Allmen and the Dragonflies
By Martin Suter
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About this ebook
Johann Friedrich von Allmen, a bon vivant of dandified refinement, has exhausted his family fortune. Forced to downscale, Allmen inhabits the garden house of his former Zurich estate, attended by his Guatemalan butler, Carlos. When not reading novels by Balzac and Somerset Maugham, he plays jazz on a Bechstein baby grand. Allmen’s fortunes take a sharp turn when he meets Jojo, a stunning blonde whose lakeside villa contains five Art Nouveau bowls created by renowned French artist Émile Gallé and decorated with a dragonfly motif. Allmen, seeking to pay off mounting debts, absconds with the priceless bowls and embarks on a high-risk, potentially violent bid to cash them in.
This is the first of a series of humorous, fast-paced detective novels devoted to a memorable gentleman thief who, with his trusted sidekick, Carlos, creates an investigative firm to recover missing precious objects.
“A rollicking good time . . . Bestselling Swiss author Martin Suter may have a classic on his hands in this contemporary crime novel, the first of a series featuring the memorable character of Johann Friedrich von Allmen, gentleman thief.” —The Winnipeg Free Press
“Suter combines sleight-of-hand suspense with stunning art and slightly worn Old World elegance to create a smartly entertaining read . . . A classy puzzler.” —Library Journal
“The dark charms of Suter’s novel are irresistible from the first pages.” —Joshua Max Feldman, author of Start WithoutMe
Martin Suter
Martin Suter is a writer, columnist and screenwriter. Until 1991 he worked as a creative director in advertising, before deciding to focus exclusively on writing. His novels have enjoyed huge international success. He has also written screenplays for film and television, and several of his novels have been made into films. Martin lives in Zurich with his family.
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Book preview
Allmen and the Dragonflies - Martin Suter
PART I
1
The gray light made everything flat and lifeless. Dawn was on pause.
It was chilly in Allmen’s glasshouse library. Perhaps he should light a fire. But the previous attempt, last winter, had failed so miserably that he dropped the idea. He sat in his reading chair, without a book, and shivered. It didn’t matter.
The legs of his grand piano had left three deep imprints in the floor. Even this sight left him unmoved. Nothing but crushing indifference.
He had no idea how much time had passed since he’d seen Carlos approaching the house in his coat and woolly hat. He’d heard him rush up the stairs then come down shortly after. Carlos had not come by the room. Having seen no light, he would have assumed Allmen was in the Viennois. Like every morning at this time.
Now he saw Carlos was busy outside. He was wearing his work clothes, an older woolly hat, and a work jacket with a thick lining.
Allmen would just sit here and wait till he came in to make lunch. He would go into the kitchen and say, Carlos?
And Carlos would reply, Qué manda?
And then he would say, "The time has come. I need las libélulas."
And if he handed them over, Allmen would put the plan into action. And if not? That didn’t matter either.
He must have dozed off. But finally he heard sounds from the kitchen. It had gotten darker. It would start snowing at any moment.
Allmen eased himself out of the armchair. As he passed the spot where the rear of the greenhouse faced a tall thicket of trees, he sensed something move there.
The trees grew dense and dark there, the stems of tall pines and spruce rising through an impenetrable undergrowth of yew and bracken. Sometimes Allmen saw an urban fox emerge or vanish at this spot, searching for something to eat in the gardens and forecourts of the villa district.
He stepped back, stood in front of the glass panel and stared at the undergrowth.
He felt a hard blow to his chest. As he fell, he heard a muffled thud, and sensed pain at the back of his head.
2
Half past ten in the morning was a nice time to be in Café Viennois, perhaps the nicest.
The dregs of the previous night were gone, and the staleness of the day had not yet set in. It smelled of the hissing Lavazza at which Gianfranco was now frothing the milk for a cappuccino, of the croissants on the bar and on the tables, of perfumes and eaux de toilettes from the handful of idlers and flâneurs to whom the Viennois belonged at this time.
One of them was reading a book, an English paperback with the spine broken so he could read it with one hand like an airport novel, the other hand free for his late breakfast and the cold cigarette butt he had held for years to help him quit smoking.
Over the arm of his two-seater plush wingback lay a beige raincoat. The man wore a mouse-gray suit, sitting well on him even as he slouched, a thin, fine-patterned tie, and an eggshell shirt with a soft, narrow collar. He was probably a little over forty. His nicely chiseled face did not deserve such a flat nose.
On the white tablecloth was a solid china saucer, empty except for the remains of a croissant, and a large cup, almost empty, coated inside with milk froth. The man was one of the last guests at the Viennois to order a bowl,
as a café au lait was once known.
Gianfranco brought over a fresh cup on an oval chrome tray, and removed the empty. Signor Conte,
he murmured.
Grazie,
Allmen replied, without looking up.
His full name was von Allmen, with the stress on von. It was a very common family name, one thousand, seven hundred and thirty eight of them in the phone book, and despite the aristocratic heritage implied by the preposition von,
the name von Allmen
originally meant nothing more than from the Alps.
As a young man, however, Allmen began to omit the von
in a spirit of republicanism, lending it a significance it never had.
He did the opposite with his two forenames, Hans and Fritz, taken from his two grandfathers according to the family tradition. He soon cleansed them of their bucolic stench, going to some bureaucratic effort to ennoble them to Johann and Friedrich. His friends called him John, and he introduced himself to new people simply and modestly as Allmen. But on official documents he was called Johann Friedrich von Allmen. And the envelopes he fetched from his post office box on the way to a late breakfast at the Viennois and then placed carelessly next to his coffee cup, were addressed to a Herr Johann Friedrich v. Allmen, as was written on his personalized stationery. This abbreviation not only saved space, it automatically shifted the stress from the o
of von onto the A
of Allmen. It had also elevated him to the title of Conte,
which Gianfranco had bestowed on him, only half in jest.
Most of the post-ten o’clock guests at the Viennois knew one another. However they still adhered strictly to the unwritten seating plan, some of them alone at their tables, a variety of jackets, bags, briefcases and reading material distributed around them so no one would consider joining them, others in pairs, always with the same partner, and others in small groups, also identical each day. Some of the post-ten guests greeted one another audibly, some nodded in silence, some had ignored one another for years.
One of the regular groups was seated two tables away from Allmen. Four shop owners, all around sixty, met there every day except Sunday from a quarter past ten to a quarter to eleven. Theirs and Allmen’s times thus overlapped by fifteen minutes.
One of the four knew Allmen a little better. He owned an upmarket antiques business nearby. His name was Jack Tanner, an elegant man in his late fifties, who sauntered through his antiques as if they were there not to be sold but solely to satisfy his aesthetic demands. He justified the exorbitant prices of his wares simply due to his appearance. He exercised the discretion crucial to the trade, toward those buying and also those selling. This had encouraged Allmen to choose Tanner when forced occasionally to sell one of the more choice items in his collection. Neither gave the slightest indication, during their fleeting encounters at the Viennois, that they also had professional dealings.
Outside the window next to Allmen’s table, the passersby began putting up their umbrellas. The gray soup which had hung over the roofs was now drizzling down on the city, like cold, wet dust. Allmen put off leaving and ordered another cup of coffee.
It was shortly after eleven thirty when he got ready to leave, although the weather had still not improved. He gave Gianfranco the signal for the check, signed it, and pressed a ten franc note into the waiter’s hand. Allmen had learned to invest the little money he had in his creditworthiness, not in subsistence.
Gianfranco brought his coat, accompanied Allmen to the door and, lost in thought, watched the figure in the raincoat, collar turned up, as he disappeared between the umbrellas, murmuring, Un cavaliere.
3
The Intercity, with tilt technology, shot through the mistshrouded vineyards around Lake Neuchâtel, of which not even the shores were visible. Allmen had a compartment to himself. On the blue seat next to him lay a capacious pilot’s case in brown pigskin. He continued to read his thriller.
As the gentle microphone voice announced Yverdonles-Bains, he broke off reading. The name awoke memories from his childhood. He had often heard it at the dinner table in the early eighties. His father had invested a lot of money in agricultural land in the area, hoping that when that section of the A5 highway was finished it would be rezoned for construction. The strategy failed, and instead of blaming his poor French, Allmen’s father put it down to the Gallic incompetence
of the Yverdon local politicians.
This was one of his father’s few business errors. He had left Allmen a fortune of millions. Its foundation was a single land-use decision in which, as people noted in the village at the time, he was not uninvolved. The Schwarzacker, the largest field on his farm, was incorporated into a construction zone. And thanks to the opening of a new highway section, it was soon part of the city’s commuter belt. Which boosted the real estate value considerably. Allmen’s father acquired a taste for this process and began systematically investing in agricultural land in potential commuter belts. The strategy paid off frequently enough that after his untimely death—regularly and generously entertaining local politicians with influence over land-use decisions took its toll—he was able to leave his only son enough money to ensure that if he was prudent and economical, he would never have to work again.
Prudence and economy were among the few qualities which Fritz, as his father still called him after he changed his name, lacked. He was not a numbers person. His field was languages. He found them easy and enjoyable to learn, and for years had spent his time studying them in the capital cities of this world. Alongside Swiss German, his first language, he spoke fluent, accent-free French, Italian, English, Portuguese and Spanish. He could converse in Russian and Swedish, and could produce flawless broadcaster’s German if needed, but had discovered that his Swiss accent made a better impression.
And so he led the life of a carefree international student till his father’s trustees informed him of his sudden death.
Kurt Fritz von Allmen was only sixty-two and had assumed he still had plenty of time to put his affairs in order. A widower, he had not made a will. His current partner received nothing, and although he was aware of his sole heir’s extravagant lifestyle, he had not left any instructions for managing his wealth.
During his life he had kept Fritz on a long leash. He had trained in agriculture and had no idea what the maintenance costs of an international student might be. He was also proud of his educated son and proud that he could enable him to have it better than he had. Allmen’s father had not travelled much. Earlier, as a farmer, the cows had kept him at home. Later it was business. He had no idea what hotels in Paris and New York cost, what you had to pay for shoes and clothes in London,