Thoughts Suggested by Mr. Foude's "Progress"
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Charles Dudley Warner
Charles Dudley Warner (1829-1900) was an American essayist, novelist, and newspaper editor. After practicing law in Chicago, he moved to Connecticut and became an associate editor and publisher of The Hartford Courant. In addition to writing travel essays for the Courant and for Harper's magazine, as well as several novels, he collaborated with his friend and neighbor Mark Twain on The Gilded Age.
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Thoughts Suggested by Mr. Foude's "Progress" - Charles Dudley Warner
The Project Gutenberg EBook of Thoughts Suggested By Mr. Froude's Progress
, by Charles Dudley Warner
This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net
Title: Thoughts Suggested By Mr. Froude's Progress
Author: Charles Dudley Warner
Release Date: December 6, 2004 [EBook #3121]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK MR. FROUDE'S PROGRESS ***
Produced by David Widger
THOUGHTS SUGGESTED BY MR. FROUDE'S PROGRESS
By Charles Dudley Warner
To revisit this earth, some ages after their departure from it, is a common wish among men. We frequently hear men say that they would give so many months or years of their lives in exchange for a less number on the globe one or two or three centuries from now. Merely to see the world from some remote sphere, like the distant spectator of a play which passes in dumb show, would not suffice. They would like to be of the world again, and enter into its feelings, passions, hopes; to feel the sweep of its current, and so to comprehend what it has become.
I suppose that we all who are thoroughly interested in this world have this desire. There are some select souls who sit apart in calm endurance, waiting to be translated out of a world they are almost tired of patronizing, to whom the whole thing seems, doubtless, like a cheap performance. They sit on the fence of criticism, and cannot for the life of them see what the vulgar crowd make such a toil and sweat about. The prizes are the same dreary, old, fading bay wreaths. As for the soldiers marching past, their uniforms are torn, their hats are shocking, their shoes are dusty, they do not appear (to a man sitting on the fence) to march with any kind of spirit, their flags are old and tattered, the drums they beat are barbarous; and, besides, it is not probable that they are going anywhere; they will merely come round again, the same people, like the marching chorus in the Beggar's Opera.
Such critics, of course, would not care to see the vulgar show over again; it is enough for them to put on record their protest against it in the weekly Judgment Days
which they edit, and by-and-by withdraw out of their private boxes, with pity for a world in the creation of which they were not consulted.
The desire to revisit this earth is, I think, based upon a belief, well-nigh universal, that the world is to make some progress, and that it will be more interesting in the future than it is now. I believe that the human mind, whenever it is developed enough to comprehend its own action, rests, and has always rested, in this expectation. I do not know any period of time in which the civilized mind has not had expectation of something better for the race in the future. This expectation is sometimes stronger than it is at others; and,