Dimensions of Arthur C. Clarke
By Steve Lehman
()
About this ebook
Science fiction is replete with brilliant crackpots, some of whom are crammed full of cracked genius. A few only appear cracked because the broken lens of our mundane myopia distorts their image. Occasionally, an SF writer survives the near sighted negativity of various vested interests and ascends to prophetic status. Arthur C. Clarke is our contemporary, secular Elijah. Let's open the doors of our visionary perception, give him a seat at the table, and consider how he has wondered the Earth.
The world first began to wonder about this country boy from Somerset in southwest England in 1945. As an officer in the RAF during the War, he had already been involved in testing the first to be developed, radar talk-down equipment. The importance of aerial communications well established in his mind, he extrapolated a nobler use for the V2 rockets that rained down on Britain. Clarke reasoned that artificial satellites could be launched using slightly larger rockets, and then parked in geostationary orbits high above the Earth. Such an arrangement would solve a basic problem in the use of radio signals, which propagate in a straight line. Instead of flying away from the curving Earth at a tangent, they could be reflected from orbiting satellites to receivers situated beyond the horizon.
His 1945 paper titled "Extra Terrestrial Relays" first proposed the underlying principles of our current satellite communications system. We now take for granted instantaneous, global coverage of politics, sports, military carnage, natural disasters, and cultural events. Worldwide telephone service uses the same system to bounce voice and computer data wherever required. The information revolution has invaded our homes, and lives, on the wings of Arthur Clarke's vision. He is the number one prophet of the postmodern age.
Having reached the age of thirty, discharged his military obligations, and established himself as an innovative genius, Clarke decided to have some fun. He focused on writing science fiction and took up scuba diving.
Steve Lehman
I grew up in the American Midwest but have spent most of my adult life in Canada as a teacher of writing and English literature. Enlightened ideas of education where I work at John Abbott College in Montreal have given me the freedom to create curriculum, enough time to practice my own writing, and the ability to arrange sabbatical excursions. I have also been able to teach for varying periods of time in California, Saudi Arabia, Austria, and South Korea. The most important literary influence on my thinking has been William Blake. He was a renegade poet and visionary artist who lived in England during the early years of the industrial revolution. Blake all but equated creative imagination with God, and the mythological figure that represents this energy in his work is called Los. In a flash of youthful exuberance, I came to see myself as Los Layman, using a variant spelling of my last name. Later, I decided it should be Los Laymen to be more respectful of Spanish grammar and less egotistical. Blake’s idea was that no individual can possess the creative imagination. The spirit migrates among people and from one generation to the next with unfathomable caprice. Writers can only troll the shoals of language in hopes of periodic visitations from Los who lurks eternally in the depths.
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Dimensions of Arthur C. Clarke - Steve Lehman
Dimensions of Arthur C. Clarke
Steve Lehman
Published by Editit at Smashwords
Copyright 2014, Steve Lehman
Smashwords Edition, License Notes
This ebook is licensed for your personal enjoyment only. This ebook may not be resold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each recipient. If you’re reading this book and did not purchase it, or it was not purchased for your use only, then please return to your favorite ebook retailer and purchase your own copy. Thank you for respecting the hard work of this author.
Also by Steve Lehman
Down In Andong: English as a Korean Language
Table of Contents
Introduction
The Divine Clarke
Arthur Sea Clarke
Sir Star Child
Other books by Steve Lehman
Introduction
Science Fiction has often been trivialized and ridiculed by the champions of mainstream literature. My most recent gafiation
away from the SF fold began about fifteen years ago and a colleague’s comment was typically condescending. Finally grew out of it, eh?
SF is too often seen as an adolescent diversion instead of a legitimate literary genre. The classics are conveniently reclassified as utopian satire
or otherwise separated from the pejorative sci fi
label. Whatever the reason for my gafiation, it wasn’t because I had lost interest in or respect for writers like Mary Shelley, H.G. Wells, Aldous Huxley, George Orwell, Philip Dick, Kurt Vonnegut or Arthur C. Clarke. Of course, ninety percent of science fiction is crap, as Theodore Sturgeon pointed out long ago, but then ninety percent of everything is crap.
Sir Arthur earned his right to be considered for inclusion in the ten percent in 1945 with a short essay titled Extra-Terrestrial Relays.
It was a visionary projection of the array of communications satellites that now provide the backbone of our postmodern system. The musical elements of his writing style may not always resonate in a Shakespearean key, but the cognitive dimension is an important part of aesthetics. I have found the ideas in Clarke’s subsequent SF to be either instructive, or if not, as Darko Suvin likes to say, at least worth disagreeing with.
Clarke was a major inspiration for me between 1994 and 2001. The three essays here are presented in the order they first appeared. The Divine Clarke
won a few bucks in a contest run by Matrix Magazine, and then was published under a slightly different title at It’s a Bunny in 1996. The second essay, about Clarke’s scuba diving, was first published in Paradoxa in 1998. The Hollins Critic used Sir Star Child
for its December 1, 2001 edition.
I would like to thank Brian Attebery for his editorial assistance with the second and third of these essays and Rita Toews for the Smashwords cover design, which is based on an ESA/Hubble image.
The Divine Clarke
Science fiction is replete with brilliant crackpots, some of whom are crammed full of cracked genius. A few only appear cracked because the broken lens of our mundane myopia distorts their image. Occasionally, an SF writer survives the near sighted negativity of various vested interests and ascends to prophetic status. Arthur C. Clarke is our contemporary, secular Elijah. Let's open the doors of our visionary perception, give him a seat at the table, and consider how he has wondered the Earth.
The world first began to wonder about this country boy from Somerset in southwest England in 1945. As an officer in the RAF during the War, he had already been involved in testing the first to be developed, radar talk-down equipment. The importance of aerial communications well established in his mind, he extrapolated a nobler use for the V2 rockets that rained down on Britain. Clarke reasoned that artificial satellites could be launched using slightly larger rockets, and then parked in geostationary orbits high above the Earth. Such an arrangement would solve a basic problem in