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    The Portrait of a Lady
    The Portrait of a Lady
    The Portrait of a Lady
    Ebook822 pages15 hours

    The Portrait of a Lady

    By Henry James

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    About this ebook

    Henry James’s beloved novel about a young woman’s search for freedom in a world that seeks to tie her to convention

    In the wake of her father’s death, young Isabel Archer decides to travel to England to visit her aunt, leaving behind the life set out for her in America and spurning the romantic overtures of her Bostonian suitor. At her aunt’s country estate, Isabel is determined to plot a new course unburdened by routine. But, prodded by convention at every turn, Isabel makes a decision that not only undermines her longing for independence, but may seal her fate forever.

    Among one of Henry James’s most timeless works, The Portrait of a Lady is a rich and nuanced depiction of human psychology and the tension between the pull of social norms and the desire for autonomy.

    This ebook has been professionally proofread to ensure accuracy and readability on all devices.
    LanguageEnglish
    PublisherOpen Road Media
    Release dateJan 27, 2015
    ISBN9781497684249
    Author

    Henry James

    Henry James (1843–1916) was an American writer, highly regarded as one of the key proponents of literary realism, as well as for his contributions to literary criticism. His writing centres on the clash and overlap between Europe and America, and The Portrait of a Lady is regarded as his most notable work.

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    Reviews for The Portrait of a Lady

    4/5

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    • 5/5
      The story of a young, orphaned woman, Isabel Archer who arrives in England with her aunt. She is 23 years of age and is filled with bright optimism and doesn't want to settle but desires freedom. Men fall for her and she refuses them. Isabel had no money but when she inherits a large sum that she had no idea was going to come her way, this changes everything. She is no longer free but burdened by the burden of this inheritance. She is taken in by some two ex patriots who have their eye on this fortune. The rest of the story is about the choices she made and will make and the effects it has on her. I loved the prose, the characters, and the themes.
    • 4/5
      Wonderfully thorough psychological novel, the thoroughness can drag at times.
    • 4/5
      Oh, Isabel Archer, you seemed like such a strong, independent young woman, newly rich and off to see the world. You had good friends who gave you good advise. Why did you make the wrong choice of husband and change the whole character of your life? But you were young and had the means and opportunity to fix things. Why did you make the decision you did? I mostly enjoyed the process of reading this book, though I ran across many passages whose meaning eluded me and was obviously very frustrated by the main character. Great characters who I won't forget for quite a while.
    • 4/5
      Beautiful Isabel Archer is an American woman who travels to Europe hoping to find adventure, excitement and live an unconventional life. She is pursued by many men for her beauty and charm, but she turns them all down wanting her life to be something bigger than settling for a typical marriage. But after inheriting a large fortune, she falls victim of a scheme by 2 American ex-patriates and marries one of them. The plot of the story seems pretty straightforward, but the motivations and personalities behind the characters are what make this book a real gem. As the title suggests, Isabel is depicted as a portrait and although her actions are described, it is not clear why she makes her choices in life. I read this book together with members of the Goodreads Victorians group and had a great many discussions over this novel. Definitely a controversial and interesting book.

      I both listened and read this book. I started with an audio version narrated by Laural Merlington. If you have never heard Merlington's voice, it is beautiful - the type of voice that you hear when you are hold on the phone, or that announces messages - pure in quality and tone. But I found that a beautiful voice doesn't do the characters of this book justice. Everyone seemed very vanilla and almost sing songy. I switched to a different audio version read by Nadia May who has a much throatier and almost husky voice. Her nuances of the characters was much better. The reason I bring this up is that I didn't really like Isabel Archer until the second half of the book and I wonder if it was the narrator. She seemed flightly and superficial in the beginning and it wasn't until the end of the book that I appreciated her angst over the difficult choices in her life. Was it the narrator or the writing? Still not sure...
    • 3/5
      (some SPOILER herein)I began reading this book on, I think, abourt March 31 , 1952. My first comment on it was on April 6, 1952, when I said: " Reading Portrait of a Lady. Continues dull. Rather amazing precisely because it is so dull. Plot is insipid. Isabel Archer turns down an English lord and inherits 70,000 pounds from her uncle. She then marries an American esthete living in Italy, Gilbert Osmond, and is very unhappy. The characterization of the non-living-in-Europe Ameicans--Henrietta Stackpole and Casper Goodwood--is amazingly shallow--as if James knew nothing of such kind of people." On April 7, 1952 I said: "Reading in Portrait of a Lady. It now develops that Gilbet Osmond's daughter Pansy is the daughter of Madame Merle. Madame Merle managed the marrigage of Gilbert and Isabel Archer so thiat he'd have plenty money and so Pansy'd be taken care of. Isabel knows this now, but what her final decsion as to her relations with her husband will be is not yet known. James' characters are perfectly, if unhurriedly, drawn, except, of course, for what I mentioned yesterday." On April 8, 1952, I said: "Finished Portrait of a Lady. Isabel fights off a last wooing by Caspar and goes back to her husband, Gilbert. I didn't dislike the book nearly as much as I did, e.g., The Ordeal of Richard Feveril, which I read July 30, 1950.
    • 4/5
      Dear god, the last three pages!!! More than make up for the rest of it. No, make the rest of it worthwhile. No, are something completely different. No, are the natural result of what came before.

      The introduction makes some confusing points, I think, including the assertion that it's very American to think in "types" of people. What, archetypes? Stereotypes? Musical theater? Hollywood? Flesh it out further, please.

      Finally, despite Jane Campion's tendency towards emphasizing the sexy, I can't believe she cast John Malkovich as Gilbert Osmond. The whole point is that Osmond is cold, fastidious(ly evil!), controlling, withholding, etc. and I really don't see JM as any of those. If anything, he projects overbearing sexual creepiness and belongs instead in Les Liasons Dangereuses (not an arbitrary comparison).

      Wait, he *did* play Valmont (Dangerous Liasons, 1988) and wore a wig in an Annie Lennox video. So where does that leave us?
    • 3/5
      Well, now I've done that, read a long novel by Henry James. There were pleasures, but also annoyances in doing so (for example, almost everyone is designated as "poor" so & so, which really got on my nerves). In comparison to, say, George Eliot's Middlemarch, the characters here are less mulitdimensional. James famously dissects motives & character, but to what end? Except for Lord Warburton, the characters are all expatriate Americans,almost all apparently corrupted by long contact with Europe. The staunchest exemplars of the American "character," the journalist & America booster Harriet Stackpole & the American businessman, Caspar Goodwood, are hardly more likeable than the rest of the bunch. One is supposed, I imagine, to root for the "heroine" Isabel Archer in her attempt to learn all about life while maintaining "pure" motives & accepting the consequences of her own (bad) decisions. But even those who seem to wish her well (want the best for her) such as Goodwood, Stackpole & Isabel's cousin Ralph Touchett, nonetheless seem to see her more as an object of their own imaginations than as a real person. Manipulation of others to meet some desire of one's own imagination, to make of that other one's creature, so to speak, seems to be a major concern here. James is concerned with individual identity & freedom but not so much its social context, except where social means another individual's will. Oh yes, of course, money is a play maker as well. I kept trying to read a broader commentary on America versus Europe into the novel & I think it's there, with no compliments to either.
    • 3/5
      What started as a Goodreads Group read, turned out to be a massive undertaking for me. A few years ago I made a resolution to finish everything I started reading...and out of all the books I've read since then, none of them came as close to forcing me to break that resolution as "The Portrait of a Lady". Tried to finish it, sat it back down several times. It's not a bad book, Henry James, the man can write...and I think that was one of the problems I had in finishing it...Henry James loves his vivid descriptions. So much so, at times, I would forget what was happening with the plot, he'd just go on and on, and not get to the point quickly enough for me. In other words, this would be the type of book I'd like to have on a desert island, if I had all the time in the world to enjoy reading all his extra little details. But with a busy life and a 2000-generation attention span, I had to set this one aside several times.

      As for the plot, when you get down to it, lots of drama and secrets. However, I was really disappointed in the abrupt ending. Isabel Archer starts out as a young, wannabe-independent American woman, who happens to visit some wealthy family in Europe. After she is left an inheritance that could make her independence dreams come true, she is tricked into marrying a man with his own schemes. Based on her character's previous actions I really thought the story was building up to her leaving her husband or remaining married in name only and living as an independent woman (hey, it was her money), but I was wrong. I wouldn't feel so bad about being wrong if Henry James had used one of his vivid descriptions to explain what was going on in Isabel's mind, so I could have understood her decision.
    • 5/5
      Great story. James captures most women at some time in their lives. I read this in college years and years ago. Never warmed much to the movies, but ate this book up. Henry James-the novelist who wrote like a psychologist. His brother, William James, the psychologist who wrote like a novelist. I always think of this statement that my history teacher, Dr. Wingo, from college used to quote.
    • 5/5
      Another excellent read. I decided to read this one because I hadn't read any real James before and I felt like that was a situation that needed to be remedied. Although a bit arduous at times, and I am still a bit puzzled about the ending, this book was a delightful read. Another 19th century realist novel full of rich character development, although they were not as sympathetic here as they were in Eliot. James seems to examine his characters more than he loves them, even though it is clear he loves some of them. The book did feel a little dry and removed at times, as if you could feel the ticking of an almost mechanical examiner or observer, but the insights and characters were intriguing and thought-provoking. I probably would not recommend this one to the casual reader--too many dry spells to get lost in--but it is a rewarding read, especially if you like to examine some great writing yourself. A great artist and a good read, I really liked this book.
    • 5/5
      I read The Ambassadors last year and found it almost totally impenetrable, so I was honestly dreading this one a little bit. Unlike The Ambassadors, however, Portrait of a Lady was clear as a bell. Moving and wonderful.
    • 5/5
      The only Henry James novel I've read (albeit I have not read many) in which the emotional elements cut through his thick prose and really moved me deeply. I cried at the ending-
    • 2/5
      I attempted this work because it was so highly recommended by Timothy Spurgin in his Teaching Company lectures on the British Novel. I was unable to make it past the first third, however, and finally peeked at a synopsis of the plot on the web. I have no doubt that my failure to cope with this book reflects a weakness in me, rather than the author, but I found it unbearably tedious.
    • 5/5
       Ralph Touchett has to be one of the saddest characters I have ever come into contact with.
    • 4/5
      Fascinating to think about (and possibly disagree with) the heroine's choices throughout the book. I didn't love the ending, but I believed that Isabel would have made this choice. I didn't find this an easy or quick read; in fact, it took me most of a busy June to finish it. I started it in Modern Library edition (500+ pages) but was too overwhelmed by it and switched a to a Barnes and Noble edition that was a Nook freebie some time ago. Somehow the smaller e-page size was right for me with this book. It's fun to remember that the book originally was published in Atlantic Magazine and Macmillan's over the course of years - similar to how some Dickens novels were published. Members of book club who did not have time to read "Portrait" tackled the shorter "Daisy Miller" by Henry James instead; one of them liked it well enough to continue on to "Washington Square."
    • 4/5
      Took the month of February to read this classic, considered the finest of Henry James. I enjoyed his portrait of Isabel Archer, the representation of the American spirit and independence. Being the benefactor of her Aunt Lydia who decides to show her Europe, we too get to experience that genteel English countryside, the meeting of the the local gentry and understand her reluctance to accept marriage proposals from two would be suitors. Isabel's cousin, Ralph loves her also and wants her to experience all her adventures. He sets in motion a change in his dying father's will so that Isabel becomes a rich women. This seemingly noble gesture sets her up for tragedy as her innocence is manipulated and she finds herself trapped in a loveless marriage where she is but one of the possessions of a Mr. Gilbert Osgood. I have to say it helped me to see the IMDB website which showed the cast of characters used for the film production of this story. Think Nicole Kidman as Isabel and most especially John Malkovich for Osmond. though I haven't seen the movie I can certainly picture him as the intelligent yet mentally cruel husband that binds Isabel to her fate. "It was because she had been under the extraordinary charm that he, on his side, had taken pains to put forth. He was not changed; he had not disguised himself, during the year of his courtship, any more than she. But she had seen only half his nature then, as one saw the disk of the moon when it was partly masked by the shadow of the earth. She saw the full moon now—she saw the whole man. She had kept still, as it were, so that he should have a free field, and yet in spite of this she had mistaken a part for the whole” Though it takes awhile to develop the characters the ladder part of the novel produces some good plot development .
    • 5/5
      This book flows smoothly, gently propelled by James's magnificent prose. Not over-written, but rather a precisely-written work designed to tell a very specific story. Isabel, a young woman from New York, recently orphaned, is swept up by her aunt and carried off to England and Europe. She's a wonderfully intelligent, beautiful girl, inherits a fortune, and makes an unfortunate marriage. The unfolding of Isabel's sad decline from being an earnest, eager young woman who wants to experience everything to a much sadder but much wiser woman is amazingly done; James really understands psycology and motives. There are many well-drawn supporting characters, none of whom seems far-fetched or unreal. A most ingruing and marvelous novel.
    • 5/5
      Isabel Archer refuses to follow a life that is too prescribed by classical romantic notions. She is determined to find and follow her own path, or remain unsatisfied. This characteristic rules her as a number of suitors make themselves known. The story is primarily about what leads to the choice she makes, and its repercussions. Several other characters are intriguing and their roles each become clear. I had trouble placing the relevancy of Henrietta's story; I believe it clarifies that James' message was not about refusing women the right to make independent choices, but about ensuring illusions are fully dispelled before a choice is made. I really enjoyed this novel for its being chock full of people who make sharp observations, if not always accurate. There is no comedy of misunderstandings here, only analysis that is either lacking or overdone. Henry James knows how to get inside characters' heads and make himself at home, offering strong, natural motives for actions and dialogue that is brilliant both for what is said and what is not. The ending is very satisfying and comes together beautifully. I'm open to reading more of James' novels, but I suspect this will remain my favourite.
    • 5/5
      This book got me to journaling again! I call it a psychological study of how narcissitic-like people can attract each other, marry and learn to live with it for the sake of appearances. I originally watched the old version on DVD. The production put enough in and left enough out to stimulate interest to get the book. I read in one week and couldn't wait to see what happened next to the heroine, so young, really inexperienced with a head full of who knows what ideas. The narrative of Mr. James for me was outstanding and several of the characters remarks make interesting, humorous, and thought provoking quotes. Loved it. This was not a smutty novel--very classy stuff.
    • 4/5
      A very good, although a bit dense in places. The ending a little strange as it stops almost in mid scene.
    • 5/5
      I couldn't put this down. I absolutely adored it. James' analysis of human character is unparalleled. I was on spring break in Italy as I read this and I simply could not get Isabel's world out of my mind. It was so vivid and real all around me. Highly recommended.
    • 5/5
      Isabel Archer and her dear dying friend Ralph Touchett are easily one of my favourite non-items in literature. And what would we do without Miss Henrietta Stackpole?
    • 5/5
      I LOVE this book and have read it several times. Yes, James's sentences tend to be long and involved, but I like that--it slows down my reading and makes me pay attention to all the words.
    • 4/5
      Yet another book I've studied, so i've little memory of it, it was so long ago. I do remember liking it lots though. There, that's my analytical response.
    • 4/5
      Scintillating dialogue, fine observation, antithetical development, The style is breathtaking. yet I have rarely been so annoyed with the characters depicted in a fiction. Increasingly as the tale unravels they seem to merge into a portrait of an under-employed over-privileged class of snobs, preening around European palaces like ancestral jet-setters with too much time on their hands. Despite this the heroine is complex and compelling and the loose ends of unresolved lives illuminated
    • 2/5
      Fairly agonizing to see how the lovable protagonist moves steadily forward towards marriage to a jerk.
    • 5/5
      This was an interesting psychological study of an independent woman given a chance to live financially independently and what she chooses to do with that chance.
    • 5/5
      this is a wonderful book, while the language is more flowering and complex then current speech, the story is very modern. the story of the mystery of love, who we love, what happens to that love, and how love with the right people can endure. the main character, Isabel, is a strong intellegence kind woman that struggles to be true to yourself and to find values that endure beyond her. excellent book
    • 5/5
      Mind which edition you're reading; the earlier one, published in the 1880's, is very different from the final one.
    • 2/5
      I'm not sure why I ended up taking this book out of the pile my mom was throwing out. At the time I either thought it was important? Or I thought that she really liked it and wanted to read it because of that? I talked to her about it later and it turns out she was pretty indifferent to it, and so was I. Parts of it were well written, and I liked the ending, but 600 pages is way too long to spend on how little happens in this novel (three marriage proposals and one entirely unshocking plot twist, which is visible from miles away). Unlike Madame Bovary there was a point to the fact that nothing interesting happens; the author gives every impression of the belief that he's telling a legitimate story.

    Book preview

    The Portrait of a Lady - Henry James

    CHAPTER I

    UNDER CERTAIN CIRCUMSTANCES THERE are few hours in life more agreeable than the hour dedicated to the ceremony known as afternoon tea. There are circumstances in which, whether you partake of the tea or not—some people of course never do,—the situation is in itself delightful. Those that I have in mind in beginning to unfold this simple history offered an admirable setting to an innocent pastime. The implements of the little feast had been disposed upon the lawn of an old English country-house, in what I should call the perfect middle of a splendid summer afternoon. Part of the afternoon had waned, but much of it was left, and what was left was of the finest and rarest quality. Real dusk would not arrive for many hours; but the flood of summer light had begun to ebb, the air had grown mellow, the shadows were long upon the smooth, dense turf. They lengthened slowly, however, and the scene expressed that sense of leisure still to come which is perhaps the chief source of one’s enjoyment of such a scene at such an hour. From five o’clock to eight is on certain occasions a little eternity; but on such an occasion as this the interval could be only an eternity of pleasure. The persons concerned in it were taking their pleasure quietly, and they were not of the sex which is supposed to furnish the regular votaries of the ceremony I have mentioned. The shadows on the perfect lawn were straight and angular; they were the shadows of an old man sitting in a deep wicker-chair near the low table on which the tea had been served, and of two younger men strolling to and fro, in desultory talk, in front of him. The old man had his cup in his hand; it was an unusually large cup, of a different pattern from the rest of the set and painted in brilliant colours. He disposed of its contents with much circumspection, holding it for a long time close to his chin, with his face turned to the house. His companions had either finished their tea or were indifferent to their privilege; they smoked cigarettes as they continued to stroll. One of them, from time to time, as he passed, looked with a certain attention at the elder man, who, unconscious of observation, rested his eyes upon the rich red front of his dwelling. The house that rose beyond the lawn was a structure to repay such consideration and was the most characteristic object in the peculiarly English picture I have attempted to sketch.

    It stood upon a low hill, above the river—the river being the Thames at some forty miles from London. A long gabled front of red brick, with the complexion of which time and the weather had played all sorts of pictorial tricks, only, however, to improve and refine it, presented to the lawn its patches of ivy, its clustered chimneys, its windows smothered in creepers. The house had a name and a history; the old gentleman taking his tea would have been delighted to tell you these things: how it had been built under Edward the Sixth, had offered a night’s hospitality to the great Elizabeth (whose august person had extended itself upon a huge, magnificent and terribly angular bed which still formed the principal honour of the sleeping apartments), had been a good deal bruised and defaced in Cromwell’s wars, and then, under the Restoration, repaired and much enlarged; and how, finally, after having been remodelled and disfigured in the eighteenth century, it had passed into the careful keeping of a shrewd American banker, who had bought it originally because (owing to circumstances too complicated to set forth) it was offered at a great bargain: bought it with much grumbling at its ugliness, its antiquity, its incommodity, and who now, at the end of twenty years, had become conscious of a real aesthetic passion for it, so that he knew all its points and would tell you just where to stand to see them in combination and just the hour when the shadows of its various protuberances which fell so softly upon the warm, weary brickwork—were of the right measure. Besides this, as I have said, he could have counted off most of the successive owners and occupants, several of whom were known to general fame; doing so, however, with an undemonstrative conviction that the latest phase of its destiny was not the least honourable. The front of the house overlooking that portion of the lawn with which we are concerned was not the entrance-front; this was in quite another quarter. Privacy here reigned supreme, and the wide carpet of turf that covered the level hill-top seemed but the extension of a luxurious interior. The great still oaks and beeches flung down a shade as dense as that of velvet curtains; and the place was furnished, like a room, with cushioned seats, with rich-coloured rugs, with the books and papers that lay upon the grass. The river was at some distance; where the ground began to slope the lawn, properly speaking, ceased. But it was none the less a charming walk down to the water.

    The old gentleman at the tea-table, who had come from America thirty years before, had brought with him, at the top of his baggage, his American physiognomy; and he had not only brought it with him, but he had kept it in the best order, so that, if necessary, he might have taken it back to his own country with perfect confidence. At present, obviously, nevertheless, he was not likely to displace himself; his journeys were over and he was taking the rest that precedes the great rest. He had a narrow, clean-shaven face, with features evenly distributed and an expression of placid acuteness. It was evidently a face in which the range of representation was not large, so that the air of contented shrewdness was all the more of a merit. It seemed to tell that he had been successful in life, yet it seemed to tell also that his success had not been exclusive and invidious, but had had much of the inoffensiveness of failure. He had certainly had a great experience of men, but there was an almost rustic simplicity in the faint smile that played upon his lean, spacious cheek and lighted up his humorous eye as he at last slowly and carefully deposited his big tea-cup upon the table. He was neatly dressed, in well-brushed black; but a shawl was folded upon his knees, and his feet were encased in thick, embroidered slippers. A beautiful collie dog lay upon the grass near his chair, watching the master’s face almost as tenderly as the master took in the still more magisterial physiognomy of the house; and a little bristling, bustling terrier bestowed a desultory attendance upon the other gentlemen.

    One of these was a remarkably well-made man of five-and-thirty, with a face as English as that of the old gentleman I have just sketched was something else; a noticeably handsome face, fresh-coloured, fair and frank, with firm, straight features, a lively grey eye and the rich adornment of a chestnut beard. This person had a certain fortunate, brilliant exceptional look—the air of a happy temperament fertilised by a high civilisation—which would have made almost any observer envy him at a venture. He was booted and spurred, as if he had dismounted from a long ride; he wore a white hat, which looked too large for him; he held his two hands behind him, and in one of them—a large, white, well-shaped fist—was crumpled a pair of soiled dog-skin gloves.

    His companion, measuring the length of the lawn beside him, was a person of quite a different pattern, who, although he might have excited grave curiosity, would not, like the other, have provoked you to wish yourself, almost blindly, in his place. Tall, lean, loosely and feebly put together, he had an ugly, sickly, witty, charming face, furnished, but by no means decorated, with a straggling moustache and whisker. He looked clever and ill—a combination by no means felicitous; and he wore a brown velvet jacket. He carried his hands in his pockets, and there was something in the way he did it that showed the habit was inveterate. His gait had a shambling, wandering quality; he was not very firm on his legs. As I have said, whenever he passed the old man in the chair he rested his eyes upon him; and at this moment, with their faces brought into relation, you would easily have seen they were father and son. The father caught his son’s eye at last and gave him a mild, responsive smile.

    I’m getting on very well, he said.

    Have you drunk your tea? asked the son.

    Yes, and enjoyed it.

    Shall I give you some more?

    The old man considered, placidly. Well, I guess I’ll wait and see. He had, in speaking, the American tone.

    Are you cold? the son enquired.

    The father slowly rubbed his legs. Well, I don’t know. I can’t tell till I feel.

    Perhaps some one might feel for you, said the younger man, laughing.

    Oh, I hope some one will always feel for me! Don’t you feel for me, Lord Warburton?

    Oh yes, immensely, said the gentleman addressed as Lord Warburton, promptly. I’m bound to say you look wonderfully comfortable.

    Well, I suppose I am, in most respects. And the old man looked down at his green shawl and smoothed it over his knees. The fact is I’ve been comfortable so many years that I suppose I’ve got so used to it I don’t know it.

    Yes, that’s the bore of comfort, said Lord Warburton. We only know when we’re uncomfortable.

    It strikes me we’re rather particular, his companion remarked.

    Oh yes, there’s no doubt we’re particular, Lord Warburton murmured. And then the three men remained silent a while; the two younger ones standing looking down at the other, who presently asked for more tea. I should think you would be very unhappy with that shawl, Lord Warburton resumed while his companion filled the old man’s cup again.

    Oh no, he must have the shawl! cried the gentleman in the velvet coat. Don’t put such ideas as that into his head.

    It belongs to my wife, said the old man simply.

    Oh, if it’s for sentimental reasons— And Lord Warburton made a gesture of apology.

    I suppose I must give it to her when she comes, the old man went on.

    You’ll please to do nothing of the kind. You’ll keep it to cover your poor old legs.

    Well, you mustn’t abuse my legs, said the old man. I guess they are as good as yours.

    Oh, you’re perfectly free to abuse mine, his son replied, giving him his tea.

    Well, we’re two lame ducks; I don’t think there’s much difference.

    I’m much obliged to you for calling me a duck. How’s your tea?

    Well, it’s rather hot.

    That’s intended to be a merit.

    Ah, there’s a great deal of merit, murmured the old man, kindly. He’s a very good nurse, Lord Warburton.

    Isn’t he a bit clumsy? asked his lordship.

    Oh no, he’s not clumsy—considering that he’s an invalid himself. He’s a very good nurse—for a sick-nurse. I call him my sick-nurse because he’s sick himself.

    Oh, come, daddy! the ugly young man exclaimed.

    Well, you are; I wish you weren’t. But I suppose you can’t help it.

    I might try: that’s an idea, said the young man.

    Were you ever sick, Lord Warburton? his father asked.

    Lord Warburton considered a moment. Yes, sir, once, in the Persian Gulf.

    He’s making light of you, daddy, said the other young man. That’s a sort of joke.

    Well, there seem to be so many sorts now, daddy replied, serenely. You don’t look as if you had been sick, any way, Lord Warburton.

    He’s sick of life; he was just telling me so; going on fearfully about it, said Lord Warburton’s friend.

    Is that true, sir? asked the old man gravely.

    If it is, your son gave me no consolation. He’s a wretched fellow to talk to—a regular cynic. He doesn’t seem to believe in anything.

    That’s another sort of joke, said the person accused of cynicism.

    It’s because his health is so poor, his father explained to Lord Warburton. It affects his mind and colours his way of looking at things; he seems to feel as if he had never had a chance. But it’s almost entirely theoretical, you know; it doesn’t seem to affect his spirits. I’ve hardly ever seen him when he wasn’t cheerful—about as he is at present. He often cheers me up.

    The young man so described looked at Lord Warburton and laughed. Is it a glowing eulogy or an accusation of levity? Should you like me to carry out my theories, daddy?

    By Jove, we should see some queer things! cried Lord Warburton.

    I hope you haven’t taken up that sort of tone, said the old man.

    Warburton’s tone is worse than mine; he pretends to be bored. I’m not in the least bored; I find life only too interesting.

    Ah, too interesting; you shouldn’t allow it to be that, you know!

    I’m never bored when I come here, said Lord Warburton. One gets such uncommonly good talk.

    Is that another sort of joke? asked the old man. You’ve no excuse for being bored anywhere. When I was your age I had never heard of such a thing.

    You must have developed very late.

    No, I developed very quick; that was just the reason. When I was twenty years old I was very highly developed indeed. I was working tooth and nail. You wouldn’t be bored if you had something to do; but all you young men are too idle. You think too much of your pleasure. You’re too fastidious, and too indolent, and too rich.

    Oh, I say, cried Lord Warburton, you’re hardly the person to accuse a fellow-creature of being too rich!

    Do you mean because I’m a banker? asked the old man.

    Because of that, if you like; and because you have—haven’t you?—such unlimited means.

    He isn’t very rich, the other young man mercifully pleaded. He has given away an immense deal of money.

    Well, I suppose it was his own, said Lord Warburton; and in that case could there be a better proof of wealth? Let not a public benefactor talk of one’s being too fond of pleasure.

    Daddy’s very fond of pleasure—of other people’s.

    The old man shook his head. I don’t pretend to have contributed anything to the amusement of my contemporaries.

    My dear father, you’re too modest!

    That’s a kind of joke, sir, said Lord Warburton.

    You young men have too many jokes. When there are no jokes you’ve nothing left.

    Fortunately there are always more jokes, the ugly young man remarked.

    I don’t believe it—I believe things are getting more serious. You young men will find that out.

    The increasing seriousness of things, then that’s the great opportunity of jokes.

    They’ll have to be grim jokes, said the old man. I’m convinced there will be great changes, and not all for the better.

    I quite agree with you, sir, Lord Warburton declared. I’m very sure there will be great changes, and that all sorts of queer things will happen. That’s why I find so much difficulty in applying your advice; you know you told me the other day that I ought to ‘take hold’ of something. One hesitates to take hold of a thing that may the next moment be knocked sky-high.

    You ought to take hold of a pretty woman, said his companion. He’s trying hard to fall in love, he added, by way of explanation, to his father.

    The pretty women themselves may be sent flying! Lord Warburton exclaimed.

    No, no, they’ll be firm, the old man rejoined; they’ll not be affected by the social and political changes I just referred to.

    You mean they won’t be abolished? Very well, then, I’ll lay hands on one as soon as possible and tie her round my neck as a life-preserver.

    The ladies will save us, said the old man; that is the best of them will—for I make a difference between them. Make up to a good one and marry her, and your life will become much more interesting.

    A momentary silence marked perhaps on the part of his auditors a sense of the magnanimity of this speech, for it was a secret neither for his son nor for his visitor that his own experiment in matrimony had not been a happy one. As he said, however, he made a difference; and these words may have been intended as a confession of personal error; though of course it was not in place for either of his companions to remark that apparently the lady of his choice had not been one of the best.

    If I marry an interesting woman I shall be interested: is that what you say? Lord Warburton asked. I’m not at all keen about marrying—your son misrepresented me; but there’s no knowing what an interesting woman might do with me.

    I should like to see your idea of an interesting woman, said his friend.

    My dear fellow, you can’t see ideas—especially such highly ethereal ones as mine. If I could only see it myself—that would be a great step in advance.

    Well, you may fall in love with whomsoever you please; but you mustn’t fall in love with my niece, said the old man.

    His son broke into a laugh. He’ll think you mean that as a provocation! My dear father, you’ve lived with the English for thirty years, and you’ve picked up a good many of the things they say. But you’ve never learned the things they don’t say!

    I say what I please, the old man returned with all his serenity.

    I haven’t the honour of knowing your niece, Lord Warburton said. I think it’s the first time I’ve heard of her.

    She’s a niece of my wife’s; Mrs. Touchett brings her to England.

    Then young Mr. Touchett explained. My mother, you know, has been spending the winter in America, and we’re expecting her back. She writes that she has discovered a niece and that she has invited her to come out with her.

    I see,—very kind of her, said Lord Warburton. Is the young lady interesting?

    We hardly know more about her than you; my mother has not gone into details. She chiefly communicates with us by means of telegrams, and her telegrams are rather inscrutable. They say women don’t know how to write them, but my mother has thoroughly mastered the art of condensation. ‘Tired America, hot weather awful, return England with niece, first steamer decent cabin.’ That’s the sort of message we get from her—that was the last that came. But there had been another before, which I think contained the first mention of the niece. ‘Changed hotel, very bad, impudent clerk, address here. Taken sister’s girl, died last year, go to Europe, two sisters, quite independent.’ Over that my father and I have scarcely stopped puzzling; it seems to admit of so many interpretations.

    There’s one thing very clear in it, said the old man; she has given the hotel-clerk a dressing.

    I’m not sure even of that, since he has driven her from the field. We thought at first that the sister mentioned might be the sister of the clerk; but the subsequent mention of a niece seems to prove that the allusion is to one of my aunts. Then there was a question as to whose the two other sisters were; they are probably two of my late aunt’s daughters. But who’s ‘quite independent,’ and in what sense is the term used?—that point’s not yet settled. Does the expression apply more particularly to the young lady my mother has adopted, or does it characterise her sisters equally?—and is it used in a moral or in a financial sense? Does it mean that they’ve been left well off, or that they wish to be under no obligations? or does it simply mean that they’re fond of their own way?

    Whatever else it means, it’s pretty sure to mean that, Mr. Touchett remarked.

    You’ll see for yourself, said Lord Warburton. When does Mrs. Touchett arrive?

    We’re quite in the dark; as soon as she can find a decent cabin. She may be waiting for it yet; on the other hand she may already have disembarked in England.

    In that case she would probably have telegraphed to you.

    She never telegraphs when you would expect it—only when you don’t, said the old man. She likes to drop on me suddenly; she thinks she’ll find me doing something wrong. She has never done so yet, but she’s not discouraged.

    It’s her share in the family trait, the independence she speaks of. Her son’s appreciation of the matter was more favourable. Whatever the high spirit of those young ladies may be, her own is a match for it. She likes to do everything for herself and has no belief in any one’s power to help her. She thinks me of no more use than a postage-stamp without gum, and she would never forgive me if I should presume to go to Liverpool to meet her.

    Will you at least let me know when your cousin arrives? Lord Warburton asked.

    Only on the condition I’ve mentioned—that you don’t fall in love with her! Mr. Touchett replied.

    That strikes me as hard, don’t you think me good enough?

    I think you too good—because I shouldn’t like her to marry you. She hasn’t come here to look for a husband, I hope; so many young ladies are doing that, as if there were no good ones at home. Then she’s probably engaged; American girls are usually engaged, I believe. Moreover I’m not sure, after all, that you’d be a remarkable husband.

    Very likely she’s engaged; I’ve known a good many American girls, and they always were; but I could never see that it made any difference, upon my word! As for my being a good husband, Mr. Touchett’s visitor pursued, I’m not sure of that either. One can but try!

    Try as much as you please, but don’t try on my niece, smiled the old man, whose opposition to the idea was broadly humorous.

    Ah, well, said Lord Warburton with a humour broader still, perhaps, after all, she’s not worth trying on!

    CHAPTER II

    WHILE THIS EXCHANGE OF pleasantries took place between the two Ralph Touchett wandered away a little, with his usual slouching gait, his hands in his pockets and his little rowdyish terrier at his heels. His face was turned toward the house, but his eyes were bent musingly on the lawn; so that he had been an object of observation to a person who had just made her appearance in the ample doorway for some moments before he perceived her. His attention was called to her by the conduct of his dog, who had suddenly darted forward with a little volley of shrill barks, in which the note of welcome, however, was more sensible than that of defiance. The person in question was a young lady, who seemed immediately to interpret the greeting of the small beast. He advanced with great rapidity and stood at her feet, looking up and barking hard; whereupon, without hesitation, she stooped and caught him in her hands, holding him face to face while he continued his quick chatter. His master now had had time to follow and to see that Bunchie’s new friend was a tall girl in a black dress, who at first sight looked pretty. She was bareheaded, as if she were staying in the house—a fact which conveyed perplexity to the son of its master, conscious of that immunity from visitors which had for some time been rendered necessary by the latter’s ill-health. Meantime the two other gentlemen had also taken note of the new-comer.

    Dear me, who’s that strange woman? Mr. Touchett had asked.

    Perhaps it’s Mrs. Touchett’s niece—the independent young lady, Lord Warburton suggested. I think she must be, from the way she handles the dog.

    The collie, too, had now allowed his attention to be diverted, and he trotted toward the young lady in the doorway, slowly setting his tail in motion as he went.

    But where’s my wife then? murmured the old man.

    I suppose the young lady has left her somewhere: that’s a part of the independence.

    The girl spoke to Ralph, smiling, while she still held up the terrier. Is this your little dog, sir?

    He was mine a moment ago; but you’ve suddenly acquired a remarkable air of property in him.

    Couldn’t we share him? asked the girl. He’s such a perfect little darling.

    Ralph looked at her a moment; she was unexpectedly pretty. You may have him altogether, he then replied.

    The young lady seemed to have a great deal of confidence, both in herself and in others; but this abrupt generosity made her blush. I ought to tell you that I’m probably your cousin, she brought out, putting down the dog. And here’s another! she added quickly, as the collie came up.

    Probably? the young man exclaimed, laughing. I supposed it was quite settled! Have you arrived with my mother?

    Yes, half an hour ago.

    And has she deposited you and departed again?

    No, she went straight to her room, and she told me that, if I should see you, I was to say to you that you must come to her there at a quarter to seven.

    The young man looked at his watch. Thank you very much; I shall be punctual. And then he looked at his cousin. You’re very welcome here. I’m delighted to see you.

    She was looking at everything, with an eye that denoted clear perception—at her companion, at the two dogs, at the two gentlemen under the trees, at the beautiful scene that surrounded her. I’ve never seen anything so lovely as this place. I’ve been all over the house; it’s too enchanting.

    I’m sorry you should have been here so long without our knowing it.

    Your mother told me that in England people arrived very quietly; so I thought it was all right. Is one of those gentlemen your father?

    Yes, the elder one—the one sitting down, said Ralph.

    The girl gave a laugh. I don’t suppose it’s the other. Who’s the other?

    He’s a friend of ours—Lord Warburton.

    Oh, I hoped there would be a lord; it’s just like a novel! And then, Oh you adorable creature! she suddenly cried, stooping down and picking up the small dog again.

    She remained standing where they had met, making no offer to advance or to speak to Mr. Touchett, and while she lingered so near the threshold, slim and charming, her interlocutor wondered if she expected the old man to come and pay her his respects. American girls were used to a great deal of deference, and it had been intimated that this one had a high spirit. Indeed Ralph could see that in her face.

    Won’t you come and make acquaintance with my father? he nevertheless ventured to ask. He’s old and infirm—he doesn’t leave his chair.

    Ah, poor man, I’m very sorry! the girl exclaimed, immediately moving forward. I got the impression from your mother that he was rather intensely active.

    Ralph Touchett was silent a moment. She hasn’t seen him for a year.

    Well, he has a lovely place to sit. Come along, little hound.

    It’s a dear old place, said the young man, looking sidewise at his neighbour.

    What’s his name? she asked, her attention having again reverted to the terrier.

    My father’s name?

    Yes, said the young lady with amusement; but don’t tell him I asked you.

    They had come by this time to where old Mr. Touchett was sitting, and he slowly got up from his chair to introduce himself.

    My mother has arrived, said Ralph, and this is Miss Archer.

    The old man placed his two hands on her shoulders, looked at her a moment with extreme benevolence and then gallantly kissed her. It’s a great pleasure to me to see you here; but I wish you had given us a chance to receive you.

    Oh, we were received, said the girl. There were about a dozen servants in the hall. And there was an old woman curtseying at the gate.

    We can do better than that—if we have notice! And the old man stood there smiling, rubbing his hands and slowly shaking his head at her. But Mrs. Touchett doesn’t like receptions.

    She went straight to her room.

    Yes—and locked herself in. She always does that. Well, I suppose I shall see her next week. And Mrs. Touchett’s husband slowly resumed his former posture.

    Before that, said Miss Archer. She’s coming down to dinner—at eight o’clock. Don’t you forget a quarter to seven, she added, turning with a smile to Ralph.

    What’s to happen at a quarter to seven?

    I’m to see my mother, said Ralph.

    Ah, happy boy! the old man commented. You must sit down—you must have some tea, he observed to his wife’s niece.

    They gave me some tea in my room the moment I got there, this young lady answered. I’m sorry you’re out of health, she added, resting her eyes upon her venerable host.

    Oh, I’m an old man, my dear; it’s time for me to be old. But I shall be the better for having you here.

    She had been looking all round her again—at the lawn, the great trees, the reedy, silvery Thames, the beautiful old house; and while engaged in this survey she had made room in it for her companions; a comprehensiveness of observation easily conceivable on the part of a young woman who was evidently both intelligent and excited. She had seated herself and had put away the little dog; her white hands, in her lap, were folded upon her black dress; her head was erect, her eye lighted, her flexible figure turned itself easily this way and that, in sympathy with the alertness with which she evidently caught impressions. Her impressions were numerous, and they were all reflected in a clear, still smile. I’ve never seen anything so beautiful as this.

    It’s looking very well, said Mr. Touchett. I know the way it strikes you. I’ve been through all that. But you’re very beautiful yourself, he added with a politeness by no means crudely jocular and with the happy consciousness that his advanced age gave him the privilege of saying such things—even to young persons who might possibly take alarm at them.

    What degree of alarm this young person took need not be exactly measured; she instantly rose, however, with a blush which was not a refutation. Oh yes, of course I’m lovely! she returned with a quick laugh. How old is your house? Is it Elizabethan?

    It’s early Tudor, said Ralph Touchett.

    She turned toward him, watching his face. Early Tudor? How very delightful! And I suppose there are a great many others.

    There are many much better ones.

    Don’t say that, my son! the old man protested. There’s nothing better than this.

    I’ve got a very good one; I think in some respects it’s rather better, said Lord Warburton, who as yet had not spoken, but who had kept an attentive eye upon Miss Archer. He slightly inclined himself, smiling; he had an excellent manner with women. The girl appreciated it in an instant; she had not forgotten that this was Lord Warburton. I should like very much to show it to you, he added.

    Don’t believe him, cried the old man; don’t look at it! It’s a wretched old barrack—not to be compared with this.

    I don’t know—I can’t judge, said the girl, smiling at Lord Warburton.

    In this discussion Ralph Touchett took no interest whatever; he stood with his hands in his pockets, looking greatly as if he should like to renew his conversation with his new-found cousin.

    Are you very fond of dogs? he enquired by way of beginning. He seemed to recognise that it was an awkward beginning for a clever man.

    Very fond of them indeed.

    You must keep the terrier, you know, he went on, still awkwardly.

    I’ll keep him while I’m here, with pleasure.

    That will be for a long time, I hope.

    You’re very kind. I hardly know. My aunt must settle that.

    I’ll settle it with her—at a quarter to seven. And Ralph looked at his watch again.

    I’m glad to be here at all, said the girl.

    I don’t believe you allow things to be settled for you.

    Oh yes; if they’re settled as I like them.

    I shall settle this as I like it, said Ralph. It’s most unaccountable that we should never have known you.

    I was there—you had only to come and see me.

    There? Where do you mean?

    In the United States: in New York and Albany and other American places.

    I’ve been there—all over, but I never saw you. I can’t make it out.

    Miss Archer just hesitated. It was because there had been some disagreement between your mother and my father, after my mother’s death, which took place when I was a child. In consequence of it we never expected to see you.

    Ah, but I don’t embrace all my mother’s quarrels—heaven forbid! the young man cried. You’ve lately lost your father? he went on more gravely.

    Yes; more than a year ago. After that my aunt was very kind to me; she came to see me and proposed that I should come with her to Europe.

    I see, said Ralph. She has adopted you.

    Adopted me? The girl stared, and her blush came back to her, together with a momentary look of pain which gave her interlocutor some alarm. He had underestimated the effect of his words. Lord Warburton, who appeared constantly desirous of a nearer view of Miss Archer, strolled toward the two cousins at the moment, and as he did so she rested her wider eyes on him.

    Oh no; she has not adopted me. I’m not a candidate for adoption.

    I beg a thousand pardons, Ralph murmured. I meant—I meant— He hardly knew what he meant.

    You meant she has taken me up. Yes; she likes to take people up. She has been very kind to me; but, she added with a certain visible eagerness of desire to be explicit, I’m very fond of my liberty.

    Are you talking about Mrs. Touchett? the old man called out from his chair. Come here, my dear, and tell me about her. I’m always thankful for information.

    The girl hesitated again, smiling. She’s really very benevolent, she answered; after which she went over to her uncle, whose mirth was excited by her words.

    Lord Warburton was left standing with Ralph Touchett, to whom in a moment he said: You wished a while ago to see my idea of an interesting woman. There it is!

    CHAPTER III

    MRS. TOUCHETT WAS CERTAINLY a person of many oddities, of which her behaviour on returning to her husband’s house after many months was a noticeable specimen. She had her own way of doing all that she did, and this is the simplest description of a character which, although by no means without liberal motions, rarely succeeded in giving an impression of suavity. Mrs. Touchett might do a great deal of good, but she never pleased. This way of her own, of which she was so fond, was not intrinsically offensive—it was just unmistakeably distinguished from the ways of others. The edges of her conduct were so very clear-cut that for susceptible persons it sometimes had a knife-like effect. That hard fineness came out in her deportment during the first hours of her return from America, under circumstances in which it might have seemed that her first act would have been to exchange greetings with her husband and son. Mrs. Touchett, for reasons which she deemed excellent, always retired on such occasions into impenetrable seclusion, postponing the more sentimental ceremony until she had repaired the disorder of dress with a completeness which had the less reason to be of high importance as neither beauty nor vanity were concerned in it. She was a plain-faced old woman, without graces and without any great elegance, but with an extreme respect for her own motives. She was usually prepared to explain these—when the explanation was asked as a favour; and in such a case they proved totally different from those that had been attributed to her. She was virtually separated from her husband, but she appeared to perceive nothing irregular in the situation. It had become clear, at an early stage of their community, that they should never desire the same thing at the same moment, and this appearance had prompted her to rescue disagreement from the vulgar realm of accident. She did what she could to erect it into a law—a much more edifying aspect of it—by going to live in Florence, where she bought a house and established herself; and by leaving her husband to take care of the English branch of his bank. This arrangement greatly pleased her; it was so felicitously definite. It struck her husband in the same light, in a foggy square in London, where it was at times the most definite fact he discerned; but he would have preferred that such unnatural things should have a greater vagueness. To agree to disagree had cost him an effort; he was ready to agree to almost anything but that, and saw no reason why either assent or dissent should be so terribly consistent. Mrs. Touchett indulged in no regrets nor speculations, and usually came once a year to spend a month with her husband, a period during which she apparently took pains to convince him that she had adopted the right system. She was not fond of the English style of life, and had three or four reasons for it to which she currently alluded; they bore upon minor points of that ancient order, but for Mrs. Touchett they amply justified non-residence. She detested bread-sauce, which, as she said, looked like a poultice and tasted like soap; she objected to the consumption of beer by her maid-servants; and she affirmed that the British laundress (Mrs. Touchett was very particular about the appearance of her linen) was not a mistress of her art. At fixed intervals she paid a visit to her own country; but this last had been longer than any of its predecessors.

    She had taken up her niece—there was little doubt of that. One wet afternoon, some four months earlier than the occurrence lately narrated, this young lady had been seated alone with a book. To say she was so occupied is to say that her solitude did not press upon her; for her love of knowledge had a fertilising quality and her imagination was strong. There was at this time, however, a want of fresh taste in her situation which the arrival of an unexpected visitor did much to correct. The visitor had not been announced; the girl heard her at last walking about the adjoining room. It was in an old house at Albany, a large, square, double house, with a notice of sale in the windows of one of the lower apartments. There were two entrances, one of which had long been out of use but had never been removed. They were exactly alike—large white doors, with an arched frame and wide side-lights, perched upon little stoops of red stone, which descended sidewise to the brick pavement of the street. The two houses together formed a single dwelling, the party-wall having been removed and the rooms placed in communication. These rooms, above-stairs, were extremely numerous, and were painted all over exactly alike, in a yellowish white which had grown sallow with time. On the third floor there was a sort of arched passage, connecting the two sides of the house, which Isabel and her sisters used in their childhood to call the tunnel and which, though it was short and well lighted, always seemed to the girl to be strange and lonely, especially on winter afternoons. She had been in the house, at different periods, as a child; in those days her grandmother lived there. Then there had been an absence of ten years, followed by a return to Albany before her father’s death. Her grandmother, old Mrs. Archer, had exercised, chiefly within the limits of the family, a large hospitality in the early period, and the little girls often spent weeks under her roof—weeks of which Isabel had the happiest memory. The manner of life was different from that of her own home—larger, more plentiful, practically more festal; the discipline of the nursery was delightfully vague and the opportunity of listening to the conversation of one’s elders (which with Isabel was a highly-valued pleasure) almost unbounded. There was a constant coming and going; her grandmother’s sons and daughters and their children appeared to be in the enjoyment of standing invitations to arrive and remain, so that the house offered to a certain extent the appearance of a bustling provincial inn kept by a gentle old landlady who sighed a great deal and never presented a bill. Isabel of course knew nothing about bills; but even as a child she thought her grandmother’s home romantic. There was a covered piazza behind it, furnished with a swing which was a source of tremulous interest; and beyond this was a long garden, sloping down to the stable and containing peach-trees of barely credible familiarity. Isabel had stayed with her grandmother at various seasons, but somehow all her visits had a flavour of peaches. On the other side, across the street, was an old house that was called the Dutch House—a peculiar structure dating from the earliest colonial time, composed of bricks that had been painted yellow, crowned with a gable that was pointed out to strangers, defended by a rickety wooden paling and standing sidewise to the street. It was occupied by a primary school for children of both sexes, kept or rather let go, by a demonstrative lady of whom Isabel’s chief recollection was that her hair was fastened with strange bedroomy combs at the temples and that she was the widow of some one of consequence. The little girl had been offered the opportunity of laying a foundation of knowledge in this establishment; but having spent a single day in it, she had protested against its laws and had been allowed to stay at home, where, in the September days, when the windows of the Dutch House were open, she used to hear the hum of childish voices repeating the multiplication table—an incident in which the elation of liberty and the pain of exclusion were indistinguishably mingled. The foundation of her knowledge was really laid in the idleness of her grandmother’s house, where, as most of the other inmates were not reading people, she had uncontrolled use of a library full of books with frontispieces, which she used to climb upon a chair to take down. When she had found one to her taste—she was guided in the selection chiefly by the frontispiece—she carried it into a mysterious apartment which lay beyond the library and which was called, traditionally, no one knew why, the office. Whose office it had been and at what period it had flourished, she never learned; it was enough for her that it contained an echo and a pleasant musty smell and that it was a chamber of disgrace for old pieces of furniture whose infirmities were not always apparent (so that the disgrace seemed unmerited and rendered them victims of injustice) and with which, in the manner of children, she had established relations almost human, certainly dramatic. There was an old haircloth sofa in especial, to which she had confided a hundred childish sorrows. The place owed much of its mysterious melancholy to the fact that it was properly entered from the second door of the house, the door that had been condemned, and that it was secured by bolts which a particularly slender little girl found it impossible to slide. She knew that this silent, motionless portal opened into the street; if the sidelights had not been filled with green paper she might have looked out upon the little brown stoop and the well-worn brick pavement. But she had no wish to look out, for this would have interfered with her theory that there was a strange, unseen place on the other side—a place which became to the child’s imagination, according to its different moods, a region of delight or of terror.

    It was in the office still that Isabel was sitting on that melancholy afternoon of early spring which I have just mentioned. At this time she might have had the whole house to choose from, and the room she had selected was the most depressed of its scenes. She had never opened the bolted door nor removed the green paper (renewed by other hands) from its sidelights; she had never assured herself that the vulgar street lay beyond. A crude, cold rain fell heavily; the spring-time was indeed an appeal—and it seemed a cynical, insincere appeal—to patience. Isabel, however, gave as little heed as possible to cosmic treacheries; she kept her eyes on her book and tried to fix her mind. It had lately occurred to her that her mind was a good deal of a vagabond, and she had spent much ingenuity in training it to a military step and teaching it to advance, to halt, to retreat, to perform even more complicated manoeuvres, at the word of command. Just now she had given it marching orders and it had been trudging over the sandy plains of a history of German Thought. Suddenly she became aware of a step very different from her own intellectual pace; she listened a little and perceived that some one was moving in the library, which communicated with the office. It struck her first as the step of a person from whom she was looking for a visit, then almost immediately announced itself as the tread of a woman and a stranger—her possible visitor being neither. It had an inquisitive, experimental quality which suggested that it would not stop short of the threshold of the office; and in fact the doorway of this apartment was presently occupied by a lady who paused there and looked very hard at our heroine. She was a plain, elderly woman, dressed in a comprehensive waterproof mantle; she had a face with a good deal of rather violent point.

    Oh, she began, is that where you usually sit? She looked about at the heterogeneous chairs and tables.

    Not when I have visitors, said Isabel, getting up to receive the intruder.

    She directed their course back to the library while the visitor continued to look about her. You seem to have plenty of other rooms; they’re in rather better condition. But everything’s immensely worn.

    Have you come to look at the house? Isabel asked. The servant will show it to you.

    Send her away; I don’t want to buy it. She has probably gone to look for you and is wandering about upstairs; she didn’t seem at all intelligent. You had better tell her it’s no matter. And then, since the girl stood there hesitating and wondering, this unexpected critic said to her abruptly: I suppose you’re one of the daughters?

    Isabel thought she had very strange manners. It depends upon whose daughters you mean.

    The late Mr. Archer’s—and my poor sister’s.

    Ah, said Isabel slowly, you must be our crazy Aunt Lydia!

    Is that what your father told you to call me? I’m your Aunt Lydia, but I’m not at all crazy: I haven’t a delusion! And which of the daughters are you?

    I’m the youngest of the three, and my name’s Isabel.

    Yes; the others are Lilian and Edith. And are you the prettiest?

    I haven’t the least idea, said the girl.

    I think you must be. And in this way the aunt and the niece made friends. The aunt had quarrelled years before with her brother-in-law, after the death of her sister, taking him to task for the manner in which he brought up his three girls. Being a high-tempered man he had requested her to mind her own business, and she had taken him at his word. For many years she held no communication with him and after his death had addressed not a word to his daughters, who had been bred in that disrespectful view of her which we have just seen Isabel betray. Mrs. Touchett’s behaviour was, as usual, perfectly deliberate. She intended to go to America to look after her investments (with which her husband, in spite of his great financial position, had nothing to do) and would take advantage of this opportunity to enquire into the condition of her nieces. There was no need of writing, for she should attach no importance to any account of them she should elicit by letter; she believed, always, in seeing for one’s self. Isabel found, however, that she knew a good deal about them, and knew about the marriage of the two elder girls; knew that their poor father had left very little money, but that the house in Albany, which had passed into his hands, was to be sold for their benefit; knew, finally, that Edmund Ludlow, Lilian’s husband, had taken upon himself to attend to this matter, in consideration of which the young couple, who had come to Albany during Mr. Archer’s illness, were remaining there for the present and, as well as Isabel herself, occupying the old place.

    How much money do you expect for it? Mrs. Touchett asked of her companion, who had brought her to sit in the front parlour, which she had inspected without enthusiasm.

    I haven’t the least idea, said the girl.

    That’s the second time you have said that to me, her aunt rejoined. And yet you don’t look at all stupid.

    I’m not stupid; but I don’t know anything about money.

    Yes, that’s the way you were brought up—as if you were to inherit a million. What have you in point of fact inherited?

    I really can’t tell you. You must ask Edmund and Lilian; they’ll be back in half an hour.

    In Florence we should call it a very bad house, said Mrs. Touchett; but here, I dare say, it will bring a high price. It ought to make a considerable sum for each of you. In addition to that you must have something else; it’s most extraordinary your not knowing. The position’s of value, and they’ll probably pull it down and make a row of shops. I wonder you don’t do that yourself; you might let the shops to great advantage.

    Isabel stared; the idea of letting shops was new to her. I hope they won’t pull it down, she said; I’m extremely fond of it.

    I don’t see what makes you fond of it; your father died here.

    Yes; but I don’t dislike it for that, the girl rather strangely returned. I like places in which things have happened—even if they’re sad things. A great many people have died here; the place has been full of life.

    Is that what you call being full of life?

    I mean full of experience—of people’s feelings and sorrows. And not of their sorrows only, for I’ve been very happy here as a child.

    You should go to Florence if you like houses in which things have happened—especially deaths. I live in an old palace in which three people have been murdered; three that were known and I don’t know how many more besides.

    In an old palace? Isabel repeated.

    Yes, my dear; a very different affair from this. This is very bourgeois.

    Isabel felt some emotion, for she had always thought highly of her grandmother’s house. But the emotion was of a kind which led her to say: I should like very much to go to Florence.

    Well, if you’ll be very good, and do everything I tell you I’ll take you there, Mrs. Touchett declared.

    Our young woman’s emotion deepened; she flushed a little and smiled at her aunt in silence. Do everything you tell me? I don’t think I can promise that.

    No, you don’t look like a person of that sort. You’re fond of your own way; but it’s not for me to blame you.

    And yet, to go to Florence, the girl exclaimed in a moment, I’d promise almost anything!

    Edmund and Lilian were slow to return, and Mrs. Touchett had an hour’s uninterrupted talk with her niece, who found her a strange and interesting figure: a figure essentially—almost the first she had ever met. She was as eccentric as Isabel had always supposed; and hitherto, whenever the girl had heard people described as eccentric, she had thought of them as offensive or alarming. The term had always suggested to her something grotesque and even sinister. But her aunt made it a matter of high but easy irony, or comedy, and led her to ask herself if the common tone, which was all she had known, had ever been as interesting. No one certainly had on any occasion so held her as this little thin-lipped, bright-eyed, foreign-looking woman, who retrieved an insignificant appearance by a distinguished manner and, sitting there in a well-worn waterproof, talked with striking familiarity of the courts of Europe. There was nothing flighty about Mrs. Touchett, but she recognised no social superiors, and, judging the great ones of the earth in a way that spoke of this, enjoyed the consciousness of making an impression on a candid and susceptible mind. Isabel at first had answered a good many questions, and it was from her answers apparently that Mrs. Touchett derived a high opinion of her intelligence. But after this she had asked a good many, and her aunt’s answers, whatever turn they took, struck her as food for deep reflexion. Mrs. Touchett waited for the return of her other niece as long as she thought reasonable, but as at six o’clock Mrs. Ludlow had not come in she prepared to take her departure.

    Your sister must be a great gossip. Is she accustomed to staying out so many hours?

    You’ve been out almost as long as she, Isabel replied; she can have left the house but a short time before you came in.

    Mrs. Touchett looked at the girl without resentment; she appeared to enjoy a bold retort and to be disposed to be gracious. Perhaps she hasn’t had so good an excuse as I. Tell her at any rate that she must come and see me this evening at that horrid hotel. She may bring her husband if she likes, but she needn’t bring you. I shall see plenty of you later.

    CHAPTER IV

    MRS. LUDLOW WAS THE eldest of the three sisters, and was usually thought the most sensible; the classification being in general that Lilian was the practical one, Edith the beauty and Isabel the intellectual superior. Mrs. Keyes, the second of the group, was the wife of an officer of the United States Engineers, and as our history is not further concerned with her it will suffice that she was indeed very pretty and that she formed the ornament of those various military stations, chiefly in the unfashionable West, to which, to her deep chagrin, her husband was successively relegated. Lilian had married a New York lawyer, a young man with a loud voice and an enthusiasm for his profession; the match was not brilliant, any more than Edith’s, but Lilian had occasionally been spoken of as a young woman who might be thankful to marry at all—she was so much plainer than her sisters. She was, however, very happy, and now, as the mother of two peremptory little boys and the mistress of a wedge of brown stone violently driven into Fifty-third Street, seemed to exult in her condition as in a bold escape. She was short and solid, and her claim to figure was questioned, but she was conceded presence, though not majesty; she had moreover, as people said, improved since her marriage, and the two things in life of which she was most distinctly conscious were her husband’s force in argument and her sister Isabel’s originality. I’ve never kept up with Isabel—it would have taken all my time, she had often remarked; in spite of which, however, she held her rather wistfully in sight; watching her as a motherly spaniel might watch a free greyhound. I want to see her safely married—that’s what I want to see, she frequently noted to her husband.

    Well, I must say I should have no particular desire to marry her, Edmund Ludlow was accustomed to answer in an extremely audible tone.

    I know you say that for argument; you always take the opposite ground. I don’t see what you’ve against her except that she’s so original.

    Well, I don’t like originals; I like translations, Mr. Ludlow had more than once replied. Isabel’s written in a foreign tongue. I can’t make her out. She ought to marry an Armenian or a Portuguese.

    That’s just what I’m afraid she’ll do! cried Lilian, who thought Isabel capable of anything.

    She listened with great interest to the girl’s account of Mrs. Touchett’s appearance and in the evening prepared to comply with their aunt’s commands. Of what Isabel then said no report has remained, but her sister’s words had doubtless prompted a word spoken to her husband as the two were making ready for their visit. I do hope immensely she’ll do something handsome for Isabel; she has evidently taken a great fancy to her.

    What is it you wish her to do? Edmund Ludlow asked. Make her a big present?

    No indeed; nothing of the sort. But take an interest in her—sympathise with her. She’s evidently just the sort of person to appreciate her. She has lived so much in foreign society; she told Isabel all about it. You know you’ve always thought Isabel rather foreign.

    You want her to give her a little foreign sympathy, eh? Don’t you think she gets enough at home?

    Well, she ought to go abroad, said Mrs. Ludlow. She’s just the person to go abroad.

    And you want the old lady to take her, is that it?

    She has offered to take her—she’s dying to have Isabel go. But what I want her to do when she gets her there is to give her all the advantages. I’m sure all we’ve got to do, said Mrs. Ludlow, is to give her a chance.

    A chance for what?

    A chance to develop.

    Oh Moses! Edmund Ludlow exclaimed. I hope she isn’t going to develop any more!

    If I were not sure you only said that for argument I should feel very badly, his wife replied. But you know you love her.

    Do you know I love you? the young man said, jocosely, to Isabel a little later, while he brushed his hat.

    I’m sure I don’t care whether you do or not! exclaimed the girl; whose voice and smile, however, were less haughty than her words.

    Oh, she feels so grand since Mrs. Touchett’s visit, said her sister.

    But Isabel challenged this assertion with a good deal of seriousness. You must not say that, Lily. I don’t feel grand at all.

    I’m sure there’s no harm, said the conciliatory Lily.

    "Ah, but there’s nothing in Mrs. Touchett’s visit

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