Pilate and Jesus
By Giorgio Agamben and Adam Kotsko
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About this ebook
Pontius Pilate is one of the most enigmatic figures in Christian theology. The only non-Christian to be named in the Nicene Creed, he is presented as a cruel colonial overseer in secular accounts, as a conflicted judge convinced of Jesus's innocence in the Gospels, and as either a pious Christian or a virtual demon in later Christian writings. This book takes Pilate's role in the trial of Jesus as a starting point for investigating the function of legal judgment in Western society and the ways that such judgment requires us to adjudicate the competing claims of the eternal and the historical. Coming just as Agamben is bringing his decades-long Homo Sacer project to an end, Pilate and Jesus sheds considerable light on what is at stake in that series as a whole. At the same time, it stands on its own, perhaps more than any of the author's recent works. It thus serves as a perfect starting place for readers who are curious about Agamben's approach but do not know where to begin.
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Book preview
Pilate and Jesus - Giorgio Agamben
MERIDIAN
Crossing Aesthetics
Werner Hamacher
Editor
PILATE AND JESUS
Giorgio Agamben
Translated by Adam Kotsko
STANFORD UNIVERSITY PRESS
STANFORD, CALIFORNIA
Stanford University Press
Stanford, California
English translation © 2015 by the Board of Trustees of the Leland Stanford Junior University. All rights reserved.
Pilate and Jesus was originally published in Italian in 2013 under the title Pilato e Gesú © 2013, Nottetempo.
No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or in any information storage or retrieval system without the prior written permission of Stanford University Press.
Printed in the United States of America on acid-free, archival-quality paper
Library of Congress Cataloging-in-Publication Data
Agamben, Giorgio, 1942– author.
[Pilato e Gesú. English]
Pilate and Jesus / Giorgio Agamben ; translated by Adam Kotsko.
pages cm.— (Meridian, crossing aesthetics)
"Originally published in Italian in 2013 under the title Pilato e Gesú."
Includes bibliographical references.
ISBN 978-0-8047-9233-2 (cloth : alk. paper)
ISBN 978-0-8047-9454-1 (pbk. : alk. paper)
1. Pilate, Pontius, active 1st century. 2. Jesus Christ—Trial. 3. Jesus Christ—Crucifixion. I. Title. II. Series: Meridian (Stanford, Calif.)
BS2520.P55A7313 2015
232.96'2—dc23
2014030860
ISBN 978-0-8047-9458-9 (electronic)
Contents
Acknowledgments
§ Pilate and Jesus
Glosses
Bibliography
Acknowledgments
The translator would like to thank Carlo Salzani and Harold Stone for their helpful comments on the translation; Colleen McCarroll for her bibliographical assistance; and Emily-Jane Cohen, Friederike Sundaram, and the entire staff at Stanford University Press.
1.
The symbolon, the creed
in which Christians summarize their faith, contains, alongside those of the Lord Jesus Christ
and the Virgin Mary,
a single proper name, completely extraneous—at least in appearance—to its theological context. What is more, this man is a pagan, Pontius Pilate: staurothenta te huper hēmon epi Pontiou Pilatou, crucified for our sake under Pontius Pilate.
The creed
that the Fathers had formulated at Nicea in 325 did not include this name. It was added in 381 by the Council of Constantinople, by all evidence in order to also fix the historical character of Jesus’s passion chronologically. The Christian Credo,
it has been observed, speaks of historical events. Pontius Pilate belongs there essentially. He is not just a pitiful creature who oddly ended up there
(Schmitt, 930/170).
That Christianity is a historical religion, that the mysteries
of which it speaks are also and above all historical facts, is taken for granted. If it is true that the incarnation of Christ is a historical event of infinite, non-appropriable, non-occupiable singularity
(ibid.), the trial of Jesus is therefore one of the key moments of human history, in which eternity has crossed into history at a decisive point. All the more urgent, then, is the task of understanding how and why this crossing between the temporal and the eternal and between the divine and the human assumed precisely the form of a krisis, that is, of a juridical trial.
2.
Why precisely Pilate? A formula of the type Tiberiou kaesaros—which one reads on the money coined by Pilate and which has in its favor the authority of Luke, who so dates John’s preaching (Luke 3:1)—or sub Tiberio (as Dante has Virgil say: "born sub Iulio," Inferno 1.70) would certainly have been more in keeping with common usage. If the Fathers assembled at Constantinople preferred Pilate to Tiberius, the prefect—or, as Tacitus preferred to call him (Annals XV, 44), in one of the few extrabiblical testimonies that mention his name, the procurator
of Judea—to Caesar, it is possible that over their undoubted chronographic intention there prevailed the importance that the figure of Pilate has in the narrative of the Gospels. In the punctilious attention with which John above all, but also Mark, Luke, and Matthew describe his hesitations, his evasions and changing opinion, literally relating his words, which are at times decidedly enigmatic, the evangelists reveal perhaps for the first time something like the intention to construct a character, with his own psychology and idiosyncrasies. It is the vividness of this portrait that caused Lavater to exclaim in a 1781 letter to Goethe: I find everything in him: heaven, earth, and hell, virtue, vice, wisdom, folly, destiny, liberty: he is the symbol of all in all.
One can say, in this sense, that Pilate is perhaps the only true character
of the Gospels (Nietzsche defined him in The Antichrist as "the only figure—Figur—of the New Testament who merits respect,"