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Peter and Wendy
Peter and Wendy
Peter and Wendy

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Peter and Wendy

Rating: 3.5 out of 5 stars

3.5/5

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LanguageEnglish
Release dateNov 1, 1911
Peter and Wendy

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Rating: 3.6350364963503647 out of 5 stars
3.5/5

137 ratings107 reviews

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  • Rating: 4 out of 5 stars
    4/5
    I've always loved the story of Peter Pan and finally got around to reading the book. I think that it brought out the character of Peter more than I was used to and I really enjoyed that.
  • Rating: 5 out of 5 stars
    5/5
    This was so fun to read, my introduction to Peter Pan was in 1955 when Mary Martin did the TV presentation. This follows what I remember of the TV performance as I remember it. It brought back so many nice memories.
  • Rating: 3 out of 5 stars
    3/5
    3.5

    This was better than I expected. The ending brought it all full circle. A nice little touching piece with the theme of childhood intertwining with the yarn.
  • Rating: 1 out of 5 stars
    1/5
    23 (re-read) Peter Pan or The Boy Who Would Not Grow Up, by J. M. Barrie. This was on Starrett's 1955 list of "books which will live", and I forgot to check my list of books read and so read it. It seemed so familiar, but I did not think I had actually read it. But I did--tho probably not in play form, as this was. It is so saccharine, I really cannot say as an adult it is worth reading. (read Aug. 8, 1998)
  • Rating: 4 out of 5 stars
    4/5
    Although the story was very familiar to me, I don’t recall ever reading the book before. I saw the Mary Martin version on TV as a child. It struck me this time around how odd the plot is, with everyone expecting Wendy to assume the role of mother to Peter and the Lost Boys. Things have changed in the century since this book was written. Infant and child mortality was a lot higher in the early 20th century than it is now. Women’s mortality from childbirth (or other causes) was also a lot higher then. Children who had lost their mothers, or who had friends or relations who had lost their mothers, might see themselves among the motherless children of Neverland. The story may not resonate with 21st century children in the same way, and that’s a good thing.
  • Rating: 2 out of 5 stars
    2/5
    Maybe I would have enjoyed this book more if I'd read it as a child, but as an adult I found it just annoyed me, tremendously, especially the character of Peter. I think this is one case in which the Disney adaption was better than the source. Seriously.
  • Rating: 3 out of 5 stars
    3/5
    About 50 years ago I saw the Broadway show starring Sandy Duncan as Peter Pan. It was much better than the book! 176 pages 3 stars
  • Rating: 4 out of 5 stars
    4/5
    Peter Pan by J.M. Barrie is the classical tale of Peter Pan that boy who could not grow up and his adventures in Neverland with Wendy, lost boys, Tinkerbell and Captain Hook. The book have beautiful illustration throughout and is written like a beginners chapter book The first chapters of Peter Pan begins with Peter Pan visiting Wendy, John and Michael Darling, later with Tinkerbell who help the children fly with the help of fairy dust to Neverland . In Neverland the children met the Lost Boys, the Natives and Captain Hook and set sail on a fun adventure. The theme of this book is childhood and imagination which is shown through the character Peter Pan.
  • Rating: 4 out of 5 stars
    4/5
    I was pleased with how close this is to the stage play (a favorite of my childhood). After Peter Pan in Kensington Park, I expected this to suck. Color me pleasantly surprised.
  • Rating: 4 out of 5 stars
    4/5
    I probably don't need to say much about this one, right? Classic vintage children's fare: a charismatic yet dangerous young main character, a small army of assorted children, lots of adventures, some dubious attitudes towards women and Native Americans, a dose of tongue-in-cheek humour and plenty of magic. I actually really enjoyed it!
  • Rating: 4 out of 5 stars
    4/5
    This is the original Peter Pan story written in 1911. It is so funny, and I really enjoyed it! After seeing all the movies and stories over the years, it was interesting to read the original author's words. I would recommend this one!
  • Rating: 5 out of 5 stars
    5/5
    Hilarious, satirical, wierd. The reviewers who complain about the stereotypical Indians, pirates, etc. seem to have failed to notice that what Barrie was describing was an Edwardian boy's fantasy of adventure. It is called Neverland for a reason.
  • Rating: 5 out of 5 stars
    5/5
    A delightful tale for the young and young at heart. Adapted and retold many times in film and other books, the story of Peter Pan is one that will live in our hearts forever. If you've enjoyed any of the adaptations, I highly encourage you to go back to the source and read the original.
  • Rating: 4 out of 5 stars
    4/5
    I love this edition of the story. The illustrations added so much to it and kept me so intrigued with what was happening. Minalima did a GREAT job and I can't wait to see what book they come out with next. That said, this is a children's classic and if you're looking for the Disney version of the story this is not it, though they didn't stray too, too far from the original. I would recommend this story to anyone. 4.5 out of 5 stars.
  • Rating: 3 out of 5 stars
    3/5
    A children's classic I couldn't believe I'd never read! This Peter is a much darker and more sinister version than my perceptions from popular culture but this gives the original story a different dimension. I very much enjoyed it in a melancholy kind of way.
  • Rating: 5 out of 5 stars
    5/5
    Totally charming! Jim Dale's audio narration is superb!
  • Rating: 1 out of 5 stars
    1/5
    Somethingh about Victorian novelists - they come up with great idea but execute them terribly - Peter Pan and Dracula are two iconic figures that are virtually unreadable in the original
  • Rating: 4 out of 5 stars
    4/5
    I'd never read Peter Pan before, and coming to it for the first time as an adult, I found it to be wonderful. It straddles that old world line of horrible old children's stories. It has moments that are far more Brothers Grimm than Disney; the Lost Boys are unrepentant killers and they are killed in turn, while Tiger Lily, Tinkerbelle and Wendy are winkingly far more away of romance than Peter. I was less charmed by the relentless patriarchy of the only female characters being shoehorned into a mother role by every boy or man in sight. I would have liked one adventure where Wendy was her own hero.
  • Rating: 5 out of 5 stars
    5/5
    I have loved the movies of Peter Pan for years, but had never read it. I knew I would enjoy Barrie's novel; I just wasn't sure if I'd like it more than the adaptations. And, as usual, I felt the original was the best out of all. It is told by a narrator who sometimes interjects his thoughts or references the reader, yet does not interact with the characters in the novel (think of Scrooge and the ghosts of time who peak into, but cannot disturb, the scenes playing out). Peter Pan is not all full of childhood wonderment and fairy tales, there is a darkness to it as well. Peter kills the Lost Boys when they grow to old or when they disobey him and all characters in Neverland hunt and slain each other, sometimes for sport. Peter himself can be extremely self-indulgent and brash, yet all children look to him as leader and follow him regardless. I believe this portrayal added to the wonderful dimensions of Peter Pan and life on Neverland. I think the longing to never grow up, to experience adventure and to live within a wild dream, is something all children (and many adults) experience, and Peter Pan allows a glimpse into what that may look like.
  • Rating: 4 out of 5 stars
    4/5
    Though this is technically a children's book, the prose is charming and smart enough to entertain those much older. Barrie has an astounding way with words that snaps you right up and carries you along through the whole adventure. I would certainly read this again (and hope to share it with my children aloud someday), and I'd make a special effort to study the progression of the story--it seemed like the language "grew up" as the book went on. Could just be my perception though.
  • Rating: 4 out of 5 stars
    4/5
    This classic children's book by J.M. Barrie does not disappoint. Whimsical, light, and fun to read from cover to cover. I was actually a bit surprised to finally know that the Disney film version of "Peter Pan" is actually very close to the book -- definitely not the norm for Hollywood. All in all, a great read for children and those of us who never want to grow up. ;)
  • Rating: 4 out of 5 stars
    4/5
    This is a necessary read if you care about fantasy, children's, British or coming of age literature. What happens when our " gay, innocent and heartless" children leave the nest? What happens if they don't? What does it take to survive childhood? This is vastly different than the Disney movie. Peter is villainous himself and somewhat demented. And so is Tinkerbell more than just stubborn. This is worth a read. On a side note, I think Johnny Depp may have used it as inspiration for Captain Jack Sparrow, as Barrie writes that "pirates have a touch of the feminism in them".
  • Rating: 4 out of 5 stars
    4/5
    reminding me once again what it means to be a child - innocent, imaginative, and vile all rolled into one. It also confirmed why the ending to Hook is probably the most tragic ending to a movie EVER.
  • Rating: 3 out of 5 stars
    3/5
    Summary: Short punchy adventure story for kids and adults who want to remember what it was like to be a kid.

    Things I liked:

    * Perspective: I really loved the way he was able to really nail the way some kids look at the world (or at least it reminded me of how I used to see the world when I was a kid).

    * The narrators voice. The charming English professor style reminded me of books like Narnia and The Once and Future King.

    * The dark undertones: I definitely felt the author trying to share a few things outside of a kids adventure story, it made me glad to be reading a book versus watching a movie.


    Things I didn't like:

    * The perspective changed quite a bit quite quickly (made it a little hard to follow sometimes).

    * Some of the characters felt a little boxed up. You got given a character portrait versus the opportunity to find out about the character from their words and actions (made it a little bit more like a comic book or a fairy tale then a novel.

    Highlight: The end with Wendy and her daughter. The cumulation of the novel made me sad and happy. I think sticking to the character of Pan versus taking the easy option of having everyone live happily ever after was bold and effective choice. I loved the bitter-sweet feeling it left me with. . I remember about two pages into the book I had a great tingly feeling that made me already glad I was reading a book versus watching a disney movie.
  • Rating: 3 out of 5 stars
    3/5
    About 50 years ago I saw the Broadway show starring Sandy Duncan as Peter Pan. It was much better than the book! 176 pages 3 stars
  • Rating: 5 out of 5 stars
    5/5
    Another one I read as a teen. And I've always gone for this very specific edition, illustrated by Trina Schart Hyman, because it was the first copy I found.

    Of course, Peter Pan is magical in and of itself, but I will fully admit that the Disney version of Peter Pan had somewhat soured me on certain aspects . . . Tinkerbell, for instance. And a little bit on Tiger Lily.

    So I finally pick up the actual book (and we all know the book is always, always better than the movie), and it's fantastic. Fabulous. But in addition to how completely awesome the book is?

    This is Hyman's Tiger Lily.

    And all of her art is full of that sort of detail and energy, that pulse of wild beauty. It's incredible. She captures the mischievousness, the cruelty, the edginess of Neverland. This is a land of disorder, of pirates and Indians and wild children.

    This is not Disney's sing-along happy place, this is a land where scavenging, hungry boys fight like wild dogs with vicious pirates, but mermaids sing in lagoons and faeries skip through trees, laughing. Neverland is a magical, treacherous place -- and it's captured in Hyman's drawings and in Barrie's words in a way that Disney could never even hint at.
  • Rating: 3 out of 5 stars
    3/5
    After having picked up Peter Pan from this month's free selection of Audible Originals, I decided to give it a try because lately, I have been enjoying full-cast audio dramas (I find them soothing to listen to).I had mixed feelings about the results, but I was not entirely disappointed.On the positive side, I thoroughly enjoyed the full-cast production and sound effects, which effectively brought this presentation to life.However, aside from the narration, I found this tale utterly dull; I had to rewind several times as I found my attention drifting away from the story. If I am honest, if it were not for the dramatized performance, I would have given up on the story early in the first part.Overall, considering this was a free title, I guess that this performance of Peter Pan was okay. I would probably give other audible Originals a try in the future.
  • Rating: 4 out of 5 stars
    4/5
    As an adult going back through books I read as a child, this books has grown so much more heavy. I know from people that have been in my life they are not the biggest fan.
    I have remained deeply attached to this book but maybe not the light hearted lines but the more so the in-between the lines part.

    As a mother myself with a little one of my own who regularly searches for fairies, I believe the book has just become that much more sentimental.
  • Rating: 2 out of 5 stars
    2/5
    I think I am in a minority because I really don't like Peter Pan. Whenever I think of him, I get angry. The story is good, but my dislike of Peter Pan isn't going away.
  • Rating: 5 out of 5 stars
    5/5
    This is a timeless classic that will have any reader wishing they could be ten again. I found the major themes of the book to be about what it means to grow up, and the fear of losing your childhood wonder. Moreover, I have a very personal connection to this story as it was the one book I and my great grandmother loved to read together. Lastly, because this was originally a play the book really relies on dialogue and think it would be a wonderful to use it for readers theater within upper elementary.

Book preview

Peter and Wendy - J. M. (James Matthew) Barrie

The Project Gutenberg EBook of Peter and Wendy, by James Matthew Barrie

This eBook is for the use of anyone anywhere at no cost and with

almost no restrictions whatsoever.  You may copy it, give it away or

re-use it under the terms of the Project Gutenberg License included

with this eBook or online at www.gutenberg.net

Title: Peter and Wendy

Author: James Matthew Barrie

Illustrator: F. D. Bedford

Release Date: September 18, 2008 [EBook #26654]

Language: English

*** START OF THIS PROJECT GUTENBERG EBOOK PETER AND WENDY ***

Produced by Chris Curnow, Lindy Walsh, Martin Pettit The

Internet Archive for help with the illustrations and the

Online Distributed Proofreading Team at http://www.pgdp.net

PETER AND WENDY

CONTENTS

CHAPTER I

PETER BREAKS THROUGH

CHAPTER II

THE SHADOW

CHAPTER III

COME AWAY, COME AWAY!

CHAPTER IV

THE FLIGHT

CHAPTER V

THE ISLAND COME TRUE

CHAPTER VI

THE LITTLE HOUSE

CHAPTER VII

THE HOME UNDER THE GROUND

CHAPTER VIII

THE MERMAIDS' LAGOON

CHAPTER IX

THE NEVER BIRD

CHAPTER X

THE HAPPY HOME

CHAPTER XI

WENDY'S STORY

CHAPTER XII

THE CHILDREN ARE CARRIED OFF

CHAPTER XIII

DO YOU BELIEVE IN FAIRIES?

CHAPTER XIV

THE PIRATE SHIP

CHAPTER XV

'HOOK OR ME THIS TIME'

CHAPTER XVI

THE RETURN HOME

CHAPTER XVII

WHEN WENDY GREW UP


ILLUSTRATIONS

THE NEVER NEVER LAND

TITLE PAGE

PETER FLEW IN

THE BIRDS WERE FLOWN

LET HIM KEEP WHO CAN

PETER ON GUARD

SUMMER DAYS ON THE LAGOON

TO DIE WILL BE AN AWFULLY BIG ADVENTURE

WENDY'S STORY

FLUNG LIKE BALES

HOOK OR ME THIS TIME

THIS MAN IS MINE!

PETER AND JANE


CHAPTER I

PETER BREAKS THROUGH

All children, except one, grow up. They soon know that they will grow up, and the way Wendy knew was this. One day when she was two years old she was playing in a garden, and she plucked another flower and ran with it to her mother. I suppose she must have looked rather delightful, for Mrs. Darling put her hand to her heart and cried, 'Oh, why can't you remain like this for ever!' This was all that passed between them on the subject, but henceforth Wendy knew that she must grow up. You always know after you are two. Two is the beginning of the end.

Of course they lived at 14, and until Wendy came her mother was the chief one. She was a lovely lady, with a romantic mind and such a sweet mocking mouth. Her romantic mind was like the tiny boxes, one within the other, that come from the puzzling East, however many you discover there is always one more; and her sweet mocking mouth had one kiss on it that Wendy could never get, though there it was, perfectly conspicuous in the right-hand corner.

The way Mr. Darling won her was this: the many gentlemen who had been boys when she was a girl discovered simultaneously that they loved her, and they all ran to her house to propose to her except Mr. Darling, who took a cab and nipped in first, and so he got her. He got all of her, except the innermost box and the kiss. He never knew about the box, and in time he gave up trying for the kiss. Wendy thought Napoleon could have got it, but I can picture him trying, and then going off in a passion, slamming the door.

Mr. Darling used to boast to Wendy that her mother not only loved him but respected him. He was one of those deep ones who know about stocks and shares. Of course no one really knows, but he quite seemed to know, and he often said stocks were up and shares were down in a way that would have made any woman respect him.

Mrs. Darling was married in white, and at first she kept the books perfectly, almost gleefully, as if it were a game, not so much as a brussels sprout was missing; but by and by whole cauliflowers dropped out, and instead of them there were pictures of babies without faces. She drew them when she should have been totting up. They were Mrs. Darling's guesses.

Wendy came first, then John, then Michael.

For a week or two after Wendy came it was doubtful whether they would be able to keep her, as she was another mouth to feed. Mr. Darling was frightfully proud of her, but he was very honourable, and he sat on the edge of Mrs. Darling's bed, holding her hand and calculating expenses, while she looked at him imploringly. She wanted to risk it, come what might, but that was not his way; his way was with a pencil and a piece of paper, and if she confused him with suggestions he had to begin at the beginning again.

'Now don't interrupt,' he would beg of her. 'I have one pound seventeen here, and two and six at the office; I can cut off my coffee at the office, say ten shillings, making two nine and six, with your eighteen and three makes three nine seven, with five naught naught in my cheque-book makes eight nine seven,—who is that moving?—eight nine seven, dot and carry seven—don't speak, my own—and the pound you lent to that man who came to the door—quiet, child—dot and carry child—there, you've done it!—did I say nine nine seven? yes, I said nine nine seven; the question is, can we try it for a year on nine nine seven?'

'Of course we can, George,' she cried. But she was prejudiced in Wendy's favour, and he was really the grander character of the two.

'Remember mumps,' he warned her almost threateningly, and off he went again. 'Mumps one pound, that is what I have put down, but I daresay it will be more like thirty shillings—don't speak—measles one five, German measles half a guinea, makes two fifteen six—don't waggle your finger—whooping-cough, say fifteen shillings'—and so on it went, and it added up differently each time; but at last Wendy just got through, with mumps reduced to twelve six, and the two kinds of measles treated as one.

There was the same excitement over John, and Michael had even a narrower squeak; but both were kept, and soon you might have seen the three of them going in a row to Miss Fulsom's Kindergarten school, accompanied by their nurse.

Mrs. Darling loved to have everything just so, and Mr. Darling had a passion for being exactly like his neighbours; so, of course, they had a nurse. As they were poor, owing to the amount of milk the children drank, this nurse was a prim Newfoundland dog, called Nana, who had belonged to no one in particular until the Darlings engaged her. She had always thought children important, however, and the Darlings had become acquainted with her in Kensington Gardens, where she spent most of her spare time peeping into perambulators, and was much hated by careless nursemaids, whom she followed to their homes and complained of to their mistresses. She proved to be quite a treasure of a nurse. How thorough she was at bath-time; and up at any moment of the night if one of her charges made the slightest cry. Of course her kennel was in the nursery. She had a genius for knowing when a cough is a thing to have no patience with and when it needs stocking round your throat. She believed to her last day in old-fashioned remedies like rhubarb leaf, and made sounds of contempt over all this new-fangled talk about germs, and so on. It was a lesson in propriety to see her escorting the children to school, walking sedately by their side when they were well behaved, and butting them back into line if they strayed. On John's footer days she never once forgot his sweater, and she usually carried an umbrella in her mouth in case of rain. There is a room in the basement of Miss Fulsom's school where the nurses wait. They sat on forms, while Nana lay on the floor, but that was the only difference. They affected to ignore her as of an inferior social status to themselves, and she despised their light talk. She resented visits to the nursery from Mrs. Darling's friends, but if they did come she first whipped off Michael's pinafore and put him into the one with blue braiding, and smoothed out Wendy and made a dash at John's hair.

No nursery could possibly have been conducted more correctly, and Mr. Darling knew it, yet he sometimes wondered uneasily whether the neighbours talked.

He had his position in the city to consider.

Nana also troubled him in another way. He had sometimes a feeling that she did not admire him. 'I know she admires you tremendously, George,' Mrs. Darling would assure him, and then she would sign to the children to be specially nice to father. Lovely dances followed, in which the only other servant, Liza, was sometimes allowed to join. Such a midget she looked in her long skirt and maid's cap, though she had sworn, when engaged, that she would never see ten again. The gaiety of those romps! And gayest of all was Mrs. Darling, who would pirouette so wildly that all you could see of her was the kiss, and then if you had dashed at her you might have got it. There never was a simpler happier family until the coming of Peter Pan.

Mrs. Darling first heard of Peter when she was tidying up her children's minds. It is the nightly custom of every good mother after her children are asleep to rummage in their minds and put things straight for next morning, repacking into their proper places the many articles that have wandered during the day. If you could keep awake (but of course you can't) you would see your own mother doing this, and you would find it very interesting to watch her. It is quite like tidying up drawers. You would see her on her knees, I expect, lingering humorously over some of your contents, wondering where on earth you had picked this thing up, making discoveries sweet and not so sweet, pressing this to her cheek as if it were as nice as a kitten, and hurriedly stowing that out of sight. When you wake in the morning, the naughtinesses and evil passions with which you went to bed have been folded up small and placed at the bottom of your mind; and on the top, beautifully aired, are spread out your prettier thoughts, ready for you to put on.

I don't know whether you have ever seen a map of a person's mind. Doctors sometimes draw maps of other parts of you, and your own map can become intensely interesting, but catch them trying to draw a map of a child's mind, which is not only confused, but keeps going round all the time. There are zigzag lines on it, just like your temperature on a card, and these are probably roads in the island; for the Neverland is always more or less an island, with astonishing splashes of colour here and there, and coral reefs and rakish-looking craft in the offing, and savages and lonely lairs, and gnomes who are mostly tailors, and caves through which a river runs, and princes with six elder brothers, and a hut fast going to decay, and one very small old lady with a hooked nose. It would be an easy map if that were all; but there is also first day at school, religion, fathers, the round pond, needlework, murders, hangings, verbs that take the dative, chocolate pudding day, getting into braces, say ninety-nine, three-pence for pulling out your tooth yourself, and so on; and either these are part of the island or they are another map showing through, and it is all rather confusing, especially as nothing will stand still.

Of course the Neverlands vary a good deal. John's, for instance, had a lagoon with flamingoes flying over it at which John was shooting, while Michael, who was very small, had a flamingo with lagoons flying over it. John lived in a boat turned upside down on the sands, Michael in a wigwam, Wendy in a house of leaves deftly sewn together. John had no friends, Michael had friends at night, Wendy had a pet wolf forsaken by its parents; but on the whole the Neverlands have a family resemblance, and if they stood still in a row you could say of them that they have each other's nose, and so forth. On these magic shores children at play are for ever beaching their coracles. We too have been there; we can still hear the sound of the surf, though we shall land no more.

Of all delectable islands the Neverland is the snuggest and most compact; not large and sprawly, you know, with tedious distances between one adventure and another, but nicely crammed. When you play at it by day with the chairs and table-cloth, it is not in the least alarming, but in the two minutes before you go to sleep it becomes very nearly real. That is why there are night-lights.

Occasionally in her travels through her children's minds Mrs. Darling found things she could not understand, and of these quite the most perplexing was the word Peter. She knew of no Peter, and yet he was here and there in John and Michael's minds, while Wendy's began to be scrawled all over with him. The name stood out in bolder letters than any of the other words, and as Mrs. Darling gazed she felt that it had an oddly cocky appearance.

'Yes, he is rather cocky,' Wendy admitted with regret. Her mother had been questioning her.

'But who is he, my pet?'

'He is Peter Pan, you know, mother.'

At first Mrs. Darling did not know, but after thinking back into her childhood she just remembered a Peter Pan who was said to live with the fairies. There were odd stories about him; as that when children died he went part of the way with them, so that they should not be frightened. She had believed in him at the time, but now that she was married and full of sense she quite doubted whether there was any such person.

'Besides,' she said to Wendy, 'he would be grown up by this time.'

'Oh no, he isn't grown up,' Wendy assured her confidently, 'and he is just my size.' She meant that he was her size in both mind and body; she didn't know how she knew it, she just knew it.

Mrs. Darling consulted Mr. Darling, but he smiled pooh-pooh. 'Mark my words,' he said, 'it is some nonsense Nana has been putting into their heads; just the sort of idea a dog would have. Leave it alone,

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