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    The Short Stories of Aphra Behn - Volume II: "Where there is no novelty, there can be no curiosity."
    The Short Stories of Aphra Behn - Volume II: "Where there is no novelty, there can be no curiosity."
    The Short Stories of Aphra Behn - Volume II: "Where there is no novelty, there can be no curiosity."
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    The Short Stories of Aphra Behn - Volume II: "Where there is no novelty, there can be no curiosity."

    By Aphra Behn

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    Aphra Behn was a prolific and well established writer but facts about her remain scant and difficult to confirm. What can safely be said though is that Aphra Behn is now regarded as a key English playwright and a major figure in Restoration theatre. Aphra was born into the rising tensions to the English Civil War. Obviously a time of much division and difficulty as the King and Parliament, and their respective forces, came ever closer to conflict. There are claims she was a spy, that she travelled abroad, possibly as far as Surinam. By 1664 her marriage was over (though by death or separation is not known but presumably the former as it occurred in the year of their marriage) and she now used Mrs Behn as her professional name. Aphra now moved towards pursuing a more sustainable and substantial career and began work for the King's Company and the Duke's Company players as a scribe. Previously her only writing had been poetry but now she would become a playwright. Her first, “The Forc’d Marriage”, was staged in 1670, followed by “The Amorous Prince” (1671). After her third play, “The Dutch Lover”, Aphra had a three year lull in her writing career. Again it is speculated that she went travelling again, possibly once again as a spy. After this sojourn her writing moves towards comic works, which prove commercially more successful. Her most popular works included “The Rover” and “Love-Letters Between a Nobleman and His Sister” (1684–87). With her growing reputation Aphra became friends with many of the most notable writers of the day. This is The Age of Dryden and his literary dominance. From the mid 1680’s Aphra’s health began to decline. This was exacerbated by her continual state of debt and descent into poverty. Aphra Behn died on April 16th 1689, and is buried in the East Cloister of Westminster Abbey. The inscription on her tombstone reads: "Here lies a Proof that Wit can never be Defence enough against Mortality." She was quoted as stating that she had led a "life dedicated to pleasure and poetry."

    LanguageEnglish
    PublisherCopyright Group
    Release dateMar 12, 2016
    ISBN9781785437915
    The Short Stories of Aphra Behn - Volume II: "Where there is no novelty, there can be no curiosity."
    Author

    Aphra Behn

    Born in the first few decades of the seventeenth century, Aphra Behn is one of early literature’s best-known female writers. Behn had the lucky distinction of being able to support herself strictly by her “pen,” something unheard of for women of her time. Throughout her long career, she wrote in various forms—poetry, plays, prose—and is known as a member of the ‘fair triumvirate of wit’ alongside fellow scribes Eliza Haywood and Delarivier Manley. Although little is known about her early life, Behn’s father held a post as lieutenant governor of Surinam, and Behn’s experiences during her stay most likely formed the basis for her most famous work, Oroonoko. Behn was also a popular dramatist in her time, penning critical successes like The Rover and The Feigned Courtesans. Her literary exploits aside, Behn is also known to have acted as a political spy for King Charles II of England during the Second Anglo-Dutch War. Behn died in 1689, and is buried in Westminster Abbey.

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      The Short Stories of Aphra Behn - Volume II - Aphra Behn

      The Short Stories of Aphra Behn

      Volume II

      Aphra Behn was a prolific and well established writer but facts about her remain scant and difficult to confirm. What can safely be said though is that Aphra Behn is now regarded as a key English playwright and a major figure in Restoration theatre

      Aphra was born into the rising tensions to the English Civil War. Obviously a time of much division and difficulty as the King and Parliament, and their respective forces, came ever closer to conflict.

      There are claims she was a spy, that she travelled abroad, possibly as far as Surinam. 

      By 1664 her marriage was over (though by death or separation is not known but presumably the former as it occurred in the year of their marriage) and she now used Mrs Behn as her professional name.   

      Aphra now moved towards pursuing a more sustainable and substantial career and began work for the King's Company and the Duke's Company players as a scribe.

      Previously her only writing had been poetry but now she would become a playwright. Her first, The Forc’d Marriage, was staged in 1670, followed by The Amorous Prince (1671). After her third play, The Dutch Lover, Aphra had a three year lull in her writing career. Again it is speculated that she went travelling again, possibly once again as a spy.

      After this sojourn her writing moves towards comic works, which prove commercially more successful. Her most popular works included The Rover and Love-Letters Between a Nobleman and His Sister (1684–87).

      With her growing reputation Aphra became friends with many of the most notable writers of the day. This is The Age of Dryden and his literary dominance.

      From the mid 1680’s Aphra’s health began to decline.  This was exacerbated by her continual state of debt and descent into poverty.

      Aphra Behn died on April 16th 1689, and is buried in the East Cloister of Westminster Abbey. The inscription on her tombstone reads: Here lies a Proof that Wit can never be Defence enough against Mortality. She was quoted as stating that she had led a life dedicated to pleasure and poetry.

      Index of Contents

      The History of the Nun; or, The Fair Vow-Breaker

      The Nun; or, The Perjur’d Beauty

      The Lucky Mistake

      The Unfortunate Bride; or, The Blind Lady a Beauty

      The Dumb Virgin; or, The Force of Imagination

      The Wandering Beauty

      The Unhappy Mistake; or, The Impious Vow Punish’d

      Aphra Behn – A Short Biography

      Aphra Behn – A Concise Bibliography

      THE HISTORY OF THE NUN; OR, THE FAIR VOW-BREAKER

      INTRODUCTION

      In the Epistle Dedicatory to Antony Hammond, Esq., of Somersham-Place, prefacing that pathetic tragedy, The Fatal Marriage; or, The Innocent Adultery [1] (4to, 1694), Southerne writes: ‘I took the Hint of the Tragical part of this Play from a Novel of Mrs. Behn’s, call’d The Fair Vow-Breaker; you will forgive me for calling it a Hint, when you find I have little more than borrow’d the Question, how far such a Distress was to be carry’d, upon the Misfortune of a Woman’s having innocently two Husbands, at the same time’.

      In the many collected editions of Mrs. Behn’s popular novels and histories, from the first, published under the auspices of Gildon in 1696, to the ninth (2 vols, 12mo, London, 1751), there appears, however, no such novel as The Fair Vow-Breaker, but on the other hand all contain The Nun; or, the Perjur’d Beauty. For over two hundred years then, critics, theatrical historians, bibliographers alike have laid down that The Fair Vow-Breaker is merely another title for The Nun; or, The Perjur’d Beauty, and that it is to this romance we must look for the source of Southerne’s tragedy. The slight dissimilarity of name was truly of no great account. On the title-page of another novel we have The Fair Jilt; or, The History of Prince Tarquin and Miranda; on the half-title of the same The Fair Hypocrite; or, The Amours of Prince Tarquin and Miranda (12mo, 1688). And so Thomas Evans in the preface to his edition of Southerne (3 vols, 1774), writing the dramatist’s life, says: ‘the plot by the author’s confession is taken from a novel of Mrs. Behn’s called The Nun; or, The Fair Vow-Breaker’. All the modern writers have duly, but wrongly, accepted this; and Miss Charlotte E. Morgan in her monograph, The English Novel till 1749, informs us in more than one place that The Fair Vow-Breaker (12mo, 1689) was the name of the edition  princeps of The Nun; or, The Perjur’d Beauty.

      A crux, however, was soon apparent. Upon investigation it is obvious that the plot of The Fatal Marriage; or, The Innocent Adultery has simply nothing in common with The Nun; or, The Perjur’d Beauty. Mrs. Behn’s Ardelia is a mere coquette who through her trifling with three different men is responsible for five deaths: her lovers’, Elvira’s, and her own. Isabella, Southerne’s heroine, on the other hand, falls a sad victim to the machinations of Carlos, her wicked brother-in-law. She is virtuous and constant; Ardelia is a jade capable of heartless treachery. Both novel and play end tragically it is true, but from entirely different motives and in a dissimilar manner. There is no likeness between them.

      Whence then did Southerne derive his plot, and what exactly did he mean by the statement that he owed ‘the Hint of the Tragical part’ of his drama to a novel of Mrs. Behn’s?

      Professor Paul Hamelius of Liège set out to solve the difficulty, and in a scholarly article (Modern Language Review, July, 1909), he marshals the facts and seeks a solution. ‘Among her [Mrs. Behn’s] collected novels’[2] he writes ‘there is one entitled The Nun; or, The Perjur’d Beauty and Mr. Gosse has kindly informed me that the story is identical with The Nun; or, The Fair Vow-Breaker which appears in the editio princeps of 1689 (inaccessible to me).’ Unfortunately he can find no analogy and is obliged to draw attention to other sources. He points to The Virgin Captive, the fifth story in Roger L’Estrange’s The Spanish Decameron (1687). Again: there is the famous legend of the lovers of Teruel as dramatized in 1638 by Juan Perez de Montalvan, Los Amantes de Teruel. An earlier comedia exists on the same subject written by A. Rey de Artieda, 1581, and yet another play by Tirso de Molina, 1635, based on Artieda. Hamelius was obviously not satisfied with his researches, and with a half-suggestion that Southerne may have merely intended to pay a compliment to his ‘literary friend Mrs. Behn,’ his conclusion is that ‘the question is naturally still open whether Southerne was not drawing from some more immediate source, possibly even from some lost version of the story by Mrs. Behn herself.’

      In the course of my preparing the present edition of Mrs. Behn’s complete works, Mr. Gosse, adding yet another to innumerable kindnesses and encouragements, entrusted me with a little volume[3] from his private library: The History of the Nun; or, The Fair Vow-Breaker (12mo, 1689, Licensed 22 October, 1688), and I soon found this to be the immediate source of Southerne’s tragedy, a totally different novel from The Nun; or, The Perjur’d Beauty, and one, moreover, which has never till now been included in any edition of Mrs. Behn’s works or, indeed, reprinted in any form. It were superfluous to compare novel and tragedy detail by detail. Many striking, many minor points are the same in each. In several instances the nomenclature has been preserved. The chief divergence is, of course, the main catastrophe. Mrs. Behn’s execution could ill have been represented on the boards, and Southerne’s heroine, the victim of villainies and intrigue, is, it must be confessed, an infinitely more pathetic figure than guilty Isabella in the romance.

      The story of a man returning after long absence and finding his spouse (or betrothed) wedded to another, familiarized to the generality of modern readers by Tennyson’s Enoch Arden, occurs in every shape and tongue. No. 69 of Les Cent Nouvelles Nouvelles is L’Honneste femme à Deux Maris.[4] A more famous exemplar we have in the Decameron, Day IV, Novella 8, whose rubric runs: ‘Girolamo ama la Salvestra: va, costretto da’ prieghi della madre, a Parigi: torna, e truovala maritata: entrale di nascoso in casa, e muorle allato; e portato in una chiesa, muore la Salvestra allata a lui.’

      Scenes of the amusing underplot of The Fatal Marriage which contain some excellent comedy, Southerne took directly from The Night Walker; or, The Little Thief (printed as Fletcher’s in 1640 and ‘corrected by Shirley’ in 1633 according to Herbert’s license). The purgatorial farce may be traced to the Decameron, Day III, 8. ‘Ferondo, mangiata certa polvere, è sotterrato per morto: e dall’ abate, chi la moglie di lui si gode, tratto dalla sepoltura, è messo in prigione e fattogli credere, che egli è in purgatoro; e poi risuscitato . . .’ It is the Feronde; ou, le Purgatoire of La Fontaine.

      The Fatal Marriage; or, The Innocent Adultery long kept the stage.[5] On 2 December, 1757, Garrick’s version, which omitting the comic relief weakens and considerably shortens the play, was produced at Drury Lane with himself as Biron and Mrs. Cibber as Isabella. The actual name of the tragedy, however, was not changed to Isabella till some years after. Mrs. Barry, the original Isabella, was acknowledged supreme in this tragedy, and our greatest actresses, Mrs. Porter, Mrs. Crawford, Miss Young, Mrs. Siddons, Miss O’Neill, have all triumphed in the rôle.

      [Footnote 1: This has nothing to do with Scarron’s novel, L’ Innocent Adultère which translated was so popular in the 17th and 18th centuries. Bellmour carried it in his pocket when he went a-courting Laetitia, to the horror of old Fondlewife who discovered the tome, (The Old Batchelor, 1693), and Lydia Languish was partial to its perusal in 1775.]

      [Footnote 2: Hamelius used the collected edition of 1705.]

      [Footnote 3: It is interesting to note that the book originally belonged to Scott’s friend and critic, Charles Kirkpatrick Sharpe.]

      [Footnote 4: Reproduced by Celio Malespini Ducento Novelle, No. 9 (Venice, 4to, 1609, but probably written about thirty years before).]

      [Footnote 5: A French prose translation of Southerne is to be found in Vol. VIII of Le Theâtre Anglois, Londres, 1746. It is entitled L’Adultère Innocent; but the comic underplot is very sketchily analyzed, scene by scene, and the whole is very mediocre withal.]

      To the Most Illustrious Princess, The Dutchess of Mazarine.

      Madam,

      There are none of an Illustrious Quality, who have not been made, by some Poet or other, the Patronesses of his Distress’d Hero, or Unfortunate Damsel; and such Addresses are Tributes, due only to the most Elevated, where they have always been very well receiv’d, since they are the greatest Testimonies we can give, of our Esteem and Veneration.

      Madam, when I survey’d the whole Toor of Ladies at Court, which was adorn’d by you, who appear’d there with a Grace and Majesty, peculiar to Your Great Self only, mix’d with an irresistible Air of Sweetness, Generosity, and Wit, I was impatient for an Opportunity, to tell Your Grace, how infinitely one of Your own Sex ador’d You, and that, among all the numerous Conquest, Your Grace has made over the Hearts of Men, Your Grace had not subdu’d a more entire Slave; I assure you, Madam, there is neither Compliment nor Poetry, in this humble Declaration, but a Truth, which has cost me a great deal of Inquietude, for that Fortune has not set me in such a Station, as might justifie my Pretence to the honour and satisfaction of being ever near Your Grace, to view eternally that lovely Person, and hear that surprizing Wit; what can be more grateful to a Heart, than so great, and so agreeable, an Entertainment? And how few Objects are there, that can render it so entire a Pleasure, as at once to hear you speak, and to look upon your Beauty? A Beauty that is heighten’d, if possible, with an air of Negligence, in Dress, wholly Charming, as if your Beauty disdain’d those little Arts of your Sex, whose Nicety alone is their greatest Charm, while yours, Madam, even without the Assistance of your exalted Birth, begets an Awe and Reverence in all that do approach you, and every one is proud, and pleas’d, in paying you Homage their several ways, according to their Capacities and Talents; mine, Madam, can only be exprest by my Pen, which would be infinitely honour’d, in being permitted to celebrate your great Name for ever, and perpetually to serve, where it has so great an inclination.

      In the mean time, Madam, I presume to lay this little Trifle at your Feet; the Story is true, as it is on the Records of the Town, where it was transacted; and if my fair unfortunate VOW-BREAKER do not deserve the honour of your Graces Protection, at least, she will be found worthy of your Pity; which will be a sufficient Glory, both for her, and,

      Madam,  

      Your Graces most humble, and most obedient Servant,

      A. BEHN.

      THE HISTORY OF THE NUN; or, The Fair Vow-Breaker

      Of all the sins, incident to Human Nature, there is none, of which Heaven has took so particular, visible, and frequent Notice, and Revenge, as on that of Violated Vows, which never go unpunished; and the Cupids may boast what they will, for the encouragement of their Trade of Love, that Heaven never takes cognisance of Lovers broken Vows and Oaths, and that ’tis the only Perjury that escapes the Anger of the Gods; But I verily believe, if it were search’d into, we should find these frequent Perjuries, that pass in the World for so many Gallantries only, to be the occasion of so many unhappy Marriages, and the cause of all those Misfortunes, which are so frequent to the Nuptiall’d Pair. For not one of a Thousand, but, either on his side, or on hers, has been perjur’d, and broke Vows made to some fond believing Wretch, whom they have abandon’d and undone. What Man that does not boast of the Numbers he has thus ruin’d, and, who does not glory in the shameful Triumph? Nay, what Woman, almost, has not a pleasure in Deceiving, taught, perhaps, at first, by some dear false one, who had fatally instructed her Youth in an Art she ever after practis’d, in Revenge on all those she could be too hard for, and conquer at their own Weapons? For, without all dispute, Women are by Nature more Constant and Just, than Men, and did not their first Lovers teach them the trick of Change, they would be Doves, that would never quit their Mate, and, like Indian Wives, would leap alive into the Graves of their deceased Lovers, and be buried quick with ’em. But Customs of Countries change even Nature her self, and long Habit takes her place: The Women are taught, by the Lives of the Men, to live up to all their Vices, and are become almost as inconstant; and ’tis but Modesty that makes the difference, and, hardly, inclination; so deprav’d the nicest Appetites grow in time, by bad Examples.

      But, as there are degrees of Vows, so there are degrees of Punishments for Vows, there are solemn Matrimonial Vows, such as contract and are the most effectual Marriage, and have the most reason to be so; there are a thousand Vows and Friendships, that pass between Man and Man, on a thousand Occasions; but there is another Vow, call’d a Sacred Vow, made to God only; and, by which, we oblige our selves eternally to serve him with all Chastity and Devotion: This Vow is only taken, and made, by those that enter into Holy Orders, and, of all broken Vows, these are those, that receive the most severe and notorious Revenges of God; and I am almost certain, there is not one Example to be produc’d in the World, where Perjuries of this nature have past unpunish’d, nay, that have not been persu’d with the greatest and most rigorous of Punishments. I could my self, of my own knowledge, give an hundred Examples of the fatal Consequences of the Violation of Sacred Vows; and who ever make it their business, and are curious in the search of such Misfortunes, shall find, as I say, that they never go unregarded.

      The young Beauty therefore, who dedicates her self to Heaven, and weds her self for ever to the service of God, ought, first, very well to consider the Self-denial she is going to put upon her youth, her fickle faithless deceiving Youth, of one Opinion to day, and of another to morrow; like Flowers, which never remain in one state or fashion, but bud to day, and blow by insensible degrees, and decay as imperceptibly. The Resolution, we promise, and believe we shall maintain, is not in our power, and nothing is so deceitful as human Hearts.

      I once was design’d an humble Votary in the House of Devotion, but fancying my self not endu’d with an obstinacy of Mind, great enough to secure me from the Efforts and Vanities of the World, I rather chose to deny my self that Content I could not certainly promise my self, than to languish (as I have seen some do) in a certain Affliction; tho’ possibly, since, I have sufficiently bewailed that mistaken and inconsiderate Approbation and Preference of the false ungrateful World, (full of nothing but Nonsense, Noise, false Notions, and Contradiction) before the Innocence and Quiet of a Cloyster; nevertheless, I could wish, for the prevention of abundance of Mischiefs and Miseries, that Nunneries and Marriages were not to be enter’d into, ’till the Maid, so destin’d, were of a mature Age to make her own Choice; and that Parents would not make use of their justly assum’d Authority to compel their Children, neither to the one or the other; but since I cannot alter Custom, nor shall ever be allow’d to make new Laws, or rectify the old ones, I must leave the Young Nuns inclos’d to their best Endeavours, of making a Virtue of Necessity; and the young Wives, to make the best of a bad Market.

      In Iper, a Town, not long since, in the Dominions of the King of Spain, and now in possession of the King of France, there liv’d a Man of Quality, of a considerable Fortune, call’d, Count Henrick de Vallary, who had a very beautiful Lady, by whom, he had one Daughter, call’d Isabella, whose Mother dying when she was about two years old to the unspeakable Grief of the Count, her Husband, he resolv’d never to partake of any Pleasure more, that this transitory World could court him with, but determin’d, with himself, to dedicate his Youth, and future Days, to Heaven, and to take upon him Holy Orders; and, without considering, that, possibly, the young Isabella, when she grew to Woman, might have Sentiments contrary to those that now possest him, he design’d she should also become a Nun; However, he was not so positive in that Resolution, as to put the matter wholly out of her Choice, but divided his Estate; one half he carried with him to the Monastery of Jesuits, of which number, he became one; and the other half, he gave with Isabella, to the Monastery, of which, his only Sister was Lady Abbess, of the Order of St. Augustine; but so he ordered the matter, that if, at the Age of Thirteen, Isabella had not a mind to take Orders, or that the Lady Abbess found her Inclination averse to a Monastick Life, she should have such a proportion of the Revenue, as should be fit to marry her to a Noble Man, and left it to the discretion of the Lady Abbess, who was a Lady of known Piety, and admirable strictness of Life, and so nearly related to Isabella, that there was no doubt made of her Integrity and Justice.

      The little Isabella was carried immediately (in her Mourning for her dead Mother) into the Nunnery, and was receiv’d as a very diverting Companion by all the young Ladies, and, above all, by her Reverend Aunt, for she was come just to the Age of delighting her Parents; she was the prettiest forward Pratler in the World, and had a thousand little Charms to please, besides the young Beauties that were just budding in her little Angel Face: So that she soon became the dear lov’d Favourite of the whole House; and as she was an Entertainment to them all, so they made it their study to find all the Diversions they could for the pretty Isabella; and as she grew in Wit and Beauty every day, so they fail’d not to cultivate her Mind; and delicate Apprehension, in all that was advantageous to her Sex, and whatever Excellency any one abounded in, she was sure to communicate it to the young Isabella, if one could Dance, another Sing, another play on this Instrument, and another on that; if this spoke one Language, and that another; if she had Wit, and she Discretion, and a third, the finest Fashion and Manners; all joyn’d to compleat the Mind and Body of this beautiful young Girl; Who, being undiverted with the less noble, and less solid, Vanities of the World, took to these Virtues, and excell’d in all; and her Youth and Wit being apt for all Impressions, she soon became a greater Mistress of their Arts, than those who taught her; so that at the Age of eight or nine Years, she was thought fit to receive and entertain all the great Men and Ladies, and the Strangers of any Nation, at the Grate; and that with so admirable a Grace, so quick and piercing a Wit, and so delightful and sweet a Conversation, that she became the whole Discourse of the Town, and Strangers spread her Fame, as prodigious, throughout the Christian World; for Strangers came daily to hear her talk, and sing, and play, and to admire her Beauty; and Ladies brought their Children, to shame ’em into good Fashion and Manners, with looking on the lovely young Isabella.

      The Lady Abbess, her Aunt, you may believe, was not a little proud of the Excellencies and Virtues of her fair Niece, and omitted nothing that might adorn her Mind; because, not only of the vastness of her Parts and Fame, and the Credit she would do her House, by residing there for ever; but also, being very loth to part with her considerable Fortune, which she must resign, if she returned into the World, she us’d all her Arts and Stratagems to make her become a Nun, to which all the fair Sisterhood contributed their Cunning, but it was altogether needless; her Inclination, the strictness of her Devotion, her early Prayers, and those continual, and innate Stedfastness, and Calm, she was Mistress of; her Ignorance of the World’s Vanities, and those that uninclos’d young Ladies count Pleasures and Diversions, being all unknown to her, she thought there was no Joy out of a Nunnery, and no Satisfactions on the other side of a Grate.

      The Lady Abbess, seeing, that of her self she yielded faster than she could expect; to discharge her Conscience to her Brother, who came frequently to visit his Darling Isabella, would very often discourse to her of the Pleasures of the World, telling her, how much happier she would think her self, to be the Wife of some gallant young Cavalier, and to have Coaches and Equipages; to see the World, to behold a thousand Rarities she had never seen, to live in Splendor, to eat high, and wear magnificent Clothes, to be bow’d to as she pass’d, and have a thousand Adorers, to see in time a pretty Offspring, the products of Love, that should talk, and look, and delight, as she did, the Heart of their Parents; but to all, her Father and the Lady Abbess could say of the World, and its Pleasures, Isabella brought a thousand Reasons and Arguments, so Pious, so Devout, that the Abbess was very well pleased, to find her (purposely weak) Propositions so well overthrown; and gives an account of her daily Discourses to her Brother, which were no less pleasing to him; and tho’ Isabella went already dress’d as richly as her Quality deserv’d, yet her Father, to try the utmost that the World’s Vanity could do, upon her young Heart, orders the most Glorious Clothes should be bought her, and that the Lady Abbess should suffer her to go abroad with those Ladies of Quality, that were her Relations, and her Mother’s Acquaintance; that she should visit and go on the Toore, (that is, the Hide Park there) that she should see all that was diverting, to try, whether it were not for want of Temptation to Vanity, that made her leave the World, and love an inclos’d Life.

      As the Count had commanded, all things were performed; and Isabella arriving at her Thirteenth Year of Age, and being pretty tall of Stature, with the finest Shape that Fancy can create, with all the Adornment of a perfect brown-hair’d Beauty, Eyes black and lovely, Complexion fair; to a Miracle, all her Features of the rarest proportion, the Mouth red, the Teeth white, and a thousand Graces in her Meen and Air; she came no sooner abroad, but she had a thousand Persons fighting for love of her; the Reputation her Wit had acquir’d, got her Adorers without seeing her, but when they saw her, they found themselves conquer’d and undone; all were glad she was come into the World, of whom they had heard so much, and all the Youth of the Town dress’d only for Isabella de Valerie, that rose like a new Star that Eclips’d all the rest, and which set the World a-gazing. Some hop’d, and some despair’d, but all lov’d, while Isabella regarded not their Eyes, their distant darling Looks of Love, and their signs of Adoration; she was civil and affable to all, but so reserv’d, that none durst tell

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