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Republic
Republic
Republic
Ebook554 pages9 hours

Republic

Rating: 4 out of 5 stars

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Translated by John Llewelyn Davies and David James Vaughan. With an Introduction by Stephen Watt.

The ideas of Plato (c429-347BC) have influenced Western philosophers for over two thousand years. Such is his importance that the twentieth-century philosopher A.N. Whitehead described all subsequent developments within the subject as foot-notes to Plato's work. Beyond philosophy, he has exerted a major influence on the development of Western literature, politics and theology.

The Republic deals with the great range of Plato's thought, but is particularly concerned with what makes a well-balanced society and individual. It combines argument and myth to advocate a life organized by reason rather than dominated by desires and appetites. Regarded by some as the foundation document of totalitarianism, by others as a call to develop the full potential of humanity, the Republic remains a challenging and intensely exciting work.

LanguageEnglish
Release dateFeb 1, 2013
ISBN9781848704961
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Plato

Plato (aprox. 424-327 BC), a student of Socrates and the teacher of Aristotle, is commonly regarded as the centermost figure of Western philosophy. During the Classical period of Ancient Greece he was based in Athens where he founded his Academy and created the Platonist school of thought. His works are among the most influential in Western history, commanding interest and challenging readers of every era and background since they were composed.

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Rating: 4.076923076923077 out of 5 stars
4/5

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  • Rating: 1 out of 5 stars
    1/5
    I just didn't like it. There's nothing wrong with it, I just didn't really understand it, and wasn't really interested in what I did understand.
  • Rating: 3 out of 5 stars
    3/5
    The best thing about this particular edition is the excellent indexing of terms in the back.
  • Rating: 3 out of 5 stars
    3/5
    Kind of "the big one" as far as Plato goes. I would need to spend a lot more time on it to really appreciate its intricacies.
  • Rating: 5 out of 5 stars
    5/5
    This famous piece of literature introduces readers to the Socratic method. Socrates was a famous Greek philosopher and his student Plato wrote about his method of teaching. Instead of informing or explaining things, Socrates would ask questions and open a dialogue with his students. He shared his philosophical view by asking questions and making his students reach the conclusions on their own. His political theories and observations are still relevant, though the book was written in 300 BC. In The Republic Socrates discusses the way to create a perfect society. They work their way through the different rules and regulations that society would need. They decide what their education would focus on and whether there would be equality between the sexes, etc. As they talk through all of the details of their society they come to the inevitable conclusion that it can never exist. Mankind is too flawed and even with the best of intentions, political leaders are corrupted by power. The other major issue up for debate is justice. Each man comes to the table with a slightly different view of how to define justice. Is justice helping your friends? Is it unjust to injure your enemies? These questions make the Athenians go round and round as they each add their opinions to the mix. This book also includes the famous allegory of the cave, which is discussed in every Philosophy 101 class. BOTTOM LINE: The arguments aren’t flawless, but it’s the style of arguing that makes this such a compelling read. I enjoyed every second of it and would highly recommend finding an audio version if you can.“The society we have described can never grow into a reality or see the light of day, and there will be no end to the troubles of states, or indeed, my dear Glaucon, of humanity itself, till philosophers become rulers in this world, or till those we now call kings and rulers really and truly become philosophers, and political power and philosophy thus come into the same hands.”“They agreed to avoid doing injustice in order to avoid suffering it. This is the origin of laws and contracts.”“Don’t you think this is why education in the arts is so powerful? Rhythm and harmony find their way to the inner part of the soul and establish themselves there, bringing grace to the well-educated.” 
  • Rating: 3 out of 5 stars
    3/5
    I'm not, as it happens, a Platonist. It's interesting to read The Republic -- it's worth doing, if you have any interest, particularly because Plato's ideas are so very very pervasive and have in fact endured and stuck in our society more than you'd think. The dialogues can be quite interesting; some of them are quite dramatic. But the logic to me is always dragged out too far and too long, and sometimes I just want to punch Socrates. I have major issues with Plato's analysis of art.

    Which all adds up to: worth reading, but I wish I could've read a summary instead.

    Edit: On reread, I found it somewhat more bearable. I still don't agree with the philosophy, but it's readable and the arguments are clear. I think some of them are more pedantic than accurate, but then we've established I think Plato's a twit.
  • Rating: 5 out of 5 stars
    5/5
    butter than I expected. and a bit shocking...but I think most of those go to cultural differences and do NOTHING to expunge him as one of the world's first philosopher.
  • Rating: 5 out of 5 stars
    5/5
    Read it as a powerful book in Major Theories of the State I course in Waikato University.
  • Rating: 3 out of 5 stars
    3/5
    Rated: C+The New Lifetime Reading Plan: Number 12Guess I'm not a real fan of the Socratic dialogue. Seems like there could be more logic branches that the ones chosen. Anyhow, did appreciate three key concepts: 1) the uniqueness of the individual and the how that shapes ones vocation; 2) the cave and how perception shapes one's view of the truth; 3) The Myth of Er and the vision of how souls must choose their next lives ... "the unjust passing into the wild ..." and "... by the bank of the river of Indifference, whose water cannot be held in any vessel. All persons are compllled to drink a certain quantity of the water; but those who are not preserved by prudence drink more than the quantity, and each, as he drinks, forgets everything. When they had gone to rest and it was now midnight, there was a clap of thunder and an earthquake; and in a moment the souls were carried up to their birth, this way and that, like shooting stars."
  • Rating: 4 out of 5 stars
    4/5
    On the whole a pretty good read for me. The ideas about different states and the people in those states really got my imagination going. At first I found it more funny that I though I would, and liked Socrates, but his antics did get tiresome for me half way or so. Sometimes a page turner, helping me excitedly develop some ideas... sometimes a slog, especially the tenth and final book, which I found a real low point as a finish. As other say, the winding arguments he makes by small admissions on the parts of his partners can get too ridiculous, too often - whether that's intentionally provocative or good or bad I didn't really feel much about. A few pages into chapter 8, in my edition being page 206... his manipulating numbers to prove that the timing of the birth leads to bad people... I couldn't even. Laughed.
  • Rating: 4 out of 5 stars
    4/5
    The writings of Plato have been one of the cornerstones of Western thought for two and a half millennia used for both secular and religious purposes, sometimes not as he intended. Republic is one, if not the, most famous piece of Plato’s philosophical/political writings and the translation by Robin Waterfield for Oxford World’s Classics adds to the debate that surrounds it.During a thorough 60+ page introduction to Plato’s text, Waterfield most significant translation is “morality” instead of “justice” for the Greek word dikaiosune because of the definition provided by Aristotle of the word. With this word decision and with her discussion of Plato’s complete disregard to politics, Republic turns from a work of political theory into one of philosophy concerned about the improvement of an individual’s life and not that of a Greek polis. Using the cultural terms and norms of his time, Plato sets out to express his belief that individuals can improve and better themselves outside the communal structure of Greek life. This was a radical notion given that individualism—especially as we know it today—was not a part of respectable Greek political life, the individual’s life was bound up in the community and if they went off on their own it was dangerous to the civic order and with the relationship with the gods (the charge against Socrates).While Plato’s overall thesis is thought-provoking, some of his supporting arguments via mathematics and his lack of details about how to improve one’s morality and thus goodness are detriments to Republic’s overall quality. Although later individuals, in particular early Christian fathers, would supplement Plato with their own supporting evidence for those in the 21st Century these elements can be stumbling blocks. Even though Waterfield’s translation provided to be very readable and her notes beyond satisfactory, the constant flipping to the back of the book to read them and provide myself with the context to what she was saying while at the particular place in the text was somewhat unhelpful but footnotes at the bottom of the pages might have been worse.Republic is one of the most significant pieces of Western literature and whether you approve of Waterfield’s translation or not, it is a very good was to look at a piece of text long-thought to mean one thing and see it as something completely different.
  • Rating: 5 out of 5 stars
    5/5
    Waterfield's version is an outstanding translation of the Republic. I had read this a few years ago in a "classic" translation, but was baffled by what seemed like a bizarre political theory and never thought about it any further. Waterfield's introduction and complete notes (like his translation of Herodotus) made Plato inspiring to me for the first time. I now realize what should have been obvious the first time around: the Republic is more than anything an invitation to thought, not the dogmatic philosophical treatise I thought I was reading before. This is a compelling examination about how an individual should live his life to the fullest. The issues that Plato raises and Waterfield clarifies in the book follow me around as I sit in my own house and walk in my own city.
  • Rating: 5 out of 5 stars
    5/5
    Just to be clear, my rating is for the edition of the Republic I read- the Oxford World's Classics text translated by Robin Waterfield. Giving stars to the Republic is so flagrantly stupid that I can't even come up with a suitably stupid analogy. Giving stars to the Mona Lisa? Not even close. Giving stars to Dante? Not the same, because that deserves five stars. The Republic simultaneously deserves five stars, for kick-starting Western philosophy, social science, aesthetics, theology, and political thought. It poses a bunch of difficult questions in a way that no book before it does. That said, the arguments it uses and the answers it reaches are ridiculous and ridiculously flawed. That's okay. If you're smart enough to ask questions that keep people talking for over two millennia, you're allowed to airball the answers. You can tear the arguments of this book apart in more ways than any other work of respectable philosophy: Aristotle is way more internally coherent, even the most moronic contemporary popular 'scientist' has less absurd assumptions.

    Anyway, really I wanted to review the edition. It's great. Waterfield jettisons the random 'book' divisions of the Republic. Ideally, I guess, you'd just publish the thing as one long rant, but in the interests of user-friendliness Waterfield's split the text up into chapters, each one of which more or less features one argument. This makes the flow of the dialogue much easier to follow. He also breaks up steps in the arguments of the longer chapters, so you don't get lost even if you're kind of half-arsing your reading. For that alone, he'd get four stars, but his notes are *brilliant* too. Philosophically engaged, historically aware, never willing to play cheerleader to Socrates' more obvious gaffs, but willing to go out on a limb to defend something that initially seems implausible. Waterfield's guiding thread is that you really should read the book as what it says it is: an investigation into morality (often translated as justice elsewhere), which proceeds by way of analogy. The political stuff is secondary; the real goal is to defend the idea that the moral person is happier and better in the long run. I say all this despite disagreeing with Waterfield's argument that the forms aren't metaphysical. I know why philosophers say that; the idea that Plato thought there were real Divine Bedframes floating somewhere in the fifth dimension is ridiculous. But he pretty clearly thought that ridiculous thing. Not because he was an idiot, though: he wanted to anchor truth is something which actually existed, but acknowledged the real lack of truthiness/justice/morality in the world as he found it. Good for him.
  • Rating: 4 out of 5 stars
    4/5
    Interesting and wordy. I'm pretty sure that Plato came up with the first dystopian society in history, as his ideal community sounds like the basic form of any futuristic world. Emotions are weeded out, the "best" are exalted while everyone else works, love is regulated, there are no such things as families... etcetera etcetera.One thing I'm not sure I like is that Plato writes as Socrates, but we'll never know if Socrates would've agreed with all these things. What if Plato is just putting things in Socrates's mouth? But I guess that's what you get when you don't write anything down (geez, Socrates).
  • Rating: 3 out of 5 stars
    3/5
    I read this book as I was working on my thesis. It was the summer of 08. I thought this book was ok and I found much material that I can use in my thesis; reflection from journals on a life of a musician / teacher. As Plato was also a teacher I found that I disagreed with him a little. His questions that he asked were not open ended, but were meant for others to see "his" answer. I teach in a different way in which I ask opened ended questions, and use the answers from my students as a learning opporunity to later reflect on. Over all the book was a pleasure to read, even though it was difficult at times to understand. However, philsophy is always difficult to someone who is not a philosopher.
  • Rating: 5 out of 5 stars
    5/5
    This particular version divides the dialogue into 10 chapters, though the division has varied over the years. While some commentary finds this to be the pinnacle of Plato's work, I find it less captivating than some of the others. (I'm sure there is some depth that I do not perceive, however the style means as much to me as the depth.) The key elements are brought out through the ongoing conversation regarding the hypothetical creation of an ideal state, all of which is done in pursuit of Socrate's attempt to define justice. The ideal state is composed of three groups of people. The commoners are still better educated than the citizens of other cities and limited in number via ejection. The guardians are chosen from the best children, raised in common, educated in only that which advances their status as guardian (good-bye Homer, and anything mourning death), mated based on ability and without marriage, and trained in combat from an early age. The most advanced of them also become philosopher-kings. All citizens are trained in varying degrees in only that which is deemed beneficial: gymnastics, mathematics, etc, though in each, only the desired elements are maintained. For example, only certain appropriate musical rhythms are permitted. Eventually we come to the point of justice, in which we find that these elements of the state are in harmony (the spirit and the mind; the peace and the aggression, the leadership and the philosophy). Socrates then brings us to the individual, for whom we find justice is defined as the same harmony of those elements within each person. It is both intriguing and somewhat dissapointing to find exact phrases later seen in the Wealth of Nations and perhaps the Federalist. For example, these early thinkers already proclaim "when there is an income-tax, the just man will pay more and the unjust less on the same amount of the income." (p. 306, Book I) Later, they also convey a perfect understanding of the division of labor within a city. Then again, the quotations from Homer, such as "And the soul, with shrilling cry, passed like smoke beneath the earth." (Illiad) were borrowed by them and quite welcome (and referenced). Within all of the hypothesizing, a basic observation is made about the motivation of rich men vs. laborers. When ill, the carpenter sees a doctor. If advised that he must rest in order to recover, the carpenter does not because he cannot and so goes on and either lives or dies. Either way, he fulfills his purpose and does not waste away with a lingering death. Alternatively, the rich man has no occupation and can waste away. The other most memorable discussion concerned the progress through and traits of the major systems of government (dictatorship, democracy, etc.) I found the Republic to be an interesting discourse, containing some fascinating major points (about the soul, the motivations of men, and the organization of states) as well as some interesting sidetrips into other matters.
  • Rating: 4 out of 5 stars
    4/5
    Some interesting ideas and famous arguments. He seems to want to fit things (ideas) into his preconceived plan rather than having them make sense. I will have to read this again.
  • Rating: 5 out of 5 stars
    5/5
    Plato's 'The Republic' is a timeless addition to any library. Molding philosophical ideals for centuries and influencing the creation of Political systems and ideologies that shape the modern world, 'The Republic' is a must for any serious philosopher.This edition of the famous Jowett translation is introduced by Francis R. Gemme and has very well informed and lucidly written notes by David Masson.
  • Rating: 5 out of 5 stars
    5/5
    i refer to this more often than is probably sane. one of my favourite books, ever, the transpation by bloom is the only one i consider worth the paper on which it is printed.
  • Rating: 4 out of 5 stars
    4/5
    This will be an ongoing review I have to read parts of this for my Ethics class, and we were assigned part of it in week two. I'm not sure how much I'll enjoy it throughout the semester, but I did like what we read this week. Finished with what we are reading in this book for Ethics class, I enjoyed it and probably wouldn't have read this book if it weren't assigned reading. I may pick it up again at a later date and read the parts that we skipped. I'm glad I was given a reason to read this finally.
  • Rating: 5 out of 5 stars
    5/5
    Three things struck me about The Republic. The first is the incorporation of theology into philosophy. For all the goings on about religion in recent times and the apparent "victory" of science, Plato's philosophy begins and ends with Heraclitus' God. Almost none of the philosophy makes sense without the soul or a higher purpose for humans, and an intelligent deity that has ordered it all to be so. Second, The Republic is a handbook for politics. Hardly an idea has escaped tyrants or politicians. Parts of the work are basically a program for political action. Of course, the examples provided from ancient times are not necessarily the equivalent of the polis today, but there is certainly an element of prediction that cannot be ignored. And third, the art of translation has a significant influence on the readability of classic texts, and this translation by Desmond Lee is fascinating. Lee includes extensive notes throughout the text. Many of the notes relate to the various translations by others, and Lee often admits when he is not sure of his translation. After reading Benjamin Jowett's translation of Meno, I was disappointed with how annoying Socrates appeared in the dialogue. Nonetheless, the dialogue in The Republic is so contrived as to make me wonder why bother having the interjections from the audience (who always agree with Socrates even when the logic is obscure?). Of course, dialogue is a literary and political device, but the differences between the various translations are significant, as they are with Homer's epic poetry. My marginalia is too extensive to write up in this space, but I have kept notes on pedagogy, the reliance on God to make sense of the philosophy, numerous other readings to complete, and Plato's various ideas that make this work timeless. One quote relating to teaching struck a chord (p. 300):The teacher fears and panders to his pupils, who in turn despise their teachers and attendants.As did the many references to democracy leading to tyranny brought about by a popular champion. Once again, I find that a complete reading reveals so much of my education that did not make a direct link to the original source. The simile of the cave appears in almost any undergraduate degree in politics, but in such a cut-down version as to make the entire idea in relation to the simile of the Sun and the Line and the division of knowledge into its levels of "truth" disappear. It makes we wonder how much has been lost by perpetually drawing on secondary sources in education. Again, translation fascinates me and I regret not having learnt more than one language when I was young, so I can only trust that Lee's translation does the original work justice (no pun intended). If I had known the impact a complete reading of this work would have on me, I would have attempted it much earlier. Having said that, without having read Homer, Hesiod, Heraclitus, and the Stoics, I think much of The Republic would have gone straight over my head. I have since commenced reading The Laws while I am in sync with Platos' dialogue.
  • Rating: 5 out of 5 stars
    5/5
    I often wonder what I would have taken away from this book had I read it on my own, and not as the only subject of a semester-long seminar. I read and reread each chapter many times over, wrote papers on what I thought was meant, and then often had my eyes opened to an entirely different possibility when I heard others' views. I'd like to think I would have still gotten something out of it, but for me, I think that to really truly get the most out of this book, one should read it as part of a group, be it a class, a book club, a gathering of friends interested in politics/philosophy/history, etc. A work with so much depth, which can't/shouldn't be taken at face value, really benefits from discussion. Allan Bloom's translation/commentary is fascinating, and I would recommend picking up that version if you have the option. Though perhaps reading through it once first without the commentary, and then reconciling your own initial reactions with what others have said over time might prove to be more rewarding than having it spoon-fed upon initial read.
  • Rating: 2 out of 5 stars
    2/5
    I read this book because I thought I might find something of interest in this classic book. Well I did, but not enough to recommend it to anyone else. Much of it I found very unconvincing, the format, the arguement, the conclusions all unconvincing. The only parts that I would recommend were Part IV: The Philosopher Ruler, which is really more about the nature of reality and Part IX: Imperfect Societies, which I would rate at 4 stars and may even read again. If your interested in Philosophy, maybe read it, if your interested in history as I am, don't bother!
  • Rating: 5 out of 5 stars
    5/5
    Some of the reviewers seem to me to completely fail to take into account: (1) The actual flow of the argument in The Republic (2) The historical context in which Plato wrote The RepublicFirstly, The Republic is a "city in speech" as Socrates calls it, not an actual political model, and the reason why Socrates embarks on this journey is to illuminate the virtuous soul. In the city-soul analogy Socrates compares the perfectly good city to the perfectly good individual, with a well-ordered soul. It's not clear whether this is a desirable city-state, and Socrates himself questions it in book 8. Secondly, I would suggest that people who are outraged are engaging in arrogant de-historicism. Plato was writing after the disastrous wars between the Athenians and the Spartans, which Athens lost, and tyranny ensued, and the early attempts at democracy put his mentor Socrates to death. Plato hadn't seen liberal democracy as we know it, and he wasn't writing for a modern state. Plato saw what civil unrest can lead to, and he hated it.But most importantly, The Republic is more a work of epistemology and metaphysics than one of social engineering, it's about being vs. becoming, things "in themselves" and Plato's theory of forms (or ideas). If you read it like a work of political philosophy and a blue-print for a state, then I think you've misunderstood it.For someone interested in philosophy; this is essential reading. Plato outlines ALL the questions which have plagued philosophers since then, and many of them aren't resolved. One can only marvel at the aristry and craft with which Plato has crafted this magnificent, extraordinary piece of work.
  • Rating: 5 out of 5 stars
    5/5
    Plato's The Republic is a staple in philosophical literature. The Allegory of the Cave, the story of a man finally reaching his enlightenment but wanting to return to the cave (or ignorance), has been exemplified in recent years: people remain ignorant of certain facts, and when confronted with them, they continue to enjoy the cave. This is not a very comforting thought.
  • Rating: 5 out of 5 stars
    5/5
    It's totalitarian, it's fearful, it's deceitful, it's violent, it censors the people and turn them into objects, its rhetorical, it advocates eugenics, and its egotististical--as Plato seems to ironically put Philosophers like himself in the master's throne. It's a horrific nightmare that betrays the author's master, Socrates. Why the five stars? Because it has managed to influence every nook and cranny of politics and its vicious underbelly-- it is essential for that reason. Anyone who has read The Republic knows the score.
  • Rating: 3 out of 5 stars
    3/5
    a classique. allegory allegory everybody's coming to get me. i got out of the cave back in the mid 00's.
  • Rating: 4 out of 5 stars
    4/5
    I put off reading this book for quite a while because I had been given the impression that it was largely about politics, which I find particularly boring. As it turns out, this book isn't really about politics, but more about philosophy in general, with a good variety of things being discussed, from the nature of justice, goodness, how education should be done (not as boring as it sounds), and how the ideal state should be set up. It is fairly easy reading, as Plato does not use difficult words or complex reasoning, so would be an ideal introductory book for someone who has not read much philosophy before. I agree with a lot of what he writes, and his idealisations, as have other philosophers down the ages, who have been inspired too. A lot of it isn't politically correct, but he does have a lot of common sense, and was ahead of his time on things like equal rights for women. One of the things I like is his cynicism directed towards politicians, and people in general, but I think his reasoning can be simplistic and flawed in places. I don't think this would be worth reading again, but I am glad I have read it the once, and will probably look to acquire some of his dialogues before too long. This translation was by H.D.P. Lee.
  • Rating: 3 out of 5 stars
    3/5
    This book has some brilliant/famous parts, but it's mostly just a guy eloquently agreeing with himself. The allegory of the cave is terrific. The basic concept of a Socratic Dialogue is fascinating: far easier to read and follow than the typical philosophical prose, but also comical in some ways, at least in this book, as all the characters are flat and indistinguishable. "Why yes of course Socrates; truly; certainly; if you ask me, it could be no other way".
  • Rating: 3 out of 5 stars
    3/5
    After thinking through the collection of Plato's Dialogues and the overviews Socrates and Plato, I went after The Republic. I found it less entertaining and interesting than Dialogues but more thought-provoking.

    Plato abhored democracy because people had wrong beliefs and would elect others with those wrong beliefs, leading the entire society astray. The Republic is the description of Plato's ideal city-state. Again, Socrates is the mouthpiece and scholars contend that Plato's later works reflect more of his ideas than his teacher's.

    The first books deal with the concept of justice. What is justice? Is it simply the interest of the stronger party (ie: might makes right)? Are our ideas of justice simply put upon us by the laws our rulers create, or is there some universal definition? Thrasymachus contends that it does not pay to be just; the unjust get head in life. We may respect justice more, so perhaps it's best to seem just but actually be unjust (does Machiavelli echo this in The Prince?). While the argument ends in a stalemate, Socrates eventually circles around later in The Republic to make a case that it's better to be just.

    Book III has interesting thoughts on God's character. Plato writes that God is unchangeable in nature, he cannot deceive or else that would mean he is not good. The Socratic/Platonic idea that the body is evil and troublesome (as seen in Plato's other dialogues) is elaborated on in this book. Socrates states that two lovers must not have sexual relations, because love is a pure feeling of truth whereas the body is base passions. While Socrates contends that the Greek cultural way of "love" between a man and a boy are vital to the boy's education, sexual intercourse must not enter into the relationship or it is not true love.

    Socrates moves into discussing who the rulers should be in the ideal state. They should be made up of those containing "gold and silver," whose parents see them as born to rule. Bronze and iron children, on the other hand, will be the working class and these differences will be rigidly enforced. Rulers themselves must receive no wages or hold private property, lest they abuse power; they should depend on the working class for their food and edification.


    Book IV elaborates on the lives of rulers. There can be physicians in the ideal state and these should work to kill off the weak and insane. Guardians should share wives and children in common.Socrates states that justice amounts to the health of the soul: a just soul is a soul with its parts arranged appropriately. Health is good, and it therefore pays to be just.

    In Book V Plato writes that the interchanging of jobs among the classes is injustice, "the greatest of all evils." A free society of freely interacting agents with individual freedom is anathema to Plato.

    In Book VI Plato writes that rulers/guardians' children should be separated and nursed away from the guardians from birth. Mothers should be brought in to nurse but never be allowed to know which child is theirs (sounds like Sparta?). This is because these children will engage in a life-long education and training to make them excellent rulers by their 50's.

    Philosophers get corrupted by politics since there is much demand for their skills, and rulers are willing to pay a high price to have them. Philosophy is also useless where society disagrees with the "right" ideals as known only by phililosophers, therefore philosophers are useless.

    Book VII is on education, the goal of which is to drag every man out of a "cave" of ignorance. The fact that a philosopher is reluctant to rule makes him the best ruler-- the best rulers rule out of duty and obligation instead of power and riches. Rulers should study mathematics from addition to geometry, not for commerce, but for making war and because learning about numbers upens up revelations to higher truth. Rulers will also study philosophical dialectic. Dialectic is powerful in the hands of those who misuse it, as many youths love to debate and stir up controversy rather than search out the truth.

    Books VIII and IX deal with political economy. Socrates compares the various types of government: timocracy, oligarchy, democracy, and tyranny. Timocracy is a society driven by honor and eventually the birth rate of the less-educated people outstrips that of the wise, so that civil war breaks out and leads to class divisions. Eventually, oligarchy arises where the right of rule is determined solely by wealth.Oligarchs fear the people and cannot make war because they dare not arm the masses to fight lest they be overthrown. The oligarchs' desire for more wealth leads to speculation, high-interest loans, and eventually greater concentration of power in the hands of a few. Those who lose their fortunes work with the masses to plot revenge.

    Democracy, then, springs from oligarchy- eventually a revolution overthros the oligarchs and people are made equal. Plato writes that from the outside, democracy appears to be the most attractive society but it's flawed because so many people are pursuing their endless passions. Eventually, this insatiable appetite causes people to neglect proper governing (including breeding at the right times, so eventually the progeny become weaker and weaker). "Drones," which are beggars and criminals deceive both the rich and poor into class warfare. The rich respond by limiting the freedom of the poor, and revolt ensues in which the chief "drone" becomes the populist tyrant. He kills all the good, enslaves the others, constantly makes war, and lives a lavish lifestyle. He panders to the other drones and they become his bodyguards.

    (Depressed yet?)

    The tyrranical man is the least-happy of all the rulers, he is also the most unjust. Therefore, it pays to be just. Only philosophers can determine who is right among the truth-loving, honor-loving, and profit-loving types of people. The philosopher, of course, says seeking truth and denying the body and its various passions is the best life and leads to the best afterlife.

    In Book X, Socrates regretfully bans potes from the ideal society. Poets imitate the worst part of people, appeal to the worst parts of men's souls.

    Book XI deals with the immortality of the soul. Socrates' earlier dialogue with Phaedo summed up much of his beliefs, but here it is reiterated that bodily damage cannot harm the soul unless it can be proved that it makes the soul meaner, kinder, etc. In the afterlife, the just and unjust will be rewarded accordingly. Where good works outweigh the bad, there is reward. Sins must be long-punished according to severity. It's from this chapter that one might see how the Roman Catholic church eventually developed a doctrine of Purgatory, by incorporating the (erroneous) ideas of Plato.

    This was a difficult book to work through but I'm glad I did it. It is one which I should probably read repeatedly, and really only in Greek if I want to get it.
  • Rating: 4 out of 5 stars
    4/5
    How do you rate a classic like this? It's worth reading if only because of its immense influence on the Western world. It's also a much more multivocal text than it's given credit for, as a brief perusal of the secondary literature will show. Is the city in speech a serious utopian project, even if only as a regulative ideal, or is it an elaborate send-up of the absurdity of utopianism? That's only one of the big interpretive puzzles readers of The Republic must face.

    On the Allan Bloom edition specifically - The extensive endnotes make this a very useful translation.

Book preview

Republic - Plato

Plato

Republic

Translated by

John Llewelyn Davies and

David James Vaughan

with an introduction by

Stephen Watt

WORDSWORTH CLASSICS

OF WORLD LITERATURE

Republic first published

by Wordsworth Editions Limited in 1997

Published as an ePublication 2013

ISBN 978 1 84870 496 1

Introduction © Stephen Watt 1997

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Contents

Introduction

Suggestions for Further Reading

Note on the Text

Main Characters in the Dialogue

Republic

Book One

Notes to Book One

Book Two

Notes to Book Two

Book Three

Notes to Book Three

Book Four

Notes to Book Four

Book Five

Notes to Book Five

Book Six

Notes to Book Six

Book Seven

Notes to Book Seven

Book Eight

Notes to Book Eight

Book Nine

Notes to Book Nine

Book Ten

Notes to Book Ten

Analysis of the Republic

Introduction

1. Why read the Republic?

Many people will come to the Republic with some knowledge of its contents, and what they will usually know about the work is that it advocates a totalitarian society ruled by philosophers. Not even a professional academic is likely to find such a proposal attractive. So why bother to read the Republic?

One answer is that Plato has exerted an immense historical influence on world culture and that the Republic, because it contains accounts of many of the most important Platonic doctrines, is by far the best introduction to his thought. In the Christian West, the Platonism of Augustine of Hippo (354–430 AD) became a central influence on the development of church doctrine, an influence that persists in both the Roman Catholic and Reformed churches. At the Renaissance, Plato became championed by scholars such as Marsilio Ficino (1433–99) against a mediaeval style of philosophy predominantly influenced by Aristotle. More recently, a Platonic influence can be found in the works of philosophers such as Gottlob Frege (1848–1925), A.N.Whitehead (1861–1947) and G.E.Moore (1873–1958). Outside philosophy, aspects of the theories of Sigmund Freud (1856–1939) appear to owe much to Plato’s psychology, whilst the novels Brave New World by Aldous Huxley (1894–1963) and Nineteen Eighty-Four by George Orwell (1903–50) both borrow and criticise features of the ideal society envisaged by Plato and set forth especially in the Republic.

Another, perhaps better, answer is that the ideas contained in the Republic continue to throw light on many issues that still trouble political scientists and philosophers. Before turning to consider some of these ideas, however, I shall first give a brief sketch of the historical background to the Republic’s creation. (In what follows, references to Plato’s works are, as is customary, given by citing the pagination of the Stephanus edition of his complete works: this pagination is noted in the text.)

2. Historical background

Plato was born in Athens around 429 BC, the son of wealthy and well-connected parents. He thus grew up during the Peloponnesian War (431–404), a bitter conflict between Sparta and Athens which involved almost all the known civilised world. During the war and its aftermath, Athens experienced a number of revolutions and counter-revolutions in which democracy (government by the majority), the characteristic form of Athenian government, alternated with oligarchy (government by a minority), the form of government characteristic of Sparta. Plato’s family was heavily involved in the oligarchical regime of the Thirty which took power in 404, and it may well have been disgust at the ferocity of their rule which dissuaded Plato from pursuing a political career and led him into a private life devoted to the study of philosophy.

Whatever his motivation, around the age of twenty Plato joined the circle surrounding Socrates, and he remained there until Socrates’ execution for irreligion by a democratic government in 399. As a consequence of the execution, Plato left Athens and travelled the Mediterranean world. Around 388 he returned to Athens, and established a philosophical community which became known as the Academy. Over the following years he drew pupils to the Academy from all over the Greek world, among whom was that other giant of classical philosophy, Aristotle. By the time of his death in Athens in 347, Plato had also written over twenty philosophical dialogues, in the majority of which Socrates plays the leading role. Among these dialogues is the Republic.

3. What sort of work is the Republic?

a. The Republic as literature. The Republic is ostensibly the record of an argument which takes place between Socrates and a number of other people, probably around the year 420 BC. That Socrates and the other characters in the dialogue actually existed is certain; that Socrates taught by means of argument and conversation rather than by lectures or books is equally certain. A problem that has taxed scholars over the centuries is the so-called ‘Socratic problem’ – how much of the philosophy in the dialogues is a faithful reporting of Socrates’ own arguments and how much is Plato’s work. That is a question I shall ignore. But there is another related problem that I shall address: how important is it to understanding the Republic to remember that it is in the form of a dialogue rather than a treatise?

One thing that good philosophy should do is to consider objections to any argument. And to do philosophy well is to ensure that those objections are stated as clearly and forcibly as possible. Given this aspect of the subject, it is perfectly natural for philosophers to use different characters as mouthpieces for opposing arguments in a debate, and thus to write dialogues rather than treatises. But the point to be noticed here is that such a dialogue could easily be rewritten as a treatise and beyond a certain formal elegance, little would be lost. Most philosophical dialogues, including many of Plato’s own, fall into this category.

Dialogues can also be used to embody literary rather than philosophical qualities, rather in the manner of a play. To what extent these aspects are to be found in the Republic is debatable; that they are to be found there to some extent is undeniable. The influence of character, for example, is particularly striking in Book 1. Cephalus, the spokesman for conventional morality, having spoken his piece, goes back to increasing his stock in heaven by sacrifices, thus avoiding further discussion (331d). Thrasymachus, a professional teacher of rhetoric whose pride and livelihood are threatened by Socrates’ pre-eminence in conversation, tries to bully him into submission (336b). Later in the work, Polemarchus, young and rich, has his interest aroused by the sharing of women in the ideal city, and nudges his friend to get Socrates to tell more (449b). Other literary effects can be seen apart from the influence of character. A recurring theme in the Republic is the need for the philosopher to be compelled to act: Socrates is forced to go to Polemarchus’ house (328b); he is (light-heartedly) threatened when he tries to deny the practical application of his theories (474a); the dweller in the Cave is forced into daylight (515e); the philosopher is compelled to return to political life (520a).

It is difficult to know what you should make of these literary rather than philosophical aspects of the Republic. In some cases they are doubtless mere ornament which can be ignored; in other cases, however, they do seem to be embodying meaning which could not easily be expressed in a more narrowly philosophical form. It has been said that to ignore Plato the poet is to ignore Plato the philosopher; it is in any case certain that much of the influence of Plato has resulted from these literary aspects of the dialogue and that any full assessment of the Republic has to take them into account. In what follows, I shall concentrate on the more strictly philosophical aspects of the work; by so doing, I emphasise the purely introductory nature of this essay.

b. Politics as psychology. The title, the Republic, comes from the Latin ‘res publica’ meaning ‘public business’, and stands for the Greek ‘politeia’ which means ‘political system’ or ‘public and political life of the community’. Given this title, it might seem idle to ask whether the Republic actually is about politics. Nevertheless, it is an essential question to ask; for throughout the Republic there are clear statements that the real task of the dialogue is to understand the good individual. The point of discussing the good society is that, while its workings are analogous to those of a good mind, it is easier to understand because its parts, unlike those of the mind, are visible (e.g. 369a, 434d, 441c, 605b).

Are the descriptions of good societies then just extended analogies of the good individual? As I have already emphasised, Plato’s work doesn’t operate on just one level; and part of the attractiveness of the Republic is that it can be read as psychology as well as politics. Yet the link between individual and society isn’t merely by analogy. Particular types of society will produce particular types of individual, and Plato discusses these links in Books 8 and 9. But even putting aside this causal connection between politics and psychology, it would still be wrong to claim that the only interest to be found in the politics of the Republic is as an analogy of the individual. Although the political structures put forward are of dubious practicality and are acknowledged as such in the dialogue itself (e.g. 472e), they certainly appear to have been intended in some sense to illuminate actual structures and to suggest improvements. Moreover, quite apart from Plato’s intentions, his arguments have from the beginning been taken as politically directed and criticised accordingly.

Although you need to keep in mind the many-layered quality of the Republic, there is the danger that you become beguiled by the elusiveness of Plato, and stop asking the hard and clear questions that are needed to deal with the Republic as philosophical argument. If the Republic contains bad arguments on any one level, that needs to be said clearly, even while admitting and attempting to understand its other qualities. Failure to take the work seriously as straightforward philosophy diminishes its importance just as surely as the failure to be alive to the variety and complexity of other readings.

4. The structure of the Republic

It should be clear from the above that there is unlikely to be one description of the structure of the Republic. That said, beginners need some map to guide their exploration even if they are to abandon such guidance later on. In this section I shall therefore set out an understanding of the structure of the Republic commonly held among Anglo-American philosophers.

In general, the Republic is seen as an attack on the conventional assumption among Plato’s contemporaries that living a good life is just a matter of performing certain actions (e.g. 331a–d), regardless of the sort of person you are and the spirit in which you perform those actions. Instead, Plato tries to move his audience to an understanding that a good life consists in being a certain sort of person rather than merely doing certain sorts of action: from an act-centred morality where the primary question is, ‘What should I do?’ to an agent-centred morality where the primary question is, ‘What sort of person should I be?’

Book 1: Socrates asks: What is justice? He demonstrates the incompleteness of the conventional answer, proposed by Cephalus and Polemarchus, that it is simply doing just actions. He is attacked by Thrasymachus, who denies that it is in an agent’s interests to act justly.

Books 2, 3 and 4: Glaucon and Adeimantus take up Thrasymachus’ point and urge Socrates to show what reason an agent has to act justly. Socrates convinces them that an answer to this question may be arrived at by examining justice in a state. The ideally just state is sketched, and it is argued that its justice consists in the potentially competing classes within that state existing in harmony together under the leadership of the most rational. Analogously, it is concluded that a just individual is an individual whose potentially competing desires are in harmony under the rule of reason. As the absence of mental conflict is clearly desirable, an agent thus has a reason to be a just agent and therefore to be someone who acts justly.

Books 5, 6 and 7: a digression from the main argument. Prompted by Polemarchus and Adeimantus, Socrates describes the treatment of women, children and property in the ruling class in the ideal state. The rulers will be philosophers because only they can know what is truly good.

Books 8 and 9: resumption of the main argument from Book 4. The principal varieties of imperfect mental and political constitution are examined and the consequences of failing to be just are sketched.

Book 10: afterword. A discussion of poetry. The fate of the human soul after death is expounded in the Myth of Er.

Even this bare outline of a possible structure is likely to provoke questions. Why did Plato depart from the main line of argument in Books 5–7, and what is the explanation for the seemingly unconnected Book 10? Can examination of a just city really throw any light on a just individual? In what follows, I shall attempt to follow some major themes through the work and to suggest how the discussions remain of interest to contemporary philosophers.

5. Why be just?

Thrasymachus’ attacks on Socrates in Book 1 are confused, and the analysis of them has received much attention from academics. But one of the challenges he sets Socrates is to explain why anyone should be just when just people tend to lose out to the unjust (343a–343c). Socrates sketches several solutions to this challenge, none of which is wholly satisfactory, and is forced to return to the question by Glaucon and Adeimantus (357a–367e).

Philosophers have traditionally distinguished between two sorts of answer to this kind of question. The deontological answer is broadly that if an act is right, it just should be done, an approach which typifies the work of Immanuel Kant (1724–1804). The alternative teleological or consequentialist answer is that you should only perform just actions if they produce good consequences, an approach adopted by utilitarians such as Jeremy Bentham (1748–1832) and John Stuart Mill (1806–1873). Both these styles of solution seem problematic. Deontology hardly seems to address the question at all; and while teleology may address the question, the answer has seemed to many either immoral – consequences shouldn’t matter to a moral decision – or else liable only to postpone a deontological solution because, for any given consequence, the questioner will want to know: ‘Why pursue this consequence?’

Socrates at the beginning of Book 2 seems to promise a third type of answer: that justice is to be valued both for its consequences and for itself (358a). Being just certainly has good consequences, at least on occasions. Telling the truth and keeping promises, for example, can lead to a reputation for probity and thereby encourage people to deal with you. But whatever the merit of this sort of consideration, Plato rigorously excludes such consequences from the argument (359b–361d; 367a–e) until Book 10 (612a ff.). The sort of consequences to which he initially restricts himself are what might be styled the natural consequences of just actions, and not ones, for example, dependent on other people’s recognising and rewarding your justice (367e).

There are a number of distinctions that Plato might have made between various sorts of consequence, and didn’t. Take intelligence, for example (357c). That being thought intelligent might lead to a good job would be excluded from consideration because it depended on other people’s judgment of your qualities. But would the natural consequence of intelligence – that you were better at, say, finding food – be counted or not? Plato in fact doesn’t answer the question, ‘Why be just?’ within the terms of the deontological/teleological debate. Instead he suggests that the terms of the debate, in the end, are misleading. For Plato, the importance of acting justly is that the failure to do so both leads to and is an instance of being a disordered personality (588b–592b).

The obvious rejoinder to this is to ask what’s so bad about being disordered? One answer is to deny the force of this question: just as no one could seriously deny that being healthy is a good thing, so no one could deny that being disordered is a bad thing (445a–b). Emphasising this strand within the Republic makes it difficult to explain Books 5–7 as anything more than a digression (see section 4 above). Plato, however, in admitting the attractiveness of at least some sorts of disorder (eg 557c, 561e), obviously recognises that something more needs to be said. His response is to sketch in Books 5–7 the sort of person who would see the attractiveness of the ordered personality, even if others would not. To understand his answer, we have to turn to Plato’s understanding of rationality.

6. The Theory of Forms (Books 5–7)

The theory of Forms is perhaps Plato’s best-known contribution to philosophy. Put very roughly, it is the theory that knowledge is gained not primarily by coming to know what is in the world of experience, but rather by coming to know the Forms which exist in some other world. Plato argues that the world of everyday objects imperfectly imitates the world of the Forms, in a way analogous to that in which a picture painter imperfectly imitates everyday objects (597a–e). Talk of another world may misleadingly suggest somewhere with a spatio-temporal location. This error may be more easily resisted if you remember that an alternative translation to ‘Forms’ is ‘Ideas’. What Plato is saying, broadly, is that the most important truths are available through studying the world of ideas, entry to which is gained by reasoning, rather than by studying the world of experience, entry to which is gained by sense experience (eg 511b–c).

This general strategy is used through Plato’s works to answer very many different types of philosophical question; moreover, the precise way in which the strategy is realised varies over Plato’s career. As a result, the difficulties which such an account faces – and these are many – are also varied. In the Republic the theory of Forms is used primarily to address ethical questions, and it is on this area that I shall now concentrate.

There is a Form of the Good which is in some sense the most important Form (534). So Plato, in outline, is going to be saying that in order to see the point of having an ordered personality, you are going to have to see the Form of the Good. Before going any further, I need to make explicit a difference between the characteristic way in which Plato thought of bad people, and the way in which the Judaeo-Christian tradition regards them. A bad person in the Judaeo-Christian tradition is generally thought of as someone who knows what is good but refuses to act accordingly. For Plato, bad people are typically those who act in accordance with their understanding of what is good, but who have a false understanding. Now the former conception only makes sense if what is good is regarded as something fairly clear-cut and easily comprehended – the Ten Commandments, for instance. As soon as what is good is regarded as unclear and open to debate, Plato’s conception begins to make more sense.

This difference is important because it serves to illuminate a problem that academics have long worried over in the Republic: the problem of the ‘two worlds’. Plato seems to argue that knowledge is directed at the objects of one sort of world – that of the Forms – and that what is commonly called knowledge – and what Plato calls opinion – is directed at the objects of a completely separate world, that of everyday sense-experience (474b–480a; 509d–511e; 533e–534a). When you look at the famous myth of the cave (514a–518b), for example, the position of the prisoners in the Cave is not that of having imperfect knowledge of reality, but rather of having imperfect knowledge of a charade: what they see are not the shadows of the real world, but the shadows of statues.

All this makes it very hard to understand how knowledge of one world, the Forms, is supposed to have an impact on our understanding of an entirely separate world, that of sense-experience. Moreover, it renders problematic the commonsense view – a view seemingly implicit in the Republic’s own methodology – that true knowledge can be gained by starting out from everyday opinion and building on it through reasoning.

If knowledge and opinion are directed at different objects, then there is clearly a problem. Accordingly, some commentators deny that this is Plato’s view in the Republic, instead interpreting his arguments as referring to different levels of understanding of the same objects. My own view is that Plato is confused on the question of the two worlds, and that his confusion is explicable given the primarily ethical concerns of the Republic.

To achieve knowledge, Plato prescribes the development of the habits of mind which allow a person to see the Form of the Good (521c ff.). Cut away from the details of Plato’s account, the proposal – that a tough intellectual training in difficult subjects like mathematics develops virtues such as intelligence, concentration, memory and persistence which are essential either in further study or in living life well – whilst debatable, certainly isn’t incredible. Only someone who has been trained in such virtues will be able to see what is good, because only such a person will be able to conduct the philosophical inquiry or dialectic required (532a–b).

If discerning what is good is very difficult and requires a good intellectual training, then what passes for morality in the absence of such training is likely to be a mess. Accordingly, the moralist is better off ignoring the present moral confusion, working out what actually is good, and then using that knowledge to abolish the mess. And indeed this call to clear away the confused nonsense of current beliefs and to start out afresh from principle has occurred rather frequently in human history. For people with such radically new moral knowledge, it would be reasonable to say that they are living in a completely different ethical world from those without that knowledge, in much the same way as it would be reasonable to say that nineteenth-century Christian missionaries did not share the cultural world of the peoples they tried to convert.

The two worlds problem arises because Plato thought that the truly good life was different from what passed for the good life in the Greece of his day: it accordingly became reasonable for him, in ethical matters, to think of two different worlds. None of this solves the problems for the two worlds view which I mentioned above; but it does explain why, in his rush for moral transcendence, Plato may have created those problems in the first place.

I turned to discuss Plato’s theory of rationality because it serves to explain why only a certain sort of person – someone who is trained to be rational – can appreciate why it is not desirable to have a disordered personality. There is nothing odd in the claim that only someone trained in a particular way can fully appreciate a particular activity. Thus it is probably true that only someone trained in classical music can fully appreciate a symphony. Where Plato goes beyond this is in the claim that a certain sort of character – the philosopher – is the only one who can make final judgments about the value of anything whatsoever. To understand this aspect of the Republic, I shall turn to consider Plato’s views on art.

7. Art and the supremacy of philosophy (Books 2, 3 and 10)

According to Plato, there is an ancient quarrel between poetry and philosophy (607b). Wandering poets should therefore not be surprised if, when philosophy rules a state, they are politely but firmly excluded (398a). What is the justification for this hostility to art?

Modern Western societies prize artists. They are prized, not just because people enjoy their work, but because art is supposed to provide insights not available in other ways. The claim to provide insight is ambiguous. It might mean that artists put truths discerned by other disciplines in a form that is more readily assimilated by the public. So, for example, children learn songs about the alphabet because a song is more easily remembered than the mere list of letters. Alternatively, it might mean that some insights were only available through art. To hear a piece of music might show you an aspect of the world otherwise inaccessible, even if you would be hard put to express that aspect in words.

Plato is all in favour of the first understanding of the claim to provide insight. He acknowledges throughout the Republic the influence of art upon the mind (401d; 608ab). His aim in a good society is that this power should be employed in the service of truth (377a–c), that artists should take their direction from the rulers of a society who, ideally, would be philosophers.

What about the claim that art provides a unique insight, not expressible in other ways? The position in fourth-century BC Greece was that the works of poets, in particular those attributed to Homer, were central in the education of the young and that they were treated as authoritative in the good conduct of life. Note for example that Polemarchus claims the authority of the poet Simonides for his definition of justice (331d). The ancient quarrel between philosophy and poetry alluded to by Plato is accordingly over the question of authority: is the content of poetry subject to the tests set by philosophers, or is philosophy subject to poetry? It was this quarrel which cost Socrates his life; for the irreligion on which he was convicted was that involved in questioning the nature of the gods as set forth by the poets.

Plato of course argues that poetry should be subject to philosophy. As I have noted, he argues that only someone capable of rigorous intellectual enquiry is able to see what is truly good. Philosophy as practised by Socrates is a discipline that attempts to discern truth by the use of rational arguments or dialectic (533a–b). This doesn’t mean that philosophy is a discipline that can discern all truths: it can’t discern the sort of truths, say, that can only be dug up by archaeologists. But what it does mean is that philosophy can discuss and assess why a separate discipline such as archaeology is required to discern certain types of truth and not others. Now this entails that philosophy is entitled to ask poets to put forward a case for their art and assess the poets’ answers, whereas poetry is not similarly entitled to put philosophy to the question. To deny this runs the risk of denying any sort of check on the self-appointed authority of poetry. (The authority of philosophy is, on the other hand, always itself subject to the test of rational argument.)

When Plato tests the poets by the standards of rationality he finds that they are immoral and cause social unrest (379c; 424c). His prime argument against them is based on the fact that they imitate the world (392c–398b; 595a–608b). Is this a good argument?

Plato is surely right in his analysis that imitation is an important aspect of most literary art. Homer, who as the prime educator of Greece is the target Plato has chiefly in his sights, told stories about men fighting battles, sailing ships, falling in love. Unless his writing correctly mirrored these aspects of human life, we just wouldn’t be interested in it. What human life is like is primary, and what Homer writes about it has to imitate that primary reality. This isn’t to say that he mightn’t be doing more than imitation; only that imitation has to play a large part in his art.

So imitation is an important part of the sort of art Plato is interested in – and probably of most literary art. Is this a bad thing? Plato thinks it is, for two reasons: firstly, because it imitates bad aspects of human life (603d–606d); secondly, because it only imitates life in a superficial way (595a–602b). On the not unreasonable – but debatable – assumption that constant acquaintance with wickedness tends to make someone wicked, Plato appears to have a case on the first point. His second claim is, on first sight, less plausible. Plato’s point is this. Homer just needs to make, say, his generals in the Iliad appear to be satisfactory generals; that is, he just has to fit in with what the audience expect from generals rather than actually to imitate what real generals are like. Indeed, given a choice between flattering the preconceptions of an audience and setting out the truth, Homer will necessarily flatter the audience: military manuals make for dull reading and poor box-office (493a–d). This mightn’t matter too much if the subject matter of poetry was fairly restricted: knowing little about the doings of the English rural clergy wouldn’t be too much of a handicap. But the subject matter of poetry is the whole of human life (603c), and thus poetry flatters our preconceptions about the whole of human existence. This is a problem for Plato because he thinks that to gain knowledge, one has to become discontented with facile preconceptions. One needs to become discontented and restless with these in order to progress to knowledge (523a–524d): one needs to be forced to think and test by dialectic, whereas the imitativeness of art lulls the intellect into complacency. Plato therefore criticises artists for diverting an audience from reality. But he leaves it open to them to argue for their defence (607c). The argument against artists in the Republic amounts to an attack on their untested authority and a claim that they should be subject to the normal process of rational assessment to which all human activity ought to be subject – an assessment which Plato, full of regret (608a), thinks they will fail.

8. Cities in speech

Most of the interesting arguments in the Republic form part of Plato’s description of the best city. For him, the best city is one where philosophers rule as the Guardians of the city, and where the rest of the population is divided into auxiliary guardians (soldiers) and workers. The classes are built up and maintained by a mixture of controlled breeding, education and selection. The justice of the city consists in the fact that each class does its own proper business without interfering with the other classes. The claim made by Thraymachus in Book 1, that justice is simply a matter of rulers ruling in their own interest, is dealt with by making the rulers live a communal life, a life where personal interests and those of the state are merged. This picture of an ordered stable society, ruled by the wise, has sunk deeply into Western culture and influenced politicians, philosophers and artists. In the twentieth century, the picture as a whole has been firmly criticised as totalitarian. Nonetheless, many specific aspects of the ideal city have remained attractive – for example, its egalitarian treatment of female Guardians (452a–457b). It mustn’t be overlooked, however, that the ideal city is only one moment of a process of development that goes on throughout the Republic. Socrates in effect conducts a thought experiment, founding a city and watching it grow into maturity. The ideal city is the maturity of the city built in speech: it has been preceded by the city of necessity (369b ff) and the city of luxury (372d ff.). The city of luxury needs to acquire land and defend itself and thus needs soldiers or guardians. As the originally homogeneous population of artisans of the city of necessity has been split into soldiers and artisans, some sort of governing class is now required: the Guardians proper. But if the ideal city has a history, it also has a future. The Guardians run the city on the basis of reason, and have abandoned the traditions and conventions that lend stability to existing societies. But they get their reasoning wrong – inevitably, by dint of being human beings (546a b) – and the city spirals through the various stages of decline (543a–576b).

What are we to conclude from this? Are we to conclude that the Republic is ironical, that we are advised to pursue the just city, only to see it fall apart in our hands, revealing itself as a chimera? This seems unlikely. Socrates has been asked: what is justice? He argues that it is best exemplified in a city like this. Now, we might argue that it is a bad city because it isn’t in fact just, and this has indeed been done, usually on the ground that it is totalitarian. But Plato argues that it is just. He also thinks that it is realisable, even though under rather particular conditions (499b–d). Again, we might disagree. On the assumptions, however, that the city is both just and realisable, that it cannot remain totally just is merely an unfortunate fact of life: that the justice of the best city is ephemeral does not alter the fact that it is the best, and that it can be achieved.

So the political theory of the Republic isn’t just a fantasy or a joke: it has practical, though limited, application. It also serves as an ideal against which to judge actual social arrangements. Nevertheless, some commentators have regarded the reorientation of Glaucon away from a political life towards a philosophical one as the Republic’s central theme. Such an interpretation does at least capture something of the limitations of justice: that it will probably never be realised and even if it is, will be sustained for only a short time. Nor are its effects completely beneficial. There is at least a trace of Socratic irony in the portrayal of the life of the Guardians: originally philosophers, they end up living the communal life of a herd animal (457b–461e). The futility of public life can be seen again in the myth of Er, when Odysseus, King of Ithaca, a man renowned for his crafty manipulation of human affairs, picks a life of humdrum nonentity into which to be incarnated, and pronounces himself well pleased with his choice (620c–d). Whatever his hopes for the ideal society, Plato certainly thought that, given normal circumstances, the philosopher would do better to withdraw from public life (496c–e).

9. Conclusion

At the beginning of this essay I asked, why read the Republic. It is now time to reconsider that original question.

Firstly, there is the enormous richness of ideas in the work. As I have tried to make clear, the Republic contains not just several arguments, but numerous hints and fragments of arguments which are never fully developed. Disentangling these various strands provides an excellent training in philosophy. But as well as being a form of intellectual training, the wealth of arguments in the Republic continues to provide philosophers with insights on which to build in many areas.

Secondly, the Republic challenges the way in which academic philosophy is typically understood in the Anglo-American tradition. There are two aspects to this challenge. In the first place, many scholars have noted how the dialogue of Book 1 gives way in the remainder of the Republic to what is practically a lecture by Socrates. Among various explanations of this change in style, some have suggested that this is Plato’s way of indicating the ineffectiveness of Socratic debate and the need to replace it with another form of philosophy. The other aspect – and this develops from the first point – is that Plato throughout the Republic relies on the form of the argument to persuade. Anglo–American philosophers have tended to aspire to an impersonal clarity of exposition, quite different from Plato’s switching between dialogue, straightforward argument and myth. Yet it is clear that Plato would not have been so influential apart from his stylistic qualities. Thinkers such as Derrida (b. 1930), outside the tradition of Anglo-American analytical philosophy, have certainly considered the form of their writings to be an important part of their force; but even within that analytical tradition, perhaps the most influential twentieth century philosopher, Wittgenstein (1889–1951), wrote in a style both exciting and irritating in its suggestive incompleteness. In a world where philosophy has become a discipline with only a marginal influence outside universities, the implications of both points need to be pondered.

Finally, it must be acknowledged that wrestling with the Republic can sometimes be frustrating. Arguments start and stop abruptly. Points applauded by the participants in the dialogue can seem thin and unconvincing to the reader. Nevertheless, there remains the feeling of having been given a glimpse of something rather wonderful. To read the Republic is to enjoy one of the great adventures of the mind, and such opportunities are too rare to be ignored.

Stephen Watt

The Open University

Suggestions for Further Reading

Introductions to the Republic

J. Annas, An Introduction to Plato’s Republic, Oxford 1981

N. Pappas, Plato and the Republic, London 1995

Introductions to broader aspects of Plato’s work

R. M. Hare, Plato, Oxford 1982

P. Huby, Plato and Modern Morality, London 1972

G. Klosko, The Development of Plato’s Political Theory, London 1986

I. Murdoch, The Fire and the Sun: Why Plato Banished the Artists, Oxford 1977

C. J. Rowe, Plato, Brighton 1984

For the more advanced reader

T. Irwin, Plato’s Moral Theory, Oxford 1977

Works on themes related to the Republic

G. E. Davie, The Democratic Intellect, Edinburgh 1961

A study of philosophy’s role in university education.

T. Regan, Bloomsbury’s Prophet, Philadelphia 1986

A study of the influence of G. E. Moore’s moral Platonism.

Particularly good bibliographies are to be found in the first two titles listed above. Many themes in the Republic may be usefully pursued in Plato’s other dialogues, references to which may be found throughout the introductory works mentioned above.

Main Characters in the Dialogue

Socrates: the narrator.

Glaucon and Adeimantus: elder brothers of Plato. With Socrates, the sole active participants in the dialogue after Book 1.

Cephalus: a rich foreign businessman. In real life, his wealth was later confiscated by the oligarchical regime known as the Thirty.

Polemarchus: son of Cephalus and thus, by Athenian law, also a foreigner. It is his house in which the dialogue takes place. In real life, executed by the Thirty.

Thrasymachus: a foreign teacher of rhetoric.

The dialogue takes place in Piraeus, the port of Athens, and is narrated by Socrates to an audience on the following day.

Note on the text

The translation printed here is that of Davies and Vaughan, 3rd edition, 1886. The punctuation has been revised to bring it closer to modern usage, and this edition has fewer capital letters and italics than the original. No other changes have been made.

Book One

I went yesterday to the Piraeus with Glaucon the son of Ariston, to offer up prayer to the goddess, and also from a wish to see how the festival, [1] then to be held for the first time, would be celebrated. I was very much pleased with the native Athenian procession; though that of the Thracians appeared to be no less brilliant. We had finished our prayers, and satisfied our curiosity, and were returning to the city, when Polemarchus the son of Cephalus caught sight of us at a distance, as we were on our way towards home, and told his servant to run and bid us wait for him. The servant came behind me, took hold of my cloak, and said, ‘Polemarchus bids you wait.’ I turned round and asked him where his master was. ‘There he is,’ he replied, ‘coming on behind: pray wait for him.’ ‘We will wait,’ answered Glaucon. Soon afterwards Polemarchus came up, with Adeimantus the brother of Glaucon, and Niceratus the son of Nicias, and a few other persons, apparently coming away from the procession.

Polemarchus instantly began: Socrates, if I am not deceived, you are taking your departure for the city.

You are not wrong in your conjecture, I replied.

Well, do you see what a large body we are?

Certainly I do.

Then either prove yourselves the stronger party, or else stay where you are.

No, I replied; there is still an alternative: suppose we persuade you that you ought to let us go.

Could you possibly persuade us, if we refused to listen?

Certainly not, replied Glaucon.

Make up your minds then that we shall refuse to listen.

Here Adeimantus interposed, and said, Are you not aware that towards evening there will be a torch-race on horseback in honour of the goddess?

On horseback! I exclaimed: that is a novelty. Will they carry torches, and pass them on to one another, while the horses are racing? or how do you mean?

As you say, replied Polemarchus: besides, there will be a night-festival, which it will be worth while to look at. We will rise after dinner, and go out to see this festival; and there we shall meet with many of our young men, with whom we can converse. Therefore stay, and do not refuse us.

Upon this Glaucon said, It seems we shall have to stay.

Well, said I, if you like, let us do so.

We went therefore home with Polemarchus, and found there his brothers Lysias and Euthydemus, and, along with them, Thrasymachus of Chalcedon, and Charmantides the Paeanian, and Cleitophon the son of Aristonymus. Polemarchus’s father, Cephalus, was also in the house. I thought him looking very much aged; for it was long since I had seen him. He was sitting upon a cushioned chair, with a garland upon his head, as he happened to have been sacrificing in the court. We found seats placed round him, so we sat down there by his side. The moment Cephalus saw me, he greeted me, and said, It is seldom indeed, Socrates, that you pay us a visit at the Piraeus: you ought to come oftener. If I were still strong enough to walk with ease to the city, there would be no occasion for your coming here, because we should go to you. But as it is, you ought to come here more frequently. For I assure you that I find the decay of the mere bodily pleasures accompanied by a proportionate growth in my appetite for philosophical conversation and in the pleasure I derive from it. Therefore do not refuse my request, but let these young men have the benefit of your society, and come often to see us as thoroughly intimate friends.

To tell you the truth, Cephalus, I replied, I delight in conversing with very old persons. For as they have gone before us on the road over which perhaps we also shall have to travel, I think we ought to try to learn from them what the nature of that road is – whether it be rough and difficult, or smooth and easy. And now that you have arrived at that period of life, which poets call ‘the threshold of Age’, there is no

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