Snapshots of the Apocalypse
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About this ebook
In these dark, witty short stories, Katy Wimhurst creates off-kilter worlds which illuminate our own. Here, knitting might cancel Armageddon. A winged being yearns to be an archaeologist. Readers are sucked into a post-apocalyptic London where the different rains are named after former politicians. An enchanted garden grows in a rented flat. Mag
Katy Wimhurst
Katy Wimhurst is a disabled writer who pens short stories about apocalyptic rabbits, cosmic vacuum cleaners, people turning into mushrooms, knitting to oblivion, existential shrugs, and worlds in which chocolate is illegal. Her fiction has allegedly been called 'dark, witty and magical', sometimes even 'absurdist'. Before discovering the silvery steps that led to Elsewhen Press, she had two books of (magical realist / dystopian) short fiction published, Snapshots of the Apocalypse (Fly on the Wall Press) and Let Them Float (Alien Buddha Press). She occasionally writes articles about magical realism or speculative fiction. In a very past life, she might have studied for a PhD on Mexican surrealism.She was born in [date redacted] and now lives near a pretty river in eastern UK. She is tremendously grateful for trees, seahorses, clouds, chocolate, kindness, and Studio Ghibli films. She isn't appreciative of the illness M.E. which she has had for way too long and is why she has to write fiction on an IPad while lying down. She would like to be reincarnated as a cumulus cloud or one of Wes Anderson's dreams.
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Snapshots of the Apocalypse - Katy Wimhurst
Snapshots of the Apocalypse
and Other Stories
Katy Wimhurst
First published January 2022 by Fly on the Wall Press
Published in the UK by Fly on the Wall Press
56 High Lea Rd
New Mills
Derbyshire
SK22 3DP
www.flyonthewallpress.co.uk
Copyright Katy Wimhurst © 2022
ISBN Paperback: 9781913211677
EBook: 978-1-913211-72-1
The right of Katy Wimhurst to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. Cover illustration author’s own. Typesetting and cover design by Isabelle Kenyon.
This is a work of fiction. Names, characters, businesses, places, events, locales and incidents are either the products of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.
All rights reserved. No part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without prior written permissions of the publisher. Any person who does any unauthorised act in relation to this publication may be liable for criminal prosecution and civil claims for damages.
A CIP Catalogue record for this book is available from the British Library.
Fly on the Wall Press is committed to the sustainable printing and shipping of their books.
For Lucy, Millie and Hannah.
Contents
Snapshots of the Apocalypse
In the Shadow of the Egg
Haunted by Paradise
The Wings of Digging
The Job Lottery
Knitting to Oblivion
The Colour of Dulton
The Cost of Starfish
Ticket to Nowhere
Snapshots of the Apocalypse
Min despised the Tate Art and Refuge Centre. It contained little art and more refuse than refuge. She’d been approached by pimps in the café there, had witnessed fist-fights over chocolate, and had once seen an artwork used as a frisbee. But today, staring at the empty food cupboard in her squat, she knew she’d have to go there if she wanted to eat.
Shit,
she muttered, slamming the cupboard door.
Cursing the guy who’d yet again failed to deliver the bootleg goods, Min grabbed her bag and slung on her black PVC cape and beret. She then padlocked her squat’s front door and marched down the long staircase.
On the ground floor, the sign on the wall read, THE ROYAL COLLEGE OF URGEONS. If anyone asked ‘what she did’ these days, she said she was an ‘urgeon’. A reasonable word, she thought, for how she kept urging herself on despite the relentless crap around – and indeed within – her. Fortunately, few asked her ‘profession’ these days. Had it really taken an apocalyptic world to end small talk?
The former Reception area was dusted with cobwebs, its blue carpet muddy with footprints. Min still recalled her first visit to this place years ago as a medical student, but she tried not to think of the past. That was a different era, before the floods and chaos, and she’d never finished her studies, anyway. It’d been how she’d known about this place though, and why she’d come here to hide when her flat near Tottenham Court Road had burnt down in a riot.
Outside, as ever, it was raining but thankfully it was the Cameron kind – light, unobtrusive drizzle. There were a dozen official sorts of rain, all named after previous Prime Ministers. Min’s favourite was Blair, in which swirling eddies made the rain spin; she didn’t mind Rashford – a refreshing spring downpour; she disliked Thatcher – hard, unforgiving; the worst was Johnson – deceptively lightweight but soaked you through-and-through.
Min hurried across the deserted Lincoln’s Inn Fields. A decaying, six-storey building had cracks in its walls colonised by moss, like furry veins. She turned right, down a passageway in which was a dead oak. Two parrots perched on a branch made her eyes widen in surprise. They were kingfisher blue, defying the grey day. How Damien would have loved them! Remembering him, Min felt as if she was falling, but she steadied herself and continued on.
She walked down Chancery Lane, her boots splashing through puddles. Her shoulders tensed as a male voice called out from the other side of the road; keeping her gaze ahead, she picked up her pace. It wasn’t safe here, but notwithstanding a mugging last year, and despite being alone, she was wily enough to have survived – so far. A phrase from somewhere popped into her head: mere survival is insufficient. What bullshit, she thought. Mere survival was all there was; hope belonged to another era.
When she got to the Embankment, she was relieved to find more people. London often seemed like a mausoleum these days, many having fled the city, many having died. At the Millennium Bridge, she frowned up at the building once known as Tate Modern, now the Tate Art and Refuge Centre or TARC. Its tower poked into the sky, like a one-fingered gesture at a mean cosmos.
Tired after the long walk on an empty stomach, she entered TARC and in the foyer took off her beret and shook herself to get rid of raindrops on her cape. At the turnstile, an armed guard scanned her with a weapon detector, then nodded for her to carry on. At Reception, a woman scowled at Min, but stamped her ration book and gave her a free café token. Min veered right, up one side of the Turbine Hall, avoiding the refugees and their beds in its centre.
The café was on the first floor. Handing over her token, she was given a tray containing: chicken soup, a bread roll, a chunk of cheddar cheese, an apple and tea. As she searched for a free table, she noticed a fair-haired man with a pony-tail at the edge of the room. She’d seen him in the café a couple of times before. He stood out not only because he wore a neat dark suit, but because unlike most solitary men here, he didn’t try to catch her eye.
She sat at an empty, scuffed wooden table without taking off her cape – the place wasn’t heated. She began to wolf down the food; the soup and bread were good. By the time she started on the apple, her energy had improved.
She was halfway through her tea when the pony-tailed man approached. May I sit?
he asked politely, indicating the chair opposite hers.
She normally told men to piss off, but his clean-shaven face made her curious enough to take a second look: a short, handsome man with bags under his eyes. If you must.
He sat, putting his mug of coffee on the table. He was quiet for a few minutes, just sipping his drink. Min had expected him to talk and both his silence and presence set her a little on edge.
He looked at her inquisitively. I’ve noticed you here before.
Bully for you.
She took a gulp of tea.
I thought you’d be the ‘bully for you’ sort.
Bully for you. Again.
He laughed, the first genuine laugh she’d heard in ages. A stray strand of blonde hair flopped over his face and he tucked it behind his ear. Sorry. It’s just you seem different.
Everyone’s different.
No. Everyone in this café’s pretty similar. They either live as refugees downstairs, scared of what’s happening, or they come in groups from outside and hang out for hours. But you, a woman alone, waltz in with that outlandish black cape, eat, then disappear.
She met the gaze of his grey-blue eyes, wondering what he wanted. And your point is?
You seem fearless… or reckless.
She raised an eyebrow. You seem full of bullshit.
He rubbed at his neck. Would… you let me show you something?
If you’re looking for sex, the answer’s no,
she snapped.
He held up his palms in a gesture of appeasement. Sorry, I didn’t mean that. Really. I’d like to show you some art.
Oh?
She frowned. Aren’t the galleries all closed?
Yes, but I’m a doctor here. Well, the only doctor at present, which means I get the keys to the kingdom.
He put a hand in his jacket pocket and jangled keys there.
She studied him, pondering if it were wise to trust him.
Don’t worry,
he said. I’d never make a pass at anyone with such a silly cape.
She barked a quick laugh and then wondered what age he was. As he’d completed his medical training, he must be older than her. What’s your name?
Max.
Well, I’m Min.
Really?
Really.
Despite her normal wariness, she was warming to this unusual man. She gulped down the rest of her tea, and then let him lead her upstairs to the second floor, where he unlocked a door of what looked