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James I
James I
James I
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James I

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Conditioned by a childhood surrounded by the rivalries of the Stewart family, and by eighteen years of enforced exile in England, James I was to prove a king very different from his elderly and conservative forerunners. This major study draws on a wide range of sources, assessing James I's impact on his kingdom. Michael Brown examines James's creation of a new, prestigious monarchy based on a series of bloody victories over his rivals and symbolised by lavish spending at court. He concludes that, despite the apparent power and glamour, James I's 'golden age' had shallow roots; after a life of drastically swinging fortunes, James I was to meet his end in a violent coup, a victim of his own methods. But whether as lawgiver, tyrant or martyr, James I has cast a long shadow over the history of Scotland.
LanguageEnglish
PublisherJohn Donald
Release dateAug 10, 2015
ISBN9781788853644
James I
Author

Michael Brown

Michael and his wife, Utta, spent most of their working lives on the Somerset Levels, Michael involved in elvers and eels and establishing a smokery and later a smokery restaurant. Now retired they still live in the same house on the river Parrett where they stayed dry for over thirty years. Until January 2014 when one of the biggest floods ever seen on the Levels inundated their house and several others in the village of Thorney. They were to remain under water for over seven weeks.

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  • Rating: 4 out of 5 stars
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    This is an academic read and not a light romp down a historical lane. Not to excuse his actions, I'm not sure but that I would be less than thrilled with a relative who starved my sibling to death and allowed me to be held in captivity for 16 years, taking over the lands that would have provided the funds for clothing, household goods, and pay for the household small though it was. Nor was James I interested in being a sidelined in a Stewart castle somewhere like Robert II and Robert III while a relative was an uncrowned King of Scots with an eye to becoming king. Uneasy is the head that wears the crown with grasping magnates all around!

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James I - Michael Brown

Introduction

‘Our Lawgiver King’

1

Who was James I? In an age when government depended on the individual ability of the king, the character and quality of the ruler was bound to have a great impact on the course of his reign. In the first part of the fifteenth century this was certainly true. The mental feebleness of Henry VI of England and of his grandfather, Charles VI of France, had disastrous consequences for their subjects, while the successful reigns of England’s Henry V and Charles VII of France stemmed from their very different styles of kingship. In Scotland the age and infirmity of Robert II and Robert III, James’s grandfather and father, had deprived the kingdom of royal leadership in the opening years of the Stewart dynasty. Even against this background, however, the first James, King of Scots, left a very deep impression on the minds of his subjects; and to understand his brief but vital years of power, it is essential to gain an impression of the king himself and the reputation he was accorded by his early historians.

Likenesses of James are few and far between. Neither his anonymous sixteenth-century portrait nor the fresco depicting the king and his court which decorates the Cathedral Library of Siena can be considered as certain representations of James. The Sienese fresco was painted by the local artist Pinturrichio in the latter part of the fifteenth century and shows Aeneas Sylvius Piccolomini, the future Pope Pius II, in conversation with the king during his 1435 embassy to Scotland. James is depicted as a white-bearded old man. As the king was to die at the age of forty-four, the image is of a stereotypical wise ruler, painted by an artist who would hardly be concerned with the accuracy of his likeness of James. In this respect the head and shoulders portrait of James I is more interesting. It is the first of a series of pictures showing the rulers of Scotland and appears more distinctive than the painting of the king’s immediate successors. James is shown with a strong bearded chin, long hair and large, though badly drawn eyes. The power of James’s eyes was referred to by one witness and these features may conceivably have come from earlier -and lost- depictions of the king and may give some idea of his physical appearance.

For a true portrait of the king, however, we are dependent on the written word and, at root, on the writing of one man. Walter Bower, abbot of the island community of Inchcolm, concluded his history of Scotland, the Scotichronicon, with an account of the king and the course of his reign. The abbot knew his subject well. Though never a close councillor of the king, Bower was an experienced observer of the exercise of power in Scotland. He had been a collector of royal taxation and a spokesman for the estates during the reign, and this first-hand knowledge allowed the abbot to build up strong impressions of his royal master.2 The evidence and opinions of such a man recalled within a decade of the king’s death provide us with a more reliable narrative about James I and his reign than exists for any of his immediate forerunners and predecessors. The words of Abbot Bower therefore dominate our image of James as King of Scots:

The king, was of medium height, a little on the short side, with a well-proportioned body and large bones, strong-limbed and unbelievably active, so that he . . . would challenge any one of his magnates of any size to wrestle with him.3

Bower describes James at the height of his physical powers on, or shortly after, his return to Scotland following eighteen years of English captivity. The king was then in his thirtieth year, but after a decade of the power and pleasures of monarchy, James was described by the future Pope Pius II, following their meeting, as ‘stocky and weighed down with fat’. However, he also retained an impression of the king’s ‘clear but piercing eyes’, a glimpse of the man inside the overweight frame.4 Bower’s description, however, is apt and not only in the image of the king wrestling with his magnates. The abbot draws a picture of a man constantly in motion and supports this view with a list of James’s accomplishments, indulged in ‘when he was at leisure from serious affairs’.

As well as wrestling these included the physical pursuits of hammer-throwing, jousting and archery, the latter an activity which James may have learned in England, the home of the longbow. The king certainly encouraged the practice of archery amongst his subjects for military reasons and may have led by example.5 James also enjoyed less martial pursuits, ‘respectable games’ as Abbot Bower calls them, which according to another contemporary source included ‘paume’, a form of hand tennis, chess and ‘gaming at tables’.6 Bower was most impressed, though, with the musical skills of the king, ‘not just as an enthusiastic amateur’ but a master, ‘another Orpheus’ on a variety of instruments: the organ, the drum, the flute and especially the Irish harp or lyre. Men came from Ireland and England to admire this royal mastery.7

Bower completed his picture of the king’s gifts by listing his intellectual skills. Among them were accomplishments in liberal arts and mechanical subjects, a knowledge of scripture and, most interestingly, ‘eagerness’ in ‘literary composition and writing’.8 This is the earliest reference to James’s best-known gift. By the early sixteenth century, the king possessed a reputation as a poet. The chronicler, John Mair, wrote that ‘he showed the utmost ability’ in writing and that ‘he wrote an ingenious little book about the queen while he was yet in captivity and before his marriage’. The manuscript copy of this work from c. 1505 contains the inscription that ‘Heirefter follows the quair Maid be King James of Scotland the first Callit the kingis quair and maid quhen his maiestie wes in England’. The Kingis Quair was an autobiographical love poem and the only one of James’s writings which can be identified confidently. It contains a view of philosophy and fortune derived from Boethius and was dedicated to Gower and Chaucer by its author.9 If James did write the poem, then it reveals something of his intelligence and sophistication as well as a personal sensitivity not obvious in his public life.

The king clearly possessed something of the range of abilities described by Abbot Bower. However, to the abbot, the writings of the king probably appeared frivolous. He gave more weight to the serious study of the arts and philosophy. Bower presented James I as a philosopher king, a multi-talented Renaissance Prince; and both the abbot and later chroniclers ascribed his accomplishments to the king’s youth and early manhood as a captive of the English.10 James was kept in enforced idleness without political responsibility and developed his pursuits and tastes as a result. After all, it was to two English poets that The Kingis Quair was dedicated. English influences on the king were to be a recurring theme of the reign while, similarly, the energy which James showed in his private interests and his strength in physical pursuits were also elements in his control of the kingdom. The image of a king wrestling with his magnates could refer to more than just a healthy taste for exercise.

To Bower, James was, above all, an ‘outstanding ruler’, ‘a tower, a lion, a light, a jewel, a pillar and a leader’.11 At times the Scotichronicon presents the king as a Messiah, the words of the Prophet Isaiah being adapted to James’s return to Scotland as the saviour of his kingdom. The abbot saw his king as chosen by God. ‘Clearly the Lord was with him and with His help he was successful at everything he undertook’.12 The king was a man with a mission:

On the first day of your return to the kingdom . . . you spoke out in manly fashion: ‘If God spares me, gives me help and offers me at least the life of a dog, I shall see to it throughout my kingdom that the key . . .guards the castle and the thorn-bushes the cow’.13

The abbot saw the return of peace and order in fulfilment of his pledge as the greatest of James’s achievements, ending the ‘thieving, dishonest conduct and plundering’ that Bower claimed existed before the king established his authority. James was chiefly ‘our lawgiver king’, a ruler who made it possible for his subjects to receive justice. ‘There was no need to attend a court of magnates or bishops . . . under arms, since in his time’ the only weapon carried openly was ‘the royal spear, to which the honoured, streaming, heraldic banner was attached’.14 The hallmarks of this glorious reign were ‘peaceful fair-dealing’ and ‘energetic justice’.15

The people were . . . settled in peaceful prosperity safe from thieves, with happy hearts, calm minds and tranquil spirits, because the king wisely expelled feuds from the kingdom, kept plundering in check . . . and brought enemies to agreement.16

Abbot Bower, however, was aware of the methods used by the king. ‘Firm peace’ was based on fear of the king and his anger towards any who opposed his orders. ‘If anyone did oppose him, he immediately paid the penalty’.17 The Scotichronicon contains two examples of the king’s principles in action. One, the king’s savage treatment of a brutal robber, shows James in a strong but favourable light, but the other involves ‘a certain great nobleman, a near relative of the king’. This noble displeased James by quarrelling at court and the king had to be restrained from having his kinsman stabbed in the hand as a punishment. Unlike the story of the robber, this latter tale is not repeated by subsequent chroniclers and even Bower must have been aware that it shows a violent, even bloodthirsty side to the king’s nature which sat ill with the abbot’s praise.18 An episode which portrayed the king assaulting a kinsman was near the knuckle for James who, as we shall see, had a well-known and well-founded record of turning on his relatives. Elsewhere Bower showed his own ambivalence towards James’s execution of his cousin, the Duke of Albany, and it may even have been a pointed gesture to include another tale of king striking magnate.19 However, at the relevant point Bower is keen to present the king’s physical threat to the noble in a favourable light, quoting Seneca who said: ‘The man who is merciful to evil does damage to the good’.20

The abbot’s use of Seneca, the tutor of the Emperor Nero, as his authority is not without irony. Bower, though, saw James’s terrorisation of an unruly nobility as good kingship and criticised his predecessor, Robert III, as ‘a slack shepherd’ whose reign was plagued by disquiet owing to an ‘absence of fear’.21 However, to other contemporaries, James I’s approach to government was close to tyranny. Aeneas Sylvius Piccolomini, the future Pope, calls the king ‘passionate, greedy and vindictive’, while the papal agent in London, writing about James’s death, likened the king to a new Pharaoh, oppressing his captive church and people.22

The other side of the coin to the strong but just king of the Scotichronicon is drawn most fully in an account of James’s murder, also written in the 1440s. The Dethe of the Kynge of Scotis was composed or translated by an Englishman, John Shirley, and far from being a ‘sadistic handbill’, shows a knowledge of detail concerning Scottish politics which must have come from a source close to events. The Dethe goes a long way towards presenting James as a ‘tyrannous prince’ who acted more for vengeance and ‘covetise . . . than for anny laweful cawse’.23 It contains, admittedly in the mouth of one of James’s murderers, Sir Robert Graham, the ringing statement that

I have thus slayne and delivered yow of so cruelle a tyrant, the grettest enemye that Scottes or Scotland myght have, consyderyng his unstaunchable covetise.24

Strong kingship could be tyranny and the judgement of Bower is not necessarily less partisan than the words of Sir Robert Graham. While Graham, the convicted regicide, was hardly impartial, the abbot was deliberately and overtly writing with hindsight, longing for ‘the golden age of peace’. ‘How can we . . . hold back our tears when we recall the old days of this most famous king’. ‘When he died, the honour and glory of Scots died too’. Writing from the ‘precarious state of the realm’ in the violent and unstable 1440s, the abbot may have seen James’s reign as the good old days and his peace worth having at any price, but even amidst the nostalgia of Bower there are signs that this was less the prevailing mood at the time.25

The abbot admitted that the king, whose qualities he idealised posthumously, was ‘appreciated but slightly at the time’ and suffered a ‘misguided failure of respect’ from his subjects.26 However, at times Bower himself suggests doubts about James’s policies. He softens the accusation of royal ‘covetise’, saying that the king was ‘disposed to the acquisition of possessions’, adding that as a result of royal demands for taxation, ‘the people began to mutter against the king’, until he altered his financial habits.27 Similarly James’s laws ‘would have served the kingdom well enough . . . if they had been kept’, suggesting that although a lawgiver, the king’s legislation was allowed to lapse.28 In general, too, the abbot showed a capacity to keep quiet about contradictions of his account provided by political crises such as Albany’s execution and the king’s own death. These qualifications combine to create an image of the ruler which sits ill with the abbot’s confident assertion about James’s success and the ‘happy hearts’ of his subjects.

There is therefore a contradiction within the Scotichronicon between the eulogy for James with which Bower concludes his work and the reservations about the king expressed in the main part of Book Sixteen. The general tone remains, however, very much in favour of the king and it is Bower’s strong, successful lawgiver which becomes the predominant image of James in subsequent generations. To many sixteenth-century Scottish historians, the king’s qualities, as described by the abbot, were an attractive model for kingship and James’s successes were, if anything, magnified.

In particular, for the chronicler John Mair writing before 1521, James I was a model king. ‘This man indeed excelled by far in virtue his father, his grandfather and his great-grandfather, nor will I give precedence over the first James to any one of the Stewarts.’29 Mair wrote in favour of a British union and consistently argued for strong, aggressive kingship in both England and Scotland. Against this background, the English-educated James I and the series of attacks which he launched on his magnates was a subject bound to receive Mair’s approval. Similarly, writing at the same time, Hector Boece calls James the ‘maist vertuous Prince that evir was afoir his dayis, richt iust in all his lyffe and scharp punysair of vice’.30

Both chroniclers leant heavily on Bower for their evidence on the reign and their views of the king, but they were less ambivalent in their attitudes to James I’s actions than fifteenth-century writers. From the sixteenth century onwards historians have proved to be much more ready to praise strong kingship and, after Mair and Boece, identified James as a model for this. By the latter part of the century both the strongly Protestant George Buchanan and the exiled Catholic bishop, John Lesley, could regard the king in a highly favourable light from their conflicting standpoints. The extreme royalist Lesley ended his account of the reign with a condemnation of James’s killers:

O happie realme! governit with sa kinglie a king; O cruel creatures, quha dang doune sa strang a stay piller, and uphold of the Realme! Thir traytoris, like howlets culd nocht suffir to sie the bricht lycht of sa mervellous vertue.31

By the end of the sixteenth century, James was held up as a good king and his reign as a ‘good thing’ for Scotland. However, in the midst of the accolades for James, the historians were uncomfortably aware of a lingering hostile tradition concerning the king. The tyrant was not completely laid to rest. Lesley said of James that ‘in the exercise of justice he appeiret mair seveir than becam a king’ and that ‘sum said that for justice he pretendet old iniuries’. Though Lesley dismissed this as ‘malicious invention and false detraction’ and praised the king’s ‘luve of justice’, the doubts about James still lingered on.32 Even Mair and Boece are not free from these questions, Mair including a strange tale that James said to the queen ‘that he would leave no man in Scotland save him who was her bed-fellow; and this can be no otherwise interpreted than that he had in mind to put to death his whole nobility’.33 Mair, like Lesley, protested the king’s innocence but the survival of such an extreme story of murderous royal intentions as well as the more recognisable portrayal of James as partisan and vindictive remain in jarring contrast to the beacon of the virtues they otherwise seek to present.

The complexities of the king’s reputation had formed within a decade of his death and showed a remarkable persistence. At their root lay the personal impact of the king himself on his subjects. In his thirteen-year personal rule, James aroused the strongest reactions of hostility and respect from Scots. From all accounts of the reign it is clear that James was a man of considerable powers and energy, completely committed to a strong and aggressive style of kingship. The conflicting views of the king as a tyrant oppressing his people and as a lawgiver establishing welcome peace represent, to some extent, the attitude of his subjects to his government. They are a gauge of the support and opposition his kingship met in Scotland. The king’s life and, most dramatically, the manner of his death at the hands of a group of his own subjects, created a legacy of divided opinions in which, ultimately, James could be regarded as either a bloody tyrant or a martyr for his people’s good.

NOTES

1Scotichronicon , vol.8, Bk. XVI , Ch.28, 1.15 of the Latin text.

2Scotichronicon, vol.8 , Introduction, xiii-xvi; Bk. XVI Ch.9, l.29-30; Bk. XVI , Ch.23, l.14-20; A.P.S.. ii, 6, c.10; 20, c.1.

3Scotichronicon , vol.8, Bk. XVI , Ch.28, l.30-5.

4Copiale Prioratus Sanctiandree , ed. J.H. Baxter (Oxford, 1930), 284-5.

5Scotichronicon , vol.8, Bk. XVI , Ch.28, 1.35-39; Ch.30, 1.1-2; A.P.S. , ii, 6, c.19.

6The Life and Death of James I of Scotland , Maitland Club (Glasgow, 1837), 54; M. Connolly, ‘The Dethe of the Kynge of Scotis: A New Edition’ in S.H.R , no. LXXI (1992), 47-69, 56, 59.

7Scotichronicon , vol.8, Bk. XVI , Ch.28, l.39-52; Ch.29.

8Scotichronicon , vol.8, Bk. XVI , Ch.30, 1.5-6.

9J. Major, A History of Greater Britain , Scottish History Society (Edinburgh, 1892), Bk. V , Ch. 14; The Kingis Quair of James Stewart , ed. M. McDiarmid, 1-48, 117.

10 Scotichronicon , vol.8, Bk. XVI , Ch.30, l.102-26.

11 Scotichronicon , vol.8, Bk. XVI , Ch.29, l.39-42; Bk. XVI , Ch.38, l.30-1.

12 Scotichronicon , vol.8, Bk. XVI , Ch.30, l.21-3; Ch.35, 1.63-70.

13 Scotichronicon , vol.8, Bk. XVI , Ch.35, l.27-35.

14 Scotichronicon , vol.8, Bk. XVI , Ch.35, l.53-9.

15 Scotichronicon , vol.8, Bk. XVI , Ch.34, l.5-7.

16 Scotichronicon , vol.8, Bk. XVI , Ch.34, l.1-4.

17 Scotichronicon , vol.8, Bk. XVI , Ch.33, l.14-21.

18 Scotichronicon , vol.8, Bk. XVI , Ch.33, l.21-64.

19 Scotichronicon , vol.8, Bk. XVI , Ch.10, l.42-54.

20 Scotichronicon , vol.8, Bk. XVI , Ch.33, l.65-8.

21 Scotichronicon , vol.8, Bk. XVI , Ch.19, l.4-6.

22 Copiale , 284-85; D. Weiss, ‘The Earliest Account of the Murder of James I of Scotland’ in E.H.R. , 52 (1937), 479-91.

23 James I Life and Death, 49; M. Connolly, ‘The Dethe of the Kynge of Scotis’, 51-2.

24 James I Life and Death , 64; M. Connolly, ‘The Dethe of the Kynge of Scotis’, 66 . . .

25 Scotichronicon , vol.8, Bk. XVI , Ch.1, l.1, 4-5; Ch.35, 1.1.

26 Scotichronicon , vol.8, Bk. XVI , Ch.28, l.20-6; Ch.34’ 1.18-19.

27 Scotichronicon , vol.8, Bk. XVI , Ch.9, 1.31-2; Ch.13, 1.1-4.

28 Scotichronicon , vol.8, Bk. XVI , Ch.14, l.28-31.

29 Major, History , Bk. VI , Ch.9.

30 The Chronicles of Scotland compiled by Hector Boece, translated into Scots by John Bellenden , 1531, Scottish Text Society (Edinburgh, 1938-41), Bk. XVII , Ch.9.

31 Leslie’s Historie of Scotland , ed. E.G. Cody, Scottish Text Society, 4 vols (Edinburgh, 1884-95), Bk. C , Ch.45; G. Buchanan, The History of Scotland , trans. J. Aikman (Glasgow and Edinburgh, 1827-9), Bk. CII , Ch.42.

32 Leslie’s Historie , Bk. C , Ch.44.

33 Major, History , Bk. VI , Ch.14.

1

Fortune’s Wheel

PRINCE AND STEWARD

In his autobiographical poem The Kingis Quair, James I of Scotland pictured himself at the mercy of Fortune and ‘hir tolter quhele’, which raised men from the depths to the heights of power and could equally cast them down again.1 For the first thirty years of his life James was very much a victim of circumstance. From his birth until he began to rule Scotland in person, he experienced drastic changes of fortune and was a pawn in both the complex manoeuvrings of his family in Scotland and the diplomacy of western Europe. For although he became the nominal King of Scots in 1406 at the age of twelve, James spent the first eighteen years of his reign as a prisoner of the English, an uncrowned king in frustrating exile. Despite this lack of personal power, it was in these three decades that the character and aims of James’s own rule were established and the king himself was subject to the influences which forged his personal tastes and ambitions.

James Stewart was the third son and the sixth or seventh child of Robert III and his queen, Annabella Drummond. He was born at Dunfermline in 1394, probably in late July, as his mother wrote to Richard II of England on 1 August complaining of ‘malade denfant’ following the birth of a son ‘a non Jamez’.2 The choice of the name James, which was to have such long-lasting consequences for the dynasty, was unusual, though it had been held previously in the Stewart family. Whether it was as a family name or in connection with St James’s day (25 July), it is clear that unlike his elder brothers, David and Robert, the new prince was given a name without royal precedent in Scotland.

However, as striking as the choice of his name was the timing of James’s birth. James was born much later after three of his sisters, Margaret, Mary and Elizabeth, who were all married before or shortly after James’s birth. He was also sixteen years younger than his eldest brother, David, while Robert, the second son, was probably approaching adulthood in 1394 as well.3 In addition, James was born to parents who had been married for twenty-seven years before his birth. His father was in his late fifties and his mother was at least forty in 1394.4

Although the age of James’s parents and the gap between the ages of the first group of children and the new prince is not unique, it may suggest special circumstances. If James’s brother Robert, who is last recorded in February 1393, died before July 1394 it would have left the royal house with only a single male heir in David, Earl of Carrick.5 In contrast the family of Robert, Earl of Fife, the next younger brother of the king and next in line to the throne, was well provided with heirs. By 1394 Fife not only had four adult sons but his heir, Murdac, had married in 1392 and by the time of James’s birth Murdac’s elder two sons, Robert and Walter, had been born.6 Thus, James’s birth may have been part of a deliberate attempt to strengthen the dynastic position of Robert III in relation to his brother.

Illustration

The desire of Robert III to make his own branch of the Stewart family more secure against the interference of the Earl of Fife would fit in with the rivalry between the two men. This rivalry was the political legacy of their father, Robert II, the first Stewart king. His long and uncertain career led him to concentrate power in the hands of his immediate family. By the latter part of Robert’s reign his five sons held eight out of the fifteen Scottish earldoms among them.7 Although this accumulation of power within the Stewart family ensured that Robert II’s descendants would occupy the throne, the creation of a family firm dominating the nobility posed a serious problem for the exercise of royal authority by the senior Stewart line.

Of the younger sons of Robert II, three were to establish dynasties which dominated much of Scotland for the next half-century: Alexander, Earl of Buchan, the so-called ‘Wolf of Badenoch’, Walter, Earl of Atholl, the ‘old serpent’ of Scottish politics and, most importantly, Robert, Earl of Fife and Duke of Albany, the uncrowned ruler of Scotland for thirty years.8 All three lived to be over sixty and in their long careers amassed power and influence in various parts of Scotland. They and their families formed a group of royal magnates too close to the crown in terms of blood and resources to allow the early Stewart kings to rule with ease.

Robert III was the victim of this situation. He began his reign in 1390, already in political eclipse. Two years earlier he had been declared unfit to rule after a period as guardian for his father and this stigma clearly clouded his accession. Before he inherited the throne he was forced to endure a five-month delay and to change his name from the ill-omened John to make himself more acceptable. He dropped the name of the unfortunate Balliol king and took Robert, recalling the Bruce blood in his veins, his credentials to be king. More importantly, though, power remained in the hands of his able and aggressive younger brother, Robert, Earl of Fife, who acted as guardian.9

During the later 1390s, James’s role was simply as second in line to the throne. It seems reasonable to assume that he was brought up in the household of his mother, Queen Annabella. Although James was only seven when the queen died in 1401, she may have had some influence on her youngest son. At least one of her servants, her marshal, William Giffard, served James for the rest of his life, and the prince’s household may have been formed from that of his mother, perpetuating her own political views.10 In contrast to her husband, Robert III, who was famed most for his humility and dogged with ill-health, Annabella seems to have exerted considerable political influence. She reportedly ‘raised high the honour of the kingdom . . . by recalling to amity magnates and princes who had been roused to discord’ and clearly backed the interests of her sons and their right to exercise power.11

It may have been due in part to her efforts that her eldest son, David, was accorded an increased significance in the 1390s. The promotion of David culminated in his elevation to the title of Duke of Rothesay in 1398 and his appointment as lieutenant for his father for three years in January 1399.12 This grant of authority clearly reduced the influence of Robert of Fife and, although he had been made Duke of Albany at the same time as his nephew’s promotion, he had reason to worry that Rothesay’s lieutenancy was the prelude to his reign as King David III.

If Queen Annabella had been involved in Rothesay’s appointment, she did not live to see its conclusion. Her death at Scone at ‘harvest-time’ in 1401 began a period of rapidly changing fortunes for James and, with more fatal consequences, for his elder brother, Rothesay.13 The loss of Annabella’s support was to leave David dangerously isolated. As a young man exercising political power for the first time, Rothesay approached the problems of government in a way markedly different from that of his father and uncle. His more active and assertive rule saw him intervening in areas which had become the prerogatives of the major magnates.14 By early 1402 this had led him to alienate his own brother-in-law, Archibald, Earl of Douglas, the most powerful magnate in southern Scotland, and brought him close to direct conflict with his uncle, Albany. In this confrontation, Albany’s experience and connections proved decisive. Two of Rothesay’s own councillors, William Lindsay of Rossie and John Ramornie, treacherously arrested David and handed him over to Albany. Once Rothesay was in his uncle’s hands there could be little chance that Albany would release him to become king in the near future. Following a hastily convened meeting between Albany and the Earl of Douglas which sealed his fate, Rothesay was starved to death in his uncle’s castle of Falkland in March 1402. Two months later Albany and Douglas justified their actions to a general council of the realm, probably using the version of events employed by Bower. This argued that Rothesay was beyond control by wiser counsels after his mother’s death and was taken into custody to curb his ‘frivolity’.15

To James the events of 1402 clearly had a different meaning. It is hard to overestimate the impact of his brother’s death on James’s growing political awareness in the next four years. A perception of Rothesay’s fall very different to Bower’s was related a century later by Hector Boece. Boece had no doubt that Rothesay was starved to death and added that ‘he decessit with grete martyrdom; quhais body . . . kycht miraclis mony yeris eftir, quhill king lames the furst began to puneis this cruelte and fra thyns the miraclis cessitt’.16 The idea of Rothesay’s death as a ‘martyrdom’ may have originated as royal propaganda during James’s own reign, and the near-contemporary account of John Shirley portrays the events of 1402 as the first act in a blood feud between the royal Stewarts and their Albany cousins.17

James certainly retained a memory of his brother’s death which fuelled his hostility towards the Albany Stewarts during the attack on the family in 1425. The execution of the son and grandsons of Robert, Duke of Albany, was the main part of this royal vengeance but James also turned his anger on the gaolers of his brother, William Lindsay, and the keeper of Falkland in 1402, John Wright, who were deprived of their lands.18 The king’s activities over twenty years later indicate that, either in 1402 or subsequently, James was made aware of the circumstances and implications of his brother’s fall. The death of Rothesay may well have appeared as political ‘martyrdom’ and those responsible as virtual regicides. Rothesay was quite probably killed as lieutenant and heir to the throne acting in pursuit of the powers of his office. It also served as an example to James of the price of political failure in the attempt to increase the authority of the central government. During his personal reign, James feared and then suffered the same ‘martyrdom’ as his brother.

The fall of Rothesay also marked the beginning of James’s personal importance in Scottish politics. From 1402 James was the only surviving son of Robert III and heir to his throne. The king was in his sixties and known to be infirm. His acquiescence in Rothesay’s arrest suggests that he had limited political will. Therefore as James was only seven, the future of the crown was by no means certain. In France it was believed at the time that James’s highly ambitious brother-in-law, Archibald, Earl of Douglas, would gain the throne, but this gossip ignored Douglas’s captivity in England from late 1402 after his defeat at the battle of Homildon Hill.19 More realistic worries existed about the aims of Robert, Duke of Albany, who was now just one life away from the throne and was again in control of central government.

Worries about the future of the dynasty presumably lay behind the promotion of James in Scottish politics following the death of his brother. However, whereas Rothesay was given the status and power to enable him to exercise authority in the kingdom, James’s advancement appears initially to have been designed to secure the prince’s political survival. The chief element of this was the grant to James of the main Stewart lands held by his father in December 1404.20 These included the earldom of Carrick and the lordships of Kyle and Cunningham in Ayrshire and the neighbouring lordship of Renfrew, along with Bute, Arran and Knapdale. These estates were the heartlands of Robert III’s rule and were the area in which he spent most of his time. The lands were granted to James as a regality, to be held

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