How Not to Drown in a Glass of Water: A Novel
By Angie Cruz
4/5
()
About this ebook
A NEW YORK TIMES EDITOR'S CHOICE · A NEW YORK TIMES BOOK REVIEW NOTABLE BOOK · REVIEWED ON THE FRONT COVER
From GMA BOOK CLUB PICK and WOMEN'S PRIZE FINALIST Angie Cruz, author of Dominicana, an electrifying new novel about a woman who has lost everything but the chance to finally tell her story
“Will have you LAUGHING line after line...Cruz AIMS FOR THE HEART, and fires.” —Los Angeles Times
"An endearing portrait of a FIERCE, FUNNY woman." —The Washington Post
Cara Romero thought she would work at the factory of little lamps for the rest of her life. But when, in her mid-50s, she loses her job in the Great Recession, she is forced back into the job market for the first time in decades. Set up with a job counselor, Cara instead begins to narrate the story of her life. Over the course of twelve sessions, Cara recounts her tempestuous love affairs, her alternately biting and loving relationships with her neighbor Lulu and her sister Angela, her struggles with debt, gentrification and loss, and, eventually, what really happened between her and her estranged son, Fernando. As Cara confronts her darkest secrets and regrets, we see a woman buffeted by life but still full of fight.
Structurally inventive and emotionally kaleidoscopic, How Not to Drown in a Glass of Water is Angie Cruz’s most ambitious and moving novel yet, and Cara is a heroine for the ages.
Angie Cruz
Angie Cruz is the author of the novels How Not to Drown in a Glass of Water, Soledad, Let It Rain Coffee, and Dominicana, which was shortlisted for the Women's Prize and a Good Morning America Book Club pick. She is founder and editor in chief of Aster(ix), a literary and arts journal, and is an associate professor of English at the University of Pittsburgh.
Read more from Angie Cruz
Soledad Rating: 3 out of 5 stars3/5Let It Rain Coffee: A Novel Rating: 4 out of 5 stars4/5
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Reviews for How Not to Drown in a Glass of Water
83 ratings9 reviews
- Rating: 4 out of 5 stars4/53.5*** rounded up
Cara Romero is in her mid-fifties and expected to work the rest of her life in the factory that made “little lamps.” But the Great Recession closed the factory and now she is struggling to find work. Cara tells her life story in a series of sessions with a job counselor.
What an interesting way to tell this story! The reader comes to know Cara through her
monologues, interspersed with copies of job notices, psychological and interest assessments, and forms she has completed.
Here is a woman who has always worked, and whom life has not treated kindly. She has been married to a violent man, has struggled to provide for her child, and was abused by her own mother. Yet she has continued to move forward with perseverance. She has shown kindness, even generosity, to her “found family” in her apartment complex. And yet, she has also managed to turn her only child out, though she desperately wants to reconcile.
There are times when I wanted to laugh at her antics and her odd logic. Yet, I could not help but empathize with her and her situation. And though I often winced at some of her actions, I was cheering her on throughout. I’ve known women like Cara. Women who have been knocked down but who get up and try again. Women who make the best with the cards life has dealt them. Women who express their gratitude, friendship and love through the foods they cook for others. How can I help but love such a woman.
Several of my book club buddies listened to the audio version and they raved about it. I read it in the text version but am considering getting the audio to experience “Cara’s voice.” - Rating: 4 out of 5 stars4/5Listening to what ostensibly 12 monologues made this feel like a one-woman play that covers the gamut of emotions while portraying the life of a middle-age immigrant mother.
- Rating: 5 out of 5 stars5/5Audiobook; 5/5
Book: 4.5/5
After losing her factory job during the recession, fifty-six-year-old Cara Romero meets with a job counselor as part of The Senior Workforce Program to qualify for continuation of her unemployment benefits and also receive assistance in finding new employment.
Over the course of twelve sessions with her job counselor, Cara shares her life story (and her thoughts and feelings about the significant people and events in her life ) in bits and pieces in mostly one-sided conversations. A Dominican immigrant and legal resident of the United States who came to the country with her son, she has worked hard to provide for her family while navigating through the trials and tribulations of life as an immigrant in her adopted country. Even though she has her share of difficulties- unemployed with no health insurance, having had to pay for recent surgery and unable to make rent (gentrification knocking on the door of her rent-stabilized apartment) and is estranged from her son and her relationships with her sister Angela and her friend Lulu continue to have their fair share of ups and downs - Cara’s indomitable spirit, confidence, kind-heartedness and wisdom are awe-inspiring. Through it all, she remains a loyal friend, a dutiful sister, a concerned mother and a caregiver to those who need her help.
“Desahogar: to undrown, to cry until you don’t need to cry no more.”
While Cara’s story is narrated in the first person, other details are shared through the paperwork she files through the course of the program which makes for some interesting reading! Beautifully–written and thought-provoking, with humor, a whole lot of heart and an endearing protagonist whose story will make you smile, sob, laugh out loud and cheer her on, How Not to Drown in a Glass of Water by Angie Cruz is a short but impactful and memorable read that I would definitely recommend. I paired my reading with the brilliant audio narration by Rossmery Almonte and Kimberly M. Wetherell, for an immersive experience that I did not want to end. - Rating: 5 out of 5 stars5/5Cara Romero signs up for a 12-week program to help her get back to work, as she knows that doing so will extend her unemployment benefits during the 2008-9 recession. As she tells the person who is assigned to her, she does indeed want to work, and she's used to hard, thankless work, as she takes care of neighbors, her sister's children, and tries to keep up with the rent in her apartment where she lives alone now that her son, Fernando, left.
In less than 200 pages, Cruz crafts a beautiful story of a Dominican immigrant woman who is imperfect but whom readers will cheer for as she confesses so much about her life to the person (named only briefly at the end) who hears her story and attempts to find jobs that will work for Cara. Interspersed between the sessions are job applications, notices about the rent Cara owes, and more. Highly recommended to anyone who enjoys character stories. - Rating: 4 out of 5 stars4/5Not my usual kind of book but sweet and funny and touching portrait of a Dominican lady in NYC coping with a tough life while helping her family and neighbors. Had to look up a ton of Spanish terms,and many were colloquial so I didn’t find ‘em. But you could always tell what the basic story was.
- Rating: 3 out of 5 stars3/5I'm excited to continue my trend of immigration stories this year! This time featuring a woman from the Dominican Republic. I did like the interesting format featuring what might be contained in a "file" from the Senior Workforce Program, including documents. Cara Romero is in her fifties and looking for a new job when the factory she was working at moved. The majority of the narrative features Cara speaking to the worker at the Senior Workforce Program. Unfortunately I could not suspend my disbelief that Cara would be allowed to speak this long about her life during twelve sessions, especially as most of what she talked about was not about employment. If it was formatted like therapy sessions, I would have understood that, but then the other "documents" of the work program would be missing if this was centered on therapy sessions. Ultimately, I liked the point of the book, even if I had guessed at the point before it was mentioned in the end. And stories like this need to be told, so the book gets points from me for that. I would set this book on the shelf beside another Dominican Republic immigration story -- the wonderful 'Neruda on the Park' from Cleyvis Natera.
- Rating: 5 out of 5 stars5/5Those of you elders who fondly remember The Education of H*Y*M*A*N K*A*P*L*A*N, by Leo Rosten, a delightful book featuring the trials of a Jewish immigrant learning English, will thoroughly enjoy this one! Our heroine, fifty five year old Cara Romero, escaped domestic violence in the Dominican Republic to an apartment building in Washington Heights, NYC, and is working with a career counselor to improve her English and to find a better paying job. However, Cara already HAS a job, and a very important one: to be the building mother for all her friends and relations - to support them and to simultaneously make them crazy. She's a glorious character, and every one of the twelve chapters holds an incredible adventure for Cara and for the reader, spiced with plenty of laugh-out-loud moments.
- Rating: 2 out of 5 stars2/5“Freedom is being able to live your truth without having to apologize for it”
What was meant to be an insight into the struggles of immigrants in the US during the 2008 financial crisis, was more like trying to read the innermost thoughts of someone with severe ADHD. This was a relentless stream of every thought and opinion that popped into the head of Cara, the protagonist, and boy did she have some opinions! The regular insertion of Spanish text was also tiring for someone with limited knowledge of the language.
The book clearly portrayed the difficulty of being an immigrant in a country with a different culture and language, heightened by a financial recession and unemployment. However, I could not gel with Cara, who was a walking contradiction and so very infuriating. A very flawed character who is always right, even when she is wrong. - Rating: 5 out of 5 stars5/5Angie Cruz understands the immigrant experience — especially the Dominican one — and she uses that knowledge in How Not to Drown in a Glass of Water to create a funny but moving book about motherhood, family, friendship, and sacrifice in the name of those things. Using an interesting structure of interviews and documents, Cruz gives us Cara Romero as she goes through a training program to get a job after working in a factory for decades. Short and quick to read, but the small package contains a lot of great writing and in Cara a character that readers will not soon forget. Highly recommended.
Book preview
How Not to Drown in a Glass of Water - Angie Cruz
SESSION ONE
My name is Cara Romero, and I came to this country because my husband wanted to kill me. Don’t look so shocked. You’re the one who asked me to say something about myself.
Before we begin, can you permit me to have a glass of water? Ay, yes. Thank you. Why am I so nervous? I know, I know, we’re just talking. And this water, is it from the bottle? Does it taste strange to you? No?
I’ve never done something like this before. I didn’t think I was going to have to look for a job at this point of my life. La Profesora from La Escuelita said that you’ll help me. You’re dominicana, no? She said if you know a lot about me you can find me a job. Is that true? Ay, good, because I need a job. The factory closed in 2007, right before Christmas. Can you believe that? Almost two years I don’t work.
In reality, El Obama has been very generous. After the factory closed, I received fifty-three checks, then El Obama gave me thirteen checks, then twenty more. Did he have a choice? No. There are no jobs—my factory left to Costa Rica! You know they’re never coming back. And after these twelve weeks that I meet with you—I’ll receive no more checks! Like my neighbor Lulú says, El Obama is good, but not God.
I’m lucky because I’m fifty-five years old—wait, did I say fifty-five? I’m fifty-six! I stopped counting. If I don’t, I’ll be in a coffin sooner than I’m ready. The point is that I qualify for your Senior Workforce Program. Me, a senior? I told Lulú I’ll be a senior for the checks but not for the canas. Ha!
You want to know how I found out about La Escuelita? OK, I can tell you. One year ago we received this letter from the government that we must report to La Escuelita to take classes. If not, no more unemployment checks. I did not want to go to La Escuelita because it was far away in Harlem. So, in the first day, I paralyzed. I had to fight to get out of the bed. I sleep maybe one hour or two, almost nothing. I couldn’t even drink my café that morning. It was like I forgot how to dress. Does that ever happen to you? When the easy is impossible? But you have to understand, I stopped working in the factory and for twelve months I only wore my inside clothes. My belts, my blazers, my dresses—lost in the closet.
Thank God for Lulú who came to get me that morning. I tell you, on the first day of La Escuelita, Lulú appeared in my apartment with banana bread she makes at home, with nuts and chocolate, warm from the oven and said, You have fifteen minutes.
I didn’t want to make Lulú late, so I speed up. She knew I would never go to La Escuelita by myself. And for this I pay the price, because for the rest of my life she will say, What would you do without me?
But don’t worry, I don’t need Lulú to take me to work—I’m ready to confront life. Look, already I’m losing some weight so I can fit into my blazers. Don’t you think I look good with this one? You like it? Of course you do.
I never wear brown. My color is black. With my black eyes and hair, black makes me look elegant. This brown blazer is Lulú’s. She looks good in this color because she dyes her hair blond—well, it’s more like anaranjado because she does it from the box. But the color still looks good on her because her skin is like a penny. Not like a brilliant penny, more like an old penny. And she’s only fifty-four. I tell her to drink more water so she gets more glow. But she doesn’t listen. She is also more fat than me. But that doesn’t matter. We’re all more fat since losing our jobs. Lulú more than me. In fact, this blazer doesn’t fit her anymore, even when she wears the faja. She never takes off the faja. Never. Not even to sleep. OK, maybe sometimes to sleep. But even in the dreams she wants to look like a botella de Coca-Cola. But when I tried the blazer, you should’ve seen her face: arrugada. But it’s OK—jealousy. I’m accustomed to it. I know I was born with sugar in my pockets.
I loved La Escuelita. It opened my mind a lot. But it’s not easy. When we started, La Profesora said she could teach us to keep numbers. How to use the computer. Even to read and write English! Ha! I have been in this country twenty-five—wait, no, almost twenty-seven years. I speak English good. You understand me, right? OK. But to read and write English? ¡No me entra! How you say a word in English is not how you write it. Why is that? You laugh, but it’s true.
I told La Profesora—she dresses like a teacher from the TV, with the blusa buttoned all the way up to her neck—I’m too old to learn.
No, Cara. If you apply yourself, you’ll learn to write English. I promise you. You can even go to college.
Ha! I laughed so hard I peed in my panties. This is what happens to women who have their babies natural. I carry extra panties in my purse and never leave my house without a Kotex.
How many children do you have? ¿Cómo? What are you waiting for? You don’t want to have children? Listen to me: Don’t wait until you get too old.
Lulú says that a person is never too old to do anything, especially to study. She said our neighbor La Vieja Caridad can go to college if she wanted to.
She’s ninety years old! It makes no sense.
But why not? Lulú says. In New York, a lot of old people go to college.
Imagine if I live until ninety like La Vieja Caridad. I could go to college and work for another twenty years in una oficina or something.
In the Dominican Republic it’s not easy to progress, but in New York La Escuelita is making me think I can dream. I learned many new things. I even have an email now. Did you know that?
Lulú is LuLu175 and I am Carabonita.
Hola, Lulú. ¿Cómo estás? Soy yo, Cara.
Ding! The computer tells us we got email.
Hola, cabroncita! Soy yo, Lulú.
Ding!
It’s Carabonita!
Ding!
I know, cabroncita.
Ding! Ding! Ding!
And now I get many emails. Most of them are from Alicia the Psychic. One day, when I looked for my horoscope, I found Alicia through a button: FREE PSYCHIC READING. Of course I clicked it. It was La Profesora who said that the best way to learn how to navigate the internet is if we explore our interests.
Dear Carabonita,
I am delighted to hear from you. I can see that you are anxious for news to unblock all the obstacles in your path. Open my invitation to learn more about what awaits. For a small fee …
Your loving friend,
Alicia
In the beginning, Lulú read them for me, but the emails kept coming every day, and so Lulú showed me how to translate the email from English to Spanish. So easy. Click.
I am enchanted to know about you.
I have news from your personal protector.
When I get that email, I swear to you, the lights on the ceiling went on and off like in a discoteca.
Alicia the Psychic wrote to me even though I never sent her money.
She’s a robot! Lulú said.
Impossible, I said.
Every time I checked my email there was a message from Alicia the Psychic who told me she was losing sleep because my protectors were keeping her awake at night.
La Profesora said to be careful of scams. Email is full of them. She said people like us are the perfect target.
People like us?
I told her and Lulú that I know what is real and not. I am not a pendeja.
Tell me, you educated dominicana taking all those notes: What do you really think about me? You think there’s hope for me? Ay, qué bueno.
When La Escuelita recomendó I join this program so I can do interview practice, I said, Interview for what? And La Profesora said, For all the jobs you’ll try for! Ha! Between you and me, she’s very positiva, so she’s hard to trust. Be honest: Do you really believe there’s a job for me? Really? I’ve never heard of people that find a job without a key.
The news said this country is in a crisis! Nobody has jobs. It’s the most great recession since the Depression, when the people didn’t have cars and still made pee in pots. Well, maybe our building had toilets, but you understand what I’m saying. La Vieja Caridad, who lives in my building, remembers. She came from the revolutionaries of Cuba, José Martí and all those people. They lived in New York before the telephone and the electricity. For sure, they had no toilets that flushed. Our building didn’t exist. She says there were more trees than people.
Yesterday in the news, I saw a lawyer with two children and a wife, so desperate that he took a job in Wendy’s around here—not even downtown. Things are bad. More bad than bad. It’s just like in Santo Domingo: when there is no fresh bread, you eat casava. I never thought the banks in the United States would rob people. But now I see that this country is like that fisherman with fast hands on the beach who shows you the big fat fish, but when he cooks, he says it shrink.
My money situation? It’s OK right now because I get El Obama checks, but the only people I know who are prepared for the crisis are my sister Ángela and her husband, Hernán. They saved money for many years to buy a house in Long Island. Hernán doesn’t want to leave our building because he can walk to work in the hospital every day, but Ángela, she detests Washington Heights. Pero detests. So every weekend they go to look for houses.
Remember early in the nineties, when things were so bad that you could buy an apartment downtown for $100,000? Maybe you’re too young to remember. What age do you have? Thirty-five? Forty?
Wait, I didn’t mean to offend. Of course, you look like a teenager.
What I wanted to tell you is that in the past Ángela and I, every weekend, went to look for apartments to dream. Now she dreams with Hernán. But I remember seeing an apartment in the street Eighty or Eighty-one, in front of Riverside—you know, where the rich live? You couldn’t put an entire bedroom set in those rooms, only a bed, maybe a queen, and one of those tall bureaus. But the windows looking to the trees: wow. In those days, there were so many apartments like that, cheap. Now that same apartment costs more than one million dollars. I’m serious. Look it up!
Ángela talks about those apartments like they’re the man who got away. From the day she arrived to this country she was determined to leave Washington Heights. To do this she counted her money and calculated how many years it would take for the down payment. And when she met Hernán, she told him immediately the plan. She said, If you want to be with me, saving is a family project.
Every day for breakfast, they talk about their goal: a down payment for the house. With a yard. A room for each child. A porch for the swing. She writes the progress on the refrigerator. Every time they save $1,000, they buy a small cake from Carrot Top and celebrate with the children. That way, the children learn that dreams only become real with hard work and saving money.
Hernán and Ángela save $50 a week. That’s $200 a month. And that’s $2,400 a year. In ten years, they saved $24,000. And we think ten years is a long time. But look at me, I worked in that factory for twenty-five years. And my son, Fernando, has been gone for ten.
Why do you say sorry? Ay, no. My son is not dead. He abandoned me. Maybe one day, si Dios quiere, I will tell you about Fernando.
But what I was saying is that time passes in a blink. If I would’ve saved even $10 a week maybe I wouldn’t be in so much trouble now. The little bit I put aside I sent to the banks in Santo Domingo. I converted my dollars to pesos because the interest was higher. Yes, of course you shake your head. It was stupid! What a mistake. Overnight, the change rate went from RD$13 for $1 to RD$45 for $1.
Talking to you makes me remember the days Ángela and I got along. Now I can’t remember the last time we were in the same room without her getting angry with me.
How old is she? Ángela is fifteen years younger than me. She’s my sister and we look the same age, but she could be my daughter. Maybe that’s why, like my son, Fernando, she thinks everything I say is wrong. For example, tell me you—was I wrong to say that we should relax Yadiresela’s hair? That’s my niece. It looks like a broom when I brush it. Ángela gave me a lecture about chemicals and the damage it will make. She told me not to brush the children’s hair. But how do I get out the knots? The fury she puts on me could burn down a forest. So now I say