Nature Poems: Treasured classics and new favourites
By Deborah Alma and National Trust Books
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About this ebook
Seven chapters touch on different aspects of the British countryside, including seasons, birds and wildlife, woods, water, moors and mountains. This carefully chosen collection will inspire you to explore nature through a poet’s eye – the perfect antidote to ‘times when the world is too much with us’, as Wordsworth so beautifully put it.
There are celebrated poems by the greats – Keats, Yeats, Tennyson, Robert Browning, Christina Rossetti, Philip Larkin, Sylvia Plath, John Masefield, Robert Burns, Dylan Thomas – as well as others by contemporary poets whose work you will want to seek out and explore further, including Carol Anne Duffy, Simon Armitage and Jean Sprackland. Where poems have links to National Trust sites, footnotes are included to explain the connections.
Deborah Alma
Deborah Alma is a UK poet, editor and bookseller. She has worked using poetry with people in need and taught at both Worcester and Keele Universities. From 2012, she has been the Emergency Poet, offering poetry on prescription from her vintage ambulance. She co-founded the world’s first walk-in Poetry Pharmacy in Shropshire with her partner, the poet James Sheard, in 2019, which now has a second branch inside Lush Spa Oxford Street, London. She is editor of Emergency Poet, an anti-stress poetry anthology; #Me Too, which rallies against sexual harassment; a women’s poetry anthology, Ten Poems of Happiness from Candlestick Press and co-edited with Dr Katie Amiel These Are the Hands – Poems from the Heart of the NHS. She is also editor of National Trust: Nature Poems. Her first full collection Dirty Laundry is published by Nine Arches Press. She is co-author of The Poetry Business School with Mark Constantine and is editor of the Poetry Pharmacy series with Macmillan, in 2025.
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Nature Poems - Deborah Alma
Introduction
The first ever anthology of verse was published in 1557, and contains the poem ‘Soote Season’ (‘sweet season’) by Henry Howard, Earl of Surrey:
The soote season, that bud and bloom forth brings
With green hath clad the hill and eke the vale;
The nightingale with feathers new she sings;
And turtle to her make hath told her tale.
Summer is come, for every spray now springs;
The hart hath hung his old head on the pale;
The buck in brake his winter coat he flings;
The fishes flete with new repairèd scale;
The adder all her slough away she slings;
The swift swallow pursueth the flies small;
The busy bee her honey now she mings;
Winter is worn that was the flowers’ bale.
And thus I see among these pleasant things
Each care decays, and yet my sorrow springs.
British poets have long had a special connection with nature, and poetry has reflected our changing relationship with the natural world. As in Howard’s poem, matters such as the rising of the sap in spring and its promise of new life and renewal have inspired many of our best poets. We have a strong history and culture of nature poetry.
Some of the poems in this book reflect a growing despair at how we treat our natural world, and the natural world, in turn, is often used in poetry to express anxieties and states of mind – it can be cruel, benevolent, remote, familiar, or strange. Sometimes the poet is there, immersed in nature, at the heart of the poem, and sometimes they feel shut out or are merely an observer. But many of the poems come from a place of faith that nature will always recover and endure – a traditional lyrical response to the external world, held up as a mirror for the poet’s psyche or for humankind more widely. My intended emphasis in this anthology stems from my own work of writing and well-being, putting together a collection that sees the natural world as an antidote to times when the ‘world is too much with us’, as Wordsworth so beautifully puts it. These are poems that serve for a moment to take us, at least in our minds, outside. The book contains seven chapters, each of which explores a different aspect of nature.
Often ‘nature poetry’ conjures up the male Romantic poets, and there are plenty of those represented here, but I hope too that you’ll find a range of both established and lesser-known contemporary poets, with their diverse voices and ways of seeing the natural world. But still, but still…there were so many beautiful and well-known poems that I didn’t have the space to include, and in compiling the book I had terrible moments of waking up early in the morning thinking, ‘oh no, there are no poems of polecats… or robins…or…’. I apologise if your favourite poems are missing. It was an agony of exclusion. Pity the anthologist!
Some of the poems or poets in this book are linked in some way to National Trust sites or have been inspired by them. Where this is the case, there are notes explaining the connection.
I hope that this book will bring a little of the wildness and weather into your sitting rooms and bedrooms. I hope, too, that as well as inspiring you to explore nature with more of a poet’s eye, paying attention more imaginatively and philosophically, it will also encourage you to seek out more of the works of the poets included.
A colour illustration of a path winding through a field with wild flowers on either side and birds flying in the sky above.The Changing Seasons
Paragraph break imageThe poems in this chapter observe, respond to and marvel at the seasons’ signs and shifts and the mercurial changes in the weather. There is nothing quite so British as our relationship with the weather. We are drawn to its very changeability, its meanings and memories, and the way it touches and transforms the natural world.
If ever world were blessed, now it is.
(from ‘April Rise’ by Laurie Lee)
Thaw
Over the land freckled with snow half-thawed
The speculating rooks at their nests cawed
And saw from elm-tops, delicate as flowers of grass,
What we below could not see, Winter pass.
Edward Thomas
(1878–1917)
A black and white illustration of bare trees in winter. Birds nests are nestled in the branches.Spring
Nothing is so beautiful as Spring –
When weeds, in wheels, shoot long and lovely and lush;
Thrush’s eggs look little low heavens, and thrush
Through the echoing timber does so rinse and wring
The ear, it strikes like lightnings to hear him sing;
The glassy peartree leaves and blooms, they brush
The descending blue; that blue is all in a rush
With richness; the racing lambs too have fair their fling.
What is all this juice and all this joy?
A strain of the earth’s sweet being in the beginning
In Eden garden. – Have, get, before it cloy,
Before it cloud, Christ, lord, and sour with sinning,
Innocent mind and Mayday in girl and boy,
Most, O maid’s child, thy choice and worthy the winning.
Gerard Manley Hopkins
(1844–1889)
But These Things Also
But these things also are Spring’s –
On banks by the roadside the grass
Long-dead that is greyer now
Than all the Winter it was;
The shell of a little snail bleached
In the grass; chip of flint, and mite
Of chalk; and the small birds’ dung
In splashes of purest white:
All the white things a man mistakes
For earliest violets
Who seeks through Winter’s ruins
Something to pay Winter’s debts,
While the North blows, and starling flocks
By chattering on and on
Keep their spirits up in the mist,
And Spring’s here, Winter’s not gone.
Edward Thomas
(1878–1917)
I So Liked Spring
I so liked Spring last year
Because you were here; –
The thrushes too –
Because it was these you so