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The Ghost Orchard
The Ghost Orchard
The Ghost Orchard
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The Ghost Orchard

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For readers of H is for Hawk and The Frozen ThamesThe Ghost Orchard is award-winning author Helen Humphreys’ fascinating journey into the secret history of an iconic food. Delving deep into the storied past of the apple in North America, Humphreys explores the intricate link between agriculture, settlement, and human relationships. With her signature insight and exquisite prose, she brings light to such varied topics as how the apple first came across the Atlantic Ocean with a relatively unknown Quaker woman long before the more famed “Johnny Appleseed”; how bountiful Indigenous orchards were targeted to be taken over or eradicated by white settlers and their armies; how the once-17,000 varietals of apple cultivated were catalogued by watercolour artists from the United States’ Department of Pomology;  how apples wove into the life and poetry of Robert Frost; and how Humphreys’ own curiosity was piqued by the Winter Pear Pearmain, believed to be the world’s best tasting apple, which she found growing beside an abandoned cottage not far from her home.

In telling this hidden history, Humphreys writes movingly about the experience of her research, something she undertook as one of her closest friends was dying. The result is a book that is both personal and universal, combining engaging storytelling, historical detail, and deep emotional insight.

 

LanguageEnglish
PublisherHarperCollins
Release dateSep 5, 2017
ISBN9781443451536
The Ghost Orchard
Author

Helen Humphreys

HELEN HUMPHREYS is an acclaimed and award-winning author of fiction, non-fiction and poetry. She has won the Rogers Writers’ Trust Fiction Prize, a Lambda Literary Award for Fiction and the Toronto Book Award. She has also been a finalist for the Governor General’s Literary Award for Fiction, the Trillium Book Award and CBC’s Canada Reads. Her most recent work includes the novel Rabbit Foot Bill and the memoir And a Dog Called Fig. The recipient of the Harbourfront Festival Prize for literary excellence, Helen Humphreys lives in Kingston, Ontario. 

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    The Ghost Orchard - Helen Humphreys

    DEDICATION

    In loving memory of Joanne Page

    EPIGRAPH 1

    When eating a fruit, think of the person who planted the tree.

    —VIETNAMESE PROVERB

    EPIGRAPH 2

    Each autumn a dozen little red apples hung on one of its branches like a line of poetry in a foreign language.

    —EDWARD THOMAS

    CONTENTS

    Dedication

    Epigraph 1

    Epigraph 2

    THE INDIAN ORCHARD

    ANN JESSOP

    USDA WATERCOLOUR ARTISTS

    ROBERT FROST

    THE GHOST ORCHARD

    Appendix: The Imagined Discovery of the White Winter Pearmain

    A Glossary of Lost Apples

    Acknowledgements

    Notes

    Photo Section

    About the Author

    Also by Helen Humphreys

    Copyright

    About the Publisher

    Last fall I was eating wild apples, and a close friend of mine was slowly dying. I was thinking a lot about death and friendship, and overtop of that was the sweet, dense taste of the White Winter Pearmain: the crisp of its flesh, a juicy surprise, each time I bit into it.

    The apple tree stood beside a log cabin. The tree is dead now, killed by the harsh winter, its lace of dry branches a filigree through which I can see the green spring trees plumping the field edge when I come here to walk the dog.

    The cabin is long deserted, its windows smashed out by weekend partiers and the loft now inhabited by a colony of raccoons. The teenagers and the raccoons have treated the house in much the same way—destroying the walls and shitting in the corners. The raccoons upstairs, the teenagers down. When I drove out there tonight, the raccoons tried to warn me away from the building with a chorus of yelps.

    But I’m not interested in the house. It’s the tree I came for.

    Just last year, when the tree was still alive, I ate its apples all autumn. They were yellow-skinned, with a faint pink blush on one side where the sun had touched them. They were late apples, ripening in October and still edible into December. They also had an extraordinary taste—crisp and juicy with an underlay of pear and honey.

    The tree was mature but not ancient, the last holdout from an old orchard, perhaps, or planted by the former owner of the property. There had probably once been other apple trees nearby—earlier-blooming ones so that the fruit could be eaten and cooked from late summer until Christmas. A late apple will sometimes keep in storage right through winter.

    The White Winter Pearmain is thought to have come from Rome, but it was first documented in Norfolk, England, in AD 1200. From there it moved to America in the late eighteenth century, and while it is not a popular heritage apple today, it is still being grown and is prized for its late fruiting and for its taste. Because the apple has a hint of pear—hence the pearmain¹ in its name—it has a complex flavour, and it is this complexity, this overlapping of apple and pear in the same fruit, that has led to it being called the best-tasting apple in the world.

    When I was growing up on the outskirts of Toronto, there were rogue apple trees in all the nearby fields. We climbed them and made forts in them and pelted other children with the hard unripe fruit. The scent in autumn in the fields was the scent of rotting apples and the sound was the buzz of wasps over the soft, sticky pulp on the ground. There was a particularly old apple tree up the street from my house. Its low branches made it easy to climb, and my friends and I hauled up wood and nails and made a series of platforms in the tree, using an old tire and a rope as a makeshift elevator to move us and the building supplies up and down. In my melancholic teenage years, I would sit in the branches among the apples, thinking my gloomy thoughts and listening to the wind rustle the leaves around my perch.

    Back then, I took the fact of the apple trees at the edge of our neighbourhood for granted. Now, I realize that the immense size of that one tree I used to climb probably meant it was at least a century old—which is ancient for an apple tree. I wish I had been interested enough at the time to think of investigating what variety of apple tree it was, because all the varieties have a story attached to them, and because, in the nineteenth-century heyday of apples, there were upwards of seventeen thousand different varieties in North American orchards.² Today there are fewer than a hundred varieties grown commercially, and often less than a dozen varieties for sale in our grocery stores. When we think of apples, we tend to think of Granny Smith, Gala, Red Delicious, Honeycrisp, and perhaps something with a little more exoticism, like Ginger Gold or Orange Pippin. When we think of tales about apples, we think primarily of the over-mythologized Johnny Appleseed.

    This is what the seventeen thousand different varieties have been reduced to.

    There must be more to the story of the apple than the history that is so readily available. There must be a way to describe—simply and beautifully—the taste of an apple.

    The presence of death brings life into sharper focus, makes some things more important and others less so. I couldn’t stop my friend’s death, or fight against it. I stood out by the log cabin and the dead tree that night and thought that what I could do was make a journey alongside Joanne—a journey that was about something life-affirming, something as basic and fundamental as an apple. I could take my curiosity about the White Winter Pearmain and use it as a portal to examine the lost history of some of the lost apples.

    THE INDIAN ORCHARD

    What makes apples so interesting is that like human beings, they are individuals, and their history has paralleled our history.

    The apple is a member of the rose family. It originated some 4.5 million years ago in Kazakhstan, where, until the latter part of the twentieth century, there were still large forests of apple trees growing wild in the countryside.¹ The fruit made its way to Europe via trade routes and was brought from Europe to North America by settlers in the seventeenth century.

    Apples are not indigenous to North America. They were brought over by the European settlers who arrived on the continent in the early 1600s. An orchard was essential to the survival of the incomers because apples were hearty and could provide sustenance throughout the long winter months. In fact, at the beginning of the 1800s, America enacted a law saying that homesteaders had to plant an orchard of at least fifty apple trees during their first year of settlement.² This law gave rise to many plant nurseries, established to furnish the settlers with the young trees they needed.

    The recorded history of the apple in North America is the history of white settlement during the nineteenth century. It is the history of plant nurseries and cider orchards and fruit catalogues, as well as the slightly mad figure of Johnny Appleseed (John Chapman), traversing the countryside with his sack of seeds, planting trees for cider orchards and opening seedling nurseries to supply the settlers with young trees, called whips, so they could grow their own.

    Apples can be propagated from seed, but the resulting tree will probably not resemble the tree from which the seed was taken. This is because each blossom on an apple tree is likely being visited by a different pollinator. So the bee that pollinates blossom A doesn’t necessarily visit blossom B, and that bee also carries on its body pollen from other apple trees it has visited. As a result, the mix in each individual apple is different and distinct, so the seeds of each apple on any given tree will be 50 percent from the tree of origin and 50 percent from another apple tree, perhaps even one of a different type. The only way to keep apples uniform is to graft on to a rootstock, and this is the method by which all apples are commercially grown. It was also the method used by early European growers and by North American settlers to produce reliable apple varieties.

    When apples are planted from seed, without grafting, no two trees will be exactly alike and often the fruit will be inedible spitters. But even an apple that’s no good for eating is usually fine for drinking, and orchards of ungrafted apples were often used as cider orchards. John Chapman, in giving and selling ungrafted apple seedlings, was supplying settlers with the makings for cider orchards, and much of colonial American life was probably experienced through a heavy alcoholic haze (which, quite frankly, might have made it more bearable).

    Johnny Appleseed wasn’t the only one planting seeds. Most of the indigenous peoples were also cultivating apple orchards. In fact, Indian orchard was a common term, described in nineteenth-century dictionaries as an old orchard of ungrafted apple-trees, the time of planting being unknown.³ So-called Indian orchards were once literally everywhere in what is now the United States. In 1889 in Ohio, a Colonel Howard wrote in a letter to the Ohio State Board of Agriculture that when he was a boy, he had eaten apples that grew from trees on Indian Island and on the left bank of the Maumee River, and that many of the trees were at least a century old. He had also eaten apples from an old Indian orchard in the village of Nawash, and he planned a return trip there as an old man, to eat apples from trees from which I picked fruit nearly three-quarters of a century ago.

    There was a Tuscarora orchard in Oneida County, in the middle of New York State, that was planted around 1715 and was described as having several hundred apple trees in it.⁵ There was a Seneca orchard in the hamlet of Egypt in Ontario County, New York.⁶ The Algonquians had many orchards in Southern Ontario.⁷ The Cherokee orchards in the southern United States were so plentiful that a nurseryman named Jarvis Van Buren collected seedling apples from them in the 1850s to use for sale.⁸ The first commercial orchard in the United States was rumoured to have been started in Maysville, Arkansas, by a Cherokee woman who used African American slaves to do her labour. When the slaves were liberated after the Civil War, she was unable to work the land anymore. The orchard was subsequently purchased by a white settler, H. S. Mundell, who continued to operate it commercially.⁹

    When the incomers were looking for a place to settle in the eighteenth and nineteenth centuries, land with an already thriving orchard was enticing. It is no accident that many of the white settlements sprang up where there was an indigenous orchard. But first, of course, the original owners

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