Against the Day
4/5
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About this ebook
“Raunchy, funny, digressive, brilliant.” —USA Today
“Rich and sweeping, wild and thrilling.” —The Boston Globe
Spanning the era between the Chicago World's Fair of 1893 and the years just after World War I, and constantly moving between locations across the globe (and to a few places not strictly speaking on the map at all), Against the Day unfolds with a phantasmagoria of characters that includes anarchists, balloonists, drug enthusiasts, mathematicians, mad scientists, shamans, spies, and hired guns. As an era of uncertainty comes crashing down around their ears and an unpredictable future commences, these folks are mostly just trying to pursue their lives. Sometimes they manage to catch up; sometimes it's their lives that pursue them.
Thomas Pynchon
Thomas Pynchon nació en Nueva York en 1937, y de él sólo se sabe que estudió ingeniería y literatura en la Universidad de Cornell, que redactó folletos técnicos para la compañía Boeing, que envió a un cómico a recoger en su nombre el National Book Award, y que vive en Nueva York. Tusquets Editores ha publicado toda su obra de ficción, compuesta por las novelas Vineland, Un lento aprendizaje, La subasta del lote 49, V., Mason y Dixon, El arco iris de gravedad, Contraluz, Vicio propio y Al límite.
Read more from Thomas Pynchon
The Crying of Lot 49 Rating: 4 out of 5 stars4/5Gravity's Rainbow Rating: 4 out of 5 stars4/5V. Rating: 4 out of 5 stars4/5Inherent Vice Rating: 4 out of 5 stars4/5Mason & Dixon Rating: 0 out of 5 stars0 ratingsVineland Rating: 4 out of 5 stars4/5Bleeding Edge: A Novel Rating: 4 out of 5 stars4/5Slow Learner Rating: 3 out of 5 stars3/5
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Reviews for Against the Day
473 ratings28 reviews
- Rating: 4 out of 5 stars4/5Against the Day is a completely unique novel - both in its ambition and its ability to frustrate the reader. If you don't like Pynchon's tics (jokey character names, bantering inauthentic dialogue, narrative dead ends), then abandon hope all ye who enter. If you are willing to devote a slice of your remaining life to 1085 pages of this, you need to just buckle up and enjoy the ride.
I haven't read any other criticism of this novel yet. Personally, I don't have a clear sense of what Pynchon is on about here. At first I thought he was playing with genre - ATD includes steampunk, historical fiction, Western, adventure, noir, detective, etc. The large swath of the story that takes place in Europe during the lead up to World War 1 seems too baggy and incoherent, with whole sections (in Venice and Bulgaria, for example) that read like travelogue more than narrative fiction. My peak frustration came in the Bulgarian section, wherein Cyprian Latewood joins a nunnery. What is the relevance of Cyprian to the story? He is a secondary character that becomes central and then reverts to the background. There are many many characters like this, who pop out of the woodwork. I was tempted at some points to create a spreadsheet of characters, just to keep them straight.
ATD exemplifies the problem I have with a lot of postmodern fiction. In the end, the idea of a fragmented narrative that reflects the way life really unfolds, seems to make sense. In practice, it feels self indulgent. Pynchon's attitude seems to be that "life is long and confusing, so I will therefore write a long and confusing novel." It doesn't work as satire, because its narrative threads are so diffuse and meandering that any insight on human nature or society is lost. - Rating: 4 out of 5 stars4/5Massive but engaging and readable tome about the world before the Great War.
- Rating: 3 out of 5 stars3/5Enjoying it so far. It's almost 1100 pages with dense prose, lots of interacting characters and multiple rich subplots so budget time accordingly.
It's a mashup of steampunk, Upton Sinclair social criticism, alternative history fantasy with bits of supernatural fantasy and alchemy thrown in to liven up the mix.
I'm finding it easier to read than Mason and Dixon, the last Pynchon work I attempted. - Rating: 5 out of 5 stars5/5During those simpler, happy times (the Democrats assumed control of the House and matters appeared to be changing)I pre-ordered the novel with my happy local bookseller. It arrived really early, well before its publication date and I was four thousand miles away from home.
The bulky block of lore was scooped upon return. My friends had selected Against The Day for our winter read and I read the novel in two lengthy slogs, finding it necessary to reread several sections. Some of my friends weren't as ecstatic. I still found the Chums of Chance an ace device for observing a world spinning out of control: for the first decade of the 21st Century as well as their own. Our expectations will always be thwarted. The system will encircle our most valued motives and commodify such. This will continue until heat death snuffs out the flame. Entropy and Ossification remains Pynchonian archtypes and much of this is explored here through scattered paternity and the menace of mechanization. I bought a copy a few years ago for my wife's sister during a most happy christmas and I have pondered since that the novel certainly DEMANDS a second reading. We shall see. - Rating: 2 out of 5 stars2/5Although it was interesting and original, the novel really falls apart as it goes along. Even as someone who appreciates Pynchon, it was a little much. I do not recommend it.
- Rating: 4 out of 5 stars4/5(original review, 2006)
This is a remarkably easy read, and unusually focused on the protagonist. Maxine does more investigation into her self through DeepArcher than in the meatspace that is quite tedious and repetitive. Pynchon is still very good when he is good, in the DeepArcher sequences, for which the book is worth reading, but in relation to his treatment of the person in their complexity, once again, there is a lack of touch. There is also the problem of his politics if you are unsympathetic to his attitude, which I am not. The novel should be considered within the corpus of his life work, where it sits easily.
Art is a social medium, a material medium, an intellectual medium, an economic medium: it consists of a great deal more than surfaces. Art that consisted only of surfaces - if such a thing were possible - would be of no larger significance than a crossword puzzle. This is true even of painting - the only art whose medium can be credibly represented as being 'all surface'. I'll also point out that apart from having entered the language in the form of the term 'Rabelaisian' - now merely shorthand for 'characterized by coarse humour or bold caricature' - Rabelais himself is little read outside the academy and, like Shakespeare, often quite painfully unamusing.
There is nothing more vulnerable to the passage of time than a style of humour; even slang can be footnoted. What has protected Pynchon so far is the fact that so many of his readers are male Americans of a certain age and style of education, whose humour has become generalised as the public style of a generation. There are already clear signs that this is changing as that generation ages and dies off, and as women claim equality in literary opinion-forming. I fear for Pynchon's reputation in twenty-five years' time. On a sentence by sentence level Pynchon is amazing entertainment if you like pop satire. He's the Warhol of literature - his work appears to be all surface or cartoon or shallow but for clever reasons beyond my own powers of expression he's a genius.
Against the Day is one of his best in fact. The guy can sing. He reminds me of Mel Brooks or Twain - a great American comedian. His long, list-like sentences offer a heady mixture of shamanic incantation, encyclopedic knowledge and radical politics . . .Sounds good to me then.
As much as I love Pynchon, there are a number of sexually precocious children in his books ("repeated child-rape scenarios" is hyperbolic nonsense which does some reviewers no favours though). The Vroom daughters in "Mason & Dixon" and Dally Rideout in "Against the Day" spring to mind (Dally does also have a near-miss brush with molestation at a party New York). I've got a rule: never avoid the books based on the elements of moral repugnancy, but we can't pretend they're not there.
Pynchon has his rabid fans but he also has readers. As does Foster Wallace. I'm one (a reader). Although I register and part-agree with some reader's annoyance at the hero worship of both; I don't think I have to choose between worship and rejection. - Rating: 4 out of 5 stars4/5I initially encountered Thomas Pynchon when Gravity’s Rainbow was reviewed in the Science book section, a rare event for fiction (the only fiction I remember making such an appearance was Philip Pullman’s His Dark Materials series). Pynchon’s novels are full of mathematical references – Gravity’s Rainbow includes the Poisson distribution definition in the text (since it describes V2 impact sites). Against the Day not only includes the Riemann zeta function, but a major plot element is conflict between quaternion enthusiasts and vectorists over which is the best technique (including a love affair between proponents of the opposing camps). Both Pynchon and I attended Cornell (Pynchon initially majored in Engineering Physics but, after a stint in the Navy, returned and graduated with a degree in English), both of us have a weakness for puns (one of the characters in Against the Day is a Uygur rabbit hunter named Al Mar-Fuad, who mispronounces “r” as “w”). Pynchon also is a Star Trek fan; the later novels usually include some reference – characters in Mason&Dixon and Against the Day find occasions to give a hand gesture with the palm raised and the second and third fingers spread, and there’s a series of references in Vineland to a science fiction television series where the entire spaceship crew is black except for the red-headed communications officer, Lieutenant O’Hara. The Star Trek franchise has apparently returned the favor; detailed freeze-frame examination of some of the engine room equipment on the Enterprise shows the logo of Yoyodyne Propulsion Systems, after the fictional aerospace company Pynchon invented for V. and The Crying of Lot 49.
Pynchon does interesting sex scenes, running through an almost complete gamut of perversions (gang rape in V., adultery in The Crying of Lot 49 and Gravity’s Rainbow; coprophagia, necrophilia, underage sex, S&M, bestiality (with an octopus) and stocking fetishism in Gravity’s Rainbow (as an example of his mathematical bent, Pynchon notes that the curve described by the top of a stocking held up by a garter belt is a catenary); and transvestitism, spanking and gay and Lesbian S&M in Against the Day. I have to say though that none of the sex scenes are there for the titillation value; in every case there’s a sound plot reason for the characters to do what they do and nothing seems forced (although I will say that character’s in Against the Day probably engage in an anachronistic amount of sex for the time, but the novel is obviously not intended to be historically accurate). Gravity’s Rainbow was rejected for the Pulitzer even after an unanimous recommendation by the jury because the Pulitzer board found it “obscene”; the objectionable passage is tiny part of a long book.
My most recent exploration of Pynchon is the aforementioned Against the Day; this is his longest novel (so far) and, although the jacket blurb describes it as “his most accessible”, is as complicated and confusing as the rest of them – but also as fascinating. It has all the normal Pynchon problems – an immense number of characters, many of whom don’t seem to have much to do with the plot – what there is of it – and lack of character depth (I can form very little mental image of what any of Pynchon’s characters look like. To be fair, I can’t imagine any of Jane Austen’s, either, and there’s nothing wrong with her novels). He’s also experimenting with his own variation of “magical realism”, in this case what you might call science fiction realism; the novel starts in 1893 but includes a number of futuristic elements. One of the subplots follows The Chums of Chance, a sort of Horatio Alger/Tom Swift bunch of boys who fly around the world in an airship, communicating with headquarters by a Tesla transmitter; the British navy operates a sort of mechanical mole vessel in the Central Asian desert; there’s a plot interlude involving a sort of Mountains of Madness adventure in the high Arctic; and there may or may not be some sort of quaternion weapon (the Q-gun; this might be yet another obscure science fiction reference as a “Q gun” appears in the “Doc” Smith Lensman series) that might or might not be responsible for the 1908 Tunguska event.
That brings us to another Pynchon characteristic – leaving plot questions unresolved. In V., we never learn who “V” is; The Crying of Lot 49 ends before we learn who bids on the counterfeit postage stamps; I’ve read the last third of Gravity’s Rainbow three times without being able to figure out what’s going on; the exact mission of the schooner Golden Fang never gets explicated in Inherent Vice, and Against the Day finishes without the Traverse family resolving their vendetta against their father’s murderers (although the Chums of Chance do get to hook up with a group of flying girls in the end).
Keeping track of plot and characters in Against the Day is difficult but challenging and worth the effort. Aside from the aforementioned lack of denouement – which is, after all, part of Pynchon’s style – my only minor criticism is the anachronistic insertion of 21st century politics into a book set across the turn of the 20th century. Pynchon has his Traverse family heroes make a couple of references to “Republican Christer capitalists”. Not only is “Christer” rather pejorative and highly out of time, but the people who would be most accurately described by that term at the time of the novel were mostly Democrats – William Jennings Bryan, for example. There’s not a lot of this; just enough to cause a twinge or two – but it represents an annoying trend of people projecting modern politics back into history (I’ve mentioned before a modern Marxist historian who decided that because the Earp brothers were Republicans and the Clantons were Democrats, the Gunfight at the O.K. Corral was an example of Wall Street oligocrats violently dispossessing progressive pastoralists).
I haven’t yet read Pynchon’s most recent, Bleeding Edge; of the others, Inherent Vice is probably the funniest; The Crying of Lot 49 and Mason&Dixon the most accessible; V., Gravity’s Rainbow and Against the Day bedside labyrinths; and Vineland the least interesting although still very good. I think I have to recommend them all. - Rating: 5 out of 5 stars5/5Complex and inspiring, Against The Day provides every novel you might think existed in the American Tradition of the early 1900s with a fair shake and some pages. A crew of boys flys an airship, saving the world from mysterious danger. An anarchist becomes a dynamiting hero, while his children struggle with his legacy. A British soldier saves a young girl, who is maybe more gifted than she seems. The plot weaves between these elements and more, following from the 1893 World's Fair in Chicago to The Great War and beyond. Characters travel in time, and we travel with them, rewinding to live moments again and again. In. This, the reader understands not only the complexity of time, but genre.
Written with Pynchon's typical humor and lyricality, Against The Day becomes a novel obsessed with Time and math, with the beginning of cinema, the Mexican revolution, and any number of other subjects. Spies and secret societies abound, as does paranoia, and anarchism.
The book is simply too much to sum up without these phrases. It sprawls, intimidates, but offers excitement and adventure to those willing to stick it out. Be prepared to reread occasionally, and come to terms with the fact that you cannot remember every character. I have never met a book so full of ideas, a book where a phrase prompts me to be lost in thought roughly once every 10 pages. Let the tidal wave of Against The Day wash over you, and emerge, feeling refreshed and afraid, smarter for the experience. - Rating: 4 out of 5 stars4/5If you're reading this, you might want to read the book; if you're sensible, you'll be a bit wary of diving right in, because, as every review is contractually obliged to note, it's a bit long. So here are some books I'm really glad I read before this:
i) The World that Never Was, by Alex Butterworth
ii) Anarchism, by George Woodcock
iii) Hobsbawm's Age of Revolution/Capital/Empire
iv) Cormac McCarthy's Blood Meridian (American West in the 19th century)
v) Henry James, in general (for the American abroad theme)
vi) various popular science books, particularly about maths.
Here are some books I really wish I'd read:
i) The Struggle for Mastery by AJP Taylor
ii) unpopular, difficult histories of maths
iii) a history of American labor organizations
iv) HG Wells, The Time Machine
If you mix all of that in with previous Pynchon, you get this book. If you've read it all, I bet this thing would be a breeze. Kind of.
***************
I put off reviewing this for a long time, because I've been trying to finish the wikipedia plot summaries. But I can't put it off any longer. Those plot summaries take a *long* time.
A lot of people read this book as a more or less Manichean tract about the evils of the day/light/people who don't believe in conspiracy theories and the good of the night/darkness/people who do. Thankfully, it's much more and much better than that. There are few hard and fast good guys or bad guys: only one or two people fail to undergo some kind of enlightenment, and nobody who does undergo enlightenment becomes undeniably heroic afterward.
The book's structure is surprisingly tight. There's a kind of frame narrative, a pastiche of Boys Own adventure stories; as the novel progresses, the heroes of that story (The Chums of Chance) move from being more or less the unthinking but charming patsies of shadowy higher powers, to being autonomous, married human beings: in other words, they're little boys who grow up, and in so doing become more conscious of their own place in the world.
Within this is the main tale: a family of anarchists is being hunted and then hunting the capitalists in turn. On the book's release, much was made of its sympathy for terrorists, so it's worth noting that only *one* non-anarchist is intentionally killed by an anarchist, and that's in direct revenge for the murder of said anarchist's father. Just to complicate matters, it's unclear that the vengeance-taker is much of an anarchist anyway. On the other hand, and with historical accuracy, the capitalists murder or otherwise do away with dozens of people. The point of the book is not that terrorism is okay, it's that small acts of 'terrorism,' like bomb throwing, differ from large acts of destruction, like war or factory lockouts, in a small but important way: the bomb throwers lack the resources to do anything else. The war-makers and factory owners have all the resources they need, but want to squeeze ever more out of the rest of us.
In good picaresque fashion, a series of tales branch off from these two main tales. Most of them have in common some sort of opposition to quotidian life, which is either shown to be successful as an alternative, or (more often), unsuccessful. Characters come to realize that they're being used by powers beyond their control, and take it upon themselves to change their lives as best they can. Usually this is by travel (therefore, picaresque).
The book shows us two worlds: one that we see every day, and a kind of shadow world set slightly to the side of our own. The shadow world is sometimes good, sometimes not so good; but the moments of good that it holds are very much worth striving for. The trick is to do that without getting co-opted by capitalists or imperialists, which is no easy task at the turn of the nineteenth century.
Here the content matches up with Pynchon's form: any time the shadow world breaks through, for better or worse, the generally realistic narrative is also interrupted by surrealism, fantasy, science-fiction, horror, abstract mathematics, mysticism or philosophy. These small breaks in the novel's realistic fabric are often genuinely confusing, and that's precisely the point: thinking of another world is difficult and confusing. There's no need for conspiracy theories to explain this fact, you only need to recognize that the power and money is held in a very few hands.
Despite the huge difficulties faced by the various characters, the book ends, beautifully, with the Chums of Chance on their airship, "where any wish that can be made is at least addressed, if not always granted. For every wish to come true would mean that in the known Creation, good unsought and uncompensated would have evolved somehow, to become at least more accessible to us," and there's no sign of that. Nontheless, "they fly towards grace." Even within the book's frame, the Chums of Chance are more or less fictional. It's on board fictions like 'Against the Day' that we, too, can fly towards grace, without pretending that we've already got it. - Rating: 4 out of 5 stars4/5Came out the other side and had only one dominating thought....please Thomas, at least one more epic novel.
- Rating: 2 out of 5 stars2/5Story Synopsis: Young men fly around in a hot air balloon having adventures. Another person raises a daughter after his wife leaves him.
Review: After approximately 200 pages, I still was not invested in the story enough to finish the book. There didn’t seem to be much point to the overall story or to any of the sub-stories. This is supposed to be a classic book, but I found it verbose, dull, and uninteresting. - Rating: 2 out of 5 stars2/5Maybe I'm getting too old. Or maybe the fact that I've started writing fiction in earnest is changing my reading tastes. Or maybe I just don't have time for these doorstops now that I'm out of school.Whatever the case, I'm starting to feel a little disillusioned with Pynchon. I still really love V. and Gravity's Rainbow, but TRP's random hyper-referential stylings are starting to wear me down. And yet, every time he comes out with a book, I have to read it. Like it's my duty. At least the next one (Inherent Vice) is short.
- Rating: 4 out of 5 stars4/5Not as good as Gravity's Rainbow, but close. You will need a good semester to go through this, and a lot of internet/Wiki help. But at the end you will be a better person, more optimistic and more knowledgeable. Which is a lot to ask for from any book!
- Rating: 4 out of 5 stars4/5This one's my first attempt at Pynch. It's a 1100-page postmodern amalgam of historical fiction, science fiction, fantasy, obscenity (not erotica; I knows it when I sees it), travel-adventure, violence, greed, anarchy, allusions, capitalism, surrealism and early 20th century zaniness.
It was a real tough slog, but certainly well worth a re-read at some later date. - Rating: 4 out of 5 stars4/5I started reading this in January and put it down for other projects. I started again this summer and found it much easier to read the parts I'd already read. Now I really feel like starting all over again and maybe and tracing down every reference. I once read Ulysses like that, with a concordance in one hand the Ulysses in the other. A more experienced reader, I got lots of references now (most focused on the science and history on the late 19th and early 20th century) and enjoyed doing so enormously. But I just discovered a Pynchon Wiki which explains references page by page. I also liked it because Pynchon plays constantly with the idea of time travel, a fun subject for me. There are zillions of characters with funny names. The novel starts at the Columbian Exhibition in Chicago in 1893 and moves to Colorado to Mexico to New England and New York, to England and Germany and France to Italy, to Central Asia and and Siberia and back to Istanbul and Bulgaria and Italy and California. The novel begins with the "Chums of Chance" who have "adventures" like the Hardy boys only in a hot air ballloon that increasingly as the novel progresses "escapes" this world for other worlds that may be parallel universes.... One of the difficult things is that there's not really a main character, though I found myself "hooked" when I looked forward to the next segment on the several characters that I really liked. NOW I can read the article I printed out on Against the Day and time travel!
- Rating: 5 out of 5 stars5/5I don't exactly remember when I started reading this book, but it seems like a long, long time ago. My first impression of the book is that it is massive - a bit over 1000 pages. My most recent impression is that it was quite a good book. Of Pynchon's novels, it is probably the most easily accessible with the possible exception of Vineland.
I think one of the reasons for its size, as well as one of the reasons for its accessibility, is that it is really more like 4 or 5 books - in as many styles - than one book. There is a boys adventure story, there is a western revenge story, there is a noire detective story, there is a European espionage story, there is an oriental mysticism story. Of course all of the stories and styles are all mish-mashed together. Reading other reviews, it seems that many people came to this looking for a message or some meaning, but I really doubt that there is any coherent take away from a book like this.
I'd like to write more because it was such an amazing book, but I'm not feeling terribly inspired at the moment. - Rating: 3 out of 5 stars3/5Why did Pynchon write this book? None of the positive reviews in the press have enlightened me. Is there anything important being said here? At times self-parodying, at others self-indulgent, I think this book is just a big mess.
It's too bad. When I was 20 years old, I read my first Pynchon, "Gravity's Rainbow" (this was in 1973, by the way). I thought it brilliant then, and still do. But I have to call 'em as I see 'em, and this one misses by a lot.
Yes, I've read some things about themes, bilocation, etc.
It's that what themes there are, are half-baked ideas, not terribly well-executed, coherent, or comprehensible. One of Pynchon's weaknesses has been the inability to define his characters as fully-formed, believable persons. They usually represent one or more attitudes, or more likely, afflictions in the service of the bigger picture. He got away with that in "Gravity's Rainbow", because the overall message was powerful and disturbing. Here, I was waiting for the payoff. Where is it? - Rating: 4 out of 5 stars4/5Finally!!! Not his best, but I've waited soooooooo long for a new Pynchon. And let's be honest, "not his best" from Pynchon outdoes most writers' "top-notch."
- Rating: 4 out of 5 stars4/5i've only read the first hundred pages or so -- which, considering the edition i was reading was 1200 pages, is barely a scratch -- but i'm sold. as soon as i come across another copy.
- Rating: 4 out of 5 stars4/5A Pynchon novel is not a "quick read." It took me ten years to finally work my way through "Mason & Dixon," having several false starts. It took me a couple of months to work my way through "Against the Day," even though it was not nearly as difficult. Pynchon's word-play, dense structure, his allusive prose-style, and sudden shifts in perspective and narrative focus mean a casual read is out of the question. Yet, despite the difficulty, I still enjoy Pynchon's novels. They are full of wit, some wisdom, and a lot of scope, always looming out there the Big Questions - like, where are we going, what are we doing here, and just what, after all is this book about?
In fact, I loved "Mason & Dixon," which added a layer of humanity on the work of an author whose writing sometimes seems as cold and inhuman as anything he must have written while he worked for Boeing. In "Against the Day" he returns more or less to his emotionally austere form, however, with a sprawling novel that moves from Colorado mining towns to Mexican revolutions to London, Vienna and Venice, to pre- and post-war Europe, and, as Pynchon says, "one or two places not strictly speaking on the map at all." One does not read Pynchon for deep character development (although "Mason & Dixon" broke new ground with its titular astronomer and surveyor), but it is expected that there will gobs of people with strange names, and Pynchon does not disappoint.
Indeed, this book as a whole does not disappoint. While not as good as "Mason & Dixon," "V." or "Gravity's Rainbow," it features the breadth of Pynchon's talent and is a worthy addition to his oeuvre. - Rating: 2 out of 5 stars2/5I simly could not get through this book. I gave it a valiant effort - I didn't give up until about page 650. At that point, I reassessed, and realized that I had no idea what was going on in several of the story's plotlines. Some of the plot threads were very interesting - but others made no sense and seemed as if Pynchon was just writing stream of consciousness. At some point I will try another Pynchon book (since this was my first), but I cannot recommend this to anyone. I feel like if it had been written by any other author, it would never have been published.
- Rating: 5 out of 5 stars5/5The early reviews I read of Against the Day were all a little bewildered, and gave me the distinct impression that a lot of reviewers had tried to skim-read this huge novel so they could get their articles written in time. It’s not an easy one to write up at all. It’s very long, very busy, and you come to it with all kinds of preconceptions, just because it’s Pynchon and although he’s only written a few novels they all seem to be masterpieces.
For people who have been following him over the years, it’s something of a change of direction. His last two books, Vineland and Mason & Dixon, seemed to show a new concern with characters, personalities and intimacy compared to the unreconstructed craziness of his earlier work. But Against the Day has much more in common with his earlier books – it most closely resembles Gravity’s Rainbow (the hipster’s long novel of choice), although there is a weariness, a kind of ironic distance at work here which points to an older author.
If it seems like I’m putting off the business of actually trying to explain what this novel’s about, it’s because I am. Ostensibly we are looking at a timeframe moving from the Chicago World’s Fair of 1893 to the years immediately after the First World War. Pynchon has always been much more interested than his compatriot writers in the world outside America, and here we get wonderful sketches of everywhere from Colorado, New York and Chicago to Siberia, London, Yugoslavia, Morocco, revolutionary Mexico, Constantinople, Venice and plenty more besides. The cast of characters is huge, though not as disorienting as some reviewers have made out. The main plot strand concerns three brothers from Colorado trying to avenge their father’s murder, though there is also a boy’s-own spy story involving British agents and unrest in the Balkans, not to mention a whole subplot about characters who are at least partly fictional even within the world of the novel.
It’s not even entirely certain whether or not these events are taking place precisely in our world. In the novel, not only do we have the new force of electricity changing the face of society, but we also have mathematicians and scientists devising machines which can make photographs move or allow for the possibility of time-travel. In many ways it’s written not as a historical novel but as a sci-fi novel might have looked written by someone in the 1880s. ‘By now,’ someone remarks at one point, ‘I know that your most deranged utterances are only conventional history prematurely blurted.’
At first that just seems like a cute conceit, but as the novel goes on it assumes a greater importance. There is always a suggestion that the world of possibilities shown in here somehow became our own world after some cataclysmic event, which is especially associated with the War. ‘This world you take to be “the” world will die,’ says one character, ‘and descend into Hell, and all history after that will belong properly to the history of Hell.’
The upcoming war looms over everything, just as the Second World War did over Gravity's Rainbow. It is conceived as being so awful that it has stained time itself, affecting events long before it happened with an air of sinister disaster. It is the darkness behind everyday events, which is sensed preternaturally by almost every character in the book, and which allows Pynchon to give free rein to his delight in finding mystery and paranoia in otherwise normal events. Who else would, or could, describe a sunrise like this:
The sun came up a baleful smear in the sky, not quite shapeless, in fact able to assume the appearance of a device immediately recognizable yet unnameable, so widely familiar that the inability to name it passed from simple frustration to a felt dread, whose intricacy deepened almost moment to moment…its name a word of power, not to be spoken aloud, not even to be remembered in silence.
Here you can see all Pynchon’s trademarks – the long sentences, stacks of clauses skirting round some inexplicable sensation of mystery, a general feeling that you’re never totally sure what he’s going on about. It is this mood, rather than any event-based plot, which Pynchon is concerned with describing. And the writing is everything you’d hope for – I think he’s the best writer of sentences since Nabokov. Some of the turns of phrase stop you dead: a view from a hotel window of “long, moon-stung waves”; a rough night for someone who “didn’t so much sleep as become intermittently conscious of time”; or an emotional parting at a railway station, of which we are told: “though their kiss went on for what could have been hours, so little did it have to do with clock time, she was already miles away down those rails before their lips even touched.”
Looking back through my copy to pick out these passages, it’s telling that I can hardly remember now which characters are even being written about here. They seem less important than what he uses them to say. Some people might even call them types; you could certainly be forgiven for getting a bit suspicious about the way every single female character is a submissive nymphomaniac – though that certainly allows for a lot of fun along the way. The verisimilitude is also not helped much by the outrageous names everyone seems to have, like Professor Heino Vanderjuice or a musician called Chester LeStreet (hee-hee). It’s definitely a little disappointing after where he seemed to be going with the last couple of books, but still, there’s no doubt that by the end there are a core group of people who you really do care about.
And they can be fun too. One of the many pleasures of the book comes from the incongruence of people and places, like the grizzled American detective who finds himself working for a tarot cult among the upper classes in London. The Colorado boys in particular generate some fantastically gruff dialogue, including one of my favourite remarks: “Tengo que get el fuck out of aquí.” The women are intelligent and funny and, as I mentioned, permanently horny. He does sexy rather well. “Just can’t stay away,” whispers one respectable girl who has ended up all corrupted in a brothel out west, “…you’ve simply ruined me for everyday bourgeois sexuality. Whatever am I to do?”
The proliferation of characters is partly down to one of the book’s most important themes, that of doubling. Two of the cast, Renfrew and Werfner, are mirror-images of each other in more than just name; someone else finds himself wondering if he could be his own ghost. We hear much of the shamanic practice of bilocation, by which someone can be literally in two places at once, and there is also a preoccupation with Iceland spar, a kind of crystal which creates a doubling of light – and, by implication, of the world itself. Pynchon seems to have taken the advice of one of his characters: “When you come to a fork in the road, take it.”
Like a lot of Pynchon’s books, it starts off being a whole lot of fun with crazy jokes and weird sex and unnecessary songs, and yet again by the time you’re sucked in you can’t help feeling that something very important is going on. It seems to have to do with understanding what kind of person you might have been if some choices had been made differently, and what kind of world there could have been if some choices had been made differently. With some aliens, threesomes, tommyknockers, cowboys and meteorites thrown in.Have we been here before? Oh…maybe. Still, it seems a bit harsh to criticise him for producing more of the same when the same is so brilliant, so rich, and so full of complex and fascinating pleasures. Above all I was left feeling the sadness and the wonder of all the potential worlds I and everyone else could be creating, if we only had more time to stop and work out how. As one of the many walk-on reprobates points out:
…isn’t it the curse of the drifter, this desolation of heart we feel each evening at sundown, with the slow loop of the river out there just for half a minute, catching the last light, pregnant with the city in all its density and wonder, the possibilities never to be counted, much less lived into, by the likes of us, don’t you see, for we’re only passing through, we’re already ghosts. - Rating: 5 out of 5 stars5/5Thomas Pynchon’s Against the Day: A Reader’s Dimensions
Thomas Pynchon’s epic novel, Against the Day, is an odyssey in four dimensions, and more. The reader is introduced to this imaginary space during the first pages of chapter one. The boys’ group, “Chums of Chance,” discuss the altitude of their dirigible with the conclusion that if they keep going up into the lighted sky, they’ll be going down. How can rising become falling? All of the key characters in the tale ask themselves similar questions.
The reader realizes early on that the reading time of Against the Day will be different from other novels, longer and shorter. In the novel, the path of light is followed as it travels through the 1085 pages at a constant velocity. Yet it is always changing over time, illuminating evolving territories and imaginary borders, and shining on the people who are both grounded and accepting of fantasy. The reader’s view of history and individual destiny is guided by Pynchon’s descriptions of light as they create a time-territory-personality matrix.
I started reading the book in November in tropical Hilton Head and finished it in February in the Ohio winter, on a personal odyssey. It was a wonderful exercise in translation, discovery, challenge, enlightenment, cynicism, slapstick, and wonderful insight. Surrounded by dictionary, laptop, atlas, and a bright reading lamp emitting waves and particles, I developed new points of view. Taking time to look up and study vocabulary, historical references, mathematical concepts, philosophical ideas, and psychological theories is required for understanding the novel.
The reader can make use of the two dimensional space of the page, scribbling notes in the margins. The notes get more complex as additional dimensions are perceived in terms of mental longitude and latitude. Cartesian coordinates emerge as the author explores the three dimensions of the novel’s settings. Then as the characters transcend geography and time imaginary dimensions are created, like images reflected in mirrors (reminiscent of Lewis Carroll’s Through the Looking Glass). Pynchon shows the reader that the number of dimensions is potentially infinite. So the novel’s characters can be here and there at the same time (bilocation) and can assume multiple points of view.
The ordered chaos of the chapters bring the reader to observation points that create insight, but then the points vanish. A new location in vector space is established by the author’s quaternion prose (look it up!). Yes, the reader begins to “see” a changeable, imaginary space. It is not an “aha” experience but more like a “wow” hallucination. But, have no fear; whatever is in that vector space is created by the reader’s own mental dimensions.
Major themes emerge from this imaginary time-space. One of them describes the human genius and folly as seen in the historical record. Pynchon shows the reader that ideas begin as fantasy. Mathematicians translate these fantasies into arbitrary symbols using an arcane logical system. Scientists use the symbols in their experiments attempting to ground them in quotidian reality. Leaders of commerce take the realized ideas and create marketable products. Politicians corner the markets and carve up the land for power and defense.
The novel describes paths for the secondary characters parallel to the historical record, but different. Unlike history, the lives of many of the background characters do not flow continuously. Some stay as children in the world of fantasy. Some get bound up in symbols and never find the ground. Some characters are caught up in science without anticipating the applications that will be made of their discoveries. Other characters spend their lives in commerce fighting for wages or using tactics to maintain the dominance of wealth. The politicians look at the earth in terms of artificial geographic borders, defending their domains while encroaching on the property of others.
The primary characters are anarchists of fantasy, mathematics, science, commerce, and politics. They challenge the frontiers in each of these dimensions. The reader comes to an understanding of the driving force and goal of anarchy through the conscious and unconscious choices the characters make. The reader then has choices. Do we stay as children in fantasy, or do we take on adult responsibility? Are we satisfied with a symbolic description of the world or do we live in it? Can we make a living by the economic rules but also free ourselves from materialism? Do we ascend to political power or resist borders that require defense and foster encroachment? Is there a Shambhala, a vanishing point on this earth where we can approach perfect, boundless, infinite, multi-dimensional peace?
Take your own personal odyssey as you read Against the Day. Experience the fantasy but go beyond it. Do the math but learn to apply limits. Explore science but prevent its use in evil applications. See how to earn a living but avoid the traps of being owned by your possessions. Become aware of political power and fight against the immoral if necessary. And above all, when down becomes up, explore the frontiers of your life looking for Shambhala. - Rating: 1 out of 5 stars1/5First of all let me tell you that despite the low rating I've read this book from end to end, hoping to get to like as most people seems to do.
I was disappointed from the very beginning when I found that this book could be categorized as fiction but also as fantasy, all the "magic" flying ships, time travel ...
And then there's the over-crafted language, I recognize that Pynchon is really good at writing but plenty of times it just felt like pseudointellectualism for me, fabricating really complex descriptions or conversations that don't serve any purpose.
The book is long enough to have parts where my main complains are not present but then the lack of both deep characters and a cohesive story kept me away from enjoying the reading. - Rating: 4 out of 5 stars4/5Just finished Against the Day (last eight pages read in a hot bubble-bath drinking a cold Margarita). Off the top of my head, I think it's really, really good.
Some of the reviews (one in the Pynchon Pandæmonium group called it "shit") make me wonder if the readers actually read the whole book. Even the "professional reviewers" talk about one-dimensional, cartoonish characters, but that might be only valid for the first few hundred pages. Once the various threads start come together, things start to brew like a good pot of coffee.
For example, the (very) strange ménage à trois of Yasheem, Reef and Cyprian was incredibly touching as it developed from three completely different ("orthogonal" would probably be a word that Pynchon might use here) Walks of Life into one blended and complementary triad (x, y, and i (i.e., the square root of minus one)). Well, for me at least, Pynchon's writing brought clarity, understanding and deep empathy for these (and other) characters to the point that I was really rooting for all three.
Typically for Pynchon, other threads and characters were left up to you to decide what eventually happened to them (such as the Great Revenge Plot against Deuce Kindred (and Lake) (ah, but maybe Life was the Ultimate Revenge here, huh? - you'll have to read it to find out)).
Still, though, off the top of my Margarita-soaked brain, I felt that Against the Day was a really good yarn that had many, many brilliant exposés on today's political "situation."
The ending is one full of hope for that Day when we can all live in Grace with one another, as individuals and as a World. By the way, the Inconvenience (referred to below) is a dirigible that, over the course of the novel, evolves into some sort of spaceship/society, becoming, in the process, a metaphor for our own "spaceship/society."
"Never sleeping, clamorous as a nonstop feast day, Inconvience, once a vehicle of sky-pilgrimage, has transformed into its own destination, where any wish that can be made is at least addressed, if not always granted. For every wish to come true would mean that in the known Creation, good unsought and uncompensated would have to be evolved somehow, to become at least more accessible to us. No one aboard Inconvience has yet observed any sign of this. They know - Miles is certain - that it is there, like an approaching rainstorm, but invisible. Soon they will see the pressure-gauge begin to fall. They will feel the turn in the wind. They will put on smoked goggles for the glory of what is coming to part the sky. They fly to grace."
To Pynchon's final note, I add my own "may it be so, where we all, too, reach a time/place of mutual respect and kindness!"
Or, in the words of a popular song, "in the end, only kindness matters." - Rating: 2 out of 5 stars2/5Maybe 2 stars if an unknown author had written it. Pynchon's flow which has worked so well in other books, for me especially Mason Dixon, seems to be contrived and split apart formally into the different threads. I found myself resisting the unbelievable, fantastic and almost comic-book trials and travails of the boy heros traveling in the air balloon, while I loved the thread about the bad cowboy killer. I couldn't finish it; I found myself skipping the basically boring storylines trying to find the good ones--fortunately they didn't interconnect. Please don't read this as your first Pynchon because it might not make you come back for more.
- Rating: 5 out of 5 stars5/5Pynchon's newest novel, and brilliant the way Gravity's Rainbow is. This is a (ginormous) book that runs on the pure energy of the joy of writing. More or less the history of the world from the Chicago Exposition in the 1880's to World War One, covering politics, science, populism, mathematics, Eastern and Western Europe, Asia, and the Wild West.
- Rating: 1 out of 5 stars1/5I read a couple hundred pages and then stopped. It's just a lot of uncoordinated uninteresting stories that don't make sense. I'm sure that if you finish the book, the piese will fall into place, but it shouldn't take three hundred pages of gibberish and I still don't know if I like it.
There's so many books I like so much, I'll put this one up on eBay.
Book preview
Against the Day - Thomas Pynchon
One
The Light
Over the Ranges
Now single up all lines!"
Cheerly now . . . handsomely . . . very well! Prepare to cast her off!
Windy City, here we come!
Hurrah! Up we go!
It was amid such lively exclamation that the hydrogen skyship Inconvenience, its gondola draped with patriotic bunting, carrying a five-lad crew belonging to that celebrated aeronautics club known as the Chums of Chance, ascended briskly into the morning, and soon caught the southerly wind.
When the ship reached cruising altitude, those features left behind on the ground having now dwindled to all but microscopic size, Randolph St. Cosmo, the ship commander, announced, Now secure the Special Sky Detail,
and the boys, each dressed neatly in the summer uniform of red-and-white-striped blazer and trousers of sky blue, spiritedly complied.
They were bound this day for the city of Chicago, and the World’s Columbian Exposition recently opened there. Since their orders had come through, the scuttlebutt
among the excited and curious crew had been of little besides the fabled White City,
its great Ferris wheel, alabaster temples of commerce and industry, sparkling lagoons, and the thousand more such wonders, of both a scientific and an artistic nature, which awaited them there.
Oh, boy!
cried Darby Suckling, as he leaned over the lifelines to watch the national heartland deeply swung in a whirling blur of green far below, his tow-colored locks streaming in the wind past the gondola like a banner to leeward. (Darby, as my faithful readers will remember, was the baby
of the crew, and served as both factotum and mascotte, singing as well the difficult treble parts whenever these adolescent aeronauts found it impossible to contain song of some kind.) I can’t hardly wait!
he exclaimed.
For which you have just earned five more demerits!
advised a stern voice close to his ear, as he was abruptly seized from behind and lifted clear of the lifelines. Or shall we say ten? How many times,
continued Lindsay Noseworth, second-in-command here and known for his impatience with all manifestations of the slack, have you been warned, Suckling, against informality of speech?
With the deftness of long habit, he flipped Darby upside down, and held the flyweight lad dangling by the ankles out into empty space—terra firma
by now being easily half a mile below—proceeding to lecture him on the many evils of looseness in one’s expression, not least among them being the ease with which it may lead to profanity, and worse. As all the while, however, Darby was screaming in terror, it is doubtful how many of the useful sentiments actually found their mark.
Say, that is enough, Lindsay,
advised Randolph St. Cosmo. The lad has work to do, and if you frighten him that way, he sure won’t be of much use.
All right, short-stuff, turn to,
muttered Lindsay, reluctantly setting the terrified Darby back on his feet. As Master-at-Arms, in charge of discipline aboard the ship, he went about his job with a humorless severity which might, to the impartial observer, easily have suggested a form of monomania. But considering the ease with which this high-spirited crew were apt to find pretexts for skylarking—resulting more than once in the sort of close call
which causes aeronauts to freeze with horror—Randolph usually allowed his second-in-command to err on the side of vehemence.
From the far end of the gondola now came a prolonged crash, followed by an intemperate muttering that caused Randolph, as always, to frown and reach for his stomach. I have only tripped over one of these picnic baskets,
called out Handyman Apprentice Miles Blundell, the one all the crockery was in, ’s what it looks like. . . . I guess I did not see it, Professor.
Perhaps its familiarity,
Randolph suggested plaintively, rendered it temporarily invisible to you.
His reproof, though approaching the caustic, was well founded, for Miles, while possessed of good intentions and the kindest heart in the little band, suffered at times from a confusion in his motor processes, often producing lively results, yet as frequently compromising the crew’s physical safety. As Miles now went about picking up pieces of the damaged porcelain, he evoked the mirth of one Chick Counterfly, the newest member of the crew, who was leaning against a stay, observing him.
Ha, ha,
cried young Counterfly, say, but if you ain’t the most slob-footed chap I ever seen! Ha, ha, ha!
An angry retort sprang to Miles’s lips, but he suppressed it, reminding himself that, as insult and provocation came naturally to the class from which the newcomer sprang, it was upon his unhealthy past that one must blame the lad’s habits of speech.
Why don’t you give me some of that fancy silverware, Blundell?
young Counterfly now continued. And when we get to Chicago we’ll find us a ‘hock shop’ a-and—
I recall to your attention,
replied Miles politely, that all tableware bearing the Chums of Chance Insignia is Organizational property, to be kept aboard ship for use during official meal periods.
Like Sunday school around here,
muttered the picklesome youth.
At one end of the gondola, largely oblivious to the coming and going on deck, with his tail thumping expressively now and then against the planking, and his nose among the pages of a volume by Mr. Henry James, lay a dog of no particular breed, to all appearances absorbed by the text before him. Ever since the Chums, during a confidential assignment in Our Nation’s Capital (see The Chums of Chance and the Evil Halfwit), had rescued Pugnax, then but a pup, from a furious encounter in the shadow of the Washington Monument between rival packs of the District’s wild dogs, it had been his habit to investigate the pages of whatever printed material should find its way on board Inconvenience, from theoretical treatments of the aeronautical arts to often less appropriate matter, such as the dime novels
—though his preference seemed more for sentimental tales about his own species than those exhibiting extremes of human behavior, which he appeared to find a bit lurid. He had learned with the readiness peculiar to dogs how with the utmost delicacy to turn pages using nose or paws, and anyone observing him thus engaged could not help noting the changing expressions of his face, in particular the uncommonly articulate eyebrows, which contributed to an overall effect of interest, sympathy, and—the conclusion could scarce be avoided—comprehension.
An old aerostat hand by now, Pugnax had also learned, like the rest of the crew, to respond to calls of nature
by proceeding to the downwind side of the gondola, resulting in surprises among the surface populations below, but not often enough, or even notably enough, for anyone to begin to try to record, much less coördinate reports of, these lavatorial assaults from the sky. They entered rather the realm of folklore, superstition, or perhaps, if one does not mind stretching the definition, the religious.
Darby Suckling, having recovered from his recent atmospheric excursion, addressed the studious canine. I say, Pugnax—what’s that you’re reading now, old fellow?
"Rr Rff-rff Rr-rr-rff-rrf-rrf, replied Pugnax without looking up, which Darby, having like the others in the crew got used to Pugnax’s voice—easier, really, than some of the regional American accents the boys heard in their travels—now interpreted as,
The Princess Casamassima."
Ah. Some sort of . . . Italian romance, I’ll bet?
Its subject,
he was promptly informed by the ever-alert Lindsay Noseworth, who had overheard the exchange, is the inexorably rising tide of World Anarchism, to be found peculiarly rampant, in fact, at our current destination—a sinister affliction to which I pray we shall suffer no occasion for exposure more immediate than that to be experienced, as with Pugnax at this moment, safely within the fictional leaves of some book.
Placing upon the word book
an emphasis whose level of contempt can be approached perhaps only by Executive Officers. Pugnax sniffed briefly in Lindsay’s direction, trying to detect that combination of olfactory notes
he had grown accustomed to finding in other humans. But as always this scent eluded him. There might be an explanation, though he was not sure he should insist upon one. Explanations did not, as far as he could tell, appear to be anything dogs either sought or even were entitled to. Especially dogs who spent as much time as Pugnax did up here, in the sky, far above the inexhaustible complex of odors to be found on the surface of the planet below.
The wind, which till now had been steady on their starboard quarter, began to shift. As their orders had directed them to proceed to Chicago without delay, Randolph, after studying an aeronautical chart of the country below them, called out, Now, Suckling—aloft with the anemometer—Blundell and Counterfly, stand by the Screw,
referring to an aerial-propulsion device, which the more scientific among my young readers may recall from the boys’ earlier adventures (The Chums of Chance at Krakatoa, The Chums of Chance Search for Atlantis), for augmenting the cruising speed of the Inconvenience—invented by their longtime friend Professor Heino Vanderjuice of New Haven, and powered by an ingenious turbine engine whose boiler was heated by burning surplus hydrogen gas taken from the envelope through special valve arrangements—though the invention had been predictably disparaged by Dr. Vanderjuice’s many rivals as no better than a perpetual-motion machine, in clear violation of thermodynamical law.
Miles, with his marginal gifts of coördination, and Chick, with a want of alacrity fully as perceptible, took their stations at the control-panels of the apparatus, as Darby Suckling, meantime, went scrambling up the ratlines and shrouds of the giant ellipsoidal envelope from which the gondola depended, to the very top, where the aery flux was uninterrupted, in order to read, from an anemometer of the Robinson’s type, accurate wind measurements, as an index of how rapidly the ship was proceeding, conveying these down to the bridge by means of a written note inside a tennis-ball lowered on a length of line. It will be recalled that this method of passing information had been adopted by the crew during their brief though inconclusive sojourn south of the border,
where they had observed it among the low elements who dissipate their lives in placing wagers on the outcomes of pelota games. (For readers here making their first acquaintance with our band of young adventurers, it must be emphasized at once that—perhaps excepting the as yet insufficiently known Chick Counterfly—none would e’er have entered the morally poisonous atmosphere of the "frontón," as such haunts are called down there, had it not been essential to the intelligence-gathering activities the Chums had contracted to render at that time to the Interior Ministry of President Porfirio Díaz. For details of their exploits, see The Chums of Chance in Old Mexico.)
Though the extreme hazard was obvious to all, Darby’s enthusiasm for the task at hand created, as ever, a magical cloak about his elfin form that seemed to protect him, though not from the sarcasm of Chick Counterfly, who now called after the ascending mascotte, "Hey! Suckling! Only a saphead would risk his life to see how fast the wind’s blowing!"
Hearing this, Lindsay Noseworth frowned in perplexity. Even allowing for his irregular history—a mother, so it was said, vanished when he was yet a babe—a father, disreputably adrift somewhere in the Old Confederacy—Counterfly’s propensity for gratuitous insult had begun to pose a threat to his probationary status with the Chums of Chance, if not, indeed, to group morale.
Two weeks previous, beside a black-water river of the Deep South, with the Chums attempting to negotiate a bitter and unresolved piece of business
from the Rebellion of thirty years previous—one still not advisable to set upon one’s page—Chick had appeared one night at their encampment in a state of extreme fright, pursued by a band of night-riders in white robes and sinister pointed hoods, whom the boys recognized immediately as the dreaded Ku Klux Klan.
His story, as clearly as could be made out among the abrupt changes of register which typify the adolescent voice, exacerbated by the perilousness of the situation, was as follows. Chick’s father, Richard, commonly known as Dick,
originally from the North, had for several years been active in the Old Confederacy trying his hand at a number of business projects, none of which, regrettably, had proven successful, and not a few of which, in fact, had obliged him, as the phrase went, to approach the gates of the Penitentiary. At length, upon the imminent arrival of a posse comitatus who had learned of his attempted scheme to sell the state of Mississippi to a mysterious Chinese consortium based in Tijuana, Mexico, Dick
Counterfly had absquatulated swiftly into the night, leaving his son with only a pocketful of specie and the tender admonition, Got to ‘scram,’ kid—write if you get work.
Since then Chick had lived from hand to mouth, until, at the town of Thick Bush, not far from the Chums’ encampment, someone, recognizing him as the son of a notorious and widely sought carpetbagger,
had suggested an immediate application of tar and feathers to his person.
Much as we might be inclined to offer our protection,
Lindsay had informed the agitated youth, here upon the ground we are constrained by our Charter, which directs us never to interfere with legal customs of any locality down at which we may happen to have touched.
You ain’t from these parts,
replied Chick, somewhat sharply. When they’re after a fellow, legal ain’t got nothing to do with it—it’s run, Yankee, run, and Katie bar the door.
In polite discourse,
Lindsay hastened to correct him, ‘isn’t’ is preferable to ‘ain’t.’
Noseworth, for mercy’s sake!
cried Randolph St. Cosmo, who had been glancing anxiously out at the robed and hooded figures at the perimeter of the camp, the blazing torches they carried lighting each fold and wrinkle of their rude drapery with almost theatrical precision and casting weird shadows among the tupelo, cypress, and hickory. There is nothing further to discuss—this fellow is to be granted asylum and, if he wishes, provisional membership in our Unit. There certainly remains to him no future down here.
It had been a night of sleepless precaution lest sparks from the torches of the mob drift anywhere near the hydrogen-generating apparatus and devastation result. In time, however, the ominously cloaked rustics, perhaps in superstitious fear of that very machinery, had dispersed to their homes and haunts. And Chick Counterfly, for better or worse, had remained. . . .
The Screw device soon accelerated the ship to a speed which, added to that of the wind from directly astern, made it nearly invisible from the ground. We’re doing a way better than a mile a minute,
remarked Chick Counterfly from the control-console, unable to eliminate from his voice a certain awe.
That could put us in Chicago before nightfall,
reckoned Randolph St. Cosmo. Feeling all right, Counterfly?
Crackerjack!
exclaimed Chick.
Like most rookies
in the organization, Chick had found his initial difficulties to lie not so much with velocity as with altitude, and the changes in air-pressure and temperature that went along with it. The first few times aloft, he did his duty without complaint but one day was discovered unauthorizedly rummaging through a locker containing various items of arctic gear. When confronted by Lindsay Noseworth, the lad in his defense could only chatter, C-c-cold!
Do not imagine,
Lindsay instructed, "that in coming aboard Inconvenience you have escaped into any realm of the counterfactual. There may not be mangrove swamps or lynch law up here, but we must nonetheless live with the constraints of the given world, notable among them the decrease of temperature with altitude. Eventually your sensitivities in that regard should moderate, and in the meantime—tossing him a foul-weather cloak of black Japanese goatskin with C. OF C. PROPERTY stenciled in bright yellow on the back—
this is to be considered as a transitional garment only, until such time as you adapt to these altitudes and, if fortunate, learn the lessons of unpremeditated habitude among them."
Here it is in a nutshell,
Randolph confided later. Going up is like going north.
He stood blinking, as if expecting comment.
But,
it occurred to Chick, if you keep going far enough north, eventually you pass over the Pole, and then you’re heading south again.
Yes.
The skyship commander shrugged uncomfortably.
"So . . . if you went up high enough, you’d be going down again?"
Shh!
warned Randolph St. Cosmo.
"Approaching the surface of another planet, maybe?" Chick persisted.
Not exactly. No. Another ‘surface,’ but an earthly one. Often to our regret, all too earthly. More than that, I am reluctant—
These are mysteries of the profession,
Chick supposed.
You’ll see. In time, of course.
As they came in low over the Stockyards, the smell found them, the smell and the uproar of flesh learning its mortality—like the dark conjugate of some daylit fiction they had flown here, as appeared increasingly likely, to help promote. Somewhere down there was the White City promised in the Columbian Exposition brochures, somewhere among the tall smokestacks unceasingly vomiting black grease-smoke, the effluvia of butchery unremitting, into which the buildings of the leagues of city lying downwind retreated, like children into sleep which bringeth not reprieve from the day. In the Stockyards, workers coming off shift, overwhelmingly of the Roman faith, able to detach from earth and blood for a few precious seconds, looked up at the airship in wonder, imagining a detachment of not necessarily helpful angels.
Beneath the rubbernecking Chums of Chance wheeled streets and alleyways in a Cartesian grid, sketched in sepia, mile on mile. The Great Bovine City of the World,
breathed Lindsay in wonder. Indeed, the backs of cattle far outnumbered the tops of human hats. From this height it was as if the Chums, who, out on adventures past, had often witnessed the vast herds of cattle adrift in ever-changing cloudlike patterns across the Western plains, here saw that unshaped freedom being rationalized into movement only in straight lines and at right angles and a progressive reduction of choices, until the final turn through the final gate that led to the killing-floor.
Close to sundown, south of the city, as the Inconvenience bobbed in fitful breezes above a sweeping stretch of prairie which was to be the site this week of the great international gathering of aeronauts being held in conjunction with the World’s Fair, Professor
St. Cosmo, spying at length a clear patch of meadow among the vast population of airships already berthed below, had given the order, Prepare to descend.
The state of reduced attention into which he seemed then to have drifted was broken soon enough by Lindsay, advising, biliously, As I am sure it has not escaped your attention, Blundell’s ineptness with the Main Valve, grown I fear habitual, has increased the speed of our descent to a notable, if not in fact alarming, degree.
Indeed, the well-meaning but far from dextrous Miles Blundell had somehow contrived to wrap the pull-rope leading to the valve mechanism around his foot, and could be seen moving that extremity to and fro, a bewildered look on his wide, honest face, in hopes that the spring-loaded valve would thus, somehow, close again—for it had already allowed an enormous quantity of hydrogen gas to escape the envelope in a sudden rush, causing the ship to plummet toward the lakeside like a toy dropped by some cosmic urchin.
Blundell, what in Heaven’s name!
Randolph exclaimed. Why, you will destroy us all!
Say, it just got tangled up, Professor,
declared Miles, plucking ineffectually at the coils of hemp, which only grew more snarled as his efforts continued.
With an inadvertent yet innocuous oath, Lindsay had sprung to the side of young Blundell, grasping him about his ample waist, in an attempt to lift him, in hopes that this would relieve the tautness in the pull-rope and allow the valve to close. Here, Counterfly,
the second-in-command snapped at Chick, who, jeeringly amused, had been lounging against a gear locker, do rouse yourself for a moment and bear a hand with Blundell,
that awkward fellow, disposed to ticklishness, meanwhile having begun to scream and thrash about in his efforts to escape Lindsay’s grasp. Chick Counterfly rose indolently and approached the lurching pair with some caution, unsure of which part of Miles to take hold of, lest it but increase his agitation.
As the vital gas continued to stream in unsettling shriek from the valve overhead, and the airship to plunge ever more rapidly Earthward, Randolph, gazing at the feckless struggling of his crew, understood too well that the responsibility for the disaster nearly upon them was, as always, none but his own, this time for having delegated duties to those unskilled in them. . . .
His broodful reflections were interrupted by Darby, running over to tug at the sleeve of his blazer—Professor, Professor! Lindsay has just now made a defamatory remark about Miles’s mother, yet he’s forever after me about using ‘slang,’ and is that fair, I ask you?
Insubordinate drivel, Suckling,
sternly declared Lindsay, "will earn you someday what is known among the lower seafaring elements as a ‘Liverpool Kiss,’ long before you ever receive one of the more conventional variety, save perhaps for those rare occasions upon which your mother, no doubt in some spell of absentmindedness, has found herself able to bestow that astonishing yet, I fear (unhappy woman), misplaced, sign of affection."
You see, you see?
squealed Darby, going after a fellow’s mother—
Not now!
screamed Randolph, flinging off the young mascotte’s importunate grasp and frightening him nearly out of his wits. Counterfly, the ballast, man! leave that spastical oaf be, and jettison our sandbags, or we are done for!
Chick shrugged and released his grip on Miles, proceeding lackadaisically to the nearest gunwale to unlash the ballast bags there, leaving Lindsay, with no time to adjust to the increased burden, to crash to the deck with a panicked cry, and the now all but hysterical Miles Blundell on top of him. With a loud twang that may as well have been the Crack of Doom, the line around his foot was yanked free of its attachment to the Main Valve, though not before pulling beyond its elastic limit the spring meant to restore it to a safely-closed position. The valve now remained ajar—the very mouth of Hell!
Suckling! aloft, and quickly!
The ready little fellow scurried up the lines, as Randolph, preoccupied with the crisis and staggering across the deck, somehow tripped over Lindsay Noseworth attempting to extricate himself from beneath the squirming mass of Miles Blundell, and abruptly joined his horizontal shipmates. Looking up, he observed Darby Suckling gazing down at him, inquisitively.
What is it that I am to do up here, Professor?
called the ingenuous mascotte.
As tears of frustration began to gather in Randolph’s eyes, Lindsay, sensing in his chief a familiar inertia, his speech only temporarily muffled by Miles’s elbow, rushed, or more accurately crawled, into the vacuum of authority. Return the valve manually,
he shouted up at Darby, to its closed position,
adding, you little fool,
in a barely audible tone. Darby, his uniform fluttering in the outrush of gas, gallantly hastened to comply.
Like me to break out some of them parachute rigs, Noseworth?
drawled Chick.
"Mr. Noseworth, Lindsay corrected him.
No, Counterfly, I think not, there scarcely being time—moreover, the complexities that would attend rigging Blundell in the necessary paraphernalia would tax the topological genius of Herr Riemann himself. This irony was lost, however, on Chick as well as its object, who, having at last somehow regained his feet, now went stumbling with serene insouciance over to the rail, apparently to have a look at the scenery. Above him, Darby, with a triumphant
Hurrah!" succeeded in closing the valve, and the huge airship accordingly slackened in its downward hurtling to a velocity no more ominous than that of a leaf in autumn.
Well, we certainly scared those chaps down there, Professor,
commented Miles, gazing over the side. Dropping all those sandbags, I’ll wager.
Eh?
Randolph beginning to regain his air of phlegmatic competence. How’s that?
Well, they’re running just lickety-split,
Miles continued, a-and say, one of them hasn’t even got any clothes on, that’s sure what it looks like all right!
From an instrument locker nearby, he produced a powerful spyglass, and trained it upon the objects of his curiosity.
Come, Blundell,
Randolph arising from where he had fallen, there is quite enough to be done at the moment without more idle shenanigans—
He was interrupted by a gasp of terror from Miles.
Professor!
cried that lad, peering incredulously through the burnished cylinder, "the unclad figure I reported—it is not that of a chap, after all, but rather of . . . a lady!"
There was an eager stampede
to the rail, and a joint attempt to wrest the telescope from Miles, who, however, clung to it stubbornly. All meanwhile stared or squinted avidly, attempting to verify the reported apparition.
Across the herbaceous nap below, in the declining light, among the brighter star-shapes of exploded ballast-bags, running heedless, as across some earthly firmament, sped a stout gentleman in a Norfolk jacket and plus-fours, clutching a straw skimmer
to the back of his head with one hand while with the other keeping balanced upon his shoulder a photographic camera and tripod. Close behind him came the female companion Blundell had remarked, carrying a bundle of ladies’ apparel, though clad at the moment in little beyond a floral diadem of some sort, charmingly askew among masses of fair hair. The duo appeared to be making for a nearby patch of woods, now and then casting apprehensive looks upward at the enormous gasbag of the descending Inconvenience, quite as if it were some giant eyeball, perhaps that of Society itself, ever scrutinizing from above, in a spirit of constructive censure. By the time Lindsay could remove the optical instrument from the moist hands of Miles Blundell, and induce the consequently disgruntled youth to throw out grapnels and assist Darby in securing the great airship to Mother Earth,
the indecorous couple had vanished among the foliage, as presently would this sector of the Republic into the falling darkness.
DARBY SWUNG LIKE a regular little monkey hand over hand down the anchor line, gained the ground and, tripping briskly about beneath Inconvenience, adroitly caught each of the mooring lines flung down to him by Miles Blundell. With a mallet driving home, one by one, sturdy wooden pegs through the eye-splices at the ends of the hempen strands, he soon had the giant vehicle, as if charmed into docility by some diminutive beast-wrangler, tethered motionless above him.
The Jacob’s-ladder now came clattering over the side, and upon it, presently, in uncertain descent, Miles, surmounted by a giant sack of soiled laundry. There remained in the western sky only an after-glow of deep crimson, against which could be seen Miles’s silhouette, as well as those of the heads of the other boys above the curved rim of the gondola.
Since that morning, before the first light, a gay, picnic-going throng of aeromaniacs of one sort and another had been continuing all day now to vol-à-voile in, till long after sundown, through the midwestern summer evening whose fading light they were most of them too busy quite to catch the melancholy of, their wings both stationary and a-flap, gull and albatross and bat-styled wings, wings of gold-beaters’ skin and bamboo, wings laboriously detailed with celluloid feathers, in a great heavenwide twinkling they came, bearing all degrees of aviator from laboratory skeptic to Jesus-rapt ascensionary, accompanied often by sky-dogs, who had learned how to sit still, crowded next to them in the steering-cabins of their small airships, observing the instrument panels and barking if they noticed something the pilot had failed to—though others could be observed at gunwales and flying bridges, their heads thrust out into the passing airflow, looks of bliss on their faces. From time to time, the aeronauts hailed one another through megaphones, and the evening was thus atwitter, like the trees of many a street in the city nearby, with aviatory pleasantries.
In short order, the boys had set up their mess-tent, gathered wood, and ignited a small fire in the galley stove, well downwind of Inconvenience and its hydrogen-generating apparatus. Miles busied himself in the miniature galley, and soon had fried them up a mess
of catfish, caught that morning and kept all day on ice whose melting had been retarded by the frigidity of altitude. Around them the other groups of sky-brothers were busy at their own culinary arrangements, and roasting meat, frying onions, and baking bread sent delicious odors creeping everywhere about the great encampment.
After dinner and Evening Quarters, the boys dedicated a few moments to song, as a group differently engaged might have to prayer. Since their Hawaiian escapades a few years previous (The Chums of Chance and the Curse of the Great Kahuna), Miles had become an enthusiastic ukulelist, and tonight, after securing the scullery and restoring the mess decks to their usual spotless state, he produced one of many of the four-stringed instruments which he kept in his sky-chest, and, after strumming a brief introduction, accompanied the boys as they sang,
There’s fellows live in little towns,
And those who live on farms,
And never seem to wander far
From smiles and loving arms—
They always know just who they are
And how their lives will go—
And then there’s boys like us, who say
Good-bye before hello,
For we’re the
Aces of the Altitudes
Vagabonds of the Void. . . .
When some folks shrink with terror, say,
We scarcely get annoyed.
Let the winds blow clear off the Beaufort Scale,
And the nights grow dark as can be,
Let the lightning lash,
And the thunder thrash,
Only cheerful young hearts have we!
For . . .
the Chum of Chance is a pluc-ky soul,
Who shall neither whine nor ejac-u-late,
For his blood’s as red and his mind’s as pure
As the stripes of his bla-a-zer immac-u-late!
That evening Chick and Darby, as the port section of the crew, had watch-duty, while Miles and Lindsay were to be allowed ground-leave
in Chicago. Each in his own way excited at the prospect of attending the Exposition, the two lads shifted rapidly into dress uniform, although Miles encountered such difficulty in lacing his leggings, knotting his neckerchief with the needed symmetry, and securing correctly the forty-four buttons of his dickey, one for each State of the Union, that Lindsay, after having applied a few drops of Macassar oil to his own locks and combing them carefully, was obliged to go to his unskillful shipmate’s assistance.
When Miles had been rendered as fit to be seen by the populace of The Windy City
as he would ever be, the two boys came smartly to attention, dressing right at close interval in the circle of firelight, to await inspection. Pugnax joined them, tail still, gaze expectant. Randolph emerged from his tent in mufti, every bit as spruce as his liberty section, for he, too, was bound for earthly chores, his Chums of Chance flight uniform having been replaced by a tastefully checked Kentucky hemp suit and Ascot tie, with a snappy fedora topping off the ensemble.
Say, Randolph,
called Darby, you look like you’re going over to meet a girl!
As his bantering tone, however, was not unmixed with manly admiration, Randolph chose not to respond to the innuendo with the pique it would otherwise have merited, instead riposting, I had not been aware that fellows of your years recognized any distinction between the sexes,
drawing from Lindsay an appreciative chuckle, before promptly returning to moral seriousness.
About the fringes,
Randolph reminded the liberty-goers, of any gathering on the scale of this Exposition, are apt to lurk vicious and debased elements, whose sole aim is to take advantage of the unwary. I will not dignify it by naming that sinister quarter where such dangers are most probably to be encountered. The very vulgarity of its aspect, particularly by night, will speak for itself, disinclining all but the most reckless of their well-being to linger in contemplation upon, much less actually investigate, the unprofitable delights offered therein. A word to the wise . . . or, in this case . . . hrrumph, hmmm, howsoever . . . good liberty, boys, I say, and good luck.
Wherewith Randolph saluted, turned, and vanished soundlessly into the great fragrant darkness.
You have the watch, Suckling,
Lindsay advised before departing. You know the penalties for falling asleep—be sure that you impress them upon your watchmate Counterfly, who inclines, I suspect, toward sloth. Perimeter check once every hour, as well as a reading of the tension of the gas within the envelope, corrected, I need scarcely add, for the lower temperatures of the nighttime.
He turned and strode away to join Miles, while Pugnax, whose tail had regained its customary animation, was left to scout the bounds of the encampment, searching for evidence of other dogs and their humans who might seek unauthorized entry.
Darby, left solitary in the glow of the watch-fire, applied himself, with his customary vivacity, to the repair of the main hydrogen valve whose mechanical disruption earlier had nearly spelt their doom. That unpleasant memory, like the damage beneath Darby’s nimble fingers, would soon be quite unmade . . . as if it were something the stripling had only read about, in some boys’ book of adventures . . . as if that page of their chronicles lay turned and done, and the order About-face
had been uttered by some potent though invisible Commandant of Earthly Days, toward whom Darby, in amiable obedience, had turned again. . . .
He had just completed his repairs when, looking up, he noticed Chick Counterfly by the fire, brewing a pot of coffee.
Care for some?
Chick offered. Or don’t they let you drink this stuff yet?
Something in his tone suggested that this was only the sort of friendly teasing a fellow Darby’s age had to expect and put up with. Thanks, wouldn’t mind a cup at all.
They sat by the fire for a while, silent as a pair of drovers camping out on the western prairie. Finally, to Darby’s surprise, I sure do miss my Pop,
Chick confided, abruptly.
I guess that must be awful tough for you, Chick. I don’t think I even remember mine.
Chick gazed dolefully into the fire. After a moment, Thing is, I believe he would have hung on. If he could have. We were partners, see? Always had something going. Some swell little moneymaker. Not always to the sheriff’s liking, but enough to keep beans in the pot. Didn’t mind all the midnight relocations, but those small-town courtrooms, I never could get used to them. Judge’d take one look at us, up went that hammer, whiz! we were usually out the door and on the main road before it came back down again.
Good exercise, I bet.
Well, but it seemed like Pop was starting to slow down some. Wondered if it was me somehow. You know, the extra trouble or something.
Sounds more like it was all that Chinese foofooraw you mentioned,
said Darby, nothing you caused. Here, do you smoke these?
lighting up a species of cigarette and offering one to Chick.
My Great-Aunt Petunia!
exclaimed Chick, what is that smell?
Say, it’s cubebs. Medicinal use only. No tobacco allowed on board, as you might recall from your Chums of Chance Membership Oath.
Did I swear off? I must’ve been all confused in my mind. No tobacco! Say, it’s the goldurn Keeley Cure around here. How do you people get through your day?
Suddenly what sounded like a whole kennelful of dogs began to bark furiously. Pugnax,
explained Darby, noting Chick’s alarmed expression.
Him and what else?
Just ol’ Pugnax. One of his many talents. Guess we’d better go have a look.
They found Pugnax up on his feet, clenched and alert, watching the outer darkness intently—from what the boys could tell, poised to launch a massive counter-assault on whatever was now approaching their perimeter.
Here you go,
called an invisible voice, nice doggy!
Pugnax stood his ground but had ceased barking, apparently judging the visitors nasally acceptable. As Darby and Chick watched, out of the evening came a giant beefsteak, soaring in an arc, slowly rotating, and hit the dirt almost exactly between Pugnax’s front paws, where he regarded it for a while, a single eyebrow raised, one would have to say, disdainfully.
Hey, anybody home?
Into the firelight emerged two boys and a girl, carrying picnic baskets and wearing flight uniforms of indigo mohair brilliantine with scarlet pinstripes, and headgear which had failed to achieve the simpler geometry of the well-known Shriner fez, being far more ornate and, even for its era, arguably not in the best of taste. There was an oversize spike, for example, coming out the top, German style, and a number of plumes dyed a pale eclipse green. Howdy, Darb! What’s up and what’s down?
Darby, recognizing them as members of Bindlestiffs of the Blue A.C., a club of ascensionaries from Oregon, with whom the Chums of Chance had often flown on joint manœuvres, broke into a welcoming smile, especially for Miss Penelope (Penny
) Black, whose elfin appearance disguised an intrepid spirit and unfaltering will, and on whom he had had a case
for as long as he could remember. Hello, Riley, Zip . . . Penny,
he added shyly.
That’s ‘Captain’ to you.
She held up a sleeve to display four gold stripes, at whose edges could be seen evidence of recent needlework. The Bindlestiffs were known and respected for granting the loquacious sex membership on a strictly equal footing with boys, including full opportunities for promotion. Yeahp,
Penny grinned, "they gave me the Tzigane—just brought the old tub in here from Eugene, got her berthed down past that little grove of trees there, nobody worse for wear."
W-wow! Your first command! That’s champion!
He found himself shuffling nervously, and with no idea what to do about his hands.
You better kiss me,
she said, it’s tradition and all.
Even with the chorus of hoots it evoked from the other boys, Darby found the fleeting brush of her freckled cheek against his lips more than worth the aggravation. After introductions, Chick and Darby brought out folding camp chairs, the Bindlestiffs opened their baskets of delectables, and the colleagues settled down to an evening of gossip, shop talk, and sky-stories.
Coming in over ‘Egypt,’ downstate Illinois to you, Darb, we caught us an upriser off a cornfield by Decatur, thought we’d be onto the dang moon by now—’scuse me
—pausing to sneeze—icicles o’ snot down to our belt buckles, goin all blue from the light of that electric fluid, ‘s whirlpoolin round our heads—ahh-pffeugghh!
Oh, Gesundheit, Riley,
said Zip, but last time you told that one, it was strange voices and so forth—
We’d picked up a little galvanic halo ourselves by the time we got here,
said Chick, what with the speed and all.
A-aw that’s nothin,
cried Riley, next to dodgin tornadoes all day! You boys want real electricity, git on out to Oklahoma sometime, get a treat for your ears into the bargain that will sure’s hell drownd out any strange voices in your neighborhood.
Speaking of voices,
said Penny, what have you heard about these . . . ‘sightings’ that keep getting reported in? Not just from crews up in the air but sometimes even from civilians on the ground?
You mean aside from the usual,
Darby said, fata morgana, northern lights, and so forth?
Different,
Zip in a low, ominous voice. There’s lights, but there’s sound, too. Mostly in the upper altitudes, where it gets that dark blue in the daytime? Voices calling out together. All directions at once. Like a school choir, only no tune, just these—
Warnings,
said Riley.
Darby shrugged. "News to me. Inconvenience, we’re only the runts of the Organization, last at the trough, nobody ever tells us anything—they keep cutting our orders, we follow ‘em, is all."
Well we were over by Mount Etna there back in the spring,
Penny said, and you remember those Garcons de ‘71, I expect.
For Chick’s benefit, Darby explained that this outfit had first been formed over twenty years ago, during the Sieges of Paris, when manned balloons were often the only way to communicate in or out of the city. As the ordeal went on, it became clear to certain of these balloonists, observing from above and poised ever upon a cusp of mortal danger, how much the modern State depended for its survival on maintaining a condition of permanent siege—through the systematic encirclement of populations, the starvation of bodies and spirits, the relentless degradation of civility until citizen was turned against citizen, even to the point of committing atrocities like those of the infamous pétroleurs of Paris. When the Sieges ended, these balloonists chose to fly on, free now of the political delusions that reigned more than ever on the ground, pledged solemnly only to one another, proceeding as if under a world-wide, never-ending state of siege.
Nowadays,
Penny said, they’ll fly wherever they’re needed, far above fortress walls and national boundaries, running blockades, feeding the hungry, sheltering the sick and persecuted . . . so of course they make enemies everyplace they go, they get fired at from the ground, all the time. But this was different. We happened to be up with them that one day, and it was just the queerest thing. Nobody saw any projectiles, but there was . . . a kind of force . . . energy we could feel, directed personally at us. . . .
Somebody out there,
Zip said solemnly. Empty space. But inhabited.
This making you nervous, Chick?
teased Darby.
Nawh. Thinking about who wants that last apple fritter there.
Meantime Miles and Lindsay were off to the Fair. The horse-drawn conveyance they had boarded took them through the swarming streets of southern Chicago. Miles gazed with keen curiosity, but Lindsay regarded the scene with a peevish stare.
You look kind of glum, Lindsay.
I? no, not at all—beyond an unavoidable apprehension at the thought of Counterfly with full run of the ship and no one to supervise him, I am as cheerful as a finch.
But Darby’s there with him.
Please. Any influence Suckling could exert on a character that depraved would be negligible at best.
Oh, but say,
reckoned the kind-hearted Miles, Counterfly does seem a good skate, and I bet you he’ll soon get the hang of things.
As Master-at-Arms,
muttered Lindsay, perhaps only to himself, my own view of human nature is necessarily less hopeful.
At length the car deposited them at a street-corner from which, the conductor assured them, it would be but a short walk to the Fairgrounds—or, as he chuckled, depending how late in the evening, a brisk run,
and went on its way in metal-to-metal clangor and clopping. At a distance the boys could see in the sky the electrical glow of the Fair, but hereabouts all was in shadow. Presently they found a gap in the fence, and an admissions gate with something of the makeshift about it, lit by a single candle-stub, whose attendant, a scowling Asiatic midget of some sort, though eager enough to take their proffered fifty-cent pieces, had to be pressed by the scrupulous Lindsay for a duly executed receipt. The diminutive sentinel then held out his palm as if for a gratuity, which the boys ignored. Deadbeats!
he screamed, by way of introducing them to the quatercentennial celebration of Columbus’s advent upon our shores.
From somewhere ahead too dark to see came music from a small orchestra, unusually syncopated, which grew louder, till they could make out a small outdoor dance-floor, all but unlit, where couples were dancing, and about which crowds were streaming densely everywhere, among odors of beer, garlic, tobacco smoke, inexpensive perfume, and, from Buffalo Bill’s Wild West Show, somewhere up ahead, the unmistakable scent of massed livestock.
Observers of the Fair had remarked how, as one moved up and down its Midway, the more European, civilized, and . . . well, frankly, white exhibits located closer to the center of the White City
seemed to be, whereas the farther from that alabaster Metropolis one ventured, the more evident grew the signs of cultural darkness and savagery. To the boys it seemed that they were making their way through a separate, lampless world, out beyond some obscure threshold, with its own economic life, social habits, and codes, aware of itself as having little if anything to do with the official Fair. . . . As if the half-light ruling this perhaps even unmapped periphery were not a simple scarcity of streetlamps but deliberately provided in the interests of mercy, as a necessary veiling for the faces here, which held an urgency somehow too intense for the full light of day and those innocent American visitors with their Kodaks and parasols who might somehow happen across this place. Here in the shadows, the faces moving by smiled, grimaced, or stared directly at Lindsay and Miles as if somehow they knew them, as if in the boys’ long career of adventure in exotic corners of the world there had been accumulating, unknown to them, a reserve of mistranslation, offense taken, debt entered into, here being re-expressed as a strange Limbo they must negotiate their way through, expecting at any moment a run-in
with some enemy from an earlier day, before they might gain the safety of the lights in the distance.
Armed bouncers,
drawn from the ranks of the Chicago police, patrolled the shadows restlessly. A Zulu theatrical company re-enacted the massacre of British troops at Isandhlwana. Pygmies sang Christian hymns in the Pygmy dialect, Jewish klezmer ensembles filled the night with unearthly clarionet solos, Brazilian Indians allowed themselves to be swallowed by giant anacondas, only to climb out again, undigested and apparently with no discomfort to the snake. Indian swamis levitated, Chinese boxers feinted, kicked, and threw one another to and fro.
Temptation, much to Lindsay’s chagrin, lurked at every step. Pavilions here seemed almost to represent not nations of the world but Deadly Sins. Pitchmen in their efforts at persuasion all but seized the ambulant youths by their lapels.
Exotic smoking practices around the world, of great anthropological value!
Scientific exhibit here boys, latest improvements to the hypodermic syringe and its many uses!
Here were Waziris from Waziristan exhibiting upon one another various techniques for waylaying travelers, which reckoned in that country as a major source of income. . . . Tarahumara Indians from northern Mexico crouched, apparently in total nakedness, inside lath-and-plaster replicas of the caves of their native Sierra Madre, pretending to eat vision-producing cacti that sent them into dramatic convulsions scarcely distinguishable from those of the common geek
long familiar to American carnival-goers. . . . Tungus reindeer herders stood gesturing up at a gigantic sign reading SPECIAL REINDEER SHOW, and calling out in their native tongue to the tip gathered in front, while a pair of young women in quite revealing costumes—who, being blonde and so forth, did not, actually, appear to share with the Tungus many racial characteristics—gyrated next to a very patient male reindeer, caressing him with scandalous intimacy, and accosting passersby with suggestive phrases in English, such as Come in and learn dozens ways to have fun in Siberia!
and See what really goes on during long winter nights!
This doesn’t seem,
Lindsay adrift between fascination and disbelief, quite . . . authentic, somehow.
Come over here, boys, first time for free, find the red get a pat on the head, find the black, get nothin back!
cried a cheerful Negro in a pork-pie
hat, who was standing behind a folding table nearby, setting down and picking up playing-cards.
If I didn’t know better, I’d say that was one of those monte games,
murmured Lindsay, politely suppressing his disapproval.
No, boss, it’s an ancient African method of divination, allows you to change your fate.
The sharper who had addressed them now began to move cards around with bewildering speed. At times there were too many cards to count, at others none at all were visible, seeming to have vanished into some dimension well beyond the third, though this could have been a trick of what light there was.
O.K.! maybe it’s your lucky night, just tell us where that red is, now.
Three cards lay face-down before them.
After a moment of silence, it was Miles who announced in a clear and firm voice, The cards you have put down there all happen to be black—your ‘red’ is the nine of diamonds, the curse of Scotland, and it’s right here,
reaching to lift the sharper’s hat, and to remove from atop his head, and exhibit, the card at issue.
Lord have mercy, last time that happened I ended up in the Cook County jail for a nice long vacation. A tribute to your sharp eyes, young man, and no hard feelings,
holding out a ten-dollar banknote.
Oh, that is . . .
Lindsay began tentatively, but Miles had already pocketed the offering, amiably calling out, Evening, sir,
as they strolled away.
A surprised expression could be noted on Lindsay’s face. That was . . . well executed, Blundell. How did you know where that card was?
Sometimes,
Miles with a strangely apprehensive note in his voice, these peculiar feelings will surround me, Lindsay . . . like the electricity coming on—as if I can see everything just as clear as day, how . . . how everything fits together, connects. It doesn’t last long, though. Pretty soon I’m just back to tripping over my feet again.
Presently they had come within view of the searchlight beams sweeping the skies from the roof of the immense Manufactures and Liberal Arts Building—a miniature city, nested within the city-within-a-city which was the Fair itself—and began to see caped Columbian Guards on patrol, a reassuring sight, to Lindsay at least.
Come on, Lindsay,
Miles flourishing the banknote they had acquired so unexpectedly. Long as we have this windfall, let’s go get us some root beer, and some of that ‘Cracker Jack,’ too. Say, what do you know! We’re here! We’re at the Fair!
MEANWHILE RANDOLPH ST. COSMO, though out of uniform, was still on duty. The detective agency he sought was located in a seedy block of the New Levee district, between a variety saloon and a manufacturer of exploding cigars. The sign read WHITE CITY INVESTIGATIONS. Randolph tugged the brim of his hat a bit lower, looked swiftly up and down the littered and shadowy street, and sidled in the entrance. A young lady typewriter who managed to act prim and bold at the same time glanced up from her florally-appliquéd machine. It’s after bedtime, sonny.
The door was open—
Yeah, and maybe this ain’t the Epworth League.
I was supposed to see Mr. Privett?
Nate!
she screamed, causing Randolph to jump. Her smile was not unmischievous. You bring a note from your parents, kid?
In Nate’s office were a combination sideboard, bookcase, and filing cabinet with assorted bottles of whiskey, a bed-lounge over in the corner, a couple of cane-bottom chairs, a curtain desk with about a thousand pigeonholes, a window with a view of the German saloon across the street, local-business awards and testimonials on the dark-paneled walls, along with photos of notable clients, some of them posed with Nate himself, including Doc Holliday, out in front of the Occidental Saloon in Tombstone, Doc and Nate each pointing a .44 Colt at the other’s head and pretending to scowl terribly. The picture was inscribed, More of a shotgun man myself, regards, Doc.
Since the Haymarket bomb,
Nate was explaining, "we’ve had more work than we can handle, and it’s about to get even more hectic, if the Governor decides to pardon that gang of anarchistic murderers. Heaven knows what that’s gonna let loose on Chicago, the Fair in particular. Antiterrorist security now more than ever will be of the essence here. And, well, you boys enjoy the one perspective that all us in the ‘spotter’ community long for—namely, a view from overhead. We can’t pay you as well as the Pinkertons might, but maybe we could work out a deferred arrangement, small percent of profits down the line instead of cash right now. Not to mention what tips or other off-the-books revenue might come your way."
That is between you and our National Office,
Randolph supposed. For here at Unit level, our compensation may not exceed legitimate expenses.
Sounds crazy. But, we’ll have our legal folks draw up some language we can all live with, how’s that?
He was peering at Randolph now with that mixture of contempt and pity which the Chums in their contact with the ground population were sooner or later sure to evoke. Randolph was used to it, but determined to proceed in a professional manner.
Of what exactly would our services consist?
Got room on your ship for an extra passenger?
We have carried up to a dozen well-fed adults with no discernible loss of lift,
replied Randolph, his glance not quite able to avoid lingering upon Mr. Privett’s embonpoint.
Take our man up on a short trip or two’s about all it’ll amount to,
the sleuth-officer now, it seemed, grown a bit shifty. Out to the Fair, maybe down to the Yards, duck soup.
Strolling among the skyships next morning, beneath a circus sky which was slowly becoming crowded as craft of all sorts made their ascents, renewing acquaintance with many in whose company, for better or worse, they had shared adventures, the Chums were approached by a couple whom they were not slow to recognize as the same photographer and model they had inadvertently bombarded the previous evening.
The sportive lensman introduced himself as Merle Rideout. And my fair companion here is . . . give me a minute—
You bean-brain.
The young woman directed a graceful kick which was not, however, altogether lacking in affection, and said, I’m Chevrolette McAdoo, and mighty pleased to meet you fellows, even if you did nearly sandbag us into the beyond yesterday.
Fully attired, she seemed to have just stepped out of a ladies’ magazine, her ensemble this forenoon right at the vanguard of summer fashion, the current revival of the leg-of-mutton sleeve having resulted in a profusion of shirtwaists with translucent shoulders big as balloons, all over town
—as Chick Counterfly, a devoted observer of the female form, would express it—in Miss McAdoo’s case, saturated in a vivid magenta, and accompanied by a long ostrich-feather boa dyed the same shade. And her hat, roguishly atilt, egret plumes swooping each time she moved her head, would have charmed even the most zealous of conservationist bird-lovers.
Nice put-together,
Chick nodded admiringly.
And you haven’t seen the turn she does down to that South Seas Pavilion yet,
declared Merle Rideout gallantly. Makes Little Egypt look like a church lady.
You are an artiste, Miss McAdoo?
I perform the Dance of Lava-Lava, the Volcano Goddess,
she replied.
I greatly admire the music of the region,
said Miles, the ukulele in particular.
There are several ukulelists in my pit-band,
said Miss McAdoo, tenor, baritone, and soprano.
And is it authentic native music?
More of a medley, I believe, encompassing Hawaiian and Philippino motifs, and concluding with a very tasteful adaptation of Monsieur Saint-Saëns’s wonderful ‘Bacchanale,’ as recently performed at the Paris Opera.
I am only an amateur, of course,
Miles, though long a member of the prestigious International Academy of Ukulelists, said modestly, and get lost now and then. But if I promised to go back to the tonic and wait, do you think they’d let me come and sit in?
I’ll certainly put in a good word,
said Chevrolette.
Merle Rideout had brought a hand camera with him, and was taking snaps
of the flying machines, aloft and parked on the ground, which were continuing to arrive and take off with no apparent letup. Some social, ain’t it! Why, every durn professor of flight from here to Timbuctoo’s flying in, ‘s what it looks like.
The smoke from breakfast campfires rose fragrantly through the air. Babies could be heard in both complaint and celebration. Far-off sounds of railway traffic and lake navigation came in on the wind. Against the sun as yet low across the Lake, wings cast long shadows, their edges luminous with dew. There were steamers, electrics, Maxim whirling machines, ships powered by guncotton reciprocators and naphtha engines, and electrical lifting-screws of strange hyperboloidal design for drilling upward through the air, and winged aerostats, of streamlined shape, and wing-flapping miracles of ornithurgy. A fellow scarcely knew after a while where to look—
Pa!
An attractive little girl of four or five with flaming red hair was running toward them at high speed. Say, Pa! I need a drink!
Dally, ya little weasel,
Merle greeted her, the corn liquor’s all gone, I fear, it’ll have to be back to the old cow juice for you, real sorry,
as he went rummaging in a patent dinner pail filled with ice. The child, meanwhile, having caught sight of the Chums in their summer uniforms, stood gazing, her eyes wide, as if deciding how well behaved she ought to be.
"You have been poisoning this helpless angel with strong drink? cried Lindsay Noseworth.
Sir, one must protest!" Dally, intrigued, ran over and stood in front of him, peering up, as if waiting for the next part of some elaborate joke.
Lindsay blinked. This cannot be,
he muttered. Small children hate me.
A fine-looking little girl, sir,
Randolph, brimming with avuncularity. You are the proud grandfather, of course.
Ha! D’ye hear that, Carrot-head? Thinks I’m your grandpa. Thank you, lad, but this here is my daughter Dahlia, I’m proud to say. Her mother, alas—
He sighed, gazing upward and into the distance.
Our deepest sympathies,
Randolph hastily, yet Heaven, in its inscrutability—
Heaven, hell,
cackled Merle Rideout. She’s out there in the U.S.A. someplace with the mesmerizin variety artist she run away with, a certain Zombini the Mysterious.
Know him, by gosh!
Chick Counterfly, nodding vigorously. "Makes his molly disappear down a common kitchen funnel! ‘Imbottigliata!’ ain’t it? then he twirls his cape? Seen it down in New Orleans with my own peepers! some awesome turn, you bet!"
The very customer,
Merle beamed, and that beauteous conjuror’s assistant you saw’d likely be ol’ Erlys herself, and say, you’ll want to close your mouth there, Buck, ‘fore somethin flies into it?
—the casual mention of adultery having produced in Randolph’s face a degree of stupefaction one regrets to term characteristic. Chick Counterfly, less affected, was alert enough to offer, Well—an entirely admirable lady, whoever she was.
Admiration noted—and you might examine little Dahlia here, who’s the spit of her Ma, fulminate me if she ain’t, fact if you’re ramblin by some ten, twelve years hence, why ride on over, have another look, make an offer, no price too small or too insulting I wouldn’t consider. Or if you’re willing to wait, take an option now to buy, got her on special, today and tomorrow only, dollar ninety-eight takes her away, heartbreakin smile and all. Yehp—there, lookit, just like ‘at. Throw you in an extra bonnet, I’m a reasonable sort, ‘n’ the minute she blows that sweet-sixteenth birthday candle out, why she’s on them rails, express to wherever you be.
Seems a little long to wait, don’t it?
leered Chick Counterfly.
—I could go age fifteen, I guess,
Merle went on, twinkling directly at Lindsay Noseworth strangling with indignation, but you’d have to pay in gold, and come fetch her on your own ticket. . . . But say now would you mind if I got a snap of you all in front of this Trouvé-screw unit over here?
The boys, fascinated as always with modern sciences such as the photographic, were of course happy to comply. Chevrolette managed to mollify even Lindsay by borrowing his skimmer
and holding it coyly in front of their faces, as if to conceal a furtive kiss, while the frolicsome Darby Suckling, without whose spirited clowning