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Of Things Gone Astray
Of Things Gone Astray
Of Things Gone Astray
Ebook307 pages3 hours

Of Things Gone Astray

Rating: 3.5 out of 5 stars

3.5/5

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Mrs Featherby had been having pleasant dreams until she woke to discover the front of her house had vanished overnight …

On a seemingly normal morning in London, a group of people all lose something dear to them, something dear but peculiar: the front of their house, their piano keys, their sense of direction, their place of work.

Meanwhile, Jake, a young boy whose father brings him to London following his mother’s sudden death in an earthquake, finds himself strangely attracted to other people’s lost things. But little does he realise that his most valuable possession is slipping away from him.

Of Things Gone Astray is a magical fable about modern life and values. Perfect for fans of Andrew Kaufman and Cecelia Ahern.

LanguageEnglish
Release dateAug 28, 2014
ISBN9780007562480
Of Things Gone Astray
Author

Janina Matthewson

Janina Matthewson is the author of the novel Of Things Gone Astray and the novella The Understanding of Women. She cowrites Within the Wires, and has also written for Murmurs, The Cipher, and Passenger List. Originally from New Zealand, she now lives in London.

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Reviews for Of Things Gone Astray

Rating: 3.6953124203125 out of 5 stars
3.5/5

64 ratings19 reviews

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  • Rating: 5 out of 5 stars
    5/5
    I really enjoyed this book. I've read a lot of eARCs this season,and most I was content to just read once and move on, but I may have to eventually acquire a paper copy of this one.

    In this story, things start going missing- the front wall of a house, a man's job, a young woman's sense of direction, a pianist's piano's keys, etc.- and with no explanations in sight everyone has to just get on with life as best they can. In the process maybe they find that they are regaining things they hadn't even known they'd lost.

    IF you like Borges, Saramago, or Bradbury, you'll probably enjoy this book.

    (I received this book from NetGalley in exchange for an honest review.)

    Reread notes: I got my local library to buy this book, so I of course had to reread it. Still a fantastic book.
  • Rating: 4 out of 5 stars
    4/5
    Most fascinating read, one I won't soon forget. It was the cover and title that first intrigued me, but the blurb had me sold. Of things Gone Astray follows six main characters. For five of the characters, something in their life disappears which they consider part of their identity. For the sixth character, Jake, we learn what he's lost, and watch him as he becomes obsessed with collecting lost things. Along the way, there is something in Jake's life which begins to fade.Some of the characters cross paths, which I liked very much. Of Things Gone Astray has such a human quality about it, and I really appreciated the humor peppered throughout. It was delightful to experience characters so real and raw even in such a peculiar setting. What this book really is about, is lost people, and whether or not they can find themselves before it's too late. It speaks to attachments and how important it is to truly live, not just survive.The ending is a tad ambiguous for some characters, hopeful and glad for others. Nothing is tied up in a neat little bow, but you are not left hanging either. Despite the outlandish things which disappear, it is a story true to life in its characters, and in the ending.
  • Rating: 4 out of 5 stars
    4/5
    This book jumps around between more characters with shorter sections per character than any other book I've read. Although this inevitably made it a little harder to get into the story and keep track of everyone, the characters were distinct enough that it wasn't much of a problem. The short sections also made it easier to flip backwards to double check who was who. The writing and magical happenings in this book were exactly what I'd hoped for and I loved it immediately. The magic is (mostly) self-consistent, with most characters having lost something you usually can't lose and which they're all arguably better off with out. This benign magical intervention  gave the story a cozy, happy feel and made me certain everything was going to work out. I love that about magical realism in general and this book did a particularly good job capturing that aspect of the genre.

    The only thing I didn't love about this book was the ending. Most of the characters are clearly headed for happy endings when the book ends, but the fact that this wasn't explicitly spelled out for most of them lessened the emotional impact. A few of the stories didn't even hint at a conclusion, simply trailing off. The story until this point had so much potential for me, with the characters lives slowly beginning to intersect and things slowly falling into place. However, at the end, most of the characters who met didn't influence each other's lives in meaningful ways. Between the fact that these deeper interactions failed to materialize and the inconclusive ending, the plot didn't quite leave me satisfied. I'll definitely be reading anything else this author writes because I adored the writing style, the whimsical magic, and the set-up for the plot, but I'll be hoping for a more developed ending.This review was originally posted on Doing Dewey.
  • Rating: 3 out of 5 stars
    3/5
    Thank you LibraryThing for the advance reader's copy. I love the artwork on the cover. I enjoyed the book after I got into the rhythm of it. I felt the book jumped around a lot between characters. I'm glad I read this book and am looking forward to Ms. Matthewson's future books.
  • Rating: 3 out of 5 stars
    3/5
    This is a beautiful book and very much in my wheelhouse with it's unique way of discussing and exploring loss. Also, it has the prettiest cover graphic. The only issue I had with the book is how manic it felt due to the format of extremely short vignettes and constantly jumping from one character to the next. It's the only time I've experienced whiplash after reading a book (exaggeration for dramatic effect.) At the same time the format was pretty perfect and I'm not sure how else this kind of story could have been told. Finally, as other reviewers said I felt a little bit cheated with the ending. All in all though I'm happy I read this book and I think maybe it's the kind of book that will get better after a second reading now that I know what to expect. Thanks so much to Librarything Early Reviewers for providing a copy of the book.
  • Rating: 4 out of 5 stars
    4/5
    The second I started reading this, I couldn't put it down. Matthewson tells an intriguing story about several characters living in London who have each lost something or someone crucial to their identity. Their reactions are mixed; some of them find a new way to thrive, and some of them completely shut down.The chapters are really short, so it's easy to fly through several in one sitting. I think that's what kept me from putting the book down. Each chapter showed just a small peek into that character's journey, and I HAD to keep reading to find out what they did next. After awhile, the characters start meeting one another. It was a great look into how we can help each other heal, and in the meantime, heal ourselves. I'll definitely keep track of this author and her future books.
  • Rating: 3 out of 5 stars
    3/5
    A compelling look at loss. I couldn't help but relate some of the stories to what it might be like to have Alzheimer's. Suddenly you have something missing from your life or environment that were crucial to your identity and you are the only one who can understand it is missing. The author's way of showing how the people around react to the ones suffering the loss of something is spot-on and in some cases disturbing. The book includes several different stories that tie together rather well. Perhaps in keeping with the theme of the entire book, the ending seems to be "missing" a tidy wrap-up. It still is worth the read and will keep you thinking about the characters long after you turn the last page.
  • Rating: 4 out of 5 stars
    4/5
    Most fascinating read, one I won't soon forget. It was the cover and title that first intrigued me, but the blurb had me sold. Of things Gone Astray follows six main characters. For five of the characters, something in their life disappears which they consider part of their identity. For the sixth character, Jake, we learn what he's lost, and watch him as he becomes obsessed with collecting lost things. Along the way, there is something in Jake's life which begins to fade.Some of the characters cross paths, which I liked very much. Of Things Gone Astray has such a human quality about it, and I really appreciated the humor peppered throughout. It was delightful to experience characters so real and raw even in such a peculiar setting. What this book really is about, is lost people, and whether or not they can find themselves before it's too late. It speaks to attachments and how important it is to truly live, not just survive.The ending is a tad ambiguous for some characters, hopeful and glad for others. Nothing is tied up in a neat little bow, but you are not left hanging either. Despite the outlandish things which disappear, it is a story true to life in its characters, and in the ending.
  • Rating: 2 out of 5 stars
    2/5
    I think the best thing about this book was the cover. The cover is pretty awesome. Other than that, this book was rather unremarkable. I managed to get through it mainly because it was a short book. It is quite possible that the copy written for this book (i.e. the synopsis and descriptions) played a role in me disliking it. The copy makes it seem that the brunt of the story is Jake and his relationship with his father. It suggests that his story is the one that ties this all together. However, I didn't see that and that is one thing that this book really needed. The majority of these characters became connected in some way throughout the book, yet these connections were not in any was substantial enough and only a couple of them came back to Jake. Nothing was really tied together in the end, and nothing was explained.What does Jake have to do with all of these lost things? The synopsis seems to allude to the idea that Jake is the central figure of this story, and at times, the writing itself seemed to indicate that as well, but by the end of the book, we don't see a connection. It just becomes a book with characters who seem to live rather close to each other (even this isn't totally clear) who intersect in small ways, but ultimately have nothing to do with each other other than the strange events that occur to them. Even these strange events don't seem to connect them since the only one that is known to everyone is Mrs. Featherby's missing wall and possibly Cassie turning into a tree.My other issue with this book was that everything seemed so unrealistic that it was distracting me. Yes, a woman turns into a tree, a building completely disappears, as does an entire wall of a woman's house, but these things are happening in our world. The world we know. A world where these things don't happen. Why is Cassie (tree girl) not surrounded by doctors and scientists the entire time? Why is there by the middle of the book just some crazy arborist who stops by and talks about interesting her plight is? Why hasn't she been quarantined? A woman is turning into a tree in the middle of a crowded airport! Why is nobody acting accordingly? It was things like this that bothered me throughout the whole book. I understand the fantastical element to the book, but sometimes you have to put a little dose of reality into it. There is so much potential in this book. If certain things were done differently, it would have been a really intriguing read about loss and how people handle loss in different ways. It could have been a book that examines what people believe to be important, and how they survive when that is completely taken away from them. Yet, we are left with a surface level exploration of loss that we can't take anything from, that we can't relate to since the characters are so flat and unrealistic. In a nutshell, this book was disappointing, and while I liked the idea, I did not like the execution.
  • Rating: 3 out of 5 stars
    3/5
    I raced through this book, because I wanted to find out how everything came together at the end. The end cheated me a little, and that's why I can't give the book full marks. Sort of like sex with no orgasm: a good journey, but lacking in destination.
  • Rating: 4 out of 5 stars
    4/5
    This is an original and fascinating novel. Strange things begin to happen to various people. As the story proceeds, some of the threads start to merge in interesting ways. Interspersed are a few short chapters that don't concern the main characters at all. As I was reading this book, I told myself that my final review really depended on whether or not the author was able to come up with some sort of reasonable explanation for why the front wall of an old woman's house disappeared, or why a woman waiting for a friend at the airport starts to turn into a tree, or why a pianist finds his key missing. As it was, the ending seems a little incomplete. Not all the threads are wrapped up. Sort of like real life. So like life, perhaps I just have to rate it for how I enjoyed it as it went along rather than placing all the emphasis on the end. This is a fun book to read. You may like it a lot.
  • Rating: 3 out of 5 stars
    3/5
    Of Things Gone Astray is an unconventional novel about loss, told through the eyes of various characters. I can appreciate Janina Matthewson's creativity in her approach to this book and its concept, but it ended on a rather flat note for me, as there were too many many loose ends for my taste.
  • Rating: 4 out of 5 stars
    4/5
    This book is an experience. I had to just let it happen, taking in the each individual's story as they happened. The book is structured such that each character has a page or two at a time, progressing the story slowly as they each deal with their loss and its consequences. The writing is lovely, painting the characters clearly and beautifully, dealing with their complex emotions and stories with skill. The underlying story about loss, about what it teaches us and what it means, is poignant. While the stories aren't realistic, there is something to be identified with in each. Beautifully done. Food: Unsweetened iced tea. Sip it slow and take your time, let it refresh you.
  • Rating: 4 out of 5 stars
    4/5
    A delightful novel told in a very entertaining way about people who have lost important things. Some of the things that were lost were tangible. Others were intangible. However, all of them had life-altering consequences. Each of the main characters had a distinctive voice, and each story was equally intriguing. Magical realism at its best.
  • Rating: 4 out of 5 stars
    4/5

    I knew from page one that this book would remain with me, long after I had put down my e-reader, when finished. I have been trying to think of a way to summarise this novel, while giving it the credit it deserves. This was a beautiful book -- Matthewson has used a magical realist style to represent loss in many forms. Characters literally lose their job, their sense of direction, the walls they've hidden behind, even each other.
    "Mrs Featherby had been having pleasant dreams until she woke to discover the front of her house had vanished overnight." This is the amazing first line of Janina Matthewson's debut novel, 'All Things Gone Astray'. This novel takes the term 'loss' quite literally and works it into individual stories, gently interlinked, while using the power of the written word to express fear, grief and impossibility.
    Each character is encountering a surreal change, brought on by their individual losses, and through short chapters, the author slowly lets these events unfold. I was surprised to find myself identifying with these people, even though there were so many. They dealt with the losses, and their acceptance of their new worlds, and I was willing them to find the truth and meaning within themselves, rather than searching for the original loss.
    It's easily readable, with short chapters, and a gentle, nostalgic style. Matthewson uses an interweaving of the stories of each person who has lost something. I was right on the verge of giving it 5 stars, but I found the ending rushed. While it was clear what Matthewson was going for, I felt that she needed more words to do it. I was also a bit disappointed by Marcus's development; most of the characters were well-developed, but he felt like there was a lot going on that was never articulated to the reader. There needed to be MORE, here.... But what, I could not tell you.
    Still absolutely worth reading; the characters are interesting and generally well-drawn, their growth not confined to being a 'happy ending' for everyone, and the dreamlike world is entrancing. If you appreciate good writing, extremely beautiful prose and a imaginative talent within your reading material, then this is for you. Simply put, it is strange but stunning. A literary gem.
    4.5 stars, and a hearty recommendation.
  • Rating: 4 out of 5 stars
    4/5
    How would you react if the most important thing in your life disappeared, or if what you depended on most changed? If what gave you a sense of identity was no longer present, lost and not able to be found? I thought of this, for me it would probably be me books, how would I feel if I came downstairs in the morning and my books were gone, what would I do to fill the time I spent reading?These are the things confronting the characters in this entertaining novel. People loose things, a woman looses the front wall of her house, a man looses his piano keys, and a woman waiting for her love interest at the airport turns into a tree. (Alena, where are you?)These people must change their routines, find other things in which to relate. How they move forward, or don't is the basis for this novel.Loved the magic realism in this quirky novel. It was so wonderfully used and seemed so fitting. Fun but poignant at times, made me really think about the many things we take for granted, how we get so set in our routines. A novel that draws the reader in and doesn't let go until the end. ARC from publisher.
  • Rating: 4 out of 5 stars
    4/5
    I got a copy of this book to review through Librarything’s Early Review program. Initially the cover grabbed my attention and then the synopsis sounded so intriguing I just couldn’t resist. This ended up being a very intriguing and interesting story full of magical realism. The book is a bit ambiguous at points and you never really know exactly why the things that happen here happen.This book is about a number of characters who lose things. An old woman looses the front of her house, a middle aged man loses his job (like it literally is no longer there), a old man loses the keys on his piano, a woman in her 20’s loses the ability to find her way anywhere (even to places she always goes), and a young woman loses both her girlfriend and the ability to move. Tied in to it all is a young boy who likes to find lost things and keep them.This is one of those books that makes you think a lot. The book is told from a number of different points of view. The chapters are very short and each one is told from a different character; randomly jumping back and forth between the different characters.There is a lot of magical realism in here. For example the front of a house can’t really disappear but it does. Also the young woman who loses her girlfriend starts to turn into a tree, which is odd. Having the man’s workplace vanish is also very magical and improbable.The how behind how these things are able to happen is never really explained. The main point of the book seems to be that because these strange things happen they put the characters outside of their comfort zone and in turn somehow the character’s life gets better as a result. Also many of the characters, who didn’t know each other at the beginning of the book, end up having stories that overlap with each other and end up influencing each other’s life.Yep it’s that kind of book. Not a lot is resolved at the end of the book...the characters have changed, but you still don’t have an idea for how the things that disappeared disappeared or what happened to them.Despite the ambiguity the books ends up being a very engaging read and is hard to put down. It is a very different and quirky book and I don’t think it will appeal to everyone. However if you enjoy beautiful prose and stories that are a bit odd and don’t mind lack of closure...I would definitely recommend it.Overall this book was very different and strangely engaging. I would recommend to people who enjoy magical realism, quirky books, and don’t mind a lack of closure in their stories. This book is beautifully written and thought-provoking, it is also humorous and quirky. I will definitely keep an eye out for Matthewson’s future works.
  • Rating: 5 out of 5 stars
    5/5
    This remarkable little book came along just at the right time for me. This summer I’ll be leaving a job I’ve had for the last 22 years. Not by choice, exactly. Impending unemployment and the daunting prospect of starting over again has sent me into a bit of a tailspin. And so it was, with this looming over me, I began reading Janina Matthewson’s poignant and fanciful depiction of a group of Londoners who wake up to find that they’ve each suddenly lost the one thing they believe is integral to their identity.Elderly misanthrope Mrs. Featherby wakes up to find the entire front wall of her house is missing, exposing her heretofore quiet existence to the prying eyes of every passerby. Young husband and father Robert discovers that his workplace [and everything associated with it] has vanished as if it never existed. Retired concert pianist and widower Marcus finds that the keys of the treasured piano that he built with his father have disappeared. And intrepid Delia, who abandoned her art studies to care for her paraplegic mother, has completely lost her sense of direction to the point that she cannot even set foot out her front door without wandering hours out of her way.These four storylines are bookended by the sagas of Cassie, who, having been stood up by her lover at the Heathrow arrivals gate, is slowly turning into a tree and Jake, a young boy whose mother perished in a New Zealand earthquake, as he drifts away from his grief-stricken father. Ultimately, the stories intersect – some tangentially, others significantly – as we see the various characters reaching out to one another like survivors of a shipwreck hanging on for dear life. Matthewson illustrates how people attach importance to inconsequential things, allowing these things to shape their identity, often to the exclusion of everything that really matters. And how letting go of these things (or losing them) can put us back in touch with our relationships to those around us. But this novel isn't merely a didactic delivery system for some dry or sappy "spiritual" message. It's a strangely gripping story about a group of people one cares about. All of them, even the secondary players, are richly developed and the dialogue sounds natural and modern. Every single character completely endeared themselves to me.Although not all of the characters arrives at a completely satisfying resolution, they all experience their own epiphany and grow as a result. Broken up into brief chapters that ricochet between the main players makes for a quick read, despite its nearly 300 pages. The book is poetic, gorgeous and kept me totally enraptured from beginning to end. It truly spoke to me and I highly recommend it.
  • Rating: 5 out of 5 stars
    5/5
    This is a book about life; about loss and how it affects people differently, but this isn’t a run of the mill novel. It is awesome and stunningly astute; I am almost at a loss for words how good this book is. I said almost!

    With six main protagonists who have equally complex characters this book appears to be breaking all the rules for a successful novel, and each of the people have equal importance in this observational novel of human circumstance.

    Cassie’s inability to move on in life
    Anthony’s inability to ‘see’ his son through his own grief
    Jake’s inability to see his Dad Anthony
    Robert’s inability to face changing the habit of work he hates so much, his wife Mara realisation he sacrifice himself to suit her lifestyle but doesn't want it to change, five year old Bonny excluded from school for singing.
    Jake lost his mother and loses his Dad in plain site, Anthony loses sight of his son.
    Marcus loses the keys from his piano and is losing his mind
    Mrs Featherstone lost the front of her house, and her ability to remain hidden
    Delia has lost her way in her life becoming dependent on her dependent mother.


    How was this book different?

    First of all I love the cover it’s spot on and drew my interest immediately.

    Writing with a character being the focus of each chapter, they connect in ways that are very satisfying, and
    they felt so real to me, that I could empathise with each of them.

    Matthewson has a wonderful way of giving character details condensed into a simple sentence and does so exquisitely well which tells us all, and more about them:
    Mrs Featherby, whose first name was Wendy, or had been many years earlier, …..

    Jake:
    .... just wanted it to still be important to someone that he was having a birthday.

    The Masters Degree Delia had to cease because of her mothers accident:
    Sometimes you can return to an opinion you’ve not visited in years and find it’s died and rotted away without you even noticing.

    She invites you to think about the benefits of Delia losing her way but noticing more around her.
    As terrifying as it was to be completely lost, there was something about it she enjoyed, something that made it worth the fear.

    It had never occurred to her that her struggle to find her way would get worse over time. That it would grow into an inability to follow clearly marked signs.


    What happens when your whole life has been defined by your job, to ‘lose’ it is to lose yourself and when Robert’s employment appears never to have existed, it wiped his life of meaning and purpose in an instant.

    The saying ‘feel the fear and do it anyway’ is strong in mind when reading this book, exploring and challenging the importance of blind monotony of our lives.

    As well as loss, the characters illustrates fear in all forms; fear of changing what is no longer comfortable, fear of doing nothing, fear of feeling, the fear of failing. For Cassie fear of moving on, she takes root as a tree.

    The loss of losing his mind was real for Marcus, describing early dementia with the fear of that comes with the loss of the past. So cleverly shown with the loss of his piano keys from the piano he built but could not mend; he was also unable to mend himself.

    This is in no way a depressing book, there is a much uplifting side to the novel, I absolutely loved the way it delved into their lives.

    I strongly recommend anyone to read this book who has an interest in people.

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    Many thanks to the publisher for a copy of this book via NetGalley in return for a fair and honest review.

Book preview

Of Things Gone Astray - Janina Matthewson

Mrs Featherby.

MRS FEATHERBY HAD BEEN HAVING pleasant dreams until she woke to discover the front of her house had vanished overnight.

They had been dreams of when she was younger and more energetic, dreams of a time when she had full use of her knees. She had saved someone in one of them, someone helpless, she thought, but once awake she couldn’t remember who or why or what had happened next.

It was the breeze that woke her, naturally. It wasn’t that it was a cold breeze, or even a particularly strong one, but when a person has gone to sleep in perfect stillness, the unexplained movement of air around the room is a rousing influence, and Mrs Featherby had never been a deep sleeper.

She looked around her for a moment in that state of bewilderment that often occurs in the moments after waking. The light from the street was flooding into the room through the gaping hole that the previous evening had been her bedroom wall. Mrs Featherby blinked hard twice and decided to pull herself together. She stepped out of her bed and walked to the edge of the floor, the wind whipping the hem of her ancient nightgown and pulling at her long, flint-coloured hair.

It was early, barely five o’clock, so there were no people around, but Mrs Featherby knew that when there were people, those people would stare. She knew that they might even approach the house. That they might ask questions. That they might attempt to breach the sanctity of her home, of her fortress. She set her mouth and turned away.

Mrs Featherby, whose first name was Wendy, or had been many years earlier, did not waste time in wondering how a tonne of brick and mortar could have been uplifted and transported away without waking her or leaving a trace of masonry on the road. She did what was practical and called the police. She didn’t particularly trust the police, but she felt that it was the correct procedure.

She was informed that an officer would be sent within the hour, so, thanking her stars that the bathroom was at the back of the house, she performed her ablutions efficiently and impeccably and moved downstairs to the sitting room to wait.

She wondered if she should have anything ready for the constable when he arrived. She’d always considered herself lucky to not have had the police in her home before, but the downside to this was becoming apparent: she had no idea of the correct etiquette.

Indeed, it had been so long since she’d had anyone of any kind in the house that she’d all but forgotten how to go about it. The only person that had crossed her threshold in recent months was the young man who delivered her groceries at nine fifteen every Tuesday.

Was it correct, Mrs Featherby wondered, to refer to the impending officer of the law as a guest? If he was to be a guest she should certainly have, at the very least, a cup of tea waiting, and possibly a biscuit. The cake she’d made on Sunday had been past its best yesterday and she’d thrown it out. She had intended to bake a replacement, but doing so before seven in the morning simply for the imminent arrival of an officer of the law seemed a little extravagant. And he might arrive in the middle of the process, which would be entirely inappropriate. She would make some biscuits later in the day, she decided, as she’d intended. There was no need to rush the process.

Tea would do, she decided. Tea would be enough.

Mrs Featherby sat still and upright in her chair, gazing through her absence of wall into the garden beyond. She sat still and upright and waited.

Cassie.

CASSIE WAS LIT FROM WITHIN, or so she felt. She gloried for a moment in how little she cared about the strangers that surrounded her, that may have noticed her. Let them look, she thought, let them marvel at her secret joy. Let them recognise her as one of the few for whom life holds wonder. For it must be only a few, she thought, who are designed to know this kind of exultation. If it were everyone, the earth’s orbit would be altered by it, forever thrown off course by the collective gladness of its inhabitants.

Her eyes seemed to throb with the smile hidden behind them. The corners of her mouth were set in a curve that any moment threatened to beam.

Cassie ran a hand through her hair and looked at the arrivals board.

IB2202 from São Paulo: LANDED

The letters rearranged themselves: FLOSS IS HERE.

Cassie had been playing this moment over in her mind for weeks. Months. All her life. There were many versions.

There was the one where Floss ran through the gate, paused for a moment on her toes, scanning the crowd like a blithe and confident huntress, until she spotted Cassie and soared into her arms.

There was the version where she walked through slowly and carefully, not even looking at Cassie till they were six inches apart, but smiling all the while.

There was the version where she stopped as soon as she’d come through and the two of them stand there for fully five minutes, for forever, just looking. Staring at each other, right in the eyes, across the space between them, both knowing they have an eternity in which to touch.

Now, though, now it was moments away, she couldn’t imagine anything at all. All she could do was wait and watch.

IB2202 from São Paulo: LANDED

Cassie watched the steady stream of people walking through the gate. She wondered how many planes had recently landed and how many passengers there were on each plane and what the statistical likelihood was of Floss being the next person through at any given point. She knew it was stupid, but it thrilled her to think that the odds were rising with each reunion.

IB2202 from São Paulo: LANDED

There was a child crying. Cassie watched. The girl’s mother was trying to make her hug her father, but she wouldn’t. He was in uniform and Cassie wondered if he’d been away so long his daughter had forgotten him.

The crowd around her thinned and swelled again.

Cassie hadn’t noticed, but the corners of her mouth were no longer curved. She gazed at the gate.

A flight attendant led through a boy of about seven. His mother hugged him briefly, cautiously, and took his bag.

IB2202 from São Paulo had disappeared from the arrivals board to make way for other flights.

A woman jostled Cassie in an attempt to get to a tanned teenage girl with a pack on her back. Cassie planted her feet more firmly on the floor.

She planted her feet and waited.

She gazed at the gate.

Delia.

DELIA TRIED TO BE QUIET, she tried really hard, but there was that door, that one door, the one into the kitchen, which always, every time, in spite of her best efforts, banged just a little as she closed it.

‘Bloody bollocks,’ she muttered, screwing her eyes closed and waiting.

It was thirty seconds before the tremulous ‘Dee?’ floated down the hall, but it felt longer. Still, it was always going to come, obviously.

‘Morning, Mum,’ Delia called back. ‘Go back to sleep. I’m heading out for a couple of hours. Not long. I’ll be back to make breakfast before you’re ready to get up.’

‘Why? Why are you going out? It’s so early.’

Delia fought the urge to answer with a petulant ‘I do what I want’.

‘It’s a clear morning, Mum,’ she said instead. ‘There’s not another forecast for ages.’

Delia waited hopefully, barely breathing, until she was sure there was going to be no further reply. She grabbed her bag off the floor, where she’d left it in preparation, and let herself out. The heavy front door was so much easier to control than the flighty ones inside.

The two girls who lived together over the road, the ones Delia always thought seemed about twelve, were coming back from a party, turning into their house casually, as if this was a perfectly normal thing to be doing shortly after five o’clock in the morning on a weekday. Watching them, Delia felt immediately that she was always, and by nature, simultaneously underdressed and wearing too many clothes. She didn’t remember ever going out with so little covered, not even in what she had always considered a comparatively wild first year of university.

She wondered briefly what was going on with teenagers these days, whether they ever properly considered the impression they were making on the world, before she felt suddenly that she was in danger of turning into the worst kind of maiden aunt. At least, she would be if she had any brothers or sisters. The worst kind of nosy spinster. If she continued on this way, she’d end up a bitter old woman who lived alone and never spoke to anyone. Who resented the laughter she heard on the street because it interrupted her peaceful, isolated days; trapped in a prison of her own bitterness, she’d wither and die and no one would know.

She sighed, and resolved, not for the first time, to be less judgemental of how stupid all the young people were. To be less judgemental in general. After all, those girls couldn’t have been twelve – they lived alone, that would be ridiculous. Probably they were twenty, maybe even as old as twenty-two. They may have been at high school at the same time as Delia. If they’d gone to the same school, she could have been their prefect. She could have told them that skirts are traditionally worn to conceal the buttocks, rather than to reveal them, and that they can actually do so and still look quite alluring. Presuming that still held true, of course; Delia suddenly felt unsure.

As she wended her way through the neighbourhood, Delia began constructing a detailed fantasy in which the two girls ran into a string of amusing mishaps, and came to Delia for advice. They looked at her in wide-eyed gratitude as she dispensed the theories she held on life and love and the world, that a serious lack of life experience had thus far prevented her from proving correct.

She walked with a kind of sick eagerness. It had rained brutally for the last two weeks, leaving her in dire need of escape.

There was a small square on a small hill a short walk away from the house. Delia planned to sit in it, on a certain bench, and breathe the air, and let the world wake around her.

After half an hour she realised to her surprise that, instead of being at the small square, she was drawing close to the much larger park. She was disconcerted, the park wasn’t anywhere near the square, she couldn’t figure out how she’d got there. Probably she’d just not been paying attention to where she was going. Her feet had heard park and her head had said square and the two hadn’t communicated. She told herself to be more of a grown up, and headed into the park.

This was a park she’d once gone to every fine day.

There was a picnic rug she used to take, and a thermos, and a basket with room for books as well as food to last her hours. She’d sit near a particular tree, an oak tree, moving in and out of the shade every so often, books and notes spread out around her, which she’d weighed down with rocks to stop them flying away.

Being outside had made her feel like her studying was less fevered and panicked. It had made her feel like the stakes were lower, or as if the outcome was already assured. When she was outside, even if it was the day before an exam, it felt like a gentle, pleasant pastime, rather than a stressful and emotionally fraught step on the way to her happy and successful future. She always did better with assignments and tests when the weather was fine. When she’d moved away to university, she’d spent an entire month trying to find a tree as effective as the one in this park.

Delia wandered through the park looking around; suddenly she wanted to find her old study tree. Maybe she’d read beside it for a while. Maybe she’d just sit there and watch the sun rise. She walked around what she thought was the entire park without finding it, wondering if maybe it had been cut down. Of course that was a ridiculous thing to think; the tree had been large and healthy, and if someone had been foolish enough to slay it, there would have been a giant tree trunk in place of the tree itself.

Delia was becoming petulant. The tree, her tree, didn’t seem to be anywhere. She felt betrayed, as if the park, unhappy at her long absence, had reconfigured itself like a labyrinth, had made itself a stranger to her. She walked round and round and up and down, until, frustrated, she threw herself down on the top of the hill in the middle of the park. She drew her knees up and buried her face in her crossed arms.

She stayed like that for several moments, before raising her head and looking out.

The clear dawn that had been promised turned out to be twenty minutes of low morning sun before a bank of clouds swallowed the light. The city was now spread grey before her, but Delia kind of liked it that way.

She knew her mother would be up soon, and she knew she should be there to help her, but she couldn’t resist staying a while longer. She would only be ten minutes. Ten minutes couldn’t hurt.

Robert.

IT WAS AS IF THE alarm clock had gone off. But it hadn’t. Robert lay, blinking, feeling the ring echo in his ears as if he’d heard it moments before. But he hadn’t.

Mara was asleep beside him, her face serious in a way it never was when she was awake. The light of the alarm clock spilled across her forehead.

5:07

Robert was at a loss. He hated being inactive and he very rarely was. There was always something to do. There was always an excess of things to do. But not at just after five in the morning.

He groaned with frustration, and then grimaced with guilt and glanced at Mara. She slept on.

Robert carefully slid out of bed. He’d go for a run. It had been months since he’d found the time, and here the time was, gifted to him out of nowhere. He hunted out his battered running shoes, the same he’d had since university, and changed into an old t-shirt and shorts.

The air was clear and easy to breathe, and Robert felt energised and enthusiastic as he jogged past the silent houses on his street.

After half a mile a frown crossed his face. This was harder than he’d thought it would be.

He jogged onward.

He reached a nearby park and slipped inside to run on the grass, feeling a moment of relief as his knees registered the absence of concrete. Then he promptly developed a stitch.

He came to a panting halt and bent over, clutching his sides. Taking a couple of breaths, he staggered on.

By the time he got back home, his face was red and streaming and he was limping. He stood outside the house for two minutes, arms akimbo, gasping for air, before he opened the door and dragged himself upstairs. As he walked into the bedroom Mara stirred and opened her eyes. She blinked at him a couple of times and burst out laughing.

Robert poked his tongue out at her and headed for the bathroom.

‘You shouldn’t laugh you know,’ he said over his shoulder. ‘This is me recognising the need to hang onto you by maintaining a slammin’ bod.’

‘Oh god, please don’t take my laughter as a sign I’m not grateful.’

‘I’ll fill your grate,’ Robert said. ‘Be quiet and let me shower, woman.’

He could hear Mara chuckling into her pillow as he closed the bedroom door on her, trying to make sure she didn’t see him wince.

Marcus.

BIRDS. DIDN’T FEEL LIKE TIME yet. Didn’t feel late enough for birds. But there they were, so that was that. Birds could sense time better than him, so they must be right.

He opened his eyes. Ah. There was the problem. The blinds were down. He usually slept with them open, he usually woke with the light.

Strange. That they were closed.

He sat up and slid on his glasses. He crossed to the window and opened the blinds. It was later than he’d thought. It was later than he usually woke up. It was much later.

He had a routine for the mornings. Always the same. A light breakfast of fruit. A full breakfast later, after some time in the music room. Now it wouldn’t work. Now it had gone wrong. It was already too late.

He went downstairs and stood in the kitchen. He was hungrier than usual. He opened the fridge and took out the eggs.

It wasn’t until almost eight o’clock that he made it to the music room. Much later than normal.

The music room was the nicest room in the house. It was the most important place in the house. Floor to ceiling windows along two walls. Lots of light. He liked lots of light to practise, although when he performed he always requested that the stage be kept as dim as possible. People should be listening, he said, not looking.

When he had performed. When he used to perform. It had always seemed important.

There were few decorations, nothing to distract him. The rest of the house was covered in pictures, in paintings and photos and sketches. Not here. Just one small photo of Albert propped on top of the shelf by the door.

The piano stood in the middle of the room.

He walked around it a couple of times, as he always did. He closed his eyes and threw his head back. He breathed deeply, and sat down.

He rested his hands for a moment on the cover before lifting it.

He stared. His hands, always so reliable, began to shake.

The world had ended. His life had ended.

Jake.

Jake stands on the footpath facing his house. His schoolbag is heavy because of all the library books his mother has finally remembered he has to take back.

No, that wasn’t right. He hadn’t been going to school that day. If he’d been going to school he would have been there already, for hours.

Jake stands on the footpath facing his house. The street is quiet for a Saturday. Because it isn’t Saturday. It’s Tuesday. It feels like Saturday to Jake because he’s not wearing his school uniform. He’s not going to school.

Why was he not going

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