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A Few Right Thinking Men
A Few Right Thinking Men
A Few Right Thinking Men
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A Few Right Thinking Men

Rating: 3.5 out of 5 stars

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An amateur sleuth searches for a killer among the aristocracy in 1930s Australia in a novel by the author of The Woman in the Library: “[A] witty hero.” —Library Journal (starred review)

Finalist, Commonwealth Writers’ Prize for Best First Book

Sydney, 1931. Rowland Sinclair doesn’t fit with his family. His conservative older brother, Wilfred, thinks he’s reckless, a black sheep; his aging and declining mother thinks he’s her son who was killed in the war. Only his namesake, Uncle Rowly, a kindred spirit, understands him—and now he’s been brutally murdered in his own home.

The police are literally clueless, and so Rowly takes it upon himself to crack the mystery. In order to root out the guilty party, he uses his wealth and family influence to infiltrate the upper echelons of both the old and the new guard, playing both against the middle in a desperate and risky attempt to find justice for his uncle. With his bohemian housemates—a poet, a painter, and a free-spirited sculptress—watching his back, Rowly unwittingly exposes a conspiracy that just might be his undoing.

“Will delight traditional mystery buffs.” ―Library Journal (starred review)
 
“Fans of Kerry Greenwood’s Phryne Fisher series, rejoice.” ―Historical Novels Review
 
“The plot effectively plays Sinclair’s aristocratic bearing and involvement in the arts against the Depression setting, fraught with radical politics . . . And Sinclair himself is a delight: winning us over completely and making us feel as though he’s an old friend.” ―Booklist (starred review)

LanguageEnglish
Release dateJun 7, 2016
ISBN9781464206382
Author

Sulari Gentill

After setting out to study astrophysics, graduating in law and then abandoning her legal career to write books, SULARI GENTILL now grows French black truffles on her farm in the foothills of the Snowy Mountains of Australia. Gentill’s Rowland Sinclair mysteries have won and/or been shortlisted for the Davitt Award and the Commonwealth Writers’ Prize, and her stand-alone metafiction thriller, After She Wrote Him won the Ned Kelly Award for Best Crime Novel in 2018. Her tenth Sinclair novel, A Testament of Character, was shortlisted for the Ned Kelly Best Crime Novel in 2021.

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Rating: 3.598591577464789 out of 5 stars
3.5/5

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  • Rating: 4 out of 5 stars
    4/5
    This was quite the introduction to an interesting character - Rowland Sinclair. He's about what you'd expect from a wealthy young man in the 1930s. I enjoyed the setting being in Australia, a time and place I'm not very familiar with. A lot of the political things went over my head - I don't have the historical knowledge to completely frame it, but I wouldn't say that really detracted much from my enjoyment (even though they're a major part of the story). It was interesting to see the clashes between the political parties, and how Sinclair navigates it all. I thought Gentill did a great job of bringing the characters and setting to life. I'm looking forward to reading more books in this series.
  • Rating: 2 out of 5 stars
    2/5
    1931 New South Wales and it has been reported that Rowland Sinclair has been killed. But it's the uncle that has died and the nephew Rowland Sinclair decides that the police are not doing anything to find the guilty party so he and his friends start to investigate.
    Having read Books Two and Three I was interested in reading this, the first in the series, unfortunately there was too much 1930 Australian politics, not enough of a mystery, and Sinclair's friends were not that likeable. I did manage to finished the book though - but only just.
    A NetGalley Book
  • Rating: 4 out of 5 stars
    4/5
    Sulari Gentill’s historical mystery series featuring Rowland Sinclair has long been on my radar. I regret that it has taken me a decade to start it, though on the plus side, there are a further eight books ahead of me to enjoy.

    A Few Right Thinking Men is set in New South Wales, Australia during the early 1930’s. It is a period of great political upheaval where, in the wake of The Great Depression, tensions are mounting resulting in the rapid growth of extremist organisations.
    Rowland Sinclair, affectionately known as Rowly to his friends, is content to stay out of politics. As the youngest son of the wealthy and influential Sinclair family, he has largely been left to his own devices, allowing him to pursue his passion for painting, and support a revolving cast of fellow artists at his well appointed home, Woodlands House, on Sydney’s North Shore.
    That is until Rowly’s uncle, for whom he is named, is killed during a home invasion, and rumour places the blame on an aggressive group within the New Guard, a far right political organisation focused on destroying the ‘red threat’ of communism.

    Till now, he had crowded his mind with his work and with things more mundane, but as he stood where his uncle had died, he was staggered by a deep sense of loss, and outrage.

    Though Rowly’s goal is to bring uncle’s murderer to justice, the mystery surrounding his death is not really the focus of this novel. With the local detective reluctant to investigate, Rowly is convinced by his friends and houseguests Milton, Clyde and Edna to take on Clyde’s identity and infiltrate the New Guard, unwittingly putting himself at the epicentre of the dissent. It is the clandestine machinations of the various political organisations that is center stage here.

    He’d just have to hope to God that democracy would survive all these right thinking men.

    The authors research is meticulous, sadly I’m almost wholly ignorant of my country’s past, but it’s understandable that Gentill would enthusiastically delve into this ‘fascinating and ludicrous’ period of Australian history. The situation, as the conflict between the spectrum of ideologies escalates, would be farcical if not for the seriousness with which they regard themselves. Each is convinced they are the only ‘right thinking men’ fit to lead the state, if not the entire country.

    “You are who you are. Given your gilded background, you could be insufferable, but you’re not. I wouldn’t have you be anything else.”

    I thought the characterisation of both the main and supporting characters was very well done. Rowly is kind, generous, thoughtful and loyal. For the most part apolitical, Rowly is well aware that his background makes him an enemy of the far left, and his lifestyle pits him against the far right. His older brother Wilford is contemptuous of his youngest brother’s ways, but Rowly is wonderfully supported by Edna, a beautiful sculptress with whom he is in love, communist poet Milt, and fellow painter, Clyde, and not just because he funds their modus vivendi.

    A Few Right Thinking Men is an entertaining and astute novel, rich with history, drama, and engaging characters. I’m looking forward to continuing with the series.
  • Rating: 5 out of 5 stars
    5/5
    Australia, historical-fiction, historical-places-events, historical-research, mystery

    I was delighted to get the first in the Rowland Sinclair series as I have enjoyed several of the later books very much! I always thought that Rowley and Phryne Fisher could be fast friends and co-conspirators and this book does nothing to change that.
    The Australian sociopolitical scene seems to have been rather different from that in America but I had no understanding of that until I started broadening my horizons with mystery fiction from other countries from authors who research their subject matter very well and are able to communicate it clearly with the reader. The publisher's blurb gives a fairly good intro, and I leave plot summaries to others, but the characters are excellent!
    Definitely a very good read!
    I requested and received a free ebook copy from Pantera Press via NetGalley. Thank you!
  • Rating: 2 out of 5 stars
    2/5
    It just didn't hook me.
    I like Poison Pen Press, the Australian mysteries, even the era.....

    Maybe I'll give another try another day.
  • Rating: 4 out of 5 stars
    4/5
    Author Sulari Gentill is absolutely brilliant at setting the stage for her first Rowland Sinclair mystery. Her historical and societal contexts bring this era in Australia to life-- and also shows eery similarities to the world today. She also establishes a stellar cast with Rowland, his brother Wilfred, sister-in-law Kate, and his friends Edna, Milt, and Clyde.

    The only drawback to A Few Right Thinking Men is that Gentill concentrates so much on setting her stage that the mystery felt almost non-existent. It took a long time for Rowland to really get moving on his investigation into his uncle's death and the conclusion of it occurred behind the curtains, which always annoys me.

    Be that as it may, I'm looking forward to reading the next book in the series. With a slight touch of Lord Peter Wimsey in his Harriet Vane days, this is a series that should easily appeal to fellow fans of Jacqueline Winspear's Maisie Dobbs and Kerry Greenwood's Miss Phryne Fisher.
  • Rating: 3 out of 5 stars
    3/5
    A cute mystery novel set in 1930s Sydney. I enjoy recognising the events and places of my home town. Will have to investigate some more of what happened back then, as it has left me very intrigued. I am looking forward to reading the next book in the series
  • Rating: 4 out of 5 stars
    4/5
    It is the early 1930’s and Australia, like the rest of the world, is in the grip of the Depression. As often happens in such times the political scene has become tense with a newly emerging socialism at odds with the established conservatism. Striding both worlds is Rowland ‘Rowly’ Sinclair, the youngest son of a wealthy landowning family he knows great privilege but he chooses to mix with, even share his house with, artists, left wing types and even members of the Communist Party. When his uncle is savagely beaten and killed the Police seem alarmingly disinterested in finding the culprit so Rowly and his friends embark on their own investigation.

    This was a delightful book to read. I’ll admit right up front that the mystery component was a bit on the light side but because it played out against a fascinating and well-drawn backdrop of social and political events it kept my attention from the outset. Australia is not noted for its political unrest but Gentill has done a tremendous job of taking just enough real people and events from one of the few genuinely tense times in our political history and surrounding them with interesting fictional characters and intriguing situations. Rowly and his friends, some of whom are members of the Communist Party which is rising in popularity among the working class, find themselves up against the New Guard, a right-wing group that rose up (albeit briefly) in response to the perceived threat of the spread of Communism and the slightly more real threat from the brand of socialism expounded by the local Premier at the time, Jack Lang. The increasingly bizarre plots to ‘save’ the country are credibly depicted and do indeed demonstrate how easy it is for people who believe a little too fervently to move from doing good works to dangerous ones in the blink of an eye.

    The characters too are nicely drawn. There was potential for them all to be a bit stereotyped and one-dimensional but they’re all nicely rounded out. Rowly is an accomplished artist, secretly in love with one of his house guests but she is pursuing her own artistic dreams. While he wants to be his own man he still does have respect for his family name and though he argues with his older brother Wilfred, now head of the family, he doesn’t deliberately set out to upset him. And though Rowly and his friends lived a life of luxury amidst the harshness of the Depression their lives aren’t without sadness, such as having to deal with the fact that Rowly’s mother believes him to be his other brother who died in the war and she constantly refers to him by his dead brother’s name and only ever talks to him about events from his brother’s life rather than his own.

    The book is rounded out by a gentle humour and some imaginative interpretations of what might have happened behind the scenes at some well known moments in our history. I was easily and quickly lost in the story and keen to find out how it would all unfold. I read the whole thing in a couple of sittings and would recommend it to those who don’t mind their mysteries taking a back seat to great settings, interesting historical details and warm, lively characters. It’s a delicious treat of a book (3.5)
  • Rating: 5 out of 5 stars
    5/5
    As the 21st century rolls on, and events that made us in the 19th and 20th get further away, Australians are in desperate need of good story tellers whose fictions are firmly embedded in an authentically drawn past. Last year Geoff McGeachin did it for me with THE DIGGERS REST HOTEL set in an Australia recovering from World War II, and now comes Sulari Gentill's series featuring artist and gentleman Rowland Sinclair, set in the period leading up to that war.

    A FEW RIGHT THINKING MEN is #1 in the series, and now there are two more for me to track down, A DECLINE IN PROPHETS, and MILES OFF COURSE.

    Gentill does a wonderful job of embedding her fictional protagonist Rowland Sinclair into authentic historical detail: Australia in the Great Depression; the Premier of New South Wales seeking to distract the people by building a great bridge across Sydney Harbour; and widely disparate political groups who want to roll time back to the 19th century, or to adopt Communism, or to install Fascism.

    Coming from a wealthy landed family Rowly Sinclair is caught in a cleft stick between the old values and his friends who have joined the Reds. And then his uncle Rowland Sinclair is murdered and Rowly's quest to find the culprits takes him into the third group.

    This was an excellent read: well constructed plot, vividly drawn characters, and reminders of the historical events that occupied Australia's "premier state" in the early 1930s.
  • Rating: 4 out of 5 stars
    4/5
    I must admit that even though my brother has lived in Australia for many many years I know very little of Australian history and politics. Sulari Gentill has based her novel on historical facts and events and she´s written an interesting foreword about how she came to write the novel.

    The main character is Rowland Sinclair, a wealthy artist (painter) leading a slightly bohemian life in Sydney during the Great Depression in the 1930s together with his artist- and leftwing friends. His brother and head of the family leads a totally different life, conservative and old-fashioned.

    The murder of their uncle and the rather poorly policework, lead Rowland Sinclair to investigate the case. He soon finds himself right in the middle of the conflict between the fascist movement and the left wing people. Can the murder have a political cause ? Is his brother somehow involved?

    I really liked the novel. Sulari Gentill has managed to picture the way of life and the atmosphere of the 1930s. There is an interesting conflict between the brothers´ differences and not only Rowland Sinclair but all the characters are well defined and credible. Rowland Sinclair is also a very charming and likeable man whom I very much would like to meet again.

    Unfortunately the novel is (not yet) not for sale in Europe. But I will try and get a copy of the sequel "A Decline in Prophets".
  • Rating: 3 out of 5 stars
    3/5
    A FEW RIGHT THINKING MEN introduces Rowland Sinclair to fans of Australian historical crime fiction. Set in 1930's Sydney and Yass, A FEW RIGHT THINKING MEN takes a reader into a world where the affects of the Great Depression are being felt, and the tension between the Proto-Fascists and Communists in Australian society veers dangerously close to civil war.

    Not that the central character of this novel, Rowland Sinclair, is feeling any of the Depression affects. He is the youngest son of an extremely wealthy, influential farming family. His oldest brother runs the farm on a day to day basis, the middle brother was killed in the First World War. A painter, he lives in the family mansion in Sydney, along with a selection of his closest artist friends. Under his patronage, although it's really more friendship and generosity, they lead a life of luxury, privilege and ease. That doesn't stop them mixing with Communist elements - committed or fringe-dwellers.

    When Rowland's uncle (of the same name) is bashed in his home and dies, Rowland returns to the family homestead for the funeral and a visit over Christmas with his mother, brother and sister-in-law. He finds his mother more and more mentally disturbed by the loss of her middle son, and his brother deeply involved with the New Guard. The New Guard was a mostly NSW, Sydney-centric proto-fascist movement committed to fighting the perceived "Communist threat". The Old Guard boasted a similar philosophy but were altogether more shadowy and militant. Both these movements were convinced that armed rebellion against the communists was required, and New Guard actively campaigned the overthrow of the then NSW Premier Jack Lang. For those interested in these things, the man who cut the ribbon at the opening of the Sydney Harbour Bridge before the Premier could, Captain Francis de Groot, was a member of the New Guard... but I digress.

    A FEW RIGHT THINKING MEN is set in a very short period of Australian history when open rebellion was discussed and enmity and mistrust held very close to hearts. The battles between the Old and New Guard, the Communists, and sympathisers from all sides are covered within the context of this book, which has, at the heart of it a fairly simple murder plot. Even though Rowland Sinclair, the elder, is bashed to death, the death is mostly handled delicately and there's very little dwelling on the events and/or details. Where this book is very strong is in the clarity of the events that it describes, the way that the characters of Rowland and his friends are seamlessly woven into a true history, and the manner in which this period in Australia is described.

    Not that this is a heavy, hard-work historical novel. The characters are wonderfully drawn. Rowland and friends are eccentric, but not overly so, they fit within that period of history well. The members of the New and Old Guard's are nicely shadowy, dedicated to the cause, slightly mad in their own right, but not cartoonish or overdone. There are light touches of humour, and there are some sad moments - the loss of Rowland the elder, the descent of Rowland's mother into complete madness are deftly drawn.

    A FEW RIGHT THINKING MEN would be a good book for readers who like their murder and mayhem more on the incidental side. It's not that hard to pick the why very early on, and the who narrows down as events progress. But the murder doesn't read as the point of this book. It's the overall environment, and that short, sharp, mad period of Australian history, which is really very well handled.

Book preview

A Few Right Thinking Men - Sulari Gentill

Copyright

Copyright © 2016 by Sulari Gentill

First E-book Edition 2016

ISBN: 9781464206382 ebook

All rights reserved. No part of this publication may be reproduced, stored in, or introduced into a retrieval system, or transmitted in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise) without the prior written permission of both the copyright owner and the publisher of this book.

The historical characters and events portrayed in this book are inventions of the author or used fictitiously.

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Contents

A Few Right Thinking Men

Copyright

Contents

Dedication

Acknowledgments

Crime Wave

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

Chapter Seventeen

Chapter Eighteen

Chapter Nineteen

Chapter Twenty

Chapter Twenty-one

Chapter Twenty-two

Chapter Twenty-three

Chapter Twenty-four

Chapter Twenty-five

Chapter Twenty-six

Chapter Twenty-seven

Chapter Twenty-eight

Chapter Twenty-nine

Chapter Thirty

Chapter Thirty-one

Chapter Thirty-two

Chapter Thirty-three

Chapter Thirty-four

Chapter Thirty-five

Chapter Thirty-six

Chapter Thirty-seven

Chapter Thirty-eight

Chapter Thirty-nine

Epilogue

Excerpt: A Decline in Prophets

Prologue

Chapter One

More from this Author

Contact Us

Dedication

To all the right thinking men I have known,

and the libertines who keep them in line.

Acknowledgments

It takes a village to raise a child…and to write a novel. Certainly there were many people who contributed to both this book and the maintenance of its author’s sanity. It is a debt I wish to humbly acknowledge here.

My father, who did not once question my decision to spurn an ostensibly respectable career in order to write stories; who read all my manuscripts and approached my newfound passion with all the support and enthusiasm that he gave my schemes as a child. This, despite my past teenage proclivity to grandiose disasters…who can forget my ill-fated forays into the world of stuffed toy manufacture, T-shirt design, and, of course, film production?

My husband, Michael, an historian, an Old Guardsman in spirit if not in fact, whose historical knowledge, political insight, and natural disposition I shamelessly appropriated for the purposes of this book; who married a lawyer and then found himself financially tied to someone who just wanted to tell stories…and refused to do anything else. Thank you.

My boys, Edmund and Atticus, who at times impersonated laptops to gain a spot on my knee; who wanted Rowland Sinclair to be a werewolf; whose fearlessness and belief in all possibilities is both noisy and inspiring—though Rowland Sinclair is not a werewolf.

Leith, my childhood friend, with whom I plotted world domination when I was twelve; to whom I turned in those who am I kidding moments; who, most delightfully, retells passages from my novel, forgetting that they are not her personal memories of old friends. Thank you.

The intrepid J.C. Henry who bravely took my author photos with the brief that he must improve on nature.

My sister, Devini, who read the manuscript and then sent me suggestions for casting the movie; who has some quite bizarre ideas about who should play Rowland Sinclair, but whose belief in me and this novel meant a great deal. My sister, Nilukshi, who on hearing of my latest mad obsession, enabled me with a gift of enough paper to sustain several long novels.

My dear friend, Wallace, who offered his services if I needed to do anything dodgy to get published. I didn’t have to resort to that in the end, but it could have been fun.

Jo-anne O’Brien, whose hand I held tightly as we jumped naively into the world of aspiring authors; with whom I shared paperback dreams over coffee and various types of cake. Thank you.

Rebecca Lachlann, fellow writer, who has, for as long as I’ve know her, been both generous and timely with her advice, her interest, and her friendship. Alastair Blanshard, who both willingly and unwittingly helped me research this novel. Michelle Wainwright, Sarah Kynaston, MaryAnn Marshall, and Stanley Sparkes—that most precious literary resource—friends who could read and were willing to do so.

Whoever it was behind the Australian Newspapers Digitisation Program—brilliant idea! The online access to the times in which Rowland Sinclair lived was invaluable. All but two of the newspaper extracts featured in these pages were taken from actual articles appearing in Australian newspapers in 1932 or thereabouts. The specific dates and the names of the publications in which they appeared have been altered to better align with the story—in some instances, even that was unnecessary.

Finally, I would like to acknowledge the rich background to the era and its personalities that I gained from the writings of Andrew Moore, Keith Amos, David Hickie, and the memoirs of Eric Campbell himself. Thank you, gentlemen, for preserving this fascinating, if occasionally ludicrous, period of Australian history.

Well that’s my village. Thank you all. S.G.

Crime Wave

Brutal Murder

SYDNEY, Thursday

Late last night, police attended a shocking murder scene at one of Sydney’s foremost suburbs.

The deceased gentleman, Mr. Rowland Sinclair, died in his own home, after or during a brutal attack by unknown assailants. Authorities were alerted by his housekeeper who discovered his bludgeoned body. The victim was from one of the State’s pre-eminent families: the Sinclairs of Oaklea near Yass.

It is a sign of the times that the lawlessness that has taken hold of Sydney’s streets has invaded the homes of even the most well-to-do. Violent crime, on the rise since the Great War, has been further exacerbated by the current political tensions, as well as the ever-mounting numbers of unemployed. Burglaries and robberies from the person, often with firearms and violence, are now daily events, with the meanest classes of thefts reported from all quarters. Last evening was no exception.

According to police sources, Mr. Sinclair’s attackers were merciless. The investigation is continuing, though Superintendent MacKay was not available for comment.

Superintendent MacKay has come to prominence for his efforts to suppress the Razor Gangs waging their murderous warfare in Sydney’s streets and terrorising honest citizens.

Colonel Eric Campbell, the Commander of the New Guard, attributes the current crime wave to Communist elements conspiring to destabilise the State. Last night, he again offered the assistance of his men to the State Police Force.

Colonel Michael Bruxner, of the newly formed United Country Party, and a friend of the Sinclair family, paid tribute to Mr. Sinclair before calling upon Premier Lang to urgently address the rampant crime facing the citizens of Sydney. People can no longer feel safe in their homes, he said.

The Sydney Morning Herald,

December 11, 1931

Image29402.JPG

Chapter One

Five days earlier

It wasn’t right. He leaned to the left, squinting, but no change of perspective improved it. Swearing at the canvas was also unlikely to help, but he tried that anyway. A reasonable man would have walked away long ago.

It was ridiculous to be working in the evening, by the light of an electric bulb. He knew that. Of course, the colours would be wrong. It seemed some destructive urge compelled him to render it completely irredeemable, rather than to leave it simply unsatisfactory. Still, he continued, hoping that by some accident he would find the precise combination of pigment and stroke to resurrect the landscape. Under the broad bright sky of morning, the painting had shown such promise.

He stood back and cursed again. It was no use. He had finessed it beyond redemption. He could not even bring himself to sign the lifeless work. Not that the signature of Rowland Sinclair was of any great consequence in the world of art. Perhaps in time.

Rowland gazed out the window as he cleaned his brushes. The grounds of Woodlands House were immaculate and traditional. The distant front hedge was made just visible by a street lamp, which added its radiance to the muted light of the moon. Somewhere beyond that hedge stretched the fairways of the golf-links, and further in that direction, the great harbour of Sydney. It was hard to believe that so many struggled and despaired under the weight of the Great Depression; the leafy streets of Woollahra seemed beyond the reach of the economic crisis.

Rowland wiped his hands on his waistcoat. Not so many months ago, it had been a quality item of gentleman’s attire. Now, it was stained with paint and smelled of turpentine. Rowland preferred it that way. He looked again at the painting with which he had battled all day and which, in the end, had defeated him.

Hmmm, that’s rather awful—embarrassing really. The voice was Edna’s. She peered over his shoulder and spoke with all her customary bluntness.

He smiled. Yes, I should have stopped when it was merely bad.

Edna laughed, and slid into the tall wingback armchair where she often posed for Rowland. She pulled off her hat and gloves, tossing them carelessly onto the side table as she shook out her dark copper tresses. "I sold L’escalier today."

That’s smashing, Rowland said, impressed. L’escalier was one of Edna’s larger pieces—difficult to sell in the financial restraint of the times. Who bought it?

Some academic friend of Papa’s…I had to discount it a little.

Rowland saw the flicker in her eyes. I wouldn’t fret about that, Ed. Most of us aren’t selling anything at all these days. He groaned as he looked back at his landscape. Obviously, the buying public recognises true talent.

Edna dismissed the last. Rowland Sinclair was by no means untalented, but painters were susceptible to self-doubt. Edna created art in clay and bronze. Her mother had been a French artist of some acclaim in her own country. Before she died, she imbued in her daughter a determination, a belief in her own artistic destiny, and a certain European disregard for the social expectations of conservative Sydney, whose elite still clung to the Empire.

I don’t know why you spend so much time trying to paint trees, she said, as Rowland pushed his easel into a corner. You’re not very good at it…and you capture people so beautifully.

Trees don’t complain quite so much. Taking to the chair beside her, he took opened his notebook and began to sketch her face, glancing up occasionally with intense blue eyes that observed every contour and movement, each nuance of expression. She ignored it, accustomed to being the subject of his scribbling.

Rowly, do you remember Archie Greenwood?

No.

Yes, you do. He was at Ashton’s when you first started there.

If you say so. Rowland remained focussed on his notebook.

The Ashton Art School was where he had first encountered Edna. It had been the twenties, a time of thrilling optimism, a time when crashing markets had been unthinkable. Rowland had been barely twenty-three and not long returned from Oxford.

You must remember Archie—he had that dreadful lisp, but talked all the time anyway. Considered himself the next Picasso.

Rowland looked at her blankly. In truth, he hadn’t noticed much at Ashton’s after Edna, and he had noticed her immediately—how could he not? She was enchanting. Her face was mesmerising, as open as a child’s, yet full of passion and an unshakable sense of self. Her hair was that glorious fiery shade featured time and again in the works of the great masters. A spirited, laughing muse, she had captivated and mystified him. Still, their association had not started well.

Come on, Rowly, Edna insisted. Archie used to paint those appalling pictures of erotic fruit.

Oh, him! He had an interesting way with bananas. Archie Greenwood and his lewd still lifes came back to him.

To his recollection, the Ashton school overflowed with odd characters; and yet, it was Rowland Sinclair whom Edna had seemed to find ridiculous, somehow trivial. She had often left him feeling so. Admittedly, he had not been typical of the students there.

I saw Archie today.

What’s he doing?

Oh, Rowly. Edna wrapped her arms around a cushion and hugged it under her chin. He was picking up cigarette butts from the platform. I think he may be sleeping at Happy Valley. She shuddered. The unemployed camp out at La Perouse was a desperate, violent place—the refuge of those without any other choice.

Rowland stilled his pencil. He wouldn’t come with you? He assumed Edna would have tried to bring Greenwood back to Woodlands House. The Woollahra mansion, the Sydney residence of the Sinclairs, had for some time hosted a succession of artists, writers, and poets. Some stayed a short time, others longer. Some came to live and work in an atmosphere of creativity; others because they had nowhere else. Edna had been there two years.

She stood, frowning as she thought of the broken man who had once dreamt of artistic triumph. He would barely talk to me. He was so embarrassed.

Greenwood knows how to find us?

Edna nodded. I gave him my card.

Do you know how to find him?

No, I ran into him by chance.

Not much we can do, Ed. He knows his own mind, and a man has his pride, if nothing else.

Edna leant against the back of the armchair, which Rowland’s late father had imported from London. Not just men. I wonder when things will get better.

Rowland glanced up. The life-sized portrait of Henry Sinclair glared down at them from the wall behind Edna, as if he disapproved of her being anywhere remotely near his chair, or his son. For that moment, Rowland’s choices were silhouetted against his background. His father had presided over a rural fiefdom—vast pastoral holdings near Yass, in the west. His sons were born into a world of extraordinary privilege and conservative tradition. The Sinclair boys had been raised as gentlemen: New South Welshmen, but British, nonetheless.

And yet, Rowland had been drawn Edna’s world. She had been raised among the city’s intelligentsia, in salons rich in thought and debate. Through her father, a professor of philosophy at the University of Sydney, she had developed a sympathy for the ideas of the left and, with it, a suspicion of the almost incomprehensible wealth of those in the great houses of Woollahra.

Despite her initial misgivings, Edna had come to like Rowland Sinclair. He had surprised her with his willingness to absorb the ways of her world, her politics, her friends, and her causes. She knew that he was in love with her—on some level at least—but he had never asked that his feelings be reciprocated. Indeed, he called her Ed, as if she were one of his mates. Edna liked that. To her, their relationship was clear; they were the best of friends—they would storm the world together with their art and their ideas.

She had introduced him into her circles—artists and intellectuals who fraternised across the class lines that segregated polite society from the rest. In time, Rowland was accepted among them, forgiven for the absurd opulence of his background.

Rowland looked over as the housekeeper entered the room. Mary Brown had been in his family’s employ since before he was born. She managed the day-to-day running of Woodlands House, supervising the domestic staff, including the gardener and the chauffeur. A solid woman of formidable disposition, Mary sighed audibly as she surveyed the drawing room. She pulled a cloth from her apron and pointedly rubbed the drops of paint from the lacquered sideboard. She sighed again.

Rowland winked at Edna. Mary Brown had an entire language of sighs.

At one time, when Mary had still been the downstairs maid, the Sinclairs had spent much of the year in Woodlands House. Then in 1914, Britain declared war on Germany, and Australia fell enthusiastically into step. Rowland’s brothers joined up, eager to fight for the Empire’s cause. He was not yet ten when he waved them off on the troop ships bound for Egypt. Wilfred had been twenty-four, Aubrey just nineteen, and the three of them had been friends, despite the years between them.

Aubrey was killed in action a year later. Mrs. Sinclair deserted the whirl of Sydney society to mourn her son in the seclusion of their country property. She never returned. She had never been the same.

Wilfred eventually came back from the war, but he was changed. He, too, retreated to Oaklea, and Mary Brown became keeper of an empty house.

Sent to school in England soon after the war ended, Rowland remained there for over eight years. Through all that time, there were no Sinclairs in Woodlands House, though Mary Brown ensured it was ready for the family to walk back in at any time.

Will you be dining in tonight, Master Rowly? She addressed him as she had since he was a child.

I think so, Mary. Rowland glanced at Edna. But we should probably wait for Milton and Clyde. Ed, do you know where they are?

I think they went to the pub, she said. Clyde’s been struggling with his commission, and Milton…well he just likes to drink.

Rowland smiled. It might be a while, Mary.

She nodded and left the room, her face set and unreadable. Mr. Sinclair would not have approved of his son’s friends; of that, she was sure. He certainly would not have been happy that his home had become a shelter for all manner of shiftless artists and Communists. To Mary Brown, the terms were synonymous. Still, she had known Rowland since he was a baby. He had been a quiet, sensitive child, but she had thought him a good boy. She hoped he would see the error of his ways. In any case, it was not her place to say.

What are you doing tomorrow, Rowly? Edna asked suddenly.

Lunch with my uncle, at his club, he replied, wondering what else she had in mind.

Sounds frightful.

Rowland grinned. Edna objected to gentlemen’s clubs on principle. Uncle Rowland likes it. It’s not that bad.

His Uncle Rowland, his namesake, was his father’s younger brother. He had never married and had spent much of his life travelling. An unrepentant and flamboyant hedonist, the elder Rowland Sinclair worked diligently at indulging in all the pleasures of life, with hardly a thought for anything else. It was not that he was unkind or intentionally indifferent. He just seemed to assume everyone had the same resources as he.

He’s rather taken with you, Rowland said, cringing a little as he remembered how outrageously his uncle had flirted with Edna on the few occasions they’d met. She could easily have been offended, but the sculptress had taken it in her stride, telling the elderly rogue that if she ever did decide to take up with a Sinclair, it would indeed be an old one.

He’s a character, Edna’s eyes twinkled. You know, he doesn’t seem to be the least bit bothered about us all. She could not imagine any of Rowland’s other relatives being so at ease with the manner in which he had turned their grand home into a luxurious artists’ commune.

I think he’s rather tickled that there’s someone else disgracing the family name, Rowland replied.

You’ll be finished by three, won’t you? Edna ventured. Even your uncle can’t eat for more than three hours… She had become resigned to the fact that Rowland occasionally had to return to the world to which he was born.

I can be finished by three, he said. What do you need me for?

There’s a meeting tomorrow afternoon. At the Domain. We should go.

Rowland knew she meant a meeting of the Communist Party. He was not a Communist, neither was Edna, at least not officially. Why?

Morris is speaking, she replied. He’s very nervous—I’m sure he’d appreciate it if we were there.

Rowland had now met many Communists, Morris among them. The returned serviceman was sincere in his conviction and committed to his ideology, but he was no orator. The crowds at the Domain had grown during the harsh Depression years. The exchanges between the rousing speakers and the equally fervent hecklers were often so entertaining, that those who could no longer afford shows flocked there for amusement, if not enlightenment. As far as Rowland could tell, the local Communist Party had nothing to fill its agenda except for the impassioned speeches by its members. To date, Morris had avoided the duty, but with the Depression dragging on, and more people turning out, every Party member was required to do his bit to rally the masses.

Come on, Rowly, Edna pleaded, as she poured him a drink. We can clap and cheer at the right times, and hopefully he won’t have to stand up for very long.

Yes, why not? Rowland replied as he put down his pencil and took the glass of sherry.

Good. Edna smiled, satisfied. We’ll meet you there at about quarter past.

We? Who else have you drafted?

Just Milt and Clyde. Morris will be very grateful, she added earnestly.

He needn’t be. Rowland picked up his pencil once again.

Chapter Two

Sydney Day-By-Day

(By A Special Correspondent)

SYDNEY, Sunday

The new Masonic Club building is in accord with the recent progress of the city. It rises to 150ft yet seems even taller. A view of North Head and the Pacific beyond may be obtained from the roof.

The building was made possible by activity in the real estate market. The former premises were disposed of at a surprising profit. The club purchased a block of land running from Castlereagh Street to Pitt Street between Market and Park Streets, and it soon sold the Pitt Street half at a price which gave it a site free with a large sum of money to go toward the cost of the building. The present value of the property is about £180,000.

The Argus, December 7, 1931

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The grand dining room of the Masonic Club, an establishment of reputation and elegance, was thoroughly removed from the bleak hardship of those walking the streets in search of work outside its thick cedar doors. The murmur of polite voices was deep, for the patrons were exclusively male. The club was a dominion of impeccably dressed and well-connected men. They dined with each other under elaborate chandeliers that hung from high ornate ceilings, trimmed with intricate cornices and plaster roses. Rowland had become a member at his brother’s insistence, but he generally used the club only on his uncle’s invitation.

The elder Rowland Sinclair was already seated at the table. He was a large man whose body and features spoke of years of indulgence. His hair was thick, swept back from his face. It had once been as dark as his nephew’s—now it was white. His eyes had, with age, become a little weak, but they were still the distinct blue that marked all the Sinclair men.

Rowly, my boy! he said as he stood in welcome, moving his substantial girth with some difficulty and catching the table.

Hello, Uncle. Have you been waiting long? Rowland lunged to save the nearly empty bottle of wine which wobbled precariously on the table’s edge.

Not that long—there may still be a drop left for you. He resumed his seat and, taking the bottle from Rowland, drained its remnants into a glass. Rowland sat down.

So how are you, my boy? I haven’t heard much of you for a while. I had hoped I could rely on you for at least the odd minor scandal…but there has been nothing! When I was your age I would not have allowed myself to become so respectable! It’s tremendously uninteresting.

Rowland smiled in the face of the old man’s barrage. I’m well.

And how is your painting going? I can’t tell you how many people have commented on that lovely piece you gave me last summer….your brother, particularly.

Wilfred was here? Rowland was surprised. He had not seen his brother in months.

Just a few weeks ago. Some sort of business…Now tell me about your work. I expect you will be submitting something to the Archibald Prize?

Not this year, Uncle. Maybe next.

They paused their conversation as the waiter took their orders.

I don’t blame you, the elder Sinclair went on, as he knifed a thick layer of pale butter onto his dinner roll. He lowered his voice. The competition is rigged—the trustees seem think one has to reside in bloody Victoria to be able to paint!

Rowland laughed. Much to the ire of the Sydney art community, Victorians had dominated the prize since its inception, but he was reasonably sure it was not a conspiracy of any sort.

The meal continued in effortless company. Rowland’s uncle carried the conversation, but that was not unusual. Intermittently, his acquaintances would stop by to speak with him. Rowland observed that a certain indulgence was extended to age under the auspices of eccentricity. It was obvious, however, that he would not be afforded the same tolerance. Most responded warily to any introduction. Although Wilfred Sinclair was a gentleman of reputation, his youngest brother was known for avoiding the company of men of standing. The esteemed members of the Masonic Club declined any extended conversation with the younger Rowland. It seemed that Woodlands House and its current residents had not escaped the notice of Sydney society, and, regardless of what his uncle thought, Rowland was not quite respectable.

After a dignified passage of time, lunch was complete. Rowland glanced at his watch as his host smoked and recounted some tales of his most recent visit to London. It was nearly three o’clock. He could walk to the Domain from the club in about ten minutes. He finished the last of his wine in a single gulp.

I must be off, he said, standing before his uncle could order yet another round of port.

I’m glad to hear it, son. A young man like you should have better things to do than dine with old relatives. Go now. Do something interesting!

We shall do this again, soon. Rowland shook his uncle’s hand.

Of course, of course…

Rowland retrieved his coat and hat. The Masonic Club was in the heart of the city, only a short walk from the parklands of the Domain. The day was dull and although it was December, the breeze was brisk.

There were many men walking in the same direction. Some, like Rowland, walked with a sense of destination. Others seemed bent with unseen burdens, tired men who were walking that way because they had nowhere else to go. Honest men, criminals, and those who resorted to theft and menace because they saw no other option. Later, once darkness had emptied the Domain, they would find refuge in the rock shelters of Mrs. Macquarie’s Point.

Occasionally, he was stopped by beggars and men bearing pamphlets decrying some ill or promoting some cause. He always carried coins for the former and politely declined the latter.

Rowland placed a hand on his hat as he ducked through the congestion of motorcars and horse vans near the grand iron gates at the Domain’s entrance. He made his way toward Speakers’ Corner, where the Communists met on Sunday afternoons to exercise their right to free speech in the open air, and to rally support for their cause. When he reached the outer Domain, a large crowd was gathering, and he could already hear the rabble of fiery speeches. Eventually, he spotted Edna talking earnestly with a man whose arm was bandaged in a sling about his neck. Milton and Clyde stood beside them.

Ed! Rowland hailed them all with her name. Edna waved.

What on earth are you wearing? Milton asked as soon as Rowland was in earshot.

He’s been lunching with the ruling classes, Edna explained.

Rowland laughed. There was really no point denying it. The dress regulations of the Masonic Club, and the expectations of its members, were strict and particular. Still, it was not as if he was wearing tails. In fact, he was dressed pretty much as he always was, though he had taken special care to find a jacket and a shirt that were not streaked with paint.

Just trying to keep pace with Milt, he replied.

Milton’s attire was not expensive, but it was distinctive, much like Milton

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