980’s. Eli is the patriarch of the McCullough family. At thirteen, he is kidnapped by the Comanche and learns their ways. He eventually makes his way back to white society, and becomes a state ranger, a cattle rancher, and an early oil driller. Peter is Eli’s son. He is traumatized by a brutal feud with the neighboring Garcia family and feels out of step with the rest of his relatives. Jeanne Anne is Peter’s granddaughter. She is the heir to the McCullough fortune, an iron-willed woman attempting to gain respect in a male-dominated oil industry. Her life is filled with tragedy.

    The three narrators’ stories are told in rotating sequence. As is typical in stories with multiple voices, some are more appealing than others. Eli’s coming-of-age with the Comanche is particularly well-crafted and compelling. Meyer vividly describes buffalo hunts, tribal rituals, and raiding parties, not sparing any gruesome details of the carnage. Peter’s journal becomes the voice of conscience for his family’s violence and corruption. Jeanne Anne’s segments are less captivating. She is necessary to bridge the gap between the previous generations and modern society, but her chapters are mostly bleak. It would have been nice to find bit more human compassion in the story.

    This is a character-driven novel and I am impressed by Meyer’s ability to expertly weave the three storylines together, each elucidating the others. Themes include abuse of power, injustice, greed, entitlement, discrimination, and cross-cultural relationships. This is a book that dissects the legend of the rugged “American West” and exposes its ugly foundations. While I did not enjoy it quite as much as his debut, American Rust, it came very close.
  • Rating: 5 out of 5 stars
    5/5

    Mar 31, 2023

    The way the story is told- from primarily 3 people’s perspectives and at different times in history, takes a little getting used to, but is a phenomenal historical fiction Novel taking place in Texas.
    Definitely worth reading.
  • Rating: 5 out of 5 stars
    5/5

    Oct 23, 2022

    It is a Big Texas saga over 5 generations and it is detailed with rich characters and vivid recollections of 19th and 20th century life. We have Native Americans, Hispanics, and Anglos all fighting for control of the rich resources of Texas. It is a wonderful read but I feel like it is a story that has been told and retold. However, for someone younger than me, I am sure this family saga will amaze you with the ordeal our ancestors (whatever race they maybe) went through during the European expansion into North America.
  • Rating: 5 out of 5 stars
    5/5

    Jul 21, 2023

    The McCullough family has been living in the American West for many generations. Philipp Meyer's The Son relates the story of this family from different perspectives, mainly of Eli McCullough, Peter McCullough and Jeanne Anne McCullough. It is set mainly in Texas at different points in time, the mid-1800s, the early 1900s and the mid-1900s to present day. Eli McCullough lives out in the west where his family is attacked by Comanches who kill his mother, rape his sister and take her and Eli as prisoners, the father not being present at their home at the time of the raid. Soon, Eli's sister dies in captivity. Eli, however, adapts to the Comanches and over a number of years becomes accepted as almost their equal.
    Peter McCullough is Eli's son, but he is different from the rest of the family, being rather bookish, introvert and not prone to violence. When it is decided that their neighbor, a Mexican named Garcia, and his whole family have to be killed because he has allegedly stolen the McCullough's horses, Peter abhors this act and the murders haunt him for the rest of his life. When María Garcia, who was spared as a young girl at the time of the murders, comes to visit Peter at his home decades later, Peter falls for her, which his family cannot comprehend and does not approve of.
    Eventually, Jeanne Anne's parts of the story are set in the early 2000s when she takes a look back at her life that seems to be nearing the end. As a young girl and later as a woman she always worked hard to belong in a world dominated by men. When her father Charles, Peter's son, dies, she inherits the farm and all the land and oil it provides. She becomes very rich early in her life, not even being 20 at the time. She, too, is visited by members of the Garcia family at various points in her life. Finally, she is visited by Ulises Garcia, who claims to be Peter's son, whom he had with María Garcia.
    I really enjoyed reading The Son because it provided different perspectives and was set at different times between the 1800s and early 2000s. The different points of view combine to create a fuller picture of the characters. Eli, for example, evokes feelings of sympathy at first and his time with the Comanche's is very formative in that he tries to find a place in a world that was previously unknown to him. Later on, through Peter's perspective, Eli is a completely different character that I could not feel much sympathy for. The history of the McCullough family is presented as a nicely woven quilt and I found it to be a very intriguing story. 4.5 stars.
  • Rating: 4 out of 5 stars
    4/5

    Aug 20, 2023

    Not really a Western. Not really a family epic. Not really a character study. But all of these and more. I enjoyed this quite a bit and look forward to how the AMC TV series continues to expand on the fascinating story of the McCullough family and the transformation of Texas from wild frontier to cattle country to oil empire.
  • Rating: 5 out of 5 stars
    5/5

    Apr 9, 2022

    Interesting and good read. The triple time spanning narrators finely got in the way of each other towards the end. Writing began to falter just as you needed perseverance to reach the final outcome - which seemed a bit cheap. The Eli plot line was riveting to me. The general theme was a bit heavy handed at times. If you like Texas, Indian Captives and a Family Saga, give this book a try.
  • Rating: 4 out of 5 stars
    4/5

    Feb 28, 2022

    A great American, Mexican, Indian story detailing the sacrifices made, the laws broken, the carousel of theft for power and money (greed) by so many in the development of Texas. Unfortunately, it seems, crimes perpetrated against one, family, person, nationality, became the fate of the one, family, person, nationality, even generations later. And here we are. The story is compelling and in the end, just plain sad from every single angle.
  • Rating: 5 out of 5 stars
    5/5

    Sep 30, 2013

    Eli McCullough is thirteen years old in 1849 when a raiding band of Comanches swoops down on his home in the new Republic of Texas. After killing and brutalizing his mother and sister, they carry off Eli and his brother Martin, disappearing across the desolate plains and leaving no trace for Eli’s father to follow them. Martin survives for only a few days but Eli is taken back to the Comanche campground and soon adjusts to his new life. He picks up the language, answers to his Comanche name and quickly learns the ways of the Comanche people. He even rises to a role of prominence as an adopted son of the chief who goes on raids and bags his first scalp. After two years, the tribe is overcome by disease and the actions of armed Americans, who soon annihilate the Comanche tribe. Eli is left feeling like a man without a country, as he is taken in by a judge’s family who try, unsuccessfully, to turn him into an American schoolboy. We follow the course of Eli’s life for the next eighty years as Texas grows from its Republic position to that of state. Eli serves in the Texas Rangers, the Confederate Army and soon starts acquiring land, gobs of land, thousands and thousands of acres. The trajectory of his life, from pseudo- Indian brave to cattle rancher to oil magnate highlights his life as a greedy murderer whose ambition is not dampened by even a bit of compassion. The treatment of the Mexicans who were supposed to be his friends is particularly reprehensible.

    Interwoven with Eli’s story is the story of his son Peter and his great granddaughter Jeanne. Peter was a real misfit who could not conform to his father’s insistence on violence and greed as a way of life and Jeanne, a woman operating in a man’s world, continually second guesses herself.

    Meyer’s skill, weaving the three threads seamlessly throughout the narrative made learning about this time in our country’s history an easy lesson indeed. And most of the book was gripping. But he could have cut out at least a hundred pages of the 561 page narrative. I really did not need to know so much about how the Comanche tanned buffalo hides. Really. Those (many) pages were definitely mind-numbing. But other than that one complaint, I was fascinated with the lives and history depicted by Meyer, the development of that part of the country, the treatment by/of the Comanche and on page 533 Meyer mentions this:

    ”The next morning they were shouting it in the streets: Quanah Parker and the last of the Comanches had surrendered. There were barely a thousand left on earth---the same number that had lived in Toshaway’s village---and now the whole of Texas was open to the white man.”

    Hmmm, I think I have a book on my shelf that has something to do with Quanah Parker and the Comanches. Let me see---ah, here it is, Empire of the Summer Moon. Well, I know what I will be reading next.

    1 person found this helpful

  • Rating: 2 out of 5 stars
    2/5

    Aug 9, 2013

    This is a bit of an odd book, unless you like books told by multiple narrators each of whom is in a different time. My biggest complaint is that it is predictable that the family will end tragically, and of course you know they amass huge fortunes in whatever industry is driving Texas growth that decade... land cows or oil. The characters are interesting but lack gravitas in most cases. Eli the abducted progenitor gives up life suddenly with his Comanche kidnappers, but I wasn't sure this was a realistic decision for a 18 YO... For some reason all the Indians speak perfect english and say things like "How does that make you feel?" while still torturing captives. In the end of course the families sins against Native Americans and Mexicans come back to haunt them... Save $20 and read "Empire of the Summer Moon" and "lone Star" by Fehrenback In the case of Texas Truth is stranger ( and better written) than fiction

    1 person found this helpful

  • Rating: 5 out of 5 stars
    5/5

    Jul 24, 2013

    Philipp Meyer’s The Son is one of those books that instantly clicked with me. It happens sometimes that the perfect-for-you book comes along at just the right moment, a book that intrigues you from the first page right on through the last one (and there are 561 pages in The Son, so that is really saying something). I am not naïve enough to believe that everyone will have the same reaction to The Son that I had, but at this point it is my favorite novel of the first half of 2013.

    This is the story of seven generations of the McCulloughs, a Texas family whose third generation was sired by Eli McCullough who claims to have been the first Anglo male child born in the Republic of Texas (March 1836). But, unlike so many family sagas, this one is not told in a linear, let’s follow the family tree right down the line, kind of way. Rather, Meyer lets three generations of the McCullough family carry the brunt of the action: Eli (second generation), Peter (third generation), and Jeanne Anne (fifth generation). By alternating narrative chapters from his three main narrators, and having each of them fill in the backstories of other family members, Meyer makes it easy for the reader to follow this remarkable family’s entire 200-year saga.

    Living in Texas during Eli’s generation was not for sissies, something Eli and the rest of his immediate family learn the hard way when a Comanche raiding party targets the McCullough family farm. For Eli, however, the raid will turn out to be one of those cases of “what doesn’t kill you makes you stronger.” The years he spends with the tribe, his new family, prepare him for anything that Texas will be able to throw at him for the rest of his life.

    But Peter McCullough, born in 1870, is not the typical Texan of his day, especially for a man fathered by Eli McCullough. Peter is the “sensitive” type, a man whom his father and two younger brothers see as strangely unwilling to defend the family interest in the long running border war between American and Mexican ranchers. His empathy for his Mexican counterparts is considered a weakness by even, if not especially by, those closest to him.

    The formidable Jeanne Anne (Peter’s granddaughter), already an old woman by the end of the twentieth century, brings the family into the modern era. Partly because she is somewhat of a feminist, but largely because there is no one else of her generation to do it, Jeanne Anne personally oversees the family’s enormous oil fortune at a time when women do not even think of attempting such a thing.

    The Son has become a personal favorite of mine, a novel I am likely to read several times over the years. I cannot guarantee that it will work as well for you, of course, but this Philipp Meyer novel is certainly worth a look.

    1 person found this helpful

  • Rating: 4 out of 5 stars
    4/5

    May 13, 2018

    Très beau roman. Dépaysant, captivant, très agréable à lire. Trois personnages d'une famille texane nous racontent l'histoire de leur famille, de l'état du Texas et de notre monde depuis le milieu du XXI° siècle jusqu'à nos jours. Phiipp Meyer nous décrit l'émergence des Etats-unis modernes, et une Amérique entrain de disparaître, la fin des peuplades indiennes, la fin des grands espaces, le début de l'industrialisation, de la croissance des villes et surtout les débuts de l'industrie pétrolière. Au travers de cette histoire de famille, Philipp Meyer démonte les mythes des origines des Etats-unis, dénonce la violence et le mépris du blanc envers les indiens, les mexicains, mais rappelle que l'histoire se construit malheureusement sur la lutte violente et cruelle de la loi du plus fort, de plus égoïste et du plus cynique.
    La construction du roman est original par son basculement permanent entre les trois discours. le récit de Eli McCullough, le Colonel, à l'origine de la fortune de la famille, étant un roman épique racontant les indiens, les combats, la guerre de Sécession et surtout la description des grands espaces, la nature omniprésente. Le récit de son fils, Peter, sous forme d'un journal, relève plus du roman social, se mettant au niveau des hommes et des luttes de consciences face à la violence de cette société et la haine des autres et de la différence. Enfin le récit de Jeanne-Anne l'arrière-petite-fille, qui à près de quatre-vingt ans se voit entrain de mourir et se remémore sa vie, le texte devient alors par petite touche une critique forte des Etats-unis en particulier et de nos sociétés occidentales en général, la destruction de la nature, l'oppression des plus faibles, le racisme et la violence toujours présent, une société opulente, sans but et sans valeur.
  • Rating: 5 out of 5 stars
    5/5

    May 28, 2017

    I bought this book after watching the series The Son and I am so glad I did. This book has it all from the Indian raids to the settling of Texas. It is told by 3 people, Eli, his son Peter, and his great granddaughter Jeanne Anne. It tells the story of Eli being taken hostage by the Indians after his mother, sister and brother are killed. His life with the Indians and how he returned to his own kind and how he made his fortune. Although I think his life would have been kinder to him had he stayed with the Indians because his own children weren't kind to him at all. All in all a very good read with a few surprises at the end.
  • Rating: 4 out of 5 stars
    4/5

    Apr 1, 2017

    I had loved Meyer's American Rust when I read it during a holiday in Pennsylvania a couple of years back; a trip to Texas last week seemed like a good excuse to read his follow-up, which showed every sign of being a culmination of his many talents. The Son is a sprawling, multigenerational family tale, not a million miles away from the kind of AGA-saga that people like Joanna Trollope have been writing for years, though because the author is male and American the book – which in alternating chapters follows the members of three different generations from the 1830s to the present day – has been lauded as some kind of revolution in narrative structure.

    The earliest storyline, which is by far the most compelling (there's problem one), consists of a first-person account by the family patriarch, who was abducted by Comanches and brought up first as a slave and eventually as an accepted member of the tribe. Here Meyer is in fine deadpan Western mode, channelling Faulkner and – especially – inviting risky comparisons with Cormac McCarthy, in relation to whom Meyer occasionally seems almost to be a pasticheur:

    By sundown the walls of the canyon looked to be on fire and the clouds coming off the prairie were glowing like smoke in the light, as if this place were His forge and the Creator himself were still fashioning the earth.

    Meyer's prose style is not as distinctive as McCarthy's, and he doesn't have quite the same bleakness of vision (Meyer reacts to man's violence with weariness and sympathy, while McCarthy reacts with pure horror), but he does have a stronger sense of plot and incident. Following Eli McCullough's early life as a Comanche captive is totally compelling from a purely narrative point of view, the inside portrayal of Comanche life is impressively convincing, and interleaving the stories of Eli's descendants makes it very clear how this violence was handed down to future generations.

    There is a practical point being made here, which appealed to me: it's not anything high-flown about the metaphysics of conflict and death, but rather about the sober realities of how the American West was built on constant cycles of killing – whether of animals, Native Americans, Mexicans or neighbours – and how these cycles do not just replay endlessly in place but are also even exported (notice how later generations of McCulloughs, heavily involved in the oil industry, discuss creating further opportunities in Iran and Iraq).

    On the ranch they had found points from both the Clovis and the Folsom, and while Jesus was walking to Calvary the Mogollon people were bashing each other with stone axes. When the Spanish came there were the Suma, Jumano, Manso, La Junta, Concho and Chisos and Toboso, Ocana and Cacaxtle, the Coahuiltecans, Comecrudos…but whether they had wiped out the Mogollons or were descended from them, no one knew. They were all wiped out by the Apaches. Who were in turn wiped out, in Texas anyway, by the Comanches. Who were finally wiped out by the Americans.

    The book's title, then, doesn't refer to any son in particular. Rather, it brings to mind Biblical warnings about where the sins of the father will be visited: that sense of retribution, unfairness, and cyclical violence is what the novel is finally about. The cycles have not stopped and they show every sign of continuing to play out until we're all long gone.

    The question is, do you need six hundred pages to illustrate that point? I felt that you didn't, and the book overstayed its welcome slightly for me; from around the halfway mark, I was silently urging, yes, yes, we get it and battling a growing sense that the more modern strands of narrative were underdeveloped and contributing little – they wouldn't stand on their own two feet and only worked as adjuncts to the richer story of the 1860s.

    This practical problem, I suspect, is what motivated the novel's structure. Nevertheless, there are passages in here, of Comanche raids and southwestern hoodoos, that I wouldn't have missed for anything; and as a man-hands-on-misery-to-man family drama, it's full of gruff charm, emotional resonance, and pointed reflections on what lies behind the making of America.
  • Rating: 4 out of 5 stars
    4/5

    Mar 14, 2017

    A brilliant sprawling tale of a Great American Family. The Eli sections - a more accessible, less gruesome Blood Meridian - are so good that they outshine the other two strands quite dramatically, but it's fun flicking back and forth in time to see quite how the formidable patriarch's reputation was formed.
  • Rating: 4 out of 5 stars
    4/5

    Mar 3, 2017

    Meyer's book is a sprawling family chronicle told through the eyes of four members of the McCullough family spanning from the 1830s to modern times. Only one of the characters, family patriarch Eli has a story that is compelling enough to keep me wanting more. Kidnapped as a boy and raised by Comanches, he later goes on to become a Texas Ranger and Confederate officer before starting his family empire. I liked his character so much that all others were pale caricatures by comparison.
  • Rating: 3 out of 5 stars
    3/5

    May 3, 2016

    A multi-generational historical novel replete with land barons, oil tycoons, cowboys, bluecoats, Indian scalpings, shootouts, border raids… you name it. The author takes us on a romp through Texas history that should be everything you want in a novel, right?

    Well…. No, not really. The jumps back in forth in time were clunky. OK to be brutally honest most of the narrative was. There was almost no differentiation between the voices of Eli, Peter and Jeannie. The book was so painstakingly researched the only thing missing from my 7th grade Texas history book was the battle of The Alamo. That’s my whole problem with the book in a nutshell. I’m from Texas. I grew up hearing these stories. I took a mandatory year of Texas history. The author didn’t present the information in a way that was more interesting or offered a different perspective. On the very first page I said “Oh, it’s Charles Goodnight. About time someone wrote a book about him. Wait. Someone did. Larry McMurtry.”

    That being said, Meyer gets major points for portraying Jeannie McCullough’s difficulty trying to break through the glass ceiling in the oil business. The best parts of the book in my opinion. I was surprised they were written by a man. I have met very few men who understand the conflict and guilt women experience trying to have it all, how they are always “bossy” but never “the boss”.

    I’m sure someone new to the Border War or the history of the Comanches will find this book excellent.
  • Rating: 5 out of 5 stars
    5/5

    May 2, 2016

    I read The Son because it was shortlisted for the Pulitzer and I'm doing that super-time-consuming-yet-fun-yet-frustrating Pulitzer winner vs. Shortlist thing in which I read the books that were shortlisted for the Pulitzer and decide if one of them is better than the winner. The Son was shortlisted in 2014 and I've now read both shortlisted books and the winner. I'll do an official comparison sometime in the next week but for now - The Son.

    This is a massive epic that spans, I don't even know how many years: lots? Yes, lots. It's the story of a Texas . . . not really town, but enormous parcel of land that once belonged to Mexico and by the end of the book is split up amongst a number of families. The story is told from numerous points of view, including the land owners, their various family members, and the Native Americans who were there long before any of these other jokers.

    This is a book with a much-needed cast of character list in the front so you can keep track not just of which character is narrating each chapter but what century it takes place in. The author did an excellent job of making this as easy to navigate as possible. I do love a book told from many perspectives but it can be done really terribly. That was certainly not the case here.

    I gave this book five stars on Goodreads because it was so easy to identify as a Very Good Book. The writing was solid, the character development was on point, and the author admirably made several conflicting impressions of the situation seem valid.

    That said, I can't say that I loved this book. It was very good. I never dreaded getting back to it. But I also didn't connect with any of the characters on a personal level. I didn't think about them when I wasn't reading the story and I wasn't disappointed to finish this book. I would absolutely recommend this book to a person who enjoys reading a very realistic Western where all guys are both good guys and bad guys, and to anyone who likes family dramas that span centuries.
  • Rating: 4 out of 5 stars
    4/5

    Apr 14, 2016

    A sweeping historical novel about the Texans, the Mexicans, the Indians and a family that lives through it all. Very engaging read! The story-line did a wonderful job of weaving together the generations across 250+ years of history. A very clever and insightful story. Highly recommended.
  • Rating: 3 out of 5 stars
    3/5

    Oct 17, 2015

    This is the sprawling saga of the McCullough family of Texas ranging from the mid-1800s to the present time, told through the eyes of Eli (the "Colonel") who is kidnapped by Indians, his son Peter, and his great-granddaughter Jeannie. I thought the portions of the book about Eli and his adopted family of Comanches were by far the most interesting and wish that the whole book had been based on his life. Peter and Jeannie's sections were kind of boring.
  • Rating: 4 out of 5 stars
    4/5

    Sep 29, 2015

    What an engrossing and enjoyable family saga. Particularly interesting in that it really dives into some not-well-remembered historical eras, including antebellum and pre-WWI Texas (and Mexico, for that matter). I listened to the audiobook, and all the readers were fantastic, although Will Patton is without a doubt one of my all-time favorites--his performance really blew me away.
  • Rating: 5 out of 5 stars
    5/5

    Sep 27, 2015

    THE SON, by Philipp Meyer.

    Philipp Meyer's second novel, a multi-generational saga of the taming of Texas, has enjoyed unparalleled success and an outpouring of critical praise, so there's probably very little I can add that will make much difference. I enjoyed the book very much.

    A book like THE SON does not evolve from a vacuum, however. So I thought I would list a few of its esteemed predecessors, all of which occurred to me as I was reading this book and made me wonder if Philipp Meyer had read any or all of them. Here they are, in no particular order:

    LITTLE BIG MAN, by Thomas Berger;
    GIANT, by Edna Ferber (indeed, Ferber becomes a minor off-stage character in Jeannie's story);
    LONESOME DOVE, by Larry McMurtry;
    THE SEARCHERS, by Alan Lemay;
    THE OLD GRINGO, by Carlos Fuentes; and maybe even
    THE CARPETBAGGERS, by Harold Robbins (for the Nevada Smith character).

    I know there are many other such books. Philipp Meyer's THE SON stands pretty tall amongst these though, and I suspect it will hang around for a long time. I'm giving it four and a half stars only because I thought the conclusion meandered somewhat, trying to figure out just how and where to finish up. But wow, what great characters he has created, ones that will endure for a long time. Bravo, Mr. Meyer. Very highly recommended.
  • Rating: 3 out of 5 stars
    3/5

    Sep 5, 2015

    In "The Son," Philipp Meyer allows us to follow the triumphs and misfortunes of the McCullough family. It also parallels the the rise of Texas, and thus the McCullough's fate is symbolic of the destiny of the state. Spanning more than 150 years, Meyer takes us from Texas' independence through both World Wars and into modern times.

    The book is written through the eyes of three McCullough family members (and near the end a fourth is added): Eli McCullough, the family patriarch; Eli's son Peter; and Jeannie McCullough, Eli's great-granddaughter. Each generation has its own crises to deal with and the history of the times are seamlessly added. The format is consistent with a diary or memoir told by these three characters.

    Eli's story was the most interesting to me. His family was attacked by a Comanche raiding party and Eli kidnapped at the tender young age of 13. Initially a slave, Eli would prove his worth and eventually was accepted as a full member of the tribe. He did not have too much difficulty adapting to the new culture, and the Comanche lifestyle seemed to be made just for him. In fact, he had more trouble assimilating to the white man's culture when he returned to it. He joined the Texas Rangers to help himself adapt as it was the closest thing to the Comanche lifestyle that he could find. Blessed with the gift of long life, Eli was over 100 years old when he died. Eli's story started during Texas' independence from Mexico in 1836 and ended during the great depression of the 1930's.

    Next was Peter McCullough, Eli's son who was known as the "great disappointment." Peter's story took place in the years around World War I and focused on his philosophical differences with his father and the problems between the whites and the Mexicans in the area surrounding the McCullough ranch in southern Texas. In my opinion, Peter was too compassionate to succeed in the tough Texas landscape and was destined to be the outcast of the McCullough family. It seemed rather ironic that this trait would lead to the downfall of Peter McCullough.

    The final point of view followed Jeannie McCullough from the era of the great depression through the time period surrounding the dawning of the 21st century. Living in a man's world, Jeannie suffered the discrimination directed toward women during the time period covered. She learned the skills required to succeed in the cattle business and was better at most things than her brothers, yet she was discouraged from these activities. She was responsible for the transformation of the ranch's main business from cattle to oil, which had been started by Eli before his death.

    I did not really like this book, but also did not dislike it. With the exception of Eli's story, it seemed to lack the substance to grab my attention and interest. Also, I was not able to form a connection with any of the characters. Additionally, I did not care for the inclusion of the Spanish and Comanche languages without corresponding translations into English. Although it was not excessive, there were enough instances to be annoying. For these reasons, I rated this book 3 stars, an average read in my opinion.

Book preview

The Son - Philipp Meyer

Chapter One

Colonel Eli McCullough

Taken from a 1936 WPA Recording

It was prophesied I would live to see one hundred and having achieved that age I see no reason to doubt it. I am not dying a Christian though my scalp is intact and if there is an eternal hunting ground, that is where I am headed. That or the river Styx. My opinion at this moment is my life has been far too short: the good I could do if given another year on my feet. Instead I am strapped to this bed, fouling myself like an infant.

Should the Creator see fit to give me strength I will make my way to the waters that run through the pasture. The Nueces River at its eastern bend. I have always preferred the Devil’s. In my dreams I have reached it three times and it is known that Alexander the Great, on his last night of mortal life, crawled from his palace and tried to slip into the Euphrates, knowing that if his body disappeared, his people would assume he had ascended to heaven as a god. His wife stopped him at the water’s edge. She dragged him home to die mortal. And people ask why I did not remarry.

Should my son appear, I would prefer not to suffer his smile of victory. Seed of my destruction. I know what he did and I suspect he has long graced the banks of the river Jordan, as Quanah Parker, last chief of the Comanches, gave the boy scant chance to reach fifty. In return for this information I gave to Quanah and his warriors a young bull buffalo, a prime animal to be slain the old way with lances, on my pastures that had once been their hunting grounds. One of Quanah’s companions was a venerable Arapahoe chief and as we sat partaking of the bull’s warm liver in the ancient manner, dipped in the animal’s own bile, he gave me a silver band he had personally removed from the finger of George Armstrong Custer. The ring is marked 7th Cav. It bears a deep scar from a lance, and, having no suitable heir, I will take it to the river with me.

Most will be familiar with the date of my birth. The Declaration of Independence that bore the Republic of Texas out of Mexican tyranny was ratified March 2, 1836, in a humble shack at the edge of the Brazos. Half the signatories were malarial; the other half had come to Texas to escape a hangman’s noose. I was the first male child of this new republic.

The Spanish had been in Texas hundreds of years but nothing had come of it. Since Columbus they had been conquering all the natives that stood in their way and while I have never met an Aztec, they must have been a pack of mincing choirboys. The Lipan Apaches stopped the old conquistadores in their tracks. Then came the Comanche. The earth had seen nothing like them since the Mongols; they drove the Apaches into the sea, destroyed the Spanish Army, turned Mexico into a slave market. I once saw Comanches herding villagers along the Pecos, hundreds at a time, no different from the way you’d drive cattle.

Having been trounced by the aboriginals, the Mexican government devised a desperate plan to settle Texas. Any man, of any nation, willing to move west of the Sabine River would receive four thousand acres of free land. The fine print was written in blood. The Comanche philosophy toward outsiders was nearly papal in its thoroughness: torture and kill the men, rape and kill the women, take the children for slaves or adoption. Few from the ancient countries of Europe took the Mexicans up on their offer. In fact, no one came at all. Except the Americans. They flooded in. They had women and children to spare and to him that overcometh, I giveth to eat of the tree of life.

IN 1832 MY father arrived in Matagorda, common in those days if you viewed the risk of death by firing squad or a scalping by the Comanches as God’s way of telling you there were great rewards to be had. By then the Mexican government, nervous about the growing Anglo horde within its borders, had banned American immigration into Texas.

And still it was better than the Old States, where unless you were son of a plantation owner, there was nothing to be had but the gleanings. Let the records show that the better classes, the Austins and Houstons, were all content to remain citizens of Mexico so long as they could keep their land. Their descendants have waged wars of propaganda to clear their names and have them declared Founders of Texas. In truth it was only the men like my father, who had nothing, who pushed Texas into war.

Like every able-bodied Scotsman, he did his part in the rout at San Jacinto and after the war worked as a blacksmith, gunsmith, and surveyor. He was tall and easy to talk to. He had a straight back and hard hands and people felt safe around him, which proved, for most of them, to be an illusion.

MY FATHER WAS not religious and I attribute my heathen ways to him. Still, he was the sort of man who felt the breath of the pale rider close on his neck. He did not believe in time to waste. We first lived at Bastrop, raising corn, sorghum, and hogs, clearing land until the new settlers came in, those who waited until the Indian dangers had passed, then arrived with their lawyers to challenge the deeds and titles of those who had civilized the country and vanquished the red man. These first Texans had purchased their holdings with the original human currency and most could neither read nor write. By the age of ten I had dug four graves. The faintest sound of galloping hooves would wake the entire family, and by the time the news arrived—some neighbor cut up like a Thanksgiving shoat—my father had checked his loads and then he and the messenger would disappear into the night. The brave die young: that is the Comanche saying, but it was true of the first Anglos as well.

During the ten years Texas stood alone as a nation, the government was desperate for settlers, especially those with money. And through some invisible telegraph the message went back to the Old States—this area is safe now. In 1844 the first stranger arrived at our gate: a barbershop shingle, store-bought clothes, a lady-broke sorrel. He asked for grain as his horse would founder on grass. A horse that could not eat grass—I had never heard of such a thing.

Two months later, the Smithwicks’ title was challenged and then the Hornsbys and MacLeods were bought out at a pittance. By then there were more lawyers in Texas, per capita, than any other place on the continent and within a few years all the original settlers had lost their land and been driven west again, back into Indian country. The gentler classes who had stolen the land were already plotting a war to protect their blacks; the South would be cursed but Texas, a child of the West, would emerge unscathed.

In the meantime a campaign was launched against my mother, a Castilian of the old line, dark skinned but finely featured, it was claimed by the new settlers that she was octoroon. The plantation gentleman took pride in his eye for such things.

By 1846 we had moved past the line of settlement, to my father’s headright on the Pedernales. It was Comanche hunting grounds. The trees had never heard an ax, and the land and all the animals who lived upon it were fat and slick. Grass up to the chest, the soil deep and black in the bottoms, and even the steepest hillsides overrun with wildflowers. It was not the dry rocky place it is today.

Wild Spanish cattle were easily acquired with a rope—within a year we had a hundred head. Hogs and mustang horses were also for the taking. There were deer, turkey, bear, squirrel, the occasional buffalo, turtles and fish from the river, ducks, plums and mustang grapes, bee trees and persimmons—the country was rich with life the way it is rotten with people today. The only problem was keeping your scalp attached.

Chapter Two

Jeanne Anne McCullough

March 3, 2012

There were murmurs and quiet voices, not enough light. She was in a large room that she first mistook for a church or courthouse and though she was awake, she couldn’t feel anything. It was like floating in a warm bath. There were dim chandeliers, logs smoking in a fireplace, Jacobean chairs and tables and busts of old Greeks. There was a rug that had been a gift from the Shah. She wondered who would find her.

It was a big white house in the Spanish style; nineteen bedrooms, a library, a great room and ballroom. She and her brothers had all been born here but now it was nothing more than a weekend house, a place for family reunions. The maids wouldn’t be back until morning. Her mind was perfectly awake but the rest of her seemed to have been left unplugged and she was fairly certain that someone else was responsible for her condition. She was eighty-six years old, but even if she liked telling others that she couldn’t wait to cross over to the Land of Mañana, it was not exactly true.

The most important thing is a man who does what I tell him. She had said that to a reporter from Time magazine and they’d put her on the cover, forty-one and still sultry, standing on her Cadillac in front of a field of pumpjacks. She was a small, slender woman, though people forgot this soon after meeting her. Her voice carried and her eyes were gray like an old pistol or blue norther; she was striking, though not exactly beautiful. Which the Yankee photographer must have noticed. He had her open her blouse another notch and did her hair like she’d stepped out of an open car. It was not the height of her power—that had come decades later—but it was an important moment. They had begun to take her seriously. Now the man who’d taken the photograph was dead. No one is going to find you, she thought.

Of course it was going to happen this way; even as a child she’d been mostly alone. Her family had owned the town. People made no sense to her. Men, with whom she had everything in common, did not want her around. Women, with whom she had nothing in common, smiled too much, laughed too loud, and mostly reminded her of small dogs, their lives lost in interior decorating and other peoples’ outfits. There had never been a place for a person like her.

SHE WAS YOUNG, eight or ten, sitting on the porch. It was a cool day in spring and the green hills went on as far as she could see, McCullough land, as far as she could see. But something was wrong: there was her Cadillac, parked in the grass, and the old stables, which her brother had not yet burned, were already gone. I am going to wake up now, she thought. But then the Colonel—her great-grandfather—was speaking. Her father was there as well. She’d once had a grandfather, Peter McCullough, but he had disappeared and no one had anything good to say about him and she knew she would not have liked him either.

I was thinking you might make a showing at the church this Sunday, her father said.

The Colonel thought those things were best left to the Negroes and Mexicans. He was a hundred years old and did not mind telling people they were wrong. His arms were like gunsticks and his face was splotchy as an old rawhide and they said the next time he fell, it would be right into his own grave.

The thing about preachers, he was saying, is if they ain’t sparkin’ your daughters, or eatin’ all the fried chicken and pie in your icebox, they’re cheatin’ your sons on horses.

Her father was twice the size of the Colonel, but, as the Colonel was always pointing out, he had a strong back and a weak mind. Her brother Clint had bought a horse and saddle off that pastor and there had been a setfast under the blanket nearly the size of a griddle cake.

HER FATHER MADE her go to church anyway, waking up early to make the trip to Carrizo, where they had a Sunday school. She was hungry and could barely keep her eyes open. When she asked the teacher what would happen to the Colonel, who was sitting home that very minute, likely drinking a julep, the teacher said he was going to hell, where he would be tortured by Satan himself. In that case, I am going with him, Jeannie said. She was a disgraceful little scamp. She would have been whipped if she were Mexican.

On the ride home, she could not understand why her father sided with the teacher, who had a beak like an eagle and smelled like something inside her had died. The woman was ugly as a tar bucket. During the war, her father was saying, I promised God that if I survived, I would go to church every Sunday. But just before you were born, I stopped going because I was busy. And do you know what happened? She did—she had always known. But he reminded her anyway: Your mother died.

Jonas, her oldest brother, said something about not scaring her. Her father told Jonas to be quiet and Clint pinched her arm and whispered, When you go to hell, the first thing they do is shove a pitchfork up your ass.

She opened her eyes. Clint had been dead sixty years. Nothing in the dim room had moved. The papers, she thought. She had saved them from the fire once and had not gotten around to destroying them. Now they would be found.

Chapter Three

Diaries of Peter McCullough

AUGUST 10, 1915

My birthday. Today, without the help of any whiskey, I have reached the conclusion: I am no one. Looking back on my forty-five years I see nothing worthwhile—what I had mistaken for a soul appears more like a black abyss—I have allowed others to shape me as they pleased. To ask the Colonel I am the worst son he has ever had—he has always preferred Phineas and even poor Everett.

This journal will be the only true record of this family. In Austin they are planning a celebration for the Colonel’s eightieth birthday, and what will be honestly said about a man who is lionized in capitols, I don’t know. Meanwhile, our bloody summer continues. The telephone lines to Brownsville cannot be kept open—every time they are repaired, the insurgents blow them up. The King Ranch was attacked by forty sediciosos last night, there was a three-hour gun battle at Los Tulitos, and the president of the Cameron Law and Order League was shot to death, though whether the latter is a gain or loss, I can’t say.

As for the Mexicans, to see the number of them shot in bar ditches or hung from trees, you would think them as ill a scourge as the panther or wolf. The San Antonio Express no longer mentions their deaths—it would take up too much paper—and so the Tejano die unrecorded and are buried, if at all, in shallow graves, or roped and dragged off where they will not bother anyone.

After Longino and Estaban Morales were killed last month (by whom we don’t know, though I suspect Niles Gilbert) the Colonel devised a note for all our vaqueros: This man is a good Mexican. Please leave him alone. When I am done with him I will kill him myself. Our men display these notes like badges of honor; they worship the Colonel (along with everyone else), nuestro patrón.

Unfortunately for the Tejanos, the area cattlemen continue to lose stock. In the west pastures last week Sullivan and I found a section where the wire was cut and by nightfall we’d found only 263 cows and calves, versus the 478 counted during the spring roundup. A twenty-thousand-dollar loss and all evidence, circumstantially at least, pointing to our neighbors, the Garcias. I myself would rather lose the kingdom than lay blood libel against the wrong person. But that is a rare sentiment.

I HAVE ALWAYS thought I ought to have been born in the Old States, where, though their soil is even more blood soaked than ours, they no longer need their guns. But of course it is against my disposition. Even Austin I find overwhelming, as if each of its sixty thousand inhabitants were shouting at me at once. I have always found it difficult to clear my head—images and sounds linger with me for years—and so here I remain, in the one place that is truly mine, whether it wants me or not.

As we examined the cut fences, Sullivan pointed out, quite unnecessarily, that the tracks led right into the Garcia lands, which border the river, which, as it has been so dry, can be crossed nearly anywhere.

I do not mind old Pedro, he said, but his sons-in-law are as vile a pack of niggers as I have ever seen.

You’ve been spending too much time with the Colonel, I told him.

"He does sabe his Mexicans."

I have found just the opposite.

In that case, boss, I am hoping you will learn me the various honest explanations for a cut fence leading to Pedro Garcia’s pastures while we are short two hundred head. Time was we would cross and take them back but that is a bit above our bend these days.

Old Pedro can’t watch every inch of his land any more than we can watch every inch of ours.

You’re a big man, he said, and I don’t see why you act like such a small one.

After that he had no further comment. He considers it a personal affront that a Mexican might own so much land in our day and age. Of course the vaqueros do not help: because of his weight and high voice they call him Don Castrado behind his back.

As for Pedro Garcia, trouble seems to follow him like a lonely dog. Two of his sons-in-law are being pursued by the Mexican authorities for cattle theft, a notable accomplishment given that country’s views on such matters. I attempted to visit him last week, only to be turned back by José and Chico. Don Pedro no feel good, they told me, and pretended not to understand my Spanish. I have known Pedro my entire life, knew he would accept me as a visitor, but of course I turned my horse around and said nothing.

Pedro has been shorthanded so long that the brush is overrunning his land, and for the past two years he has only managed to brand half his calves. Each year he makes less money, each year he cannot hire as many men, and thus each year his income decreases yet again.

Still he has retained his good nature. I have always preferred his household to our own. We both enjoyed the old days, when it was a gentler land, with white caliche roads and adobe villages, not a thornbush to be seen and the grass up to your stirrups. Now the brush is relentless and the old stone villages are abandoned. The only houses built are crooked wood-frame monstrosities that grow like mushrooms but begin rotting just as quickly.

In many ways Pedro has been a truer father to me than the Colonel; if he has ever had a harsh word for me, I have not heard it. He had always hoped I might take an interest in one of his daughters, and for a time I was quite infatuated with María, the eldest, but I could sense the Colonel was strongly against it, and, like a coward, I allowed the feeling to pass. María went to Mexico City to pursue her studies; her sisters married Mexicans, all of whom have their eyes on Pedro’s land.

My greatest fear is that Sullivan is right and that Pedro’s sons-in-law are involved with the theft of our stock; they may not understand what the consequences will be; they may not understand that Don Pedro cannot protect them.

AUGUST 11, 1915

Sally and Dr. Pilkington are driving Glenn, our youngest, to San Antonio. He was shot tonight when we came across some riders in the dark. The wound is high in the shoulder and is certainly not life threatening and had it not been for the Colonel I would have gone to San Antonio with my son.

The Colonel has decided that the shooters were our neighbors. When I protested that it was too dark for any of us to have seen the guilty parties, it was implied that I was a traitor.

If you’d learned anything I taught you, he said. That was Chico and José on those horses.

Well, you must have eyes like a catamount to be able to see in the dark past a furlong.

As you well know, he told me, my vision has always carried farther than that of other men.

About a quarter of the town (the white quarter) is downstairs. Along with the Rangers, all of our vaqueros, and the Midkiff vaqueros as well. In a few minutes we will ride on the Garcias.

Chapter Four

Eli McCullough

Spring 1849, the last full moon. We’d been two years on our Pedernales acreocracy, not far from Fredericksburg, when our neighbor had two horses stolen in broad daylight. Syphilis Poe, as my father called him, had come down from the Appalachian Mountains, imagining Texas a lazy man’s paradise where the firewood split itself, the persimmons fell into your lap, and your pipe was always stuffed with jimsonweed. He was the commonest type on the frontier, though there were plenty like my father—intent on getting rich if they could stay alive long enough—and there were the Germans.

Before the Germans came, it was thought impossible to make butter in a southern climate. It was also thought impossible to grow wheat. A slave economy does that to the human mind, but the Germans, who had not been told otherwise, arrived and began churning first-rate butter and raising heavy crops of the noble cereal, which they sold to their dumbfounded neighbors at a high profit.

Your German had no allergy to work, which was conspicuous when you looked at his possessions. If, upon passing some field, you noticed the soil was level and the rows straight, the land belonged to a German. If the field was full of rocks, if the rows appeared to have been laid by a blind Indian, if it was December and the cotton had not been picked, you knew the land was owned by one of the local whites, who had drifted over from Tennessee and hoped that the bounties of Dame Nature would, by some witchery, yield him up a slave.

But I am ahead of myself. The problem facing my father that morning was the theft of two scrawny horses and a conspicuous trail of unshod pony tracks leading into the hills. Common sense suggested the perpetrators might still be about—no self-respecting horse thief would have been satisfied with Poe’s mangy swaybacked mares—but the law of the frontier demanded pursuit, and so my father and the other men rode off, leaving my brother and me with a rifle apiece and two silver-mounted pistols taken off a general at San Jacinto. This was considered plenty to defend a sturdy house, as the army had come to the frontier and the big Indian raids of the early ’40s were thought to be over.

The men rode out just before noon, and my brother and I, both between hay and grass but feeling full grown, were not worried. We had no fear of the aborigine; there were dozens of Tonkawas and other strays living nearby, waiting for the government to open a reservation. They might rob lost Yankees, but they knew better than to molest the locals: we all wanted an Indian pelt and would have collected one at the slightest excuse.

BY THE TIME I was twelve, I had killed the biggest panther ever seen in Blanco County. I could trail a deer across hard ground and my sense of direction was as good as our father’s. Even my brother, though he had a weakness for books and poetry, could outshoot any man from the Old States.

As for my brother, I was embarrassed for him. I would point out tracks he could not see, telling him which way the buck’s head had been turned and whether its belly had been full or empty and what had made it nervous. I saw farther, ran faster, heard things he thought I imagined.

But my brother did not mind. He thought himself superior for reasons I could not fathom. Whereas I hated every fresh wagon track, every sign of a new settler, my brother had always known that he would head east. He talked incessantly about the superiority of cities and it would not be long until he got his wish—our crops were heavy, our herds increasing—our parents would be able to hire a man to replace him.

Thanks to the Germans in Fredericksburg, where more books were stockpiled than in the rest of Texas combined, people like my brother were considered normal. He understood German because our neighbors spoke it, French because it was superior, and Spanish because you could not live in Texas without it. He had finished The Sorrows of Young Werther in the original language and claimed to be working on his own superior version, though he would not let anyone read it.

Outside of Goethe and Byron, my sister was the object of most of my brother’s thoughts. She was a beautiful girl who played the piano nearly as well as my brother read and wrote, and it was widely considered a shame that they were related. For my part, I had a bit of a hatchet face. The Germans thought I looked French.

As for my brother and sister, if there was anything improper I never knew it, though when she spoke to him her words were made of cotton, or a sweet that dissolves on your tongue, whereas I was addressed as a cur dog. My brother was always writing plays for her to act in, the two of them playing a doomed couple while I was cast as the Indian or badman who caused their ruination. My father pretended interest while shooting me knowing looks. So far as he was concerned, my brother was only acceptable because I’d turned out so close to perfect. But my mother was proud. She had high hopes for my siblings.

THE CABIN WAS two rooms linked by a covered dogtrot. It sat on a bluff where a spring came out of the rock and flowed over a ledge to the Pedernales. The woods were thick as first creation and my father said if we ever got to where the trees didn’t rub the house, we would move. Of course my mother felt different.

We fenced and gated a yard and stock pen, built a smokehouse, a corncrib, and a stable where my father did blacksmithing. We had a wood floor and glass windows with shutters and a German-built stove that would burn all night on just a few sticks. The furniture had the look of store-bought; it was whitewashed and turned by the Mormons at Burnet.

In the main room my mother and father kept a canopy bed to themselves and my sister had a cot; my brother and I shared a bed in the unheated room on the other side of the dogtrot, though I often slept outside in a rawhide I’d slung thirty feet or so in the air, in the branches of an old oak. My brother often lit a candle to read (a luxury my mother indulged), which disturbed my sleep.

The centerpiece of the main room was a Spanish square piano, my mother’s sole inheritance. It was a rarity, and the Germans came over on Sundays to sing and visit and be subjected to my brother’s plays. My mother was formulating plans to move into Fredericksburg, which would allow my brother and sister to resume their schooling. Me she considered a lost cause and had she not witnessed my issuance she would have denied responsibility in my creation. As soon as I was old enough I planned to join a Ranging company and ride against the Indians, Mexicans, or whomever else I could.

THINKING BACK, IT is plain my mother knew what would happen. The human mind was open in those days, we felt every disturbance and ripple; even those like my brother were in tune with the natural laws. Man today lives in a coffin of flesh. Hearing and seeing nothing. The Land and Law are perverted. The Good Book says I will gather you to Jerusalem to the furnace of my wrath. It says thou art the land that is not cleansed. I concur. We need a great fire that will sweep from ocean to ocean and I offer my oath that I will soak myself in kerosene if promised the fire would be allowed to burn.

But I digress. That afternoon I was making myself useful, as children did in those days, carving an ox yoke out of dogwood. My sister came out of the house and said, Eli, go out to the springhouse and bring Mother all the butter and grape preserves.

At first I did not reply, for in no way did I find her superior, and as for her supposed charms, they had long since worn off. Though I will admit I was often murderous jealous of my brother, the way they sat together smiling about private matters. I was not exactly on her good side, either, having recently stolen the horse of her preferred suitor, an Alsatian named Hiebert. Despite the fact that I had returned the horse better than I found it, having taught it the pleasures of a good rider, Hiebert had not returned to call on her.

Eli! She had a voice like a hog caller. I decided I was sorry for whatever unfortunate wretch got roped to her.

We’re near out of butter, I shouted back. And Daddy will be mad if he comes home and finds it gone. I went back to my whittling. It was nice in the shade with nothing but the green hills and a forty-mile view. Right below me the river made a series of little waterfalls.

In addition to the yoke, I had a new handle to make for my felling ax. It was a bo’dark sapling I had found in my travels. The handle would be springier than what my father liked, with a doe foot on the end for slippage.

Get up, said my sister. She was standing over me. Get the butter, Eli. I mean it.

I looked up at her standing there in her best blue homespun and made note of a fresh boil that she was attempting to hide with paint. When I finally brought the butter and preserves, my mother had stoked the stove and opened all the windows to keep the house cool.

Eli, my mother said, go down and catch us a few fish, will you? And maybe a duck if you see one.

What about the Indians? I said.

Well, if you catch one, don’t bring him back. There’s no sense kissing the Devil till you’ve met him.

Where’s Saint Martin?

He’s out fetching blackberries.

I picked my way down the limestone bluff to the river, taking my fishing pole, war bag, and my father’s Jaegerbuchse. The Jaegerbuchse fired a one-ounce ball, had double-set triggers, and was one of the best rifles on the frontier, but my father found it cumbersome to reload from horseback. My brother had first claim on it, but he found its kick too ferocious for his poetical constitution. It got meat on both ends but I did not mind that. It would drive its ball through even the oldermost of the tribe of Ephraim, or, if you preferred, bark a squirrel at nearly any distance. I was happy to carry it.

The Pedernales was narrow and cut deep into the rock, and there was not much water most times, maybe a hundred yards across and a few feet deep. Along the banks were old cypresses and sycamores, and the river itself was full of swimming holes and waterfalls and shaded pools brimming with eels. Like most Texas rivers it was useless to boatmen, though I considered this an advantage, as it kept the boatmen out.

I dug some grubs from the bank, collected a few oak galls for floats, and found a shady pool under a cypress. Just above me on the hill was an enormous mulberry, so heavy with fruit that even the ringtails had not been able to eat it all. I took off my shirt and picked as many as I could, intending to bring them to my mother.

I began to fish, though it was hard relaxing because I couldn’t see the house, it being high above me on the bluff. The Indians liked to travel in the riverbeds and my father had taken the only repeating firearms. But that was not bad in its way because it made me watch everything, the water glassing over the stone, skunk tracks in the mud, a heron in a far pool. There was a bobcat ghosting through the willows, thinking no one saw him.

Farther up the bank was a stand of pecans where a cat squirrel was taking bites of green nuts and dropping them to the ground to rot. I wondered why they did that: a squirrel will waste half the nuts on a tree before they are ripe. I thought about teaching him a lesson. Squirrel liver is top bait; if the Creator was a fisherman it is all he would use. But it was hard to reckon a one-ounce ball against a bushytail. I wished I’d brought my brother’s .36 Kentucky. I began to graze on the mulberries and soon they were all gone. Mother preferred blackberries anyway. She viewed mulberries the same as sassafras tea, low class.

After another hour of fishing I saw a flock of turkeys on the opposite bank and shot one of the poults. It was seventy yards but the head came clean off. I was allowed to aim at the head, my brother was not—the poult flapped its wings crazily, trying to fly while the blood fountained up. A shot for the record books.

I braced my fishing pole under a rock, swabbed the barrel clean, measured out a careful charge, seated a ball and capped the nipple. Then I waded across the river to retrieve my prize.

Near where the poult lay in a fan of blood there was a purple spear point sticking out of the sand. It was four inches long and I sat examining it for a long time; it had two flutes at the base that modern man has yet to figure how to replicate. The local flint was all cream to brown, which told me something else about that spear point: it had traveled a long way.

When I got back to my fishing pole it was floating downriver and I saw a big catfish had stuck itself on my bait, another one-in-a-million chance. I set the hook, thinking I’d lose the fish, but it pulled out of the water with no trouble. I decided to think about it. While I was sitting there I saw something in the sky and when I looked through my fist I realized it was Venus, that I was seeing it during the daytime. A bad sign if there ever was one. I took the turkey and catfish and my mulberry-stained shirt and hightailed it back to the house.

That was quick, said my mother. Only one fish?

I held up the turkey.

We were worried when we heard the shot, said my sister.

I don’t think it’s good being so far from the house.

The Indians won’t bother you, my mother said. The army is everywhere.

I’m worried about you and Lizzie, not me, I said.

Oh, Eli, said my mother. My little hero. She appeared not to notice my ruined shirt and she smelled of the brandy that we saved for important guests. My sister smelled of brandy as well. It had gone to her head and she pinched my cheek sweetly. I was annoyed at her. I considered reminding her that Miles Wallace had been kidnapped not a month earlier. But unlike the Wallace boy, who had been taken by the Comanches only to be scalped a few miles later, I was not a walleyed cripple. I knew I would probably enjoy being kidnapped, as all they did was ride and shoot.

After double-checking our supply of patch and ball I went outside and climbed the tree into my rawhide hammock, where I could see out over the riverbed, the road, and the surrounding country. I hung the Jaegerbuchse from a nail. I had been meaning to shoot something while swinging in the hammock—that would be proper living—but had not yet been successful. Through the dogwoods near the spring I could see my brother gathering blackberries. The wind was calm and it was pleasant lying there with the smell of my mother’s cooking. My brother had his rifle with him but wandered far from it, a sloppy habit. My father was strict about those things—if a gun is worth carrying it is worth keeping within arm’s reach.

But that afternoon my brother was in luck, as we saw no Indians. Near sundown I spotted something moving in the rocks above the flood line, sneaking in and out of the cedar, which turned out to be a wolf. It was so far away it might have been a coyote, but wolves run with their tails straight and proud while coyotes tuck them under like scolded dogs. The tail was straight on this one and he was a pale gray, nearly white. The branches were in my way so I climbed down out of the tree, snuck to the edge of the bluff, and got into a good brace with the sights high over the wolf’s back. He had stopped with his nose in the air, picking up the smell of our dinner. I set the first trigger, which made the second trigger only a twelve-ounce pull, then squeezed off the shot. The wolf jumped straight up and fell over dead. My father had us patch our bullets with greased buckskin, and our balls carried farther and straighter than if we’d used cotton patches, like most everyone else on the frontier.

Eli, was that you shooting? It was my sister.

It was just a wolf, I shouted back. I thought about going down to get the skin—a white wolf, I had never seen one of those before—but decided against it, as it was getting dark.

Because of all the food being made, we did not sit down for supper until late. Seven or eight tallow candles were lit around the house, another luxury. My mother and sister had been cooking all day and they brought out dish after dish. We all knew it was to punish my father for leaving us alone, for being guilted into a wild-goose chase, but no one said anything.

My brother and I drank cool buttermilk, my mother and sister drank a bottle of white wine we had gotten from the Germans. My father had been saving the wine for a special occasion. Supper began with wheat bread and butter and the last of the cherry preserves, then ham, sweet potatoes, roast turkey, fish stuffed with wild garlic and fried in tallow, steaks rubbed with salt and chili pepper and cooked directly on the coals, the last of the spring morels, also cooked in butter, and a warm salad of pigweed and Indian spinach, cooked in more butter and with garlic. I had never eaten so much butter in my life. For dessert we had two pies: blackberry and plum, fruit my brother had picked that day. There was nothing left in the larder but hardtack and salt pork. If he wants to run with Syphilis Poe, my mother said, then he can eat like Syphilis Poe.

I felt guilty but that did not stop me from eating my share. My mother did not feel guilty at all. She wished for more wine. Everyone was falling asleep.

I carried the ham bone out to the springhouse, then sat watching the stars. I had my own names for them—the buck, the rattler, the running man—but my brother convinced me to use Ptolemy’s, which did not make any sense. Draco looks like a snake, not a dragon. Ursa Major looks like a man running; there is not a bear anywhere in it. But my brother could not abide anything so tainted with common sense and thus my effort to name the heavens was aborted.

I put the horses in the stable, barred the door from the inside, and climbed out through the gap in the eaves. It would take any Indians a while to get at them. The horses seemed calm, which was a good sign, as they could smell Indians better than the dogs.

By the time I got back inside, my mother and sister had retired to my parents’ canopy bed and my brother was lying in my sister’s cot. Usually my brother and I slept in the room across the dogtrot, but I let him be. After gathering my rifle, war bag, and boots to the foot of the bed, I spit into the last candle and climbed under the covers with my brother.

AROUND MIDNIGHT I heard our dogs rucking up a chorus. I had not been sleeping well anyway so I got up to check the porthole, worried my mother or sister would see what was sticking up under my nightshirt.

Which I forgot about. There were a dozen men near our fence and more in the shadows near the road and still more in our side yard. I heard a dog yelp and then our smallest, a fyce named Perdida, went running off into the brush. She was hunched like a gut-shot deer.

Everyone get the hell up, I said. Get up, Momma. Get everyone up.

The moon was high and it might as well have been daylight. The Indians led our three horses out of the yard and down the hill. I wondered how they’d figured their way into the stable. Our bulldog was following a tall brave around like they were best friends.

Move over, said my brother.

He and my mother and sister had gotten out of bed and were both standing behind me.

There’s a lot of Indians.

It’s probably Rooster Joe and the other Tonks, said my brother.

I let him push me out of the way, then went to the fire and poked it so we would have light. Since statehood we’d had good Indian years; most of the U.S. Army had been stationed in Texas to watch the frontier. I wondered where they were. I knew I should load all the guns, then remembered I had already done it. A rhyme came into my head, buffalo grip, barlow blade, best damn knife that was ever made. I knew what would happen—the Indians would knock on the door, we would not let them in, and they would try to break in until they got bored. Then they would set fire to the house and shoot us as we came out.

Martin? said my mother.

He’s right. There are at least two dozen.

Then it’s whites, said my sister. It’s some gang of horse thieves.

No, it’s definitely Indians.

I got my rifle and sat down in a corner facing the door. It was shadows and dim red light. I wondered if I would go to hell. My brother was pacing and my mother and sister had sat down on their bed. My mother was brushing my sister’s hair saying, Shush now, Lizzie, everything will be fine. In the dimness their eyes were empty sockets like the buzzards had already found them. I looked the other way.

Your rifle has a nipple on it, I told my brother, and so do the pistols.

He shook his head.

If we put up a fight, they might just be happy with the horses.

I could tell he didn’t agree but he went to the corner and took up his squirrel gun, feeling the nipple for a percussion cap.

I already capped it, I repeated.

Maybe they’ll think we’re not home, said my sister. She looked to my brother but he said, They can see we have a fire going, Lizzie.

We could hear the Indians clanging things around in my father’s metal shop, talking in low voices. My mother got up and put a chair in front of the door and stood on it. There was another gun port up high and she removed the board and put her face to it: I only see seven.

There are at least thirty, I told her.

Daddy will be following them, said my sister. He’ll know they’re here.

Maybe when he sees the flames, said my brother.

They’re coming.

Get down from there, Mammy.

Not so loud, said my sister.

Someone kicked the door and my mother nearly fell off her perch. Salir, salir. There was pounding. Spanish was the language most of the wild tribes spoke, if they spoke anything but Indian. I thought the door might stop a few shots at best and I motioned again for my mother to get down.

Tenemos hambre. Nos dan los alimentos.

That is ridiculous, said my brother. Who would believe that?

There was a long quiet time and then Mother looked at us and said, in her schoolteacher voice: Eli and Martin, please put your guns on the floor. She began to remove the bar from the door and I realized that everything they ever said about women was true—they had no common sense and you could not trust them.

"Do not open that door, Momma.

Grab her, I told Martin. But he didn’t move. I saw the bar lift and propped the rifle on my knee. The moonlight was coming through the cracks like a white fire but my mother didn’t notice; she set the bar aside like she was welcoming an old friend, like she’d been expecting this from the day we were born.

IT WAS SAID in the newspapers that mothers on the frontier saved their last bullets for their own children, so they would not be taken by the heathens, but you did not hear of anyone doing it. In fact it was the opposite. We all knew I was of prime age—the Indians would want me alive. My brother and sister might have been slightly old, but my sister was pretty and my brother looked younger than he really was. Meanwhile my mother was almost forty. She knew exactly what they would do to her.

The door flung open and two men tackled her. A third man stood behind them in the doorway, squinting into the darkness of the house.

When my shot hit, he windmilled an arm and fell backward. The other Indians sprinted out and I yelled for my brother to shut the door but he didn’t move. I ran over to shut it myself but the dead Indian was lying across the sill. I was grabbing for his feet, intending to pull him in and clear the doorway, when he kicked me under the jaw.

When I came to there were trees waving in the moonlight and one loud noise after another. Indians were standing on either side of the doorway, leaning to shoot into the room, then ducking back around the corner. My sister said, Martin, I think they’ve shot me. My brother was just sitting there. I thought he’d taken a ball. The Indians took a break for the powder smoke to thin so I jerked the rifle from his hand, checked that the hammer was cocked, and was swinging it toward the Indians when my mother stopped me.

Then I was on my stomach; at first I thought the house had fallen, but it was a man. I grabbed at his neck but my head kept chunking against the floor. Then I was outside under the trees.

I tried to stand but was kicked and tried again and was kicked again. Now a man’s feet, now the ground next to them. Now a pair of legs, covered in buckskin. I bit his foot and was kicked a third time and then my hair was being pulled like it would come out at the roots. I waited for the cutting.

When I opened my eyes there was a big red face; he smelled like onions and a dirty outhouse and he showed me with the knife that I would behave or he would cut my head off. Then he lashed my hands with a piggin string.

When he walked away, he did not look like any Indian I’d ever seen. The aborigines living among the whites were thin, light bodied, and hard wintered. This one was tall and stocky, with a square head and fat nose; he looked more like a Negro than a lathy starving Indian and he walked with his chest out, as if taking everything we owned was his natural right.

There were fifteen or twenty horses outside the gate and as many Indians against our fence, laughing and making jokes. There was no sign of my mother or brother or sister. The Indians were stripped to the waist and covered with paint and designs like they’d escaped from a traveling show; one had painted his face like a skull, another had the same design on his chest.

Some of the Indians were rummaging the house and others rummaging the stables or outbuildings but most were leaning on the fence watching their friends work. All the white men I’d ever seen after a fight were nervous for hours, pacing and talking so fast you couldn’t understand them, but the Indians were bored and yawning like they’d just come back from an evening constitutional, except for the man I’d shot, who was sitting against the house. There was blood on his chest and his mouth was frothing. Maybe he’d jumped sideways when the cap popped—they said the aboriginals had reflexes like deer. His friends saw me staring and one came over and said taibo nu wukupatu?i, then knocked me in the head.

I had a long dream where I was brought before a man to judge me for my sins. It was Saint Peter, only in the form of the teacher of our school in Bastrop, who had disliked me over all the other students, and I knew I was going to hell.

Then most of the Indians were standing looking at something on the ground. There was a white leg crooked in the air and a man’s bare ass and buckskin leggings on top. I realized it was my mother and by the way the man was moving and the bells on his legs were jingling I knew what he was doing to her. After a while he stood up and retied his breechcloth. Another jumped right into place. I had just gotten to my feet when my ears started ringing and the ground came up and I thought I was dead for certain.

A while later I heard noises again. I could see the second group of Indians a little farther down the fence but now I could hear my sister’s voice whimpering. The Indians were doing the same to her as my mother.

FINALLY I REALIZED I was in bed. I was having a dream. It was nice until I woke up all the way and heard war whoops and saw I was still in the yard. My mother was naked and crawling away from the Indians; she had reached the porch and was trying to make it to the door. Inside the house, someone was pounding on the piano and there was something waving out from my mother’s back that I realized was an arrow.

The Indians must have decided they did not want her in the house because they began shooting more arrows into her. She kept crawling. Finally one of them walked up to her, put his foot between her shoulders and pressed her to the ground. He

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