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Unholy
Unholy
Unholy
Ebook125 pages1 hour

Unholy

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Should women abandon religion?

Four female panellists face off in a wild, whip-smart televised debate about the intersection of religion and misogyny. On one side, there’s Maryam, a progressive Muslim lawyer, and Yehudit, an Orthodox Jewish spiritual leader. The other has Liz, a lesbian antitheist pundit, and Margaret, an excommunicated nun. The debaters wrestle with themselves and with each other: Can you be a feminist and believe in religion? What can or can’t be forgiven? Why do we have faith to begin with? Between the arguments, each of the debaters return to a seminal and secret moment in their past that represents a crisis of faith, leading the debate to become more and more personally charged, until it climaxes in an epic battle.

Unholy delves into the biblical struggles that tear us apart and make us who we are. It’s about having the courage to take the leap in life and into love. What is more holy than that?

LanguageEnglish
Release dateSep 3, 2019
ISBN9780369100290
Unholy
Author

Diane Flacks

Diane Flacks is a writer/actor. Her plays include Bear With Me; Random Acts; Myth Me; Waiting Room; By a Thread; Gravity Calling; Luba, Simply, Luba and Theory of Relatives, as well as SIBS and Care with Richard Greenblatt. Diane also writes extensively for TV (among others, Working the Engels, Workin’ Moms, Baroness von Sketch Show, Qanurli and Kids in the Hall). She has been the national parenting columnist for CBC Radio, and a contributor to DNTO and Tapestry. She was a feature columnist for the Toronto Star and the Globe and Mail. Diane has performed comedy everywhere from New York’s Town Hall to local bars to the Winnipeg Comedy Festival. Her four solo shows have toured nationally and internationally. She is currently developing a one-​person play called Guilt and a play with the Stratford Festival called Blessed. She has numerous acting credits over twenty-​five years in the business, and in 2019 she played Nathan in Nathan the Wise at Stratford.

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    Book preview

    Unholy - Diane Flacks

    9780369100276.jpg

    Also by Diane Flacks

    Bear With Me: What They Don’t Tell You About Pregnancy and New Motherhood

    Luba, Simply, Luba

    SIBS (with Richard Greenblatt)

    Waiting Room

    Unholy

    Diane Flacks

    Playwrights Canada Press

    Toronto

    Unholy © Copyright

    2019

    by Diane Flacks

    First edition: September

    2019

    Jacket design by Kisscut Design

    Cover photo © onemorenametoremember / photocase.com

    Author photo © Tommie-Amber Pirie

    Playwrights Canada Press

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    0013 ::

    info@playwrightscanada.com :: www.playwrightscanada.com

    No part of this book may be reproduced, downloaded, or used in any form or by any means without the prior written permission of the publisher, except for excerpts in a review or by a licence from Access Copyright, www.accesscopyright.ca.

    For professional or amateur production rights, please contact:

    Colin Rivers, Marquis Literary

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    , info@mqlit.ca, www.mqlit.ca

    Library and Archives Canada Cataloguing in Publication

    Title: Unholy / Diane Flacks.

    Names: Flacks, Diane, author.

    Description: A play.

    Identifiers: Canadiana (print)

    20190153008

    | Canadiana (ebook)

    20190153016

    | ISBN

    9780369100276

    (softcover) | ISBN

    9780369100283

    (PDF) | ISBN

    9780369100290

    (EPUB) | ISBN

    9780369100306

    (Kindle)

    Classification: LCC PS

    8561

    .L

    264

    U

    54

    2019

    | DDC C

    812

    /.

    6

     — dc

    23

    Playwrights Canada Press acknowledges that we operate on land, which, for thousands of years, has been the traditional territories of the Mississaugas of the Credit, Huron-Wendat, Anishinaabe, Métis, and Haudenosaunee peoples. Today, this meeting place is home to many Indigenous peoples from across Turtle Island and we are grateful to have the opportunity to work and play here.

    We acknowledge the financial support of the Canada Council for the Arts — which last year invested $

    153

    million to bring the arts to Canadians throughout the country — the Ontario Arts Council (OAC), Ontario Creates, and the Government of Canada for our publishing activities.

    The Canada Council for the ArtsThe Government of CanadaOntario CreatesThe Ontario Arts Council

    To my parents, Lily and Cy Flacks, who sent me to thirteen years of Hebrew school and worried that it might have been a waste. To my children, Eli and Jonny Purdy-Flacks, whose questions launched me toward this play. To Janis Purdy, who championed my creative deep dives through the years, and to Tommie-Amber Pirie, who answered the question, If not god, then what do we worship?

    Contents

    Preface

    Characters

    Unholy

    The Elevator

    The Debate

    Yehudit’s Sister’s Wedding

    The Debate

    Margaret’s Office at the Catholic Hospital

    The Hotel Room

    The Debate

    The Hotel Room

    The Debate

    Margaret’s Office at the Catholic Hospital

    The Debate

    Yehudit’s Sister’s Wedding

    The Hotel Room

    Margaret’s Office at the Catholic Hospital

    The Debate

    Margaret Alone

    The Hotel Room

    The Debate

    Acknowledgements

    About the Author

    Landmarks

    Cover

    Title

    Copyright Page

    Dedication

    Start of Text

    Table of Contents

    Preface

    Unholy

    The Elevator

    The Debate

    Yehudit’s Sister’s Wedding

    The Debate

    Margaret’s Office at the Catholic Hospital

    The Hotel Room

    The Debate

    The Hotel Room

    The Debate

    Margaret’s Office at the Catholic Hospital

    The Debate

    Yehudit’s Sister’s Wedding

    The Hotel Room

    Margaret’s Office at the Catholic Hospital

    The Debate

    Margaret Alone

    The Hotel Room

    The Debate

    Acknowledgements

    About the Author

    Page List

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    Preface

    Life imitates art imitates life. When I approached Kelly Thornton, then artistic director of Nightwood Theatre, about the idea of a play about misogyny and religion set in a debate, I couldn’t have dreamt up Trump’s Muslim ban, the Quebec mosque and Pittsburgh synagogue shootings, Brett Kavanaugh or #MeToo. I wanted to write a play about subjects that consumed and outraged me since a rabbi refused to shake my hand at Hebrew school and since my own children started asking pointed questions about god, love, suffering and violence. By the time Unholy premiered in 2017, the intersection of misogyny and religion had become hauntingly present in all our lives. The theatre allowed us all a space to talk. Now, the issues have become even more pressing and, at times, surreal. Hearing and questioning each other’s perspectives, especially those you can’t comprehend, and with which you deeply disagree, is even more vital a task today. The forces of misogyny are even more in need of confrontation than before. I am so grateful to have the chance to do so with the publication of Unholy.

    The choice of a debate as a framework for the play was inspired by a groundbreaking 1989 NFB film about women and faith called Half the Kingdom. The documentary’s synopsis says, "Seven women strive to find common ground between religious and cultural tradition and contemporary feminist

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