The Last Noël (NHB Modern Plays)
By Chris Bush
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About this ebook
It's Christmas Day, sort of, and Alice, Mike and Tess – three generations of the one family – are busy preparing a feast, singing songs, spinning yarns and squabbling about snacks… like only a close family can. But someone is missing from the table.
Telling their stories in turns, and breaking off for the odd musical interlude, the family pass the time waiting for Tess's mum to arrive. As they do, we see a picture of how one family forms its traditions – and how those traditions matter most when there are problems on the horizon.
The Last Noël by Chris Bush is a funny, moving, uplifting play with original songs. An innovative festive drama, it captures the unique bonds of family and how coming together to share stories and a meal can be a modern Christmas miracle.
It was first produced in 2019 by Attic Theatre Company and Arts at the Old Fire Station on a tour of venues around London, before a Christmas run at the Old Fire Station in Oxford.
Chris Bush
Chris Bush is a playwright, lyricist and theatre-maker. Her plays include: Rock/Paper/Scissors (Sheffield Theatres, 2022); an adaptation of Charlotte Brontë's Jane Eyre (Stephen Joseph Theatre, Scarborough, and New Vic, Newcastle-under-Lyme, 2022); (Not) the End of the World (Schaubühne, Berlin, 2021); Hungry (Paines Plough, 2021); Nine Lessons and Carols (Almeida Theatre, London, 2020); Faustus: That Damned Woman (Headlong, Lyric Hammersmith and Birmingham Rep, 2020); The Last Noël (Old Fire Station, Oxford, 2019); Standing at the Sky's Edge, a musical with music and lyrics by Richard Hawley (Sheffield Theatres, 2019, revived 2022 and at the National Theatre in 2023, West End 2024); The Changing Room (National Theatre Connections, 2018); Steel (Sheffield Theatres, 2018); an adaptation of Pericles (National Theatre, London, 2018); The Assassination of Katie Hopkins, written with Matt Winkworth (Theatr Clwyd, 2018); What We Wished For and A Dream.
Read more from Chris Bush
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Book preview
The Last Noël (NHB Modern Plays) - Chris Bush
A kitchen/living space decked out in Christmas finery. The decorations on display have been accumulated over decades. This is a warm and practical space which gets plenty of use.
A feast is being prepared. ALICE is nominally in charge/ supervising, while MIKE is taking a more hands-on approach. TESS is mostly trying to eat things without getting told off and making sure everything is just the way she likes it.
As the audience are seated, they might be offered drinks/snacks, and recruited to help with peeling potatoes, prepping canapés, etc. Perhaps they’re encouraged to join in with a festive sing- song, and/or their opinions might be sought on various contentious Christmas matters – sprouts or no sprouts? Presents before or after dinner? The Snowman or the Queen’s Speech? Each family member is delighted when they find someone who agrees with them, and there’s a friendly rivalry between them. The most important thing is that the audience are our guests, and they’re made to feel welcome.
Once everyone is settled, music shifts into the opening number.
Song: ‘It’s Christmas’
MIKE. IT ISN’T ABOUT
WHETHER YOU LIKE SPROUTS
SPROUTS AREN’T THERE FOR YOU TO LIKE THEM
IT’S TRADITION
AND WE COULDN’T DO WITHOUT
IT ISN’T THE TIME
TO PLAY FAST AND LOOSE
WITH YOUR FLAVOUR COMBINATIONS
THE TIME FOR EXPERIMENTATION
IS NOT TODAY
THERE’S AN ANGEL ON THE TREE
I MADE IN 1983
WHEN I WALK IN IF I CAN’T SEE IT
I’LL KICK OFF
IT’S CHRISTMAS
ALICE picks up the song.
ALICE. IT ISN’T ABOUT
WHEN THEY CALLED YOU LAST
THEY DON’T NEED TO GIVE A REASON
’TIS THE SEASON
WHEN WE LEAVE THINGS IN THE PAST
IT ISN’T ABOUT
GETTING EVERYTHING RIGHT
LIFE’S TOO SHORT TO TRY
TO KEEP UP WITH NIGELLA
OR WHOEVER THE HELL
THEY MIGHT BE WATCHING
MINE’S A SHERRY, MINE’S A GIN
TAKE OFF YOUR SHOES WHEN YOU COME IN
IS YOUR NAME JESUS –
WERE YOU BROUGHT UP IN A BARN?
ALICE/MIKE. MERRY CHRISTMAS
TESS, dragging a large gym bag full of washing, takes over.
TESS. IT ISN’T ABOUT
SNEAKING OUT
TO THE PUB TO SEE YOUR MATES
TO HAVE THE SAME OLD CONVERSATIONS
YOU HAD LAST YEAR ANYWAY
IT ISN’T ABOUT
THE ROWING MACHINE
THAT’S APPEARED IN YOUR ROOM
IT FEELS TOO SOON
IT’S ALL TOO SOON
BUT RING THE BELLS AND SING OF CHEER
YES I STILL NEED A STOCKING THIS YEAR
SOME THINGS SHOULD NEVER CHANGE
LIKE CHRISTMAS
The three overlap.
RING OUT THOSE BELLS
MIKE. WHO’S MOVED THE CHESTNUTS?
ALICE. CAN YOU PUT THAT DOWN PLEASE?
TESS. SING OF CHRISTMAS TIME
MIKE. MUM? MUM! MUM?!
ALICE. THEY’RE FOR LATER
TESS. AND ALL THE TREATS WE ONLY GET
AND DO WE HAVE THE BISCUITS THAT I LIKE?
MIKE. I JUST HAD THEM
ALICE. AM I TALKING TO MYSELF?
ALL. RING OUT THOSE BELLS
SING OF CHRISTMAS TIME
AND ALL THE STUPID LITTLE THINGS
THAT MEAN THE WORLD TO US
THAT’S CHRISTMAS.
Song ends. They address the audience.
ALICE. Today –
TESS. [States today’s date.]
MIKE. Today is Christmas Day.
TESS. Admittedly not the traditional date associated with
Christmas Day, but –
ALICE. But this year, this is when it falls.
MIKE. In our family we have a roving Christmas – a bit like
Easter, how Easter fluctuates depending on… on…
TESS. Go on.
MIKE. Y’know, equinoxes? Or…
TESS. Uh-huh.
MIKE. Lunar, um… Whitsun, solstice… I don’t know.