Artscape
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With a Foreword by Frederick Ramsay
"Ramsay nicely mixes town and gown, sophisticates and rustics, thugs and masterminds. Ike Schwartz seems destined for a bright future." —Publishers Weekly
Ike Schwartz is the new sheriff of Picketsville, Virginia. He's also trying to shake the demons of his past, the memories of a day that went horribly wrong in Switzerland.
Aside from its Civil War history, Picketsville's one claim to fame is Callend College—a private women's school on the edge of town. The college is most notable for housing half of the billion dollar Dillon art collection, a treasure secured in an underground bunker originally built in the 1950s as a super bomb shelter. Its alarm system is state of the art.
But is it? Could a determined and ruthless group get away with stealing the paintings and statuary and then ransom it back for millions? The fanatics have a plan that will spell bad news for the new college president, for Sheriff Schwartz, and for a pair of college students caught in the local Lover's Lane at just the wrong moment.
Frederick Ramsay
Frederick Ramsay was raised on the east coast and attended graduate school in Chicago. He was a writer of mysteries set in Virginia, (the Ike Schwartz Mysteries) Botswana Mystery series, Jerusalem Mystery series and stand-alones (Impulse, Judas: The Gospel of Betrayal). He was a retired Episcopal Priest, Academic, and author.
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Reviews for Artscape
16 ratings3 reviews
- Rating: 4 out of 5 stars4/5The prestigious Dillon art collection, housed at Callend College, a private woman’s college in rural Virginia, is about to be moved in its entirety to New York City. This unexpected news forces the thieves who’ve targeted the collection to change their plans; now they’ll need to strike long before the original July 4th holiday date they’d chosen for their assault on the underground vault where the collection is secured with a state of the art security system. Despite a hitch or two in their plans . . . and a state of the art security system . . . the daring for-hire thieves manage to empty the vault and make off with the entire collection.Can Sheriff Ike Schwartz find the thieves and recover the collection? And who hired the thieves in the first place? Engaging characters and an intriguing plot help build the suspense in this likeable tale. Beneath his laid-back demeanor, Ike is decisive, tough, and capable; readers are likely to find themselves rooting for the sheriff as he matches wits with the professional thieves and the mastermind behind the crime.Recommended.
- Rating: 4 out of 5 stars4/5After reading the synopses to Frederick Ramsay's books, I downloaded two titles to my Kindle because they certainly sounded like the sort of books I enjoy reading. Unfortunately both titles languished there until I happened to attend an author event for his latest book featuring Ike Schwartz (Drowning Barbie). After being completely charmed by his knowledge and wit, I came home and dialed up Artscape. The mystery is a good one, and I relished the details of how the group of thieves planned to circumvent all the college security measures and steal the collection. Ramsay's writing style made for vivid mental visuals as the chapters flew by. More importantly, the characters-- in particular Sheriff Ike Schwartz, college president Dr. Ruth Harris, and a young female college student-- came to life. Plenty of sparks fly in the early scenes between Schwartz and Harris, and I liked how Schwartz dealt with Harris' razor-sharp tongue and preconceptions. Both characters are complex, and I am really looking forward to future meetings between the two. This is one series that I really want to follow, and I would recommend that you do, too, if you like well-written, fast-paced mysteries with excellent characterization.
- Rating: 4 out of 5 stars4/5Ike Schwartz is the sheriff of Picketsville, Virginia, and a former CIA Agent. While on his honeymoon in Paris and during a supposedly easy meet with an informant, his bride, Eloise, is killed by an un-seen shooter along with the informant. Ike leaves the CIA and flees to his hometown of Picketsville. Three years have lapsed, and Ike is working hard at not thinking about his past. Then a fortune of art is stolen from local Callend College. Throw in a murder and a double kidnapping and, for a small-town sheriff, Ike has quite the case on his hands. His romantic interest in Dr. Ruth Harris, the college president, stirs up painful memories but he perseveres. There is even a former crush, now married and wealthy and still beautiful, that openly regrets missing her chance in high school with Ike. The supporting cast to Sheriff Schwartz is interesting enough that I hope to see some of them in the sequels. The author tacks on a couple of teaser story-lines after the case is solved - a rather ham-handed ending for the book - but they bode well for future plot lines.
Book preview
Artscape - Frederick Ramsay
Chapter 1
The sun, still low in the east, heated the morning air and sent it shimmering off the asphalt. The humidity, which had hovered around sixty percent all night, began its gradual ascent into the nineties, and people who had started their day an hour or two earlier showered and crisp acquired the wilted look that comes with summer in southwest Virginia. And summer in southwest Virginia begins in May.
It is an area blessed with mild winters, pleasant autumns, and breathtaking, beautiful springs, all compressed into seven months. The remaining five make summer. The procession of the seasons, thus compressed and distorted, characterizes the area and shapes the personalities of those who live there.
Ike Schwartz grew up in Picketsville, a town tucked away in the southwest corner of the Old Dominion. For all of his boyhood, Ike took it as a natural course of events that God intended life to be this way. It wasn’t until he went to school in Massachusetts and experienced the splendor of New England’s weather, deep snow in winter, gentle springs, summers which were warm by day, cool by night, and those blazing golden and red falls, that he realized there might be something better to look forward to from May through September than a shirt permanently sweat-plastered to his back and the inevitable lethargy that overtook everyone by three in the afternoon.
He had been in Boston no more than a week when he experienced the difference climate created in the lives of people. He, like the natives, found himself immersed in its frenetic pace—a pace that seemed never to slow irrespective of the hour. Back home, folks worked slowly and carefully, conserving their energy against the afternoon’s heat. By three o’clock, almost everyone was off the streets, out of the sun. There was a tacit understanding that mid-afternoon was a time not suited for work. Employer, employee, and customer all recognized that little, if anything, was going to be accomplished.
To the occasional traveler from up north, this behavior was a source of wonderment, frustration, and anger. To have to sit in the waiting room of Cardwell’s Gasateria, alternately cooled and ignored by a rattling, old-fashioned oscillating fan, and to watch, helplessly, while the mechanic, one’s only hope to get back on the road to Wisconsin or Pennsylvania or wherever, sat and sipped root beer for an hour or more, qualified as punishment bordering on the cruel and inhumane. These purposeful people, Ike soon learned, had no comprehension, no experience, and therefore no reason to falter in their daily activity. Early in his collegiate years he discovered a number of reasons for not going home again, and summer topped the list.
Yet here he stood in the sweltering Shenandoah Valley, his shirt already damp at nine-thirty in the morning and a whole day ahead of him. Sheriff Ike Schwartz, duly elected by the people and sworn to enforce the laws of the United States, the State of Virginia, the County of Rockbridge and the incorporated town of Picketsville. He was also expected to bend those laws here and there, overlook the kids with a keg in Craddock’s woods, the incestuous family of Craddock himself, and turn a blind eye to the broken speed limits, parking violations, and certain cash transactions entered into by members of the town council. An easy life, all in all.
He reckoned (as negligible) the number of serious crimes, difficult cases, or dangerous situations he experienced. The only time anyone shot at him was when Chester Duncan came home to find his wife in bed with his brother, Darryl. Chester shot them both, and vowed to take the whole of the town with them. After he pumped two barrels of his twelve-gauge into the bushes six yards to Ike’s right, he sat down on the porch and cried like a baby. Ike only had to gentle him into the police cruiser and take him away. A jury of his peers, small towns being one of the few places on earth where juries are truly composed of one’s peers, acquitted Chester of the murder charges, declaring any reasonable man would have done the same. The judge, being of a somewhat less lenient disposition, found him guilty of disturbing the peace, discharging a firearm within the corporate limits of the town, and disorderly conduct, and remanded him into the custody of the state mental institution, where, it is reported, Chester is making excellent progress.
At least I don’t have to deal with terrorists down here,
Ike muttered to himself. He hoped it would make him feel better. It did not.
He stepped off the porch and headed toward his black and white. The eighty feet he had to walk to the car was enough for the heat to break a light sweat on his forehead. As he heaved his two-hundred-pound, six-foot two-inch frame behind the wheel, he wondered for the first time that day, and the hundredth time that year, why he had ever decided to come home, and having done so, why he had allowed himself to be talked into running for sheriff of this Godforsaken crossroads. But he did know why, thanks to the expensive psychiatrist at the Phipps Clinic.
You can’t run forever, Isaac.
No one but his mother ever called him Isaac.
Sooner or later, you have got to go home, face your father, those other people, and when you’re ready, talk. Talk about your wife, your life, what you can of it, of course, and make peace with yourself. I cannot convince you, and you will not accept the therapy that would allow you to do it yourself, so go home, touch base, and start again. It is like hide and seek. You remember when you were a kid? You’d hide from another kid who was ‘It’, and you’d be half-frightened behind some bush or tree, not knowing if ‘It’ was close to you or after some other kid. You would peep out and if his back was turned, you would make a dash for base . . . all-ee, all-ee outs in free. Right? So go home, touch base, when you’re ready, if you need to, but only when you’re ready, we’ll talk again.
One hundred and eighty-five dollars an hour and all Herbert Rosenberg, M.D., board-certified psychiatrist, tenured professor at the Johns Hopkins University School of Medicine, and author of three books and fifty juried articles, could give him was hide-and-seek. All-ee, all-ee outs in free, for God’s sake. But Ike knew that sooner or later, he must remember Zurich, and Eloise, but not now, not today, no, definitely not today.
He rolled down the windows, started the engine, turned the air-conditioning on high, and switched on his radio. After a moment, he punched the transmit button and called in.
One to base.…
Essie Falcao’s voice crackled back, Base to One. That you, Ike?
Now who else would be calling you on the radio, Essie? Garth Brooks? Of course, it’s me.
Right. Sorry, Ike.
Okay, Essie, listen. I’m driving out to the college this morning and I’m going to turn this radio off because I don’t want to have to listen to you gabbing with everybody in town on the police frequency.
Ike, how do I contact you if anything comes up?
Essie, the possibility of anything coming up in the next forty-five minutes is so unlikely that I reckon we’ll chance it. Hell, Essie, the way this town works, it would take somebody an hour to even recognize anything was going on, and another half hour before they would get around to calling it in. But on the off chance a Boeing 747 makes an emergency landing on Main Street, or the phantom rapist shows up at Mrs. Cardwell’s coffee klatch, or worse yet, the mayor makes a decision, you call Whaite or Billy, then call me at the college on my cell phone.
Right, Boss.
And Essie, the next time you see Billy, you tell him for me that one, he’s to stay out of this cruiser. This bucket of bolts is about to conk out as it is and I don’t need him yahooing around the country scaring old ladies and impressing young girls in it. And two, if he does use it, he is to keep his smoking to an absolute minimum, especially the funny cigarettes he rolls himself with stuff that should be in the evidence locker. And three, if he does use the car and does smoke in it, he should clean up the mess afterward. Got it?
Okay, Boss, Yes, sir. I got it.
And, Essie, since you’re the one with him when he does that crap, the message is for you, too.
Now, Ike, I never.…
Essie, are you missing anything, a bit of personal attire maybe? A little red, frilly—what is this thing? It looks like it belongs on a slingshot. You don’t have to answer, but you might check the glove box next time you find yourself in this car. Really, Essie.
He snapped off the set before she could answer and, grinning, put the car in gear. He opted for a quick detour and breakfast at the Crossroads Diner. He hoped food would fortify him against the appointment he dreaded keeping.
# # #
The regulars had already arrived at the diner when he pushed through the door and took his usual stool near the back. Flora brought him his coffee, already creamed and sugared. He nodded his thanks and spent thirty seconds staring at the tiny yellow blobs of butter fat circling his cup. Nothing changed. His eggs over easy, toast, limp bacon, and the mandatory dollop of grits would come next. Flora served grits thick and gelatinous. Can’t stand them city grits,
she declared. Look like soup—can’t do a body no good that way.
He sighed and turned his attention to the antique television in the corner. He forced himself to watch a scene which, played incessantly over the last two months, had been indelibly etched into his brain.
# # #
The steady thump of bullets hitting the side of the house and the whine of ricochets all but drowned out the orders he screamed at the three men crouched behind tables, sofas, and anything that might offer some measure of cover.
Set your bombs to go off as soon as you release,
he shouted. Just then the firing stopped. They waited in the eerie silence that followed—guns off safety, explosives strapped to their bodies.
I am sorry, Rascheed,
one rasped.
It is all right. You tried. The guard was not supposed to be there. Our information was bad. The Italian will pay.
He should die for that,
a third said and shook his fist.
Yes,
the one called Rascheed said. But we will not be the ones to see to that.
A bullhorn shattered the silence.
This is Captain L. P. Davis of the New York Police Department. Come out with your hands in the air. You are surrounded, you cannot escape.
Shhhh,
Rascheed whispered. Do not say anything.
Can you hear me in there? You are surrounded. Give yourselves up.
Abdul, show the nice policeman what we think about giving up.
Abdul scuttled across the floor to the window, stood, and snapped off three shots, killing one policeman and wounding another. He fell backward as a hailstorm of government-issue bullets tore through the window and him. For the next five minutes the noise was deafening. Bullets, shotgun pellets, and balls slammed into the house from all sides. Windows shattered. The siding was reduced to slabs, to splinters, to toothpicks. Their meager cover of furniture could not protect them from the rain of ordinance that shredded the room around them. The shooting stopped again.
They will ask us to surrender again, Rascheed?
Not this time. We have killed one of theirs. They will not stop now until we are all dead.
Allah be praised.
Yes. You know what to do next?
The two others nodded.
There was a thump and hiss as a teargas canister arced into the room.
The assault resumed, only this time the shots were high and off to either side of the door.
Be ready, they are coming,
Rascheed choked. They heard the footsteps on the porch and then in the room. They lay still, faces close to the floor and the little breathable air it afforded, bandannas over their mouths. When he was sure there were at least a half dozen police within range, Rascheed, with his last breath, screamed, Now.
And three bombs went off, the concussion detonating the fourth on the lifeless body of Abdul.
The house exploded in a ball of fire. Debris and body parts flew upward and as far away as the next block. Eight of New York’s finest were killed in the blast. A dozen others were hurt. Houses on either side were flattened. Two across the street had their fronts caved in and windows blown out. There was no trace of the bombers. The NYPD had been victimized by yet another terrorist tragedy, another sad day in a city already burdened with more than its share of senseless deaths.
By midnight the awful work of cleaning up and identifying victims began. DNA samples were taken and matched to scraps of humanity, dental records collected and checked, and, in the end, a fair amount of guesswork employed as the death toll was totted up. It would be weeks before the investigating team left the scene and three months before the shattered buildings were razed and hauled away.
# # #
Ike, his coffee now cold in its cup, watched in fascinated horror, as the scene was run and rerun. He barely heard the running commentary from the talking heads, safe in their studio or blocks away with camera crews.
"This bizarre set of events began early one Friday morning when four men attempted to break into the rare book room of the New York City Public Library. Sources in the Antiterrorism Task Force now report they believe the men planned to seal themselves in with thousands of precious volumes and, in effect, hold them hostage. The bombs which blew up the house in Brooklyn were to be detonated in the library if their demands for millions of dollars were not met.
A suspicious guard attempted to detain them and was shot. Another guard’s quick thinking locked down the rooms and the men had no choice but to flee, leading New York police on a high-speed chase across Manhattan and into Brooklyn, where as you just saw, they barricaded themselves in the house, then—the terrible explosion. Two months ago, we witnessed these terrible events. Today, a spokesperson for Homeland Security reports they have identified the group responsible, the New Jihad. The question every American is asking today: Where will the terrorists strike next? Now this.…
The coifed and polished newsreaders were replaced by a commercial.
Shut it off, Flora,
Ike said.
Flora Blevins stubbed out her cigarette in a fried egg and snapped off the television.
Ike stared at his eggs, congealed with the bacon in a puddle of whitish grease. His toast, never hot in the first place, lay limp and cold next to them. His grits remained at attention, awaiting orders to do a body some good. He turned and stared at the parking lot through the double glass doors and sighed, pushed his breakfast away, and walked to the cash register. Monday morning in the Crossroads Diner—the beginning of another day, another week, a lifetime. A little past nine o’clock in the morning, but becoming clear it was going to be one of those days. He pushed through the doors and strode toward his patrol car. He turned the air-conditioning on high and headed out of town toward the low hills that shielded Callend College from the untutored eyes of the townsfolk.
Chapter 2
Can we come to order?
It was not a command, barely a request. Just a bit after nine o’clock and Charles Dillon’s head pounded from the effects of the bottle of expensive scotch he had consumed the night before.
Order please,
he said again, only louder. Charles Dillon was affectionately known, by the few who held any affection for him at all, as Charlie Two. His son, the bright young archeologist and the apple of his grandfather’s eye, answered to Charlie Three.
I have before me the report from the Foundation and I will read it. After that we will discuss its contents and then I will call for the Board to vote on an issue of some importance to us all.
He cleared his throat and began to read.
Four men and two women sat at the conference table—the Board of Trustees of the DCS, the Dillon Collection South, a euphemism which described the half billion dollars’ worth of paintings, statuary, and rare prints stored in an air-conditioned building constructed to house them on the Callend College campus. The building was a product of the 1950s, when people believed they could avoid a nuclear holocaust by going underground for a few months. Bomb shelters were as popular as hoola-hoops. Charles C. Dillon, inventor, entrepreneur, philanthropist, eclectic art collector, and confidant to then President Eisenhower, Charlie One were he still alive, did his part to forward the administration’s civil defense policy by building what had to be the country’s biggest bomb shelter, not to house people, but to safeguard evidence of Western culture, something people would need when civilization was rebuilt, after the smoke cleared—his art collection.
He selected Callend College for Women as the site for this marvel because it was far removed from any target Russia might consider worthwhile. Thus, one half of the Dillon collection sat safe in an underground vault, the bunker it came to be called, surrounded with enough reinforced concrete to build an impressive highway. Every six months or so, tractor trailers arrived, and as guards watched, a ton or so of art works was unloaded and stored, and an equal amount removed to be carried back to Cleveland for display.
The college benefited in a number of ways. The collection generated additional annual revenues of one million dollars and subsidized the salaries of the college’s larger than normal security force, a sum in the neighborhood of two hundred and fifty thousand dollars. The collection enabled the college to have an excellent History of Art Department that attracted a number of distinguished scholars to the campus. They, in turn, helped attract students and thereby maintain the college’s competitive position in the enrollment sweepstakes.
It also enabled the college to solicit other gifts from the Dillon Family Foundation: the Dillon library, the Martha Denby (née Dillon) professorship in Modern Dance, the Charles C. Dillon Audio-Visual Laboratory, not to mention a number of unnamed, but useful additions to its physical plant, including a substantial grant to overhaul the school’s communications and information processing capacity. A gift, the senior Dillon had declared, to honor the inauguration of Ruth Sydney Harris as the school’s thirty-fifth president. Computers, information management systems, arrived in boxes and crates. Modern times call for new leadership and the equipment to support it,
Dillon wrote at the time.
Ruth Harris had been named president of Callend College eighteen months previously. She arrived with hopes high and the confidence needed to tackle the problems endemic to small colleges across the country. An annual deficit of a million dollars did not dismay her. The threats of faculty unionization left her unmoved, and the task of maintaining a single-sex school in an era of declining interest in that remnant of early Americana was, to her, just another challenge
What she had not counted on was the crushing boredom of administration, the inertia that permeates bureaucracies, even in the smallest and most informal organizations, and the pettiness of college politics. It was not that she was unfamiliar with all these things. She had been professor and chairman of the history department at the University of Chicago and was the only child of the distinguished Barton M. Harris, former dean of the Yale School of Law. Yet it was one thing to be a child-observer and, later, a player on the other side, and quite another to be the establishment. And that is what, she ruefully admitted, she had become. The student radical gone to seed, espousing the procedures, behaviors, and values she had once so vehemently opposed.
She was six in the summer of 1968. Her father served on the Northwestern School of Law faculty the year Chicago exploded in a swirling, screaming mass of student radicals, tear gas, and police. Barton Harris spent weeks defending himself and the battered young people the police dragged into lockups all over the city. Ruth heard and absorbed her parents’ outrage. Later she marched with them in Washington as the Viet Nam War wound down. By the time she entered Wellesley, she, like many of her generation, had adopted the behaviors and attitudes of older brothers and sisters but not their causes. The war ended. Nixon crushed George McGovern in a landslide. The country was about to embark on its experiment with conservatism.
Without a quintessential cause like the war, students became radical generalists. They deplored toxic waste, hugged trees, and marched for the ratification of the Equal Rights Amendment. They were suspicious of the government and most of its institutions. They believed in conspiracies and despised, in no particular order, the Office of the President, capitalism, the FBI, the CIA, the OMB, and the whole alphabet soup of bureaucracies. Bereft of a focus for their disdain, many, including Ruth, drifted into Marxism, the radical chic of the day. The campuses of America offered the one place where to be a Marxist was not viewed as a negative. Quite the contrary, it was often seen as a positive, the mark of an independent thinker. That so many adopted this stance reduced somewhat, the appellation independent. However, it served Ruth well and she advanced through the ranks to become a department chair, a dean, and, now, the president of Callend. When the Berlin Wall collapsed, so did her devotion to Karl Marx. Instead, she became addicted to chocolate, thereby joining millions of her sisters in the single solidarity that cut across ethnic, economic, racial, and sociological lines.
# # #
She gazed at the others around the table. Charlie Two droned on. Ruth listened for the words she knew were coming, words she was helpless to prevent—words which would tip Callend’s precarious economic scales into the red, and spell its eventual doom.
To Dillon’s right was Sergei Bialzac, chairman of the history of art department. To his left was the wife of the president of Picketsville Bank, Marge Tice. Her membership on the board was a mystery to some. But those who knew her, knew she had the brains and the blunt honesty to run her husband’s bank and the good sense to pretend she did not. Ruth sat across from these three, flanked by Ben Stewart, owner of Stewart Galleries, New York and Philadelphia, and Dan Clough, president emeritus of the college.
Ruth tried one more time to grapple with the problem she had so far been unable to solve: how to stop the board from voting to terminate the lease and