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The House on the Borderland
The House on the Borderland
The House on the Borderland
Ebook219 pages3 hours

The House on the Borderland

Rating: 3.5 out of 5 stars

3.5/5

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LanguageEnglish
Release dateJan 1, 1969
Author

William Hope Hodgson

William Hope Hodgson (1877–1918) was an English author whose writing spanned genres from horror to fantasy to science fiction. His best-known works are The House on the Borderland and The Night Land, a futuristic novel depicting a grim vision of an earth without sun. 

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Reviews for The House on the Borderland

Rating: 3.441520594152047 out of 5 stars
3.5/5

342 ratings29 reviews

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  • Rating: 4 out of 5 stars
    4/5
    Excellent storytelling.
  • Rating: 4 out of 5 stars
    4/5
    Listened to the Libravox recording by Alan Winterrowd--very nicely done.
  • Rating: 2 out of 5 stars
    2/5
    An early experiment in trans-dimensional existence. A classic read for completeness. written in 1908.
  • Rating: 4 out of 5 stars
    4/5
    I found this book to be fascinating and spooky and atmospheric and original and just plain fun to read. There were long descriptive passages I skipped over because I felt they belabored the point and did nothing to carry the story forward, but it was well worth it because the payoff in chills was great. This is one of those great old horror novels (from 1908) that still delivers if one overlooks just a few passages. One thing - it strongly reminded me of Odd Apocalypse by Dean Koontz, in a good way. It is almost as if Koontz was paying homage to Hodgson. Highly recommended.
  • Rating: 3 out of 5 stars
    3/5
    I enjoyed the first half of the book. It was more of a conventional, linear horror story. At a little past the half way point, the book suddenly turned very strange. The best word I can use to describe it is "trippy." I thought the travels through time and space went on too long. It was interesting and unique at first, but then became tiresome. The swine faced creatures were a ruthless adversary to the old man. This book gave me a lot to think about.
  • Rating: 4 out of 5 stars
    4/5
    This was a great read for the Halloween season as it is a supernatural horror story. I found it to be rather unique and quite creepy. The main character is a recluse who left a diary of his experiences. The old house plays such a part in the story that it assumes a character persona. I would recommend this story for anyone who loves the bizarre, supernatural or science fiction.
  • Rating: 3 out of 5 stars
    3/5
    A man is trapped in his home, with his injured dog and a ’mad’ sister, surrounded by Swine-creatures, or “the Things”, as he calls them. His tale is told in his manuscript, which is found by two men on a fishing vacation. And honestly, I think the beginning with those two finding the book may have been the creepiest part of this story!

    “…that strange and terrible journey through space and time.” - was not terrible at all, and for me, it was really boring. Unfortunately, it takes up quite a bit of this book. The author of the manuscript is just having visions, or seeing things, and it really does go on and on.

    Still it wrapped up well with those odd green wounds! A good, creepy ending to the ‘found’ manuscript!

    But, still and all, what was in that enormous pit?
  • Rating: 3 out of 5 stars
    3/5
    This is a story about an ancient manuscript found by two men on a camping trip. The manuscript actually is the story. I'm not going into the plot itself as the description already does that, but I did want to mention a few things.

    The story was a bit slow to start out, and there was a long sort of boring out of body experience. Even though I found this part a bit long winded, I can see the seeds of Lovecraft's Cthulu mythos within.(Lovecraft has said that William Hope Hodgson was a big influence on him). After the protagonist returns to his body things go bat-shit crazy. There are some phenomenally scary scenes and wild things going on.

    Then, another long interval (another OOB experience?) that was just weird. I enjoyed this section because it really delved into space. The amount of knowledge displayed by this author about our solar system and how it works is amazing since this book was written in the early 1900s.

    All in all though, I enjoyed this story. I would recommend it to anyone interested in Lovecraft.
  • Rating: 3 out of 5 stars
    3/5
    The House on the Borderland is weird to read. In about the first half of it, things are happening: an attack by supernatural "Swine-things", which the narrator has to repel. However, the frame story is about two men on a holiday discovering the narrative written by this unnamed man, and surprisingly little is made of that. Nothing supernatural happens to them, really, and for all they know, it's simply a fantastical story made up by someone with a weird imagination, or someone who is somehow deluded. That makes their part of the story dead and unexciting, and although they have little to do with it -- their frame story seems only there to give the old man's narrative a kind of vague authenticity, in the same way that Bram Stoker's Dracula is meant to be a collection of authentic letters -- it has a rather anticlimactic effect, especially at the end.

    The unnamed narrator of the main part of the story is a relatively uninteresting character himself, and the best moments of the story are when he's fighting the creatures and, close to the end, when he struggles with himself against a compulsion to open the door. There's a wonderfully real feeling of horror when he notices the faint, luminescent scratch, as well. However, at least a third of the story is taken up with weird journeys through the cosmos, to little purpose or revelation. Some of the description is wonderful, but very little happens that's worth feeling anything about.

    One thing that did strike a note of pathos was the dog, Pepper, who I was fond of, and who deserved better.

    It's a weird story -- again, part fantasy, part horror, part speculative fiction, perhaps even more of a blend of those genres than The Boats of the Glen Carrig. Interesting, and weird, but not exactly emotionally engaging.
  • Rating: 3 out of 5 stars
    3/5
    This book is actually both a two-star book and a four star book. There is a decent framing device (two friends on a fishing trip find a manuscript in a setting that for no reason they find unsettling). The manuscript is a partial diary of an unknown individual recording the ominous and other-worldly experiences in his house. The first events are deliciously creepy, with some unreliable narration thrown in, reminiscent of Turn of the Screw. Then there is the middle section, which is an odd, disjointed, vision/journey reuniting the narrator with the soul of a lost love followed by a bizarre pseudo-scientific vision/journey through space and time. And then we are thrown back into the sequence of occurrences with which the diary started. So, although this is a quite a short book, I strongly recommend making it even shorter by skipping the middle section.
  • Rating: 4 out of 5 stars
    4/5
    This book confused me at first. I'd heard that it was similar to a Dying Earth novel, yet at first glance, it is much more similar to Lovecraft. It's not until the last portion where the plot suddenly changes that similarities appear.

    The first 2/3 of the book is the threat of a giant looming pit and eldritch lurking pig-like monsters. The last 1/3 of the book covers a dream-like journey through time where the Earth falls into the sun, the sun burns out and falls into the center of the universe, and the universe consists of a giant looming star and eldritch lurking god-like nebulas. Very weird, creepy and disquieting - especially in the last 1/3. And VERY Lovecraftian, where the best solution is to hold your breath and hope you're never noticed because you're just that insignificant.

    Looking at the blurb (which I only read after finishing) this book was actually a huge influence on Lovecraft which makes perfect sense now that I've read it. And, yes, he did use the word "eldritch."
  • Rating: 4 out of 5 stars
    4/5
    The House on the Borderland starts like a conventional horror story. Two men take a fishing trip to a remote region of western Ireland. They enter an area that the locals avoid. There they come upon a vast pit in the ground into which an underground river appears to flow. On the edge of the pit are the crumbled ruins of a building of some sort. Among the debris they find a manuscript. It is damaged but mostly readable. They retire to their tent and spend the entire night reading an incredible tale.The manuscript is the work of a Recluse who built an estate in this wild and forbidding region to which he might retire with his spinster sister. The Recluse first tells of a strange vision in which he is taken on a journey to the stars. Then he begins to live the events of his vision, only in much greater and more frightening detail. What begins as an earthly battle against a horde of terrifying creatures eventually turns into a cosmic journey to the very end of time and space itself.What are we to make of all of this? What is the connection between the creatures that swarm up from the pit and the Recluse’s ultimate vision of the deaths of worlds? There may be a deeper meaning to all this, or it may be just mind-stretching entertainment.
  • Rating: 3 out of 5 stars
    3/5
    *very slight spoilers ahead*

    If Edgar Allan Poe and George Romero had a child in whom they were both slightly disappointed because he had fallen in with Stanley Kubrick and lots of psychedelic substances, it would be this book. A fever dream populated with possibly time-travelling pig men, a house that seems to be a portal through time and space, and the sad death of not one but TWO dogs. Weird in a definitely not good way. So yeah, that's a big NOPE from me.
  • Rating: 3 out of 5 stars
    3/5
    Part action horror, part psychedelic space adventure.
    I am not sure what else to say about this one..
  • Rating: 4 out of 5 stars
    4/5
    When I downloaded House on the Borderland (1908) I was expecting a gothic horror tale, and at first it did fit into that kind of gothic horror mold, but then it changed, and became something quite strange! Basically its a tale about an old manuscript discovered in an old house, kind of a journal which describes the character's adventures in and around the house. There is a strange pit in the garden which also leads to the house's cellar. There are strange 'swine faced beasts' and a journey into space! I'm not quite sure where this story fits genre wise but it was quite entertaining! Think Edgar Allan Poe meets the Time Machine meets the stargate sequence in 2001 A space Odyssey! Odd but fun!
  • Rating: 3 out of 5 stars
    3/5
    An odd mix of speculative cosmic horror, gothic mystery and monster horror story. More interesting than good, I suppose. In my somewhat limited experience it feels proto-Lovecraftian, but I suspect that might be reductive. Some passages are genuinely chilling, while others is obtuse and a slog to get through even as they fascinates on a conceptual level.

    Recommended for horror aficionados and those deeply interested in the earliest moments of weird fiction.
  • Rating: 4 out of 5 stars
    4/5
    Two fishermen on vacation in the Irish countryside discover an eerie pit, the remains of a house and a mysterious manuscript written by the man who once lived there, describing his voyages through space and time and his battles with bizarre swine-people perhaps from another dimension.

    This short novel, published in 1908, is an interesting early example of weird fiction. It's quite surreal and doesn't make a whole lot of sense, but it's worth reading just for historical interest, as well as for the lurid descriptions. The character I most sympathized with was the narrator's sister, Mary. She obviously thought her brother was cuckoo, and I tend to agree with her.

    Reading fantasy classics (2014).
  • Rating: 4 out of 5 stars
    4/5
    My head is still spinning from this trippy little novel, in a good way. I don't think I've read anything quite like it. Part supernatural, part horror with a smidge of sci fi, it defies convention. Definitely a book that can be read in one sitting, so you can really get absorbed into the story.

    The basic plot consists of two friends on holiday, who find a muddied manuscript in the ruins of a very creepy house perched over an abyss. The manuscript is written by a recluse who lived in the house, to provide an account of the eerie goings-on in his home. The suspense builds slowly, and quite deliciously. (I got so absorbed that at one point when something fell in my house, I thought I was in danger from one of the creatures in the book until I remembered where I was-- that's good writing!)

    Some of the book focuses on the recluse's experiences in his home, and the later part focuses on a journey he takes through time and space. This later part dragged a bit for me, as it lacked the suspense and energy of the scenes set in the house. But things picked up again, and the ending left me shivering.
  • Rating: 3 out of 5 stars
    3/5
    The House on the Borderland is an eerie novel that ultimately leaves many questions unanswered. Written in 1908, it is often cited as an influence on writers like H.P. Lovecraft and Terry Pratchett, and it is listed in Fantasy: The 100 Best Books, edited by James Cawthorn and Michael Moorcock.

    I really wanted this book to be good. The beginning starts off promising: two men on a fishing holiday in a remote part of Ireland discover the ruins of a mysterious house and among the debris they recover a rotting journal. The journal records the thoughts of an unnamed man referred to only as the Recluse. The Recluse lived in the House with his sister Mary and his dog Pepper, and after some bizarre and terrifying events happened to him, he decided to keep this journal. The two men on fishing holiday begin to read the journal to each other, and this journal forms the bulk of the novel.

    Some of the events the Recluse describes are heart-pounding and page-turning, while others are hallucinatory experiences that drag on and on. You know, kind of like Doctor Who episodes from the 1980s. Or like 2001: A Space Odyssey.

    The best scenes are those that take place in the House, which is almost a character in its own right, and there are some truly chilling moments involving creatures called the Swine-Things.

    While there were many portions of the book that I really enjoyed, it ultimately left me unsatisfied. There were many unanswered questions, and I wasn't interested enough in the story to try and figure them out through deeper analysis of the text--assuming there is something deeper in the text.

    To me it is one of those books that are more important because of its influence than because of its artistic merit. Still, it's a fairly quick read and I would recommend it to anyone interested in the roots of the horror or fantasy genres.
  • Rating: 1 out of 5 stars
    1/5
    This book started off so promising--it was creepy in a science fictiony 1900 kind of way.

    And then it got weird. Not science fiction weird. More like Carl Sagan narrating a tour of the universe as imagined by some guy in 1900. For chapters and chapters and chapters.

    And then it goes back to part one, kind of. But now the terror is caused by something completely different.

    All in just 186 pages.

    WHY OH WHY is this book on the 1001 list?
  • Rating: 3 out of 5 stars
    3/5
    Story written in 1908 about a recluse living in a house on the Borderland. The story is on the surface about a place that is built over a pit where swine like beast live. The man fights of the beast then has a couple of time travels where he visits his lost love and another where he sees the end of the world and solar system and another visit to his lost love. The message is turn from bestial lust (the pit) to the pure undemanding love of the virginal figure (the white sea).

    Two fishermen on a trip to Ireland, find a manuscript in an old ruin. So this story could be epistolary as it is the reading of this recluses diary. Is this the story of man's journey into madness. It is an example of weird fiction.
  • Rating: 4 out of 5 stars
    4/5
    Two friends embark on a fishing trip to an isolated part of Ireland. In the ruins of an ancient stone house they find the diary of an elderly man who lived alone with his sister and their pets. The fascinating tale that unravels in the diary is about battles with pig/human like monsters, some cryptic lost love of an unknown form, and the extraordinary acceleration of time and the end of the world.

    This was certainly a departure from anything I have been reading. I enjoyed how some parts of the story I would be reading at face value, but then little doubts would start to creep in and I would have to question what was happening to the narrator or how he was writing such a tale. The language describing the end of the world was phenomenal and some of the battles with the pig creatures had me on the edge of my seat. I’m not rating this higher because some parts of the story dragged on. The narration was also very choppy with several parts of the story not relating to or being useful to the overall plot (assuming there was supposed to be a plot).
  • Rating: 3 out of 5 stars
    3/5
    If you couldn't make it through The Night Land, never fear. The House on the Borderland is much shorter, much faster paced, and in places quite exciting. The framing device, so common to stories a century ago, is fairly quickly told. The meat is the tale told in a found volume, written by the Recluse who lives in the titular house, with a sister who makes so few appearances that for chapters at a time it's not clear if she still lives. Two primary sequences dominate: the siege of the house by swine-people, and an extended visionary voyage to the far far future and the eventual death of the solar system. Interestingly, a third sequence is referred to, involving a reunion with a long-lost love. This sequence though is part of the "lost" pages manuscript. Why Hodgson chose to do this is not clear, but from the painful to read remnants that are presented, these are pages well lost.

    Virtually nothing is explained. Once, it didn't seem to matter to authors that things remained beyond our ken. The over-written prose still manages to evoke a sense of fear, in the first half, and amazement in the second.
  • Rating: 3 out of 5 stars
    3/5
    'The House on the Borderland' is widely acknowledged as a turning-point in gothic fiction, influencing later writers including perhaps Lovecraft himself. For this reason alone it is worth reading, and the language is not nearly as difficult for a modern reader as other works from that era, so there's not much to lose. However, if it were not for the historical place that this work holds, I doubt that it would attract the attention that it does.

    As several reviewers have noted here, the story does not form a coherent and satisfying whole. Several disparate plot elements are introduced and either insufficiently explored or seemingly abandoned. And one element in particular (the lover) is developed too late in the narrative to justify the significance that it is then given. The reader will not only be left with many unanswered questions, but a sneaking suspicion that they are not so-much "questions" as "holes in the plot".

    Nevertheless, most parts of the work are either conceptually interesting or genuinely creepy. The second half of the story is particularly interesting for its astronomical scope, something that fans of Lovecraft will recognise and enjoy.
  • Rating: 3 out of 5 stars
    3/5
    This 1908 was recommended in the A Reader's Guide to Fantasy on the "Seven-League Shelf" list of the cream of the fantasy genre. It's even on the "1001 Books to Read Before You Die" list of significant literary fiction. So, definitely a book that has classic status, and if you believe the Wiki, a "milestone" in the transition from traditional Gothic to "cosmic horror" that influenced Lovecraft. It's framed as the first person account of a gentleman on a fishing holiday with his friend in Ireland. They come upon a crumbling ruin and his friend finds a partly damaged manuscript, which forms the bulk of the story.

    Parts are definitely creepy but several things thwarted my involvement in the story. The narrator, known only by an editorial footnote as "the recluse" is a misanthrope. He lives in an ancient pile with his sister Mary--who doesn't get one line of dialogue--and we learn he's suffered a bereavement--it's his lost love that gets the 3 or so lines of the only dialogue in the book. It makes it really hard to care about him--in fact, I'd say by far the most appealing, heart-tugging character in the book is the narrator's dog Pepper--unfortunately, there's not enough of him, or Tip the cat, to redeem the novel. And there's far, far, far too much of a vision of the heat death of the universe that takes up a third of the novel.

    Perhaps if I were a literary scholar of Gothic and Horror literature, I'd better appreciate how this work is seminal. As a reader, it mostly left me cold.
  • Rating: 3 out of 5 stars
    3/5
    The House on the Borderland (1908) is a landmark in horror fiction. An obvious inspiration to Lovecraft and a bunch of his Weird Tales cronies. It broke away from the old Gothic horrors and introduced cosmic terror.

    A couple of guys on a sporting holiday in secluded Northern Ireland stumble across the ruins of an old structure on the edge of a large pit. In the wreckage they find a tattered and damaged diary which makes up the rest of the narrative.

    The ruins used to be a large, oddly designed house and the diary belonged to its owner, an unnamed narrator who lived there with his spinster sister. They got the manor cheap as it has a reputation for being haunted. We follow the narrator and his strange experiences both inside the house and in a large and growing pit in his back garden.

    I enjoyed Hodgson's writing. The language is a little antiquated, but it isn't that purposely archaic and baroque H.P. Lovecraft stuff that grates after a while. He did a very good job creating an uncomfortable atmosphere. His word choice creates a general sense of eeriness that really worked, even when nothing outright 'scary' is happening. There is some very strong work where our narrator encounters visitors from the pit. At this point, the book was rockin'.

    But then we fall in to an extended scene where our narrator stares out the window as the house reveals the future of the universe. I know that this may count as a spoiler, but it has to be part of the review as this section is the weight around the book's neck. It is page after page of repetitive description that (ironically considering what the book is describing) drags on and on. Reading through this section really made me want to give up on the book. I have very little patience for stories where the disembodied hero floats along describing weird goings-on. It's like the StarGate section of the film 2001 but stretched out beyond my ability to care. That's also why I don't like Lovecraft's 'dream' stories.

    The last twenty pages of the book were back on track and it did have a strong finish.

    The book has a few quirks that should be pointed out: Hodgson is an atmospheric writer as I mentioned. But, I've noticed, the author, William Hope Hodgson, has a love affair, with the comma, that makes me want to break out a red pencil, as I read it. The commas were often unnecessary and out of place, and I found myself reading the booking in the rhythm it was written in, pausing at each comma. It could become... hypnotic after a while.

    Also, I know the unnamed narrator was a gimmick of a lot of early twentieth century horror, but it made it very hard to connect with the character. Hodgson would also throw in major plot twists from out of nowhere, which made it feel like he was making up the tale as he went along.

    If anyone is considering reading the book, but is unsure, I'd recommend it. Just understand that my rec is based more on its short length and its place in horror history than its quality of writing, characterization or story telling.
  • Rating: 4 out of 5 stars
    4/5
    This is a strong page-turner that I'm still processing. A mix of psychological suspense and horror, the book combines eery situations and beautiful images to create an atmosphere that's enthralling. What seems fairly nondescript at first is a plot and set of situations that quickly become engrossing, drawing you along even when you can't quite tell why you're so fascinated by what's going on in front of you. Structurally, Hodgson formed this perfectly to keep readers both attached and believing in what's going on, despite themselves. If you're looking for a creepy read that you may well finish in one eery sitting, I highly recommend this. For the depth and beauty of language and reading, I'll be revisiting it in the future.
  • Rating: 1 out of 5 stars
    1/5
    Okay. So these 2 chums go on a fishing expedition in a strange little town. They find a creepy old brokedown house and an old journal and take it back to the tent. The next 90% of the book is the legible contents of the journal.

    The journal relates a tale of woe by the former occupant of the house. He runs into a bunch of scary monsters and has some adventures with them. Then he embarks on a journey through time and space where he catches a glimpse of the heretofore unmentioned love of this guy's life.

    And we're back to the fishing buddies who wonder briefly if the writer is nuts, but then decide ohhh, no, OF COURSE it was real.

    Uhh, yeah. This is supposed to be a "classic tale of fantasy and horror". I dunno. I have to say I truly enjoyed the parts where the scary dudes were storming the castle - I thought "wow, this book doesn't suck after all." But, then the scary dudes went away and the time warp part of the story started.

    How unfortunate that reading about time moving very very quickly can make my own time move very very slowly. Every agonizing detail - and it was the same every day - was eked out, over and over and over again. The sun rose. It flashed across the sky. It disappeared in the west. The moon rose. It flashed across the sky. It disappeared again. The sun rose. Yadda yadda yadda, ad infinitum. Oh man it was tedious. Every few pages he'd make an interesting discovery (like formerly live things turning to dust), but otherwise he just stood at the window for a bunch of centuries and watched.

    I just don't get it. This book has been given a whole boatload of 4 and 5 star ratings by readers who clearly have a lot more patience than I do. The story as a whole is interesting, true, but the drudgery of getting through it for me was unbearable. I'm going to give it one point for having some good ideas. This is a true 1/2-pointer for me, but I'll give up the other 1/2 just because it's supposed to be a "classic."
  • Rating: 4 out of 5 stars
    4/5
    This is an interesting story, best thought of as two short stories. The first half deals with an old house under seige from otherworldly creatures and makes an entertaining read. The second half, which goes off the deep end of pre-Lovecraftian "fear of insignificance" themes, is too dense to be enjoyed, but worth reading nonetheless.

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The House on the Borderland - William Hope Hodgson

Project Gutenberg's The House on the Borderland, by William Hope Hodgson

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Title: The House on the Borderland

Author: William Hope Hodgson

Release Date: November 10, 2003 [EBook #10002]

[Last updated: March 16, 2011]

Language: English

*** START OF THIS PROJECT GUTENBERG EBOOK THE HOUSE ON THE BORDERLAND ***

Produced by Suzanne Shell, Sjaani and PG Distributed Proofreaders

THE HOUSE ON

THE BORDERLAND

William Hope Hodgson

From the Manuscript discovered in 1877 by Messrs. Tonnison and Berreggnog in the Ruins that

lie to the South of the Village of Kraighten, in the West of Ireland. Set out here, with Notes.

TO MY FATHER

AUTHOR'S INTRODUCTION TO THE MANUSCRIPT

Many are the hours in which I have pondered upon the story that is set forth in the following pages. I trust that my instincts are not awry when they prompt me to leave the account, in simplicity, as it was handed to me.

And the MS. itself—You must picture me, when first it was given into my care, turning it over, curiously, and making a swift, jerky examination. A small book it is; but thick, and all, save the last few pages, filled with a quaint but legible handwriting, and writ very close. I have the queer, faint, pit-water smell of it in my nostrils now as I write, and my fingers have subconscious memories of the soft, cloggy feel of the long-damp pages.

I read, and, in reading, lifted the Curtains of the Impossible that blind the mind, and looked out into the unknown. Amid stiff, abrupt sentences I wandered; and, presently, I had no fault to charge against their abrupt tellings; for, better far than my own ambitious phrasing, is this mutilated story capable of bringing home all that the old Recluse, of the vanished house, had striven to tell.

Of the simple, stiffly given account of weird and extraordinary matters, I will say little. It lies before you. The inner story must be uncovered, personally, by each reader, according to ability and desire. And even should any fail to see, as now I see, the shadowed picture and conception of that to which one may well give the accepted titles of Heaven and Hell; yet can I promise certain thrills, merely taking the story as a story.

WILLIAM HOPE HODGSON December 17, 1907

I

THE FINDING OF THE MANUSCRIPT

Right away in the west of Ireland lies a tiny hamlet called Kraighten. It is situated, alone, at the base of a low hill. Far around there spreads a waste of bleak and totally inhospitable country; where, here and there at great intervals, one may come upon the ruins of some long desolate cottage—unthatched and stark. The whole land is bare and unpeopled, the very earth scarcely covering the rock that lies beneath it, and with which the country abounds, in places rising out of the soil in wave-shaped ridges.

Yet, in spite of its desolation, my friend Tonnison and I had elected to spend our vacation there. He had stumbled on the place by mere chance the year previously, during the course of a long walking tour, and discovered the possibilities for the angler in a small and unnamed river that runs past the outskirts of the little village.

I have said that the river is without name; I may add that no map that I have hitherto consulted has shown either village or stream. They seem to have entirely escaped observation: indeed, they might never exist for all that the average guide tells one. Possibly this can be partly accounted for by the fact that the nearest railway station (Ardrahan) is some forty miles distant.

It was early one warm evening when my friend and I arrived in Kraighten. We had reached Ardrahan the previous night, sleeping there in rooms hired at the village post office, and leaving in good time on the following morning, clinging insecurely to one of the typical jaunting cars.

It had taken us all day to accomplish our journey over some of the roughest tracks imaginable, with the result that we were thoroughly tired and somewhat bad tempered. However, the tent had to be erected and our goods stowed away before we could think of food or rest. And so we set to work, with the aid of our driver, and soon had the tent up upon a small patch of ground just outside the little village, and quite near to the river.

Then, having stored all our belongings, we dismissed the driver, as he had to make his way back as speedily as possible, and told him to come across to us at the end of a fortnight. We had brought sufficient provisions to last us for that space of time, and water we could get from the stream. Fuel we did not need, as we had included a small oil-stove among our outfit, and the weather was fine and warm.

It was Tonnison's idea to camp out instead of getting lodgings in one of the cottages. As he put it, there was no joke in sleeping in a room with a numerous family of healthy Irish in one corner and the pigsty in the other, while overhead a ragged colony of roosting fowls distributed their blessings impartially, and the whole place so full of peat smoke that it made a fellow sneeze his head off just to put it inside the doorway.

Tonnison had got the stove lit now and was busy cutting slices of bacon into the frying pan; so I took the kettle and walked down to the river for water. On the way, I had to pass close to a little group of the village people, who eyed me curiously, but not in any unfriendly manner, though none of them ventured a word.

As I returned with my kettle filled, I went up to them and, after a friendly nod, to which they replied in like manner, I asked them casually about the fishing; but, instead of answering, they just shook their heads silently, and stared at me. I repeated the question, addressing more particularly a great, gaunt fellow at my elbow; yet again I received no answer. Then the man turned to a comrade and said something rapidly in a language that I did not understand; and, at once, the whole crowd of them fell to jabbering in what, after a few moments, I guessed to be pure Irish. At the same time they cast many glances in my direction. For a minute, perhaps, they spoke among themselves thus; then the man I had addressed faced 'round at me and said something. By the expression of his face I guessed that he, in turn, was questioning me; but now I had to shake my head, and indicate that I did not comprehend what it was they wanted to know; and so we stood looking at one another, until I heard Tonnison calling to me to hurry up with the kettle. Then, with a smile and a nod, I left them, and all in the little crowd smiled and nodded in return, though their faces still betrayed their puzzlement.

It was evident, I reflected as I went toward the tent, that the inhabitants of these few huts in the wilderness did not know a word of English; and when I told Tonnison, he remarked that he was aware of the fact, and, more, that it was not at all uncommon in that part of the country, where the people often lived and died in their isolated hamlets without ever coming in contact with the outside world.

I wish we had got the driver to interpret for us before he left, I remarked, as we sat down to our meal. It seems so strange for the people of this place not even to know what we've come for.

Tonnison grunted an assent, and thereafter was silent for a while.

Later, having satisfied our appetites somewhat, we began to talk, laying our plans for the morrow; then, after a smoke, we closed the flap of the tent, and prepared to turn in.

I suppose there's no chance of those fellows outside taking anything? I asked, as we rolled ourselves in our blankets.

Tonnison said that he did not think so, at least while we were about; and, as he went on to explain, we could lock up everything, except the tent, in the big chest that we had brought to hold our provisions. I agreed to this, and soon we were both asleep.

Next morning, early, we rose and went for a swim in the river; after which we dressed and had breakfast. Then we roused out our fishing tackle and overhauled it, by which time, our breakfasts having settled somewhat, we made all secure within the tent and strode off in the direction my friend had explored on his previous visit.

During the day we fished happily, working steadily upstream, and by evening we had one of the prettiest creels of fish that I had seen for a long while. Returning to the village, we made a good feed off our day's spoil, after which, having selected a few of the finer fish for our breakfast, we presented the remainder to the group of villagers who had assembled at a respectful distance to watch our doings. They seemed wonderfully grateful, and heaped mountains of what I presumed to be Irish blessings upon our heads.

Thus we spent several days, having splendid sport, and first-rate appetites to do justice upon our prey. We were pleased to find how friendly the villagers were inclined to be, and that there was no evidence of their having ventured to meddle with our belongings during our absences.

It was on a Tuesday that we arrived in Kraighten, and it would be on the Sunday following that we made a great discovery. Hitherto we had always gone up-stream; on that day, however, we laid aside our rods, and, taking some provisions, set off for a long ramble in the opposite direction. The day was warm, and we trudged along leisurely enough, stopping about mid-day to eat our lunch upon a great flat rock near the riverbank. Afterward we sat and smoked awhile, resuming our walk only when we were tired of inaction.

For perhaps another hour we wandered onward, chatting quietly and comfortably on this and that matter, and on several occasions stopping while my companion—who is something of an artist—made rough sketches of striking bits of the wild scenery.

And then, without any warning whatsoever, the river we had followed so confidently, came to an abrupt end—vanishing into the earth.

Good Lord! I said, who ever would have thought of this?

And I stared in amazement; then I turned to Tonnison. He was looking, with a blank expression upon his face, at the place where the river disappeared.

In a moment he spoke.

Let us go on a bit; it may reappear again—anyhow, it is worth investigating.

I agreed, and we went forward once more, though rather aimlessly; for we were not at all certain in which direction to prosecute our search. For perhaps a mile we moved onward; then Tonnison, who had been gazing about curiously, stopped and shaded his eyes.

See! he said, after a moment, isn't that mist or something, over there to the right—away in a line with that great piece of rock? And he indicated with his hand.

I stared, and, after a minute, seemed to see something, but could not be certain, and said so.

Anyway, my friend replied, we'll just go across and have a glance. And he started off in the direction he had suggested, I following. Presently, we came among bushes, and, after a time, out upon the top of a high, boulder-strewn bank, from which we looked down into a wilderness of bushes and trees.

Seems as though we had come upon an oasis in this desert of stone, muttered Tonnison, as he gazed interestedly. Then he was silent, his eyes fixed; and I looked also; for up from somewhere about the center of the wooded lowland there rose high into the quiet air a great column of hazelike spray, upon which the sun shone, causing innumerable rainbows.

How beautiful! I exclaimed.

Yes, answered Tonnison, thoughtfully. There must be a waterfall, or something, over there. Perhaps it's our river come to light again. Let's go and see.

Down the sloping bank we made our way, and entered among the trees and shrubberies. The bushes were matted, and the trees overhung us, so that the place was disagreeably gloomy; though not dark enough to hide from me the fact that many of the trees were fruit trees, and that, here and there, one could trace indistinctly, signs of a long departed cultivation. Thus it came to me that we were making our way through the riot of a great and ancient garden. I said as much to Tonnison, and he agreed that there certainly seemed reasonable grounds for my belief.

What a wild place it was, so dismal and somber! Somehow, as we went forward, a sense of the silent loneliness and desertion of the old garden grew upon me, and I felt shivery. One could imagine things lurking among the tangled bushes; while, in the very air of the place, there seemed something uncanny. I think Tonnison was conscious of this also, though he said nothing.

Suddenly, we came to a halt. Through the trees there had grown upon our ears a distant sound. Tonnison bent forward, listening. I could hear it more plainly now; it was continuous and harsh—a sort of droning roar, seeming to come from far away. I experienced a queer, indescribable, little feeling of nervousness. What sort of place was it into which we had got? I looked at my companion, to see what he thought of the matter; and noted that there was only puzzlement in his face; and then, as I watched his features, an expression of comprehension crept over them, and he nodded his head.

That's a waterfall, he exclaimed, with conviction. I know the sound now. And he began to push vigorously through the bushes, in the direction of the noise.

As we went forward, the sound became plainer continually, showing that we were heading straight toward it. Steadily, the roaring grew louder and nearer, until it appeared, as I remarked to Tonnison, almost to come from under our feet—and still we were surrounded by the trees and shrubs.

Take care! Tonnison called to me. Look where you're going. And then, suddenly, we came out from among the trees, on to a great open space, where, not six paces in front of us, yawned the mouth of a tremendous chasm, from the depths

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