3D Printing with SketchUp
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3D Printing with SketchUp - Marcus Ritland
Table of Contents
3D Printing with SketchUp
Credits
About the Author
About the Reviewers
www.PacktPub.com
Support files, eBooks, discount offers and more
Why Subscribe?
Free Access for Packt account holders
Preface
What this book covers
What you need for this book
Who this book is for
Conventions
Reader feedback
Customer support
Downloading the color images of this book
Errata
Piracy
Questions
1. Concepts Every 3D Printing Designer Needs to Know
A short background of 3D printing
The 3D printing process
Printing support material
Own a printer or use a print service?
Making the most of 3D printing
Designing for prototypes versus finished products
Avoiding the pitfalls of 3D printing
Choosing a 3D modeling program
Summary
2. Setting Up SketchUp for 3D Printing
Downloading and installing SketchUp
The SketchUp interface
Setting up a template for fast modeling and troubleshooting
Using the 3D printer's build volume component
Model units of measurement
Saving our template as the default template
Using other styles
Setting up toolbars
Minimizing dialog boxes
Installing and using extensions
Installing more extensions
A quick exercise
Importing .STL files
Summary
3. From 2D Drawing to 3D Model
Starting from a quick sketch
Designing for ease of printing
Modeling in SketchUp from a sketch
Keeping a historical timeline of changes speeds iteration
Exporting the model and printing
Importing vector artwork
Changing the scale of the part
A bonus tip – the 45-degree overhang rule for filament printers
Making the design your own
Summary
4. Understanding Model Resolution
Wall thickness
Modeling a vase
Creating a profile
Avoiding missing faces by scaling up your model
Creating wall thickness
Understanding noncircular circles
Making the magic happen with the Follow Me tool
A bonus tip for desktop extrusion printers
Combining solids with the Outer Shell tool
Bonus – more methods to create wall thickness
Summary
5. Using Existing Models
Leveraging SketchUp components to save time
Saving a model as a Component
Online 3D model repositories
Thingiverse
3D Warehouse
GrabCAD
Case study – modifying a GoPro wrench
Summary
6. Designing a Phone Cradle
Getting started with a 2D sketch
Getting to the third dimension
Adding details to make the model interesting
Using the 3D Text tool
Mirroring symmetrical models
Combining groups with the Outer Shell tool
Cutting a slot for the cord
Orienting faces for a perfect model
Exporting the model for printing
Testing the printed model
Developing an improved design
Copying and scaling groups to create a complex shape
Finishing up and printing the new model
Testing the second iteration
Summary
7. Importing Terrain and Printing in Color
Working with the Google Earth terrain
Printing models with color
Textures versus solid colors
Working with solid colors in SketchUp
Working with textures in SketchUp
Exporting the model for color printing
Summary
8. Modeling Architecture for 3D Printing
Using SketchUp for 3D printing versus rendering
Case study – 3D printing a model designed for rendering
Examining the original model
Planning the model
Using groups and layers to organize the model
Creating a standard wall thickness
Editing wall panels to add details
Adding the window grills
Adding interior walls
Modeling the roof
Orienting the parts for printing
Printing the model and bonus commentary
Preparing the model for full color printing
Orienting the parts for printing
Printing from i.materialise
Printing from Shapeways
The full-color printed cabin
Summary
A. Resources for Your 3D Printing Success
Troubleshooting nonsolid models
SketchUp extensions
Where to find extensions online
Extensions and plugins mentioned in the book
More useful extensions
SketchUp training
Companion programs for 3D printing
3D model repositories
3D print services
Industrial services with a shop platform
Crowdsourced print services
Contact me
Index
3D Printing with SketchUp
3D Printing with SketchUp
Copyright © 2014 Packt Publishing
All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, without the prior written permission of the publisher, except in the case of brief quotations embedded in critical articles or reviews.
Every effort has been made in the preparation of this book to ensure the accuracy of the information presented. However, the information contained in this book is sold without warranty, either express or implied. Neither the author, nor Packt Publishing, and its dealers and distributors will be held liable for any damages caused or alleged to be caused directly or indirectly by this book.
Packt Publishing has endeavored to provide trademark information about all of the companies and products mentioned in this book by the appropriate use of capitals. However, Packt Publishing cannot guarantee the accuracy of this information.
First published: May 2014
Production Reference: 1140514
Published by Packt Publishing Ltd.
Livery Place
35 Livery Street
Birmingham B3 2PB, UK.
ISBN 978-1-78328-457-3
www.packtpub.com
Cover Image by Marcus Ritland (<marcus@denali3ddesign.com>)
Credits
Author
Marcus Ritland
Reviewers
Bradley Rubin
Chris Thompson
Samson Tiew
Commissioning Editor
Julian Urssel
Acquisition Editor
Nikhil Chinnari
Content Development Editor
Govindan K
Technical Editors
Arwa Manasawala
Anand Singh
Copy Editors
Mradula Hegde
Laxmi Subramanian
Project Coordinators
Sanket Deshmukh
Sageer Parkar
Proofreaders
Simran Bhogal
Stephen Copestake
Maria Gould
Indexers
Hemangini Bari
Tejal Soni
Priya Subramani
Production Coordinator
Adonia Jones
Cover Work
Adonia Jones
Komal Ramchandani
About the Author
Marcus Ritland is a designer and 3D printing consultant at his small business, Denali 3D Design. Since 2008, he has used SketchUp for architectural rendering services, learning it and helping others well enough to be chosen as Top SketchUcator
of the SketchUcation forums. After learning about 3D printing through an online contest, he incorporated it into his business, selling 3D-printed goods online and helping other small business owners leverage the technology.
He has also volunteered at a local makerspace, teaching SketchUp classes and leading 3D-printing meetups. He is currently on a quest to eliminate design-for-3D-printing illiteracy. When he's not push-pulling a model into shape, he can be found shooting photos and enjoying nature.
About the Reviewers
Bradley Rubin began using 3D printing while getting his Bachelor of Architecture degree from the Syracuse University. With a passion for storytelling and design, he has worked in both the digital and physical world of film entertainment. Brad's credits include working on films such as This is 40, The Internship, The Muppets, Real Steel, and The Hunger Games. He has worked on multiple films in the capacities of graphic consultant and as an illustrator/3D modeler. Brad spent three years in Boston working as an architect, and did volunteer work that promoted design and architecture to children and Boston area citizens.
Chris Thompson began his career in 3D printing at Hive76 hackerpsace, where he printed his first ever object: a dovetail joint, modeled in SketchUp and printed on a Cupcake CNC. He furthered his skills by building a RepRap and running 3D printer building workshops for new users.
Prior to this, he was a Technical Supervisor at NextFab Studio in Philadelphia and an expert in the field of digital manufacturing. He is also a mildly successful entrepreneur with meatcards.com. His previous positions gave him experience with laser engravers, fine hand skills, and digital design tools.
I'd like to thank Valeria, without whom nothing is possible.
Samson Tiew is a co-founder of The make lab, an online digital fabrication platform servicing the Australian market. Coming from an architecture background, he identified a gap in the market to make digital fabrication more accessible to retail customers. Within the field of design and fabrication, he is highly interested in the idea of experimental practices fused with practical experiments.
The make lab is a platform for designers and enthusiasts to fabricate and manufacture customized products. Albeit focusing on laser cutting in the interim, the personnel that form The make lab are very much in tune with other digital fabrication techniques such as CNC routing and 3D printing.
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