The Horror Show Guide: The Ultimate Frightfest of Movies

ABOUT THE AUTHOR

Photo by John Marelli

Mike Mayo wrote the original VideoHound’s Horror Show, along with Video Premieres and War Films. He also edited three volumes of the DVD Guide, and was the host of the nationally syndicated Movie Show on Radio, also called Max and Mike on the Movies. He has reviewed films for The Washington Post and The Roanoke Times. He is the author of American Murder: Criminals, Crime and the Media and the novel Jimmy the Stick. He lives in Chapel Hill, North Carolina.

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Library of Congress Cataloging-in-Publication Data

Mayo, Mike, 1948-

The horror show guide : the ultimate frightfest of movies / by Mike Mayo.

     pages cm

Includes bibliographical references and index.

ISBN 978-1-57859-420-7 (pbk.: alk. paper)

1. Horror films—Catalogs. I. Title.

PN1995.9.H6M32465 2013

016.79143’6164—dc23

2012047065

Printed in the United States of America

10 9 8 7 6 5 4 3 2 1

CONTENTS

Photo Credits

Introduction

Appendix: Movie Credits

Index

A

Abbott and Costello Meet … Series (1948–1955) • Abominable Dr. Phibes, The (1971) / Dr. Phibes Rises Again (1972) • Addams Family (1991) • Adams Family Values (1993) • Addiction, The (1995) • Afraid of the Dark (1991) • After.life • Alice Sweet Alice (1976) • Alien (1979) / Aliens (1986) / Alien 3 (1992) / Alien Resurrection (1997) • Alien Trespass (2009) • Alligator (1980) / Alligator II (1991) • Alone in the Dark (2005) • American Haunting, An (2005) • American Nightmare (2002) • American Psycho (2000) • American Werewolf in London (1981) / American Werewolf in Paris, An (1997) • Amityville (1979–2005) • Anaconda (1997) • Anatomy (2000) / Anatomy 2 (2003) • And Now the Screaming Starts (1973) • Andy Warhol’s Dracula (1974) • Andy Warhol’s Frankenstein (1973) • Angel Heart (1987) • Apprentice to Murder (1988) • April Fool’s Day (1986) • April Fool’s Day (2008) • Arachnid (2001) • Arachnophobia (1990) • Arnold (1973) • Arrival, The (1996) • Art of Dying (1991) • Ashes and Flames (1995) • Astronaut’s Wife, The (1999) • Asylum (1972) • Attack of the Giant Leeches (1959) • Attack of the Killer Tomatoes (1978) • Attack the Block (2011) • Audition (1999) • Audrey Rose (1977) • Awakening, The (1980) • Awful Dr. Orlof, The (1962)

B

Bad Moon (1996) • Bad Seed, The (1956) • Bad Taste (1987) • Banker, The (1989) • Basket Case (1982) • Basket Case 2 (1990) • Basket Case 3 (1992) • Beast Must Die, The (1974) • Beast of the Yellow Night (1971) • Beast with Five Fingers (1946) • Beast Within, The (1982) • Beetlejuice (1988) • Before I Hang (1940) • Beginning of the End (1957) • Believers, The (1987) • Below (2002) • Beneath Still Waters (2005) • Billy the Kid versus Dracula (1966) • Birds, The (1963) • Bite Me (2004) • Bitter Feast (2010) • Black Cat, The (1934) • Black Cat, The (1981) • Black Christmas (1974, 2007) • Black Friday (1940) • Black Heaven (2010) • Black Room, The (1935) • Black Sabbath (1963) • Black Sunday (1960) • Black Swan (2010) • Blade (1980) • Blade II (2002) • Blade: Trinity (2004) • Blade of the Ripper (1971) • Blair Witch Project, The (1999) • Book of Shadows: Blair Witch 2 (2000) • Bless the Child (2000) • Blessed (2004) • Blob, The (1958, 1988) • Blood and Donuts (1995) • Blood and Roses (1961) • Blood Beach (1980) • Blood Feast (1963) • Blood Feast 2: All U Can Eat (2002) • Blood Freak (1972) • Blood of Dracula (1957) • Blood of Dracula’s Castle (1969) • Blood on Satan’s Claw (1971) • Blood Orgy of the She Devils (1972) • Blood Relations (1988) • Blood Salvage (1990) • Blood Spattered Bride (1972) • Blood Ties (1991) • BloodRayne (2005) • Bloodsuckers (1971) • Bloodsucking Nazi Zombies (1982) • Boccaccio ’70 (1962) • Body Snatcher, The (1945) • Bones (2001) • Boogens, The (1981) • Boogeyman, The (2005) • Borderland (2007) • Boxing Helena (1993) • Brain Damage (1988) • Brain Dead (1990) • Brain That Wouldn’t Die, The (1962) • Bram Stoker’s Burial of the Rats (1995) • Breed, The (2006) • Bride of Frankenstein (1935) • Bride of the Monster (1955) • Bride with White Hair (1993) • Bride with White Hair II (1994) • Brides of Dracula (1960) • Brood, The (1979) • Brotherhood of Satan (1971) • Brotherhood of the Wolf (2001) • Bucket of Blood (1959) • Buffy the Vampire Slayer (1992) • Bug, The (1975) • Buried Alive (2005) • Burn, Witch, Burn! (1962) • Burning, The (1981)

C

Cabin Fever (2002) • Cabin in the Woods, The (2012) • Cabinet of Dr. Caligari (1920) • Call of Cthulhu, The (2005) • Candyman (1992) • Candyman: Farewell to the Flesh (1995) • Cape Fear (1991) • Captivity (2007) • Carnival of Souls (1962, 1998) • Carnosaur (1992) • Carnosaur 2 (1995) • Carnosaur 3: Primal Species (1996) • Carpenter, The (1988) • Carrie (1976) • Carriers (2009) • Case 39 (2009) • Cat and the Canary, The (1927, 1939, 1978) • Cat People (1942, 1982) • Cat’s Eye (1985) • Cave, The (2005) • Cemetery Man (1994) • Chain Letter (2010) • Changeling, The (1980) • Chasing Sleep (2000) • Children of the Corn (1984) • Children of the Corn II: The Final Sacrifice (1992) • Children of the Corn III: Urban Harvest (1995) • Children of the Corn: The Gathering (1996) • Child’s Play (1988) • Child’s Play 2 (1990) • Child’s Play 3 (1991) • Bride of Chucky (1998) • Seed of Chucky (2004) • Chinese Ghost Story, A (1987) • Christine (1983) • Christmas Carol, A (1984) • C.H.U.D. (1984) • C.H.U.D. II: Bud the CHUD (1989) • Church, The (1989) • Climax, The (1944) • Closure (2007) • Cloverfield (2008) • Club Dread (2004) • Cobra Woman (1944) • Cold Sweat (1994) • Collector, The (2009) • Color Me Blood Red (1965) • Colour from the Dark (2008) • Coma (1978) • Comedy of Terrors (1963) • Company of Wolves (1984) • Conqueror Worm, The (1968) • Contagion (2011) • Count Dracula (1970) • Count Yorga, Vampire (1970) • Return of Count Yorga (1971) • Countess Dracula (1971) • Craft, The (1996) • Crash (1996) • Craving, The (1981) • Crawling Hand, The (1963) • Crazies, The (1973, 2010) • Creature from the Black Lagoon (1954) • Revenge of the Creature (1955) • Creature Walks among Us, The (1956) • Creep (2004) • Creeping Flesh, The (1973) • Creepshow (1982) • Creepshow 2 (1987) • Cronos (1993) • Cropsey (2009) • Crow, The (1994) • Crow, The: City of Angels (1996) • Cry of the Banshee (1970) • Cry_Wolf (2005) • Cube (1997) • Curse of the Demon (1957) • Curse of the Komodo (2004) • Curse of the Werewolf (1961) • Cursed (2005)

D

Dagon (2001) • Dario Argento’s Trauma (1993) • Dark, The (1993) • Dark, The (2005) • Dark Angel: The Ascent (1994) • Dark City (1998) • Dark Half, The (1993) • Dark Mirror (2007) • Dark Secret of Harvest Home (1978) • Dark Shadows (2012) • Dark Water (2005) • Darkman (1990) • Darkman II: The Return of Durant (1995) • Die, Darkman, Die (1996) • Darkness (2002) • Darkness Falls (2003) • Daughters of Darkness (1971) • Day of the Beast (1995) • Daybreakers (2009) • Dead Alive (1992) • Dead and Buried (1981) • Dead Man’s Eyes (1944) /

Pillow of Death (1945) • Dead Ringers (1988) • Dead Silence (2007) • Dead Snow (2009) • Dead Weight (2012) • Dead Zone, The (1983) • Deadly Blessing (1981) • Deadly Friend (1986) • Death Bed (2002) • Death by Invitation (1971) • Deep Rising (1998) • Demon Hunter (1965) • Demon in My View (1991) • Demon Seed (1977) • Demons of the Mind (1972) • Deranged (1974) • Descent, The (2005) • Devil (2010) • Devil Doll (1936) • Devil Doll (1964) • Devil’s Advocate, The (1997) • Devil’s Backbone, The (2001) • Devil Rides Out, The (1968) • Devil’s Rain, The (1975) • Devil’s Rejects, The (2005) • Dial Help (1988) • Die, Monster, Die (1965) • Disturbing Behavior (1998) • Dr. Giggles (1992) • Dr. Jekyll and Mr. Hyde (1920, 1931, 1941) • Dr. Jekyll and Ms. Hyde (1995) • Doctor X (1932) • Dog Soldiers (2002) • Dolores Claiborne (1995) • Donnie Darko (2001) • Donovan’s Brain (1953) • Don’t Be Afraid of the Dark (2010) • Don’t Look Back (2009) • Don’t Look Now (1973) • Dorian Gray (2009) • Dracula (1931) • Dracula (Spanish language version) (1931) • Horror of Dracula (1958) • Bram Stoker’s Dracula (1974) • Dracula (1979) • Bram Stoker’s Dracula (1992) • Dracula 2000 (2000) • Dracula II: Ascension (2003) • Dracula III: Legacy (2005) • Dracula, A.D. 1972 (1972) • Dracula: Dead and Loving It (1995) • Dracula, Prince of Darkness (1966) • Dracula’s Daughter (1936) • Drag Me to Hell (2009) • Dragon Wars: D-War (2007) • Dreamcatcher (2003) • Dressed to Kill (1980) • Drive Angry (2011) • Duel (1971) • Dunwich Horror, The (1971) • Dust Devil (1992) • Dylan Dog: Dead of Night (2011)

E

Earth versus the Spider (1958) • Eaten Alive (1977) • Ed Wood (1994) • Eden Lake (2008) • Edward Scissorhands (1990) • Eight Legged Freaks (2002) • Embrace of the Vampire (1995) • Emerald Jungle (1980) • End of Days (1999) • End of the Line (2007) • Eraserhead (1977) • Evil Dead, The (1981) • Evil Dead II: Dead by Dawn (1987) • Army of Darkness (1992) • Evil, The (1978) • Evil of Frankenstein, The (1964) • eXistenZ (1999) • Exorcism of Emily Rose, The (2005) • Exorcist, The (1973) • Exorcist II, The: The Heretic (1977) • Exorcist III, The (1990) • Exorcist, The: The Version You’ve Never Seen (2000) • Dominion (2004) • Exorcist, The: The Beginning (2005) • Eye, The (2008)

F

Faculty, The (1998) • Fade to Black (1980) • Fall of the House of Usher (1960) • Fascination (1979) • Feardotcom (2002) • Fearless Vampire Killers; or, Pardon Me, but Your Teeth Are in My Neck (1967) • Feast (2005) • Fellini Satyricon (1969) • Fido (2006) • Fiend without a Face (1958) • Final Destination (2000) • Final Destination 2 (2003) • Final Destination 3 (2006) • Final Destination 3D (2009) • Final Destination 5 (2011) • Firestarter (1984) • Flatliners (1990) • Fly, The (1958) • Return of the Fly (1959) • Fly, The (1986) • Fly II, The (1989) • Fog, The (1980, 2005) • Forgotten Ones, The (2009) • Forsaken, The (2001) • Four Flies on Grey Velvet (1971) • 1408 (2007) • Fragile (2005) • Frailty (2001) • Frankenhooker (1990) • Frankenstein (1910) • Frankenstein (1931) • Curse of Frankenstein (1953) • Mary Shelley’s Frankenstein (1994) • Frankenstein Created Woman (1969) • Frankenstein Meets the Wolfman (1943) • Frankenstein Must Be Destroyed (1969) • Frankenstein Unbound (1990) • Freaks (1932) • Freakshow (1995) • Friday the 13th (1980) • Friday the 13th Part II (1981) • Friday the 13th Part III (1982) • Friday the 13th: The Final Chapter (1984) • Friday the 13th: A New Beginning (1985) • Jason Lives: Friday the 13th Part VI (1986) • Friday the 13th Part VII: The New Blood (1988) • Friday the 13th Part VIII: Jason Takes Manhattan (1989) • Jason Goes to Hell: The Final Friday (1993) • Jason X (2001) • Freddy versus Jason (2003) • Friday the 13th (2009) • Fright Night (1985) • Fright Night Part 2 (1988) • Fright Night (2011) • Frighteners, The (1996) • From Beyond (1986) • From Dusk ’til Dawn (1996) • From Hell (2001) • Frontière(s) (2007) • Funhouse, The (1981) • Funny Games (1997, 2007) • Fury, The (1978)

G

Galaxy of Terror (1981) • Gamara, Guardian of the Universe (1995) • Gate, The (1986) • Gate II: The Trespassers (1990) • Gathering, The (2003) • Generation X-Tinct (1997) • Ghost Breakers, The (1940) • Ghost of Frankenstein (1942) • Ghost Rider (2007) • Ghost Rider: Spirit of Vengeance (2012) • Ghost Ship (2002) • Ghost Story (1981) • Ghostbusters (1986) • Ghostbusters II (1989) • Ghosts of Mars (2001) • Ghoul, The (1934) • Giant Spider Invasion (1975) • Ginger Snaps (2000) • Ginger Snaps Back: The Beginning (2004) • God Told Me To (1976) • Godsend (2004) • Gojira (1954) • Godzilla: King of the Monsters (1956) • Godzilla (1998) • Golem, The (1920) • Gorgon, The (1964) • Gothic (1986) • Gothika (2003) • Graveyard Shift (1987) • Gremlins (1984) • Gremlins 2: The New Batch (1990) • Grindhouse (2007) • Grudge, The (2004)

H

Habitat (1997) • Halloween (1978) • Halloween II (1981) • Halloween 3: Season of the Witch (1982) • Halloween 4: The Return of Michael Myers (1988) • Halloween 5: The Revenge of Michael Myers (1989) • Halloween: The Curse of Michael Myers (1995) • Halloween H2O: Twenty Years Later (1998) • Halloween: Resurrection (2002) • Halloween (2007) • Halloween II (2009) • Hand, The (1981) • Hands of Orloc, The (1960) • Hands of the Ripper (1971) • Hanging Woman, The (1973) • Hannibal (2001) • Hannibal Rising (2006) • Harvest, The (1992) • Haunted (1995) • Haunted Summer (1988) • Haunting in Connecticut, The (2009) • Haunting of Molly Hartley, The (2008) • Haunting, The (1963, 1999) • He Knows You’re Alone (1980) • Heartless (2009) • Hell Night (1981) • Hellboy (2004) • Hellboy II: The Golden Army (2008) • Hellraiser (1987) • Hell-bound: Hellraiser II (1988) • Hellraiser III: Hell on Earth (1992) • Henry: Portrait of a Serial Killer (1986) • Hide and Seek (2005) • Hideous Sun Demon (1959) • High Tension (2003) • Hills Have Eyes, The (1977, 2006) • Hills Have Eyes Part II, The (1985) • Hills Have Eyes II, The (2007) • Hitcher, The (1986) • Hole, The (2001) • Hollow Man (2000) • Horror Chamber of Dr. Faustus, The (1960) • Horror Express (1972) • Horror Hotel (1960) • Horror of Frankenstein (1970) • Host, The (2006) • Hostel (2005) • Hostel: Part II (2007) • Hostel: Part III (2011) • Hour of the Wolf (1968) • House (1986) • House II: The Second Story (1987) • House of 1,000 Corpses (2003) • House of Dark Shadows (1970) • House of Dracula (1945) • House of Frankenstein (1944) • House of the Dead (2003) • House of the Devil (2009) • House of Wax (1953) • House of Wax (2005) • House on Haunted Hill (1958 & 1999) • Return to House on Haunted Hill (2007) • House on Sorority Row (1983) • House on Straw Hill (1976) • House that Vanished, The (1974) • Howling, The (1981) • Howling II: Your Sister Is a Werewolf (1985) • Howling III: The Marsupials (1987) • Howling IV: The Original Nightmare (1988) • Howling: New Moon Rising (1995) • Human Centipede [First Sequence] (2009) • Human Centipede [Full Sequence] (2011) • Humanoids from the Deep (1980, 1997) • Hunchback of Notre Dame, The (1923, 1939, 1957, 1982) • Hunger, The (1983) • Hush, Hush, Sweet Charlotte (1964)

I

I Am Legend (2007) • Last Man on Earth, The (1963) • Omega Man, The (1971) • I Dismember Mama (1972) • I Know What You Did Last Summer (1997) • I Still Know What You Did Last Summer (1998) • I Sell the Dead (2008) • I Spit on Your Grave (1978, 2010) • I Walked with a Zombie (1943) • I Was a Teenage Frankenstein (1957) • I Was a Teenage Werewolf (1957) • Identity (2003) • Idle Hands (1999) • I’m Dangerous Tonight (1990) • In the Mouth of Madness (1994) • Incredible Shrinking Man, The (1957) • Indestructible Man (1956) • Infestation (2009) • Innkeepers, The (2011) • Innocent Blood (1992) • Inside (2007) • Interview with the Vampire: The Vampire Chronicles (1994) • Invasion of the Body Snatchers (1956, 1978) • Body Snatchers (1993) • Invasion, The (2007) • Invisible Man, The (1933) • Invisible Man Returns, The (1940) • Invisible Agent (1942) • Invisible Man’s Revenge, The (1944) • Island of Lost Souls, The (1932) • Island of Dr. Moreau, The (1977, 1996) • Isle of the Dead (1945) • It! (1966) • It’s Alive (1974) • It’s Alive 2: It Lives Again (1978) • It’s Alive III: Island of the Alive (1987) • It’s Alive (2008)

J-K

Jack Be Nimble (1993) • Jack-O (1995) • Jack’s Back (1988) • Jacob’s Ladder (1990) • Jaws (1975) • Jaws 2 (1978) • Jaws 3 (1983) • Jaws: The Revenge (1987) • Jeepers Creepers (2001) • Jekyll and Hyde (1990) • Jennifer’s Body (2009) • John Carpenter’s Vampires (1998) • Jugular Wine: A Vampire Odyssey (1994) • Jurassic Park (1993) • Lost World: Jurassic Park, The (1997) • Jurassic Park III (2001) • Keep, The (1983) • King Kong (1933, 1976, 2005) • King Kong Lives (1986) • Kingdom of the Spiders (1977) • Kiss Me Kill Me (1973) • Kiss of the Vampire (1963)

L

Labyrinth (1986) • Lady Frankenstein (1971) • Lair of the White Worm (1988) • Lake Placid (1999) • Last Broadcast, The (1998) • Last Days of Planet Earth (1974) • Last Exorcism, The (2010) • Last Horror Movie, The (2003) • Last House on the Left (1972, 2009) • Lawnmower Man (1992) • Legend of Hell House (1973) • Legend of the Werewolf (1975) • Lemora: A Child’s Tale of the Supernatural (1973) • Leopard Man (1943) • Let the Right One In (2008) • Let Me In (2010) • Leviathan (1989) • Lifeforce (1985) • Lifespan (1975) • Link (1986) • Lisa and the Devil (1974) • Listen (1996) • Little Shop of Horrors (1960, 1986) • Living Death (2006) • Lodger, The: A Story of the London Fog (1926, 1944) • Lost Boys, The (1987) • Lost Continent (1968) • Lost Highway (1997) • Lost Skeleton of Cadavra, The (2001) • Lost Souls (2000) • Lucinda’s Spell (1998) • Lust for a Vampire (1971) • Luther, the Geek (1990)

M

M (1931) • Mad Doctor of Blood Island (1968) • Mad Love (1935) • Magic (1978) • Manhunter (1986) • Maniac (1980) • Maniac Cop (1988) • Maniac Cop 2 (1990) • Maniac Cop 3: Badge of Silence (1993) • Manitou, The (1978) • Manmade Monster (1941) • Man-Thing (2005) • Mark of the Vampire (1935) • Martin (1976) • Mary Reilly (1996) • Masque of the Red Death, The (1964, 1989) • Mausoleum (1983) • May (2002) • Mega-Python versus Gatoroid (2011) • Messengers, The (2007) • Midnight Meat Train, The (2008) • Mighty Peking Man (1977) • Milo (1998) • Mimic (1997) • Mirror, Mirror (1990) • Mirror, Mirror 2: Raven Dance (1994) • Mirror, Mirror 3: The Voyeur (1995) • Mirrors (2008) • Misery (1990) • Mist, The (2007) • Mr. Stitch (1995) • Modern Vampires (1998) • Monkey Shines: An Experiment in Fear (1988) • Monolith Monsters, The (1957) • Monster on the Campus (1958) • Motel Hell (1980) • Mothman Prophecies, The (2002) • Mulholland Dr. (2001) • Mummy, The (1932 & 1959) • Mummy’s Hand, The (1940) • Mummy’s Tomb, The (1942) • Mummy’s Ghost, The (1944) • Mummy’s Curse, The (1944) • Murder Weapon (1989) • My Bloody Valentine (1981, 2009) • My Soul to Take (2010) • Mystery of the Wax Museum (1933)

N

Naked Lunch (1991) • Nature of the Beast (1995) • Near Dark (1987) • Needful Things (1993) • Nest, The (1988) • Netherworld (1992) • Night Angel (1990) • Night Junkies (2007) • Night of the Comet (1984) • Night of the Creeps (1986) • Night of the Lepus (1972) • Night of the Living Dead (1968 and 1990) • Dawn of the Dead (1978 and 2004) • Day of the Dead (1985 and 2008) • Land of the Dead (2005) • George Romero’s Diary of the Dead (2007) • Survival of the Dead (2009) • Night Stalker, The (1972) • Night Strangler, The (1973) • Night Watch (2004) • Day Watch (2006) • Nightcomers, The (1971) • Nightmare (1984) • Nightmare before Christmas, The (1993) • Nightmare on Elm Street, A (1984 and 2010) • Nightmare on Elm Street Part 2, A: Freddy’s Nightmare (1985) • Nightmare on Elm Street 3, A: Dream Warriors (1987) • Nightmare on Elm Street 4, A: The Dream Master (1988) • Nightmare on Elm Street, A: The Dream Child (1989) • Freddy’s Dead: The Final Nightmare (1991) • Wes Craven’s New Nightmare (1994) • Nightscare (1994) • Nightwing (1979) • Ninth Gate, The (1999) • Nosferatu (1922, 1979) • Not Like Us (1995) • Not of This Earth (1988, 1996)

O

Oblong Box, The (1969) • Of Unknown Origin (1983) • Old Dark House, The (1932) • Omen, The (1976, 2006) • Damien: Omen II (1978) • Omen III: The Final Conflict (1981) • Omen IV: The Awakening (1991) • One Missed Call (2003, 2008) • Opera (1987) • Orphan, The (2009) • Other, The (1972) • Others, The (2001)

P-Q

Pale Blood (1990) • Pan’s Labyrinth (2006) • Paranoiac (1963) • Paranormal Activity (2007) • Paranormal Activity 2 (2010) • Paranormal Activity 3 (2011) • Parasomnia (2008) • Parents (1989) • Passion of the Christ (2004) • Peeping Tom (1960) • People under the Stairs (1991) • Pet Sematary (1989) • Pet Sematary II (1992) • Phantasm (1979) • Phantasm II (1988) • Phantasm III: Lord of the Dead (1994) • Phantom of the Opera (1925, 1943, 1962, 1989, 1998) • Phantoms (1998) • Phenomena (1985) • Picture of Dorian Gray, The (1945) • Pin (1988) • Piranha (1978, 1995, 2010) • Piranha II: The Spawning (1981) • Pit and the Pendulum, The (1961, 1991) • Plague of the Zombies (1966) • Plan 9 from Outer Space (1959) • Poltergeist (1982) • Poltergeist II: The Other Side (1986) • Poltergeist III (1988) • Pontypool (2008) • Premature Burial (1962) • Priest (2011) • Primeval (2007) • Prince of Darkness (1987) • Prisoner (2007) • Prom Night (1980, 2010) • Hello, Mary Lou: Prom Night II (1987) • Prom Night III (1990) • Prom Night IV: Deliver Us from Evil (1992) • Prometheus (2012) • Prophecy, The (1995) • Prophecy II, The (1998) • Psycho (1960, 1998) • Psycho II (1983) • Psycho III (1986) • Psycho IV: The Beginning (1990) • Psycho Beach Party (2000) • Pumpkinhead (1988) • Pumpkinhead II: Blood Wings (1994) • Queen of the Damned (2002)

R

Rabid (1977) • Raisins de Mort, Les (1978) • Rapture, The (1991) • Rasputin, the Mad Monk (1966) • Raven, The (1935) • Raven, The (1963) • Ravenous (1999) • Re-Animator (1985) • Bride of Re-Animator (1990) • Beyond Re-Animator (2003) • Reaping, The (2007) • [REC] (2007) • Red Dragon (2002) • Red House, The (1947) • Red Riding Hood (2011) • Relic, The (1997) • Repulsion (1965) • Resident Evil (2002) • Resident Evil: Apocalypse (2004) • Resident Evil: Extinction (2007) • Resident Evil: Afterlife (2010) • Resident Evil: Retribution (2012) • Resurrected, The (1992) • Return of Dr. X, The (1932) • Return of the Living Dead (1985) • Return of the Living Dead Part II (1988) • Return of the Living Dead Part III (1993) • Return of the Vampire (1944) • Revamped (2007) • Riding the Bullet (2004) • Ring, The (2002) • Ring Two, The (2005) • Rise: Blood Hunter (2007) • Rite, The (2011) • Rocky Horror Picture Show, The (1975) • Rodan (1956) • Rogue (2007) • Rosemary’s Baby (1968) • Ruins, The (2008)

S

Salem’s Lot (1979) • Return to Salem’s Lot, A (1987) • ’Salem’s Lot (2004) • Santa Sangre (1989) • Saw (2004) • Saw II (2005) • Saw III (2006) • Saw IV (2007) • Saw V (2008) • Saw VI (2009) • Saw: The Final Chapter (2010) • Scalpel (1977) • Scanners (1981) • Scary Movie (2000) • Scream (1996) • Scream 2 (1997) • Scream 3 (2000) • Scre4m (2011) • Scream and Scream Again (1970) • Screaming Mimi (1958) • Season of the Witch (1972) • Secret Window (2004) • Seizure (1974) • Sentinel, The (1977) • Serpent and the Rainbow, The (1988) • Session 9 (2001) • Se7en (1995) • Seventh Sign, The (1988) • Severance (2006) • Sh! The Octopus (1937) • Shadow of the Vampire (2000) • Shaun of the Dead (2004) • Shining, The (1980, 1997) • Shock Waves (1977) • Shocker (1989) • Silence of the Lambs, The (1991) • Silent Hill (2006) • Silent Scream, The (1980) • Silver Bullet (1985) • Simon, King of the Witches (1971) • Sixth Sense, The (1999) • Skeleton Key, The (2005) • Sleepless (2001) • Sleepy Hollow (1999) • Slither (2006) • Slumber Party Massacre (1982) • Snakes on a Plane (2006) • Snow White: A Tale of Terror (1997) • Sole Survivor (1983) • Something Wicked This Way Comes (1983) • Sometimes They Come Back (1991) • Sometimes They Come Back … Again (1996) • Son of Dracula (1943) • Son of Frankenstein (1939) • Sorority Row (2009) • Soul Survivors (2001) • Species (1995) • Specters (1987) • Spider Baby (1968) • Splice (2009) • Splinter (2008) • Spontaneous Combustion (1990) • Stendahl Syndrome, The (1996) • Stepfather, The (1987, 2009) • Stepfather II (1989) • Stepford Wives (1975) • Stephen King’s It (1990) • Stephen King’s Night Flier (1997) • Stephen King’s Sleepwalkers (1992) • Stephen King’s The Stand (1994) • Stephen King’s The Tommyknockers (1993) • Stigmata (1999) • Stir of Echoes (1999) • Storm Warning (2007) • Stormswept (1995) • Strait-Jacket (1964) • Strange Behavior (1981) • Strange Door (1951) • Strangeland (1998) • Strangers, The (2008) • Subspecies (1991) • Bloodstone: Subspecies II (1993) • Bloodlust: Subspecies III (1994) • Summer of Fear (1978) • Supernova (2000) • Surgeon, The (1995) • Suspiria (1977)

T

Take Shelter (2011) • Tale of Two Sisters, A (2003) • Tales from the Crypt: Demon Knight (1995) • Tales from the Crypt Presents Bordello of Blood (1996) • Tales from the Darkside: The Movie (1990) • Tarantula (1955) • Targets (1968) • Taste the Blood of Dracula (1970) • Temptress (1995) • Tenebre (1982) • Terror, The (1963) • Terror at Red Wolf Inn (1972) • Terror Train (1980) • Texas Chainsaw Massacre (1974, 2003) • Texas Chainsaw Massacre 2 (1986) • Leatherface: Texas Chainsaw Massacre 3 (1990) • Texas Chainsaw Massacre 4: The Next Generation (1994) • Texas Chainsaw Massacre: The Beginning (2006) • Theater of Blood (1973) • Them! (1954) • They (2002) • They Came from Within (1975) • They Live (1988) • Thing, The (from Another World) (1951, 1982, 2011) • Thirst (2009) • Thirteen Ghosts (2001) • 30 Days of Night (2007) • 301/302 (1995) • Thrill of the Vampire (1971) • Tim Burton’s Corpse Bride (2005) • Tingler, The (1959) • To Sleep with a Vampire (1993) • To the Devil a Daughter (1976) • Tombs of the Blind Dead (1972) • Return of the Blind Dead (1973) • Ghost Galleon (1974) • Night of the Seagulls (1975) • Torso (1973) • Torture Chamber of Baron Blood (1972) • Tourist Trap (1979) • Town that Dreaded Sundown, The (1976) • Transmutations (1985) • Trauma (2004) • Tremors (1990) • Tremors 2: Aftershocks (1996) • Tremors 3: Back to Perfection (2001) • Trick or Treat (1986) • Trick ’R Treat (2007) • Trilogy of Terror (1975) • Trilogy of Terror II (1996) • Troll (1986) • Troll 2 (1990) • Trollhunter (2010) • Tucker & Dale versus Evil (2010) • Turistas (2006) • 28 Days Later (2002) • 28 Weeks Later (2007) • Twenty-nine Palms (2003) • Twilight (2008) • New Moon (2009) • Twilight Saga: Eclipse (2010) • Twilight Saga: Breaking Dawn-Part 1 (2011) • Twilight Saga: Breaking Dawn—Part 2 (2012) • Twins of Evil (1971) • Two Evil Eyes (1990) • Two Faces of Dr. Jekyll (1960) • 2000 Maniacs (1964) • 2001 Maniacs (2005)

U-V

Un Chien Andolou (1929) • Unborn, The (2009) • Undead (2003) • Underworld (2003) • Underworld: Evolution (2006) • Underworld: Rise of the Lycans (2009) • Underworld: Awakening (2012) • Unearthed (2007) • Uninvited, The (1944) • Uninvited, The (2009) • Unnamable, The (1988) • Unnamable II: The Statement of Randolph Carter (1992) • Untold Story, The (1992) • Urban Ghost Story (1998) • Urban Legend (1998) • Vacancy (2007) • Vamp (1986) • Vampire Bat (1933) • Vampire Circus (1972) • Vampire in Brooklyn (1995) • Vampire Lovers (1970) • Vampire’s Kiss (1980) • Vampyr (1932) • Vampyres (1975) • Videodrome (1983) • Virus (1999)

W-Z

Wait until Dark (1967) • Walking Dead, The (1936) • Warlock (1989) • Warlock: Armageddon (1993) • Wasp Woman, The (1959, 1996) • Wax Mask (1997) • Wendigo (2001) • Werewolf of London (1935) • Werewolf of Washington (1973) • What Ever Happened to Baby Jane? (1962) • What Lies Beneath (2000) • When a Stranger Calls (1979, 2006) • When a Stranger Calls Back (1993) • White Zombie (1932) • Wicker Man, The (1973, 2006) • Wicker Tree, The (2010) • Willard (1971, 2003) • Wind Chill (2007) • Witchboard (1986) • Witchboard II (1993) • Witchboard: The Possession (1995) • Witchcraft (1988–2008) • Witchcraft through the Ages (1922) • Witches, The (1990) • Witches of Eastwick, The (1987) • Witching, The (1972) • Wizard of Gore, The (1970, 2007) • Wolf (1994) • Wolf Creek (2005) • Wolf Man, The (1941, 2010) • Wolfen (1981) • Woman in Black, The (2012) • Woods, The (2006) • Wraith, The (1986) • Wrong Turn (2003) • Young Frankenstein (1974) • Zeder (Voices from the Beyond) (1983) • Zombie (1979) • Zombie Lake (1981) • Zombie Strippers (2008) • Zombieland (2009)

PHOTO CREDITS

KlickingKarl: 222.

The Kobal Collection: 4, 7, 11, 27, 30, 36, 52, 61, 68, 79, 89, 116, 124, 127, 131, 135, 145, 155, 158, 165, 172, 181, 199, 205, 208, 238, 257, 261, 271, 281, 299, 304, 309, 312, 318, 321, 338, 343, 347, 363, 369, 381, 385, 387.

PanzerschreckLeopard: 115.

Poco a poco: 287.

Shutterstock: 5, 34, 64, 66, 112, 120, 141, 148, 195, 248, 258, 289, 294, 358.

All other photos are in the public domain.

INTRODUCTION

They say that time flies but it also sneaks up on you.

When I wrote the first VideoHound’s Horror Show in 1997, the film business in general and horror in particular were nothing like they are today. The changes, I discovered, were both obvious and subtle, aimed at a new generation of fans who have more experience, if not more sophisticated tastes. An update was needed. This book looks at the most important horror films that have been made in the last fifteen years and combines those reviews with the core pieces from the first book. The result is a mosaic of the horror film from 1910, when the Edison Frankenstein was released, until 2012’s Cabin in the Woods, arranged alphabetically from Abbott and Costello Meet Frankenstein to Zombieland.

Looking back, the world of 1990s home entertainment seems downright primitive. DVD and HD were years away. VHS tapes were rented, not sold, and even small towns had one or more independently owned video stores. The Blockbuster and Hollywood chains were important, but they did not rule the business. Virtually nobody had broadband access to this new Internet thing. There was no reality TV.

The studios produced dozens of horror movies every year, mostly mid-budget productions with good scripts, casts, directors, and production values. In 1990 Kathy Bates won the Best Actress Oscar for Misery. A year later The Silence of the Lambs swept all of the major Academy Awards. At the other end of the spectrum, it was impossible for fans to find good copies of older, obscure horror movies. (In this context, obscure means European or Asian.) By the time I was working on the first book, horror had become a significant part of the home video business. That fact wasn’t really recognized or talked about outside of the industry and growing groups of young fans.

Those were the moviegoers and videophiles who made Wes Craven’s Scream trilogy a huge commercial hit, paving the way for more meta or self-referential horrors. Those films, and so many others made around the same time, were built on the idea that, despite their youth, viewers had a thorough understanding of the genre. These kids had already burned through the horror section of their local video store and were still hungry for more.

After talking and corresponding with a lot of them, I know that weekly gatherings in dens and basement rec rooms to watch horror movies were common everywhere. There was a strong Mystery Science Theater 3000 component to those occasions, just as there had been a generation or so before, when kids gathered to watch weekend fright night broadcasts with the local horror host. Kids cracked jokes at the excesses and shortcomings of cheesy horror, but they still enjoyed it. And, sometimes, they were scared.

They were so familiar with the Halloween school of slasher horrors that the Scream films could enumerate the rules. You’ll die, for example, if you have sex, take a drink, use drugs or say that you’ll be right back. Sequels always have higher body counts than the originals, with bloodier death scenes. By the third film in a series, all the rules were off and anyone can be killed. And in any horror film, the killer can be resurrected, no matter what has been done to him. After Craven set out those rules and they were memorized by literally millions of young fans, any horror film that aspired to be hip had to acknowledge them.

Inevitably, a certain sameness crept in, along with smirking irony, as horror became more self-referential and, inevitably, less seriously interested in scaring its viewers.

An equally large problem for horror and for movies in general has been a disturbing lack of originality and dependence on remakes and sequels. Those have been so numerous in the past fifteen years that we decided to change the arrangement of this book. Entries on series and remakes are grouped together by the primary word in the title—Amityville, Exorcist, Hellraiser—even when the titles break alphabetical order. Thus, Hello, Mary Lou is listed under Prom Night, Leatherface is included with Texas, etc. Cast and credits are listed in alphabetical order in a separate index at the end of this book.

For the fan, the consumer, the big technical change was DVDs. It transformed the home video market from a rental business to sales. Titles that had been priced at $50 to $60 on VHS tape were $15 to $20 on DVD. The medium was so successful that it spawned an interest in preservation and restoration of older titles.

When people began building libraries of their favorites, specialty labels and distributors searched the vaults for good prints and negatives of the wonderfully disreputable movies that had flourished in the 1970s. Titles that many fans had only heard of, or watched on murky tapes made from incomplete elements, were available in sparkling detail. In this edition, I have tried to address the changes between VHS and DVD versions wherever I could. I’m sure I missed some.

To write the first book, I watched a lot of movies on those low-def VHS tapes. I also saw them during their initial theatrical releases, in threadbare second-run theaters, drive-ins, projected on portable screens in college lecture halls, and in the best professional screening rooms. For this book, I used DVDs, pay-per-view on cable TV, more screening rooms, IMAX 3D, streaming video, and even a handheld device, something I could not imagined back in 1997.

Those technical changes in delivery systems were more than matched by changes in the content of horror.

The largest and most obvious of those is the rise of the zombie. Today’s zombie has nothing to do with Haitian voodoo zombies. It comes straight from George Romero’s 1968 Night of the Living Dead, though the word zombie is never used in the film. These living dead are exceptionally simple creatures, and the serious zombie film has simple rules that viewers came to understand instinctively.

The recently deceased suddenly rise to attack and eat the living. The cause is never supernatural. God and religion are seldom important aspects of the zombie film. The zombie plague is usually caused by a returning satellite, an experiment gone awry, the release of the wrong lab animal, something like that.

Zombies cannot run; they cannot speak. They stumble slowly and clumsily. They’re not interested in sex. They moan and chew noisily. They can be killed only by decapitation or a bullet to the head.

The bite of the zombie, like the bite of the vampire, is fatal, and in both cases, the victim becomes one of the undead.

Zombies congregate. There’s always a lot of them.

Dan O’Bannon’s Return of the Living Dead set out guidelines for more comic zombies. In his semi-sequel, zombies are intelligent, relatively nimble and they can speak. They prefer brains to other body parts. Virtually all zombie films feature graphic violence, cannibalism, and a little sex. (Return came out in 1985, two years after Michael Jackson’s Thriller. They share a funky pop sensibility and both were extremely popular and influential.)

Both the serious and the comic zombie film led the way to a steady increase in the amount and explicitness of violence in horror films. The trend begun by Tom Savini’s effects for Romero’s Dawn of the Dead, most notable for the helicopter-blade-to-the-head shot, paved the way for more imaginative killings and mutilations from the ’70s to the twenty-first century. Everything became even more realistic and detailed once computer-generated effects were introduced. It is not coincidental that the popularity of violent effects increased under the MPAA rating system that was inaugurated in the late 1960s. Reflecting the taste of the American public, the ratings board has always been tolerant of realistic violence. (More about that later.)

But what accounts for the popularity of the zombie film over other types of horror?

At first, it was, in part, a matter of availability. During the early days of the home video business, Night of the Living Dead was widely and mistakenly believed to be a public domain title. Thousands, perhaps millions, of bootleg tapes filled bargain bins in stores everywhere. Second rate copies sold for $5 to $10. While George Romero and the producers were screwed out of their investment, the film was gobbled up by countless young viewers, who absorbed its dark vision and the tenets of his zombie apocalypse.

Also, other independent filmmakers realized how effective and economical the zombie film could be. By following the formula that George Romero set out, almost anybody could cobble together a zombie picture. To make one, you need:

Realistic locations, the more distressed and shopworn the better.

Simple rotting-flesh makeup (dangling eyeballs optional).

A dozen or so friends willing to spend several weekends wearing that makeup and tattered clothes.

A story about a small group of people who fight against the zombie apocalypse.

If zombie films were inexpensive, found footage or fake documentary horrors virtually redefined cheap. The trend began with the surprise hit of 1999, The Blair Witch Project. Clever marketing, much of it on the Internet, persuaded a large number of fans that the film showed real events and had been created from film and videotape that had been lost for years and only recently discovered. I remember the two guys who were sitting behind me at a matinée on the opening Friday. One of them really got into the film; the other scoffed throughout. When the lights came up at the end, the doubter said loudly, You got me to take off work for that?

Despite his reaction, Blair Witch was one of the most profitable low-budget movies ever made, and it demonstrated that visual sophistication and technical quality were not necessary. Audiences weaned on America’s Funniest Home Videos and reality TV would accept a scratchy, poorly focused image and unintelligible sound if they were sufficiently engaged by the story. Many others tried to recreate that success, but no one really managed it until the Paranormal Activity franchise. These little films are even more parsimonious in production expenses and they have been stretched out to four installments so far.

When Hollywood attempted to mount more lavish productions, it often turned to the remake. In horror, it took the form of American versions of proven Asian hits. Beginning with The Ring and The Grudge, these were exceptionally well-crafted ghost stories with first-rate casts, restrained, imaginative special effects, and tremendous atmospherics built on ominous sounds and images of water. (The Ring also boasts one of the great third act shocks.) Most of the remakes that followed repeated those elements with considerably less success.

After that wave had passed, producers turned their greedy and unoriginal eyes to the great American horrors of the 1970s and ’80s with remakes and reboots. In almost every case, the new films are much more expensive and technically polished. They also have a pasteurized quality that robs them of the frightening power generated by the groundbreaking originals. Note, for example, the slight but significant plot change in the remake of Last House on the Left. Though the 2009 film is more graphically and realistically violent than the original, it chickens out on a key point.

What else changed in horror after zombies, faux docs, and remakes?

Rural horror in the Psycho/Deliverance mode reappeared with dozens of variations on a plot that can be reduced to A group of young people go off to a place in the country where they are attacked by an alien or a redneck or a zombie or a mutant.

While zombie and psycho killer stories have largely maintained their realistic or scientific basis, the religious/supernatural horror is represented by titles that usually include the words exorcism, possession, or haunting. If those have not been as influential as their secular cousins, they tend to be carefully crafted, character-based stories heavy on contortionist effects. They are almost always profitable.

Grand Guignol made a brief, bloody return with torture porn in the Saw series, Eli Roth’s Hostel films, and a few others.

In virtually all of those schools of horror, the rapid evolution of digital technology has made the depiction of monstrous creatures and human-on-human violence more realistic than they have ever been before, but that has not necessarily made them more believable or emotionally powerful. The super-slow-motion shot of a bullet entering and exiting flesh with each droplet of the blood spray rendered in crystalline clarity is, in its own way, as clearly unreal as a guy in a cheap rubber suit.

That graphic violence is part of the coarsening of entertainment in almost all forms, not just horror, but the genre has certainly been a testing ground.

The final, and probably the most important, change in horror has been the acceptance by the mainstream of horror’s traditional characters and themes. Stephenie Meyers’ Twilight series, both in print and on film, may not be true horror, but the works certainly appropriate key concepts and characters from classic horror and use them for new purposes.

With the exception of Lionsgate, the studios aren’t interested in horror, or in any original dramas, really. The bulk of their money and creative energy is devoted to fantasy action blockbusters and animation. Everything else, including horror, suffers. But, as depressing as that thought may be, as long as people like Larry Fessenden, James Wan, and Guillermo del Toro horror movies, we have some reason to hope.

And a new generation of fans is ready to dive in.

So, as I’ve said before, step right up. Have a seat here on the sofa while I load this DVD and fire up the widescreen. The horror show is about to begin….

—Mike Mayo

Chapel Hill, NC

November, 2012

Because so many sequels, series and remakes have been produced in the past fifteen years, we have grouped reviews by the primary word in the title—Amityville, Prom Night, Hellraiser, etc.—rather than alphabetical order. Cast and credits are listed in strict alphabetical order in a separate appendix.

A

ABBOTT AND COSTELLO MEET … SERIES (1948–1955)

In Abbott and Costello Meet Frankenstein, their first meeting with the studio’s famous monsters, Bud Abbott and Lou Costello are railroad baggage clerks in Florida where strange crates arrive for the wax museum. Dracula (Bela Lugosi) wants to revive Frankenstein’s monster (Glenn Strange) by giving him Lou’s brain! Lawrence Talbot (Lon Chaney Jr.), a.k.a. The Wolfman, says no. It’s all played for laughs, making this one of the better horror comedies, with the emphasis definitely on comedy. At one point, director Charles T. Barton allows the Count’s reflection to show in a mirror! For shame! Still, some of the animated effects are pretty cool. By the time this lively romp was made, the monsters had passed their prime, and so they’re figures of fun. That’s fine for Bud and Lou, but for the creatures, familiarity breeds complacency.

As the clumsy title suggests, the second entry in the series, Abbott and Costello Meet the Killer, Boris Karloff, is hardly the finest hour for any of the key participants. Karloff is a conman to Bud and Lou’s hotel employees. The comedy is played out on the studio’s familiar sets. Compared to the duo’s other teamings with Universal monsters, it’s average or below, and wouldn’t be included here if Karloff weren’t in it.

In … Meet the Invisible Man, Bud and Lou are newly graduated detectives who are hired by a boxer (Arthur Franz) to clear his name after being falsely accused of murder. Before they can do anything, he shoots up with Supertransparent Joy Juice. Yes, the plot is baldly lifted from The Invisible Man Returns, and some of the scenes are directly recycled, too, including those cute little hamsters in their leather harnesses. The special effects make for a more comfortable fit with the popular comedians’ style than many of their other outings with the Universal horror stars.

Comedians Bud Abbott and Lou Costello met several monsters and spooks in their movies, including the Invisible Man.

When they Meet Dr. Jekyll and Mr. Hyde, the boys are bumbling London Bobbies to Boris Karloff’s Dr. Jekyll in a pedestrian entry in the comic series. The Hyde makeup, usually worn by stunt man Eddie Parker, is little more than a gorilla mask and the transformation effects are substandard. Karloff is completely comfortable with his limited role. Craig Stevens, TV’s Peter Gunn, is the romantic lead. The suffragette chorus line routine will raise feminist hackles. Combining this particular horror story with comedy is handled more entertainingly by the various Warner Bros. cartoons starring Sylvester the Cat and Tweetie-Hyde.

The series comes to an end when the guys Meet the Mummy. By the time Universal made the film, the studio had produced five Mummy features and had paired the comedians with four other horror stars. The bloom was far off the rose. Still, the slapstick and pratfalls are quickly paced, and though there’s comparatively little actual Mummy footage, a giant iguana does pop up briefly and inexplicably, and, yes, that’s Richard Deacon as the high priest Semu.

ABOMINABLE DR. PHIBES, THE (1971)

DR. PHIBES RISES AGAIN (1972)

In Vincent Price’s long and varied work in the field, this may be his most enjoyable role. As a vengeful 1920s mad doctor, he’s droll and virtually silent. More important to the film, he’s got a fine, funny script and excellent co-stars. Though Terry-Thomas, Hugh Griffith, and Joseph Cotten don’t have as much to do, they contribute substantially. Add in grand sets, costumes, jazzy music, props, and even some fair scares amid the laughs. Robert Feust directs with a confident, wry tone and gives new meaning to the term acid rain. Yes, that’s Caroline Munro as the late Mrs. Phibes. Simply a delight for fans of Grand Guignol comedy.

The ostensible sequel, Dr. Phibes Rises Again, is really a baroque recreation of the original with humor that’s even more tongue-in-cheek, if that’s possible. (Sample dialogue: I don’t know about his body, but we should give his head a decent burial.) An introduction goes back over the key points of the first film wherein Phibes eludes