Scribe-Geezer

Scribe-Geezer

Floyd Wray

Motionbooks.com

Copyright © 2022 Floyd Wray

All rights reserved

The characters and events portrayed in this book are fictitious. Any similarity to real persons, living or dead, is coincidental and not intended by the author.

No part of this book may be reproduced, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without express written permission of the publisher.

ISBN-13: 9781234567890

ISBN-10: 1477123456

Cover design by: Art Painter

Library of Congress Control Number: 2018675309

Printed in the United States of America

For Spot & Dot. They endured much silliness.

Contents

Title Page

Copyright

Epigraph

Front cover

The Pattern

Start Here

Preface To ThePattern

1 The Nature of Reality

2 Uncle Morrie Is Not A Pet

3 Narrative Patterns

4 Origins & Destinies

5 Patterns of the Soul

6 What Do you say to a fish?

7 What Drives Cat Ownership?

8 My Fulgurite My Faith

9 Visible Light - Invisible Patterns

10 X-Event/Worry or Trust?

Breakaway Literacy

1 The Roach of the World

2 The Straight Line

3 Mouse Trauma

4 Authoring

5 Context Records

6 Crossing the Narrative Boundary

7 Breakaway Literacy

8 Next Year's Words

LifePlanning

1 Scoping out the Future

2  Is there a higher purpose

3 What Did Your Ancestors Know?

4 SANTA-fication

5 Lands You Do Not Know

6 How Jesus Approached LifePlanning

7 Three Issues of Character

8 Expectation

9 Devil Dog

10  X-Event/Worry Or Trust?

LifePlanning Journal

Preface  

1 Scoping Out The Future

2 Is There A Higher Purpose?

3 What Did Your Ancestors Know?

4 SANTAfication

5 Lands You Do Not Know

6 How Jesus Approached LifePlanning

7 Three Issues of Character

8 Expectation

9 Devil Dog

10 X-Event/Worry Or Trust?

Appendices – Scribe Tests

Surviving the Rapture

Holybook

Back Cover

Front cover

The Pattern

Start Here

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Preface To ThePattern

They’re usually invisible to us, but they’re everywhere: reoccurring themes in religion, history, science, art, and math.

Perhaps that’s a bit misleading. Patterns are not actually invisible, they just tend to go unnoticed most of the time.

There’s an old saying: It’s the thread that leads to the string, that leads to the rope, that leads to the chain. This perfectly describes the way patterns work. The mathematics that originate in finger-counting during childhood, for example, may initiate a pattern-trail that leads to calculus and differential equations, later. Patterns, discovered in one concept, feed and grow within another. Oh, and the string-to-the-rope observation is also a pattern. The concept may be applied to mathematics, and practically any other discipline we undertake.

Patterns may actually be used to predict discovery. After graphing a sequence of sub-atomic particles, physicist Murray Gell-Mann discovered a hole in the visual symmetry. A missing piece. Based on the visualization, he started searching for an unknown particle. Two years later, he discovered the Omega-minus particle. Patterns reveal. Patterns predict. Patterns explain. Patterns can assist you in winning the Nobel Prize.

ThePattern / Scribing

The subject of patterns is perfectly suited to a narrative format that is, in itself, based on patterning.

Scribing designates a class of visual language that’s been around since the beginning of time, or at least since humans started painting stories on cave walls. Scribing provides an illustration of a person, place or thing. It may also be the core component in visual analogy.

ThePattern employs animated visualizations to engage and inform.

1 The Nature of Reality

ThePattern

Not long ago I saw a bumper sticker that got me thinking about the nature of reality. Exactly how did you come up with your snapshot of the cosmos?

My fourth grade teacher, Ms. Stubbs, was a woman with a bizarre reality. She owned at least five-hundred cats, wore something purple every day, and when she taught us about Egypt, she pranced around the classroom channeling Queen Nefertiti. We were her wee Nubians, she said. Didn’t have a clue what she was talking about. Her snapshot was more than a little creepy, but hey, it was hers to do with as she pleased.

Everyone has a sense of reality, filled with personal preferences and understanding. Like a fingerprint, it’s unique. What interests me is how you come up with it. There are so many things in the universe, ready to lend shape to your inner landscape. Just how did your sense of the cosmos, form?

A few questions come to mind, immediately. Have you lent shape to your reality, or has your reality lent shape you? You can edit it, you know, throwing out the stupid stuff, but do you? And if you don’t, why not?

Our reality holds: our likes, dislikes, our dumb ideas, our smart ideas, our belief, our evidence, milestones, datapoints, analogies, metaphors, and patterns-of-understanding, among other things.

How in the world did all this stuff get into our heads?

On day one you were a blank-headed goo-ball of love; ten years later, you were an urbane, informed explorer of time and space.

When you think about it, this represents a rather profound transition.

In the beginning, there were so many things you didn’t know. Yet somehow, you reached out with a baby’s hand, grabbed a small bit of the cosmos, and methodically, grew a mind with it. This was possible due to a simple little bit of magic: you have an instinct for comparing things. This is how your reality starts.

Actually, this is how everything about you starts.

When you saw something, out there, you compared it to things you already knew, in here. Comparing patterns, evaluating the similarities and distinctions, led to increased understanding, and something else.

Patterns gave birth to more patterns, and in the process, you got smart. Intellectually, that’s the difference between you at one, and you at ten. Thanks to patterning, comparing new things to known things, you transformed from a blank slate into a 10-year old genius.

2 Uncle Morrie Is Not A Pet

ThePattern

A pattern is a theme, an organizational theme. A pattern provides form and identity to objects and events. A pattern is a shared understanding; it suggests the nature of a thing.

Patterning is the engine of intellect. And while it’s a personal transaction, one that’s often invisible as a process, patterning is not just something we do, individually; patterning is also an inheritance from family and friends – from our community.

As an example, let’s say, baby sees a hairy creature with four legs, that’s not uncle Morrie, and mommy calls it a dog. Mommy’s not afraid of the dog, so baby figures, even though it doesn’t look like us, dogs must be OK.

Then baby sees a cat, and baby says, dog. Everyone laughs and mommy says, "No honey, that’s a cat." Well, the cat doesn’t look like a dog, now that you mention it, but mommy’s not afraid of the cat either, so cats must be okay, too. Mommy says both are pets. And there it is. A new pattern, thanks to mommy. Pets.

Eventually, baby’s understanding will grow beyond mommy’s counsel to include goldfish, or parakeets, as well as names of favorite pets, and stories about them, and the sadness to be endured when a pet dies. What started as a non-human hairy thing that wasn’t Uncle Morrie, became an assortment of animals, experiences and values. A theme of living creatures. 

Patterns can be spectacular, at times. Not only do they help us identify the pieces of our lives, sometimes they provide a deeper explanation for those pieces. Which is crazy. The seasons of the year are a pretty basic example of this. Spring is followed by summer, then fall, and winter. But early in life, a child learns, the pattern of seasons may also be applied to measure other things.

For example, in spring plants are young and new, just like we are young and new. Summer corresponds to being an adult; fall is like growing older, and winter is like a season for death. 

If we stopped there, we would have one pattern, and two possible uses for it. But it doesn’t. You can also apply it to technology, or politics. The pattern of seasons can be used as a tool for prediction, and a powerful way to understand persons, places and things. It provides a million answers to a million questions.

Here’s the point. It didn’t have to be this way. Why should a pattern, like the four seasons, translate with such economy from one order to another? From a cycle of temperature-change, to the rise and fall of your life, or the Roman Empire, or the life of a star, or extinction markers for a species? The patterns-of-season ring out a hymn about time, from sub-atomic particles to dimensional membranes. And you can plug it in to just about anything.

Patterns inform us; patterns grow us; patterns connect us to the universe.

The rule of pattern is two-fold. First, it expects a degree of cosmic order; but of equal importance, it gives us a tool to explore that order. Two miracles that frame human existence, two miracles that didn’t have to be, but are.

We succeed against the unknown for the simple, crazy reason: our old patterns plug into new things, and bring us revelation. This recursion seems to suggest, there’s remarkable organization to the cosmos.

3 Narrative Patterns

ThePattern

Mommy and daddy told him never go into the woods alone, but when Pig Prince heard the voice calling, Follow me, follow me, the naughty prince did what naughty princes do, he disobeyed and followed the voice deeper into the woods. But the wicked wolf jumped from behind a tree, grabbed the prince, and proceeded to escort him to a luncheon-appointment the naughty prince really would’ve preferred to miss.

The story ends with a daring rescue. The Pig King sends his boar guards to grab the prince, and the wolf runs away. Finally, a sadder but wiser Pig Prince returns home to his mom and dad, and the Big Pig castle.

At this point, I always asked the kids listening to the story, what lesson did the prince learn? Usually they would say, Don’t go into the woods. But the kid that won the literary prize for the day was the one who said, ‘Don’t disobey your parents."That was the moral of the story, or the pattern-of-evaluation I was looking for.

It has been the intention of storytelling, for who knows how long, to entertain, inform and-or prepare the listener for circumstances they might not have experienced yet; or provide a pattern for reality, of which they are unaware. There’s always a beginning, middle and end to these things, but also, an important evaluation, the moral of the story. Obey your parents. Eat your vegetables. Don’t throw firecrackers at the neighbor-lady’s cat.

Closely linked to evaluation is a law of understanding known as Occam’s Razor, the default setting for how many of us come to understand the universe. Occam’s Razor suggests: the simplest, most succinct explanation is usually the best. In other words: disobedience leads to trouble.

Another example. Imagine an orchard. Most of us picture a line of trees, ordered across a grid. But when you see trees in a pattern, don’t you also make an assumption? Someone did this. Someone conformed these trees to a plan. And do you actually have to see the person to know they exist? No. Because you just  know: someone did this. Trees don’t organize themselves in rows, on their own. The context suggests, there’s an arborist out there somewhere, with a plan.

Occam’s Razor slices through the more extravagant possibilities: swamp gas, the planet Venus, or a partridge in a pear tree, deferring, instead, to a simple evaluation succinctly based on what you already know to be true. Someone laid out this orchard, intentionally.

And this is pretty much how the universe gets explored. It starts in our instinct to compare the unknown to the