Jane, Unlimited

for

JANE, UNLIMITED

"Absolutely ADDICTIVE and FASCINATING."

—Marie Rutkoski, New York Times

bestselling author of The Winner’s Curse

★ "An INTELLIGENT tale about the meaning of home, the need for compassion and the all-important power of choice."

—Shelf Awareness, starred review

"Jane, Unlimited reminds me of nothing so much as the works of the grande dame of YA fantasy, Diana Wynne Jones."

—Vox

"[An] ambitious, MIND-EXPANDING novel."

—Booklist

"It’s the kind of sleight of hand that DEFIES TECHNICAL BREAKDOWN."

—Unbound Worlds

RAVE REVIEWES

"UNLIKE ANYTHING I’VE READ—mysterious, precise."

—Melissa Albert, New York Times

bestselling author of The Hazel Wood

"Once again, the BRILLIANT Kristin Cashore has created a mesmerizing, unforgettable world."

—Gretchen Rubin, New York Times

bestselling author of Better Than Before

"Cashore’s GLEE, WIT, and INVENTIVENESS are unflagging."

—The Horn Book

★ "A true TOUR DE FORCE."

—BCCB, starred review

★ "EXCELLENT."

—SLJ, starred review

Continued praise for

JANE, UNLIMITED

"Charming, THOUGHT-PROVOKING, and utterly sui generis."

—Kirkus Reviews

"CASHORE KNOCKED IT OUT OF THE PARK."

—SYFY Wire

"An AMBITIOUS departure for Cashore that will reward (and perhaps demand) many re-readings."

—Publishers Weekly

"IMAGINATIVE and WITTY."

—VOYA

A NEW YORK TIMES BESTSELLER

AN INDIE NEXT TOP TEN PICK

AN ALA BFYA SELECTION

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KATHY DAWSON BOOKS

PENGUIN YOUNG READERS GROUP

An imprint of Penguin Random House LLC

penguinrandomhouse.com

Text copyright © 2017 by Kristin Cashore

Maps copyright © 2017 by Ian Schoenherr

Excerpt from Winterkeep copyright © 2021 by Kristin Cashore

Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.

Ebook ISBN 9780698158894

Jacket photo by Jose Bacete / Getty Images

Jacket design by Theresa Evangelista

btb_ppg_c0_r2

for all aunts,

especially mine

TU REVIENS

Island and Grounds

TU REVIENS

Mansion Interior

Ground Floor

Third Floor Detail

CONTENTS

Praise for Jane, Unlimited

Other Books You May Enjoy

Title Page

Copyright

Dedication

Maps

Tu Reviens

The Missing Masterpiece

Lies Without Borders

In Which Someone Loses a Soul and Charlotte Finds One

Jane, Unlimited

The Strayhound, the Girl and the Painting

Umbrella Diagram

Author’s Note

Acknowledgments

Questions for Discussion

Excerpt from Winterkeep

About the Author

Tu Reviens

The house on the cliff looks like a ship disappearing into fog. The spire a mast, the trees whipping against its base, the waves of a ravening sea.

Or maybe Jane just has ships on the brain, seeing as she’s inside one that’s doing all it can to consume her attention. A wave rolls the yacht, catches her off balance, and she sits down, triumphantly landing in the general vicinity of where she aimed. Another wave propels her, in slow motion, against the yacht’s lounge window.

I haven’t spent a lot of time in boats. I guess you get used to it, she says.

Jane’s traveling companion, Kiran, lies on her back in the lounge’s long window seat, her eyes closed. Kiran isn’t seasick. She’s bored. She gives no indication of having heard.

I guess my aunt Magnolia must have gotten used to it, says Jane.

My family makes me want to die, Kiran says. I hope we drown. This yacht is named The Kiran.

Through the lounge window, Jane can see Patrick, who captains the yacht, on deck in the rain, drenched, trying to catch a cleat with a rope. He’s young, maybe early twenties, a white guy with short dark hair, a deep winter tan, and blue eyes so bright that Jane had noticed them immediately. Someone was apparently supposed to be waiting on the dock to help him but didn’t show up.

Kiran? says Jane. Should we maybe help Patrick?

Help him with what?

I don’t know. Docking the boat?

Are you kidding? says Kiran. Patrick can do everything by himself.

Everything?

Patrick doesn’t need anybody, Kiran says. Ever.

Okay, Jane says, wondering if this is an expression of Kiran’s general, equal-opportunity sarcasm, or if she’s got some specific problem with Patrick. It can be hard to tell with someone like Kiran.

Outside, Patrick catches the cleat successfully, then, his body taut, pulls on the rope, arm over arm, bringing the yacht up against the dock. It’s kind of impressive. Maybe he can do everything.

Who is Patrick, anyway?

Patrick Yellan, Kiran says. Ravi and I grew up with him. He works for my father. So does his little sister, Ivy. So did his parents, until a couple years ago. They died in a car accident, in France. Sorry, she adds, with a glance at Jane. I don’t mean to remind you of travel accidents.

It’s okay, Jane says automatically, filing these names and facts away with the other information she’s collected. Kiran is British American on her father’s side and British Indian on her mother’s, though her parents are divorced and her father’s now remarried. Also, she’s revoltingly wealthy. Jane’s never had a friend before who grew up with her own servants. Is Kiran my friend? thinks Jane. Acquaintance? Maybe my mentor? Not now, maybe, but in the past. Kiran, four years older than Jane, went to college in Jane’s hometown and tutored Jane in writing while she was in high school.

Ravi is Kiran’s twin brother, Jane remembers. Jane’s never met Ravi, but he visited Kiran sometimes in college. Her tutoring sessions had been different when Ravi was in town. Kiran would arrive late, her face alight, her manner less strict, less intense.

Is Patrick in charge of transportation to and from the island? asks Jane.

I guess, Kiran says. Partly, anyway. A couple other people chip in too.

Do Patrick and his sister live at the house?

"Everyone lives at the house."

So, is it nice to come home? asks Jane. Because you get to see the friends you grew up with?

Jane is fishing, because she’s trying to figure out how these servant relationships work, when one person is so rich.

Kiran doesn’t answer right away, just stares straight ahead, her mouth tight, until Jane begins to wonder if her question was rude.

Then Kiran says, I guess there was a time when seeing Patrick again, after a long absence, made me feel like I was coming home.

Oh, says Jane. But . . . not anymore?

Eh, it’s complicated, Kiran says, with a short sigh. Let’s not talk about it now. He could hear us.

Patrick would have to have superpowers to hear a word of this conversation, but Jane recognizes a dismissal when she hears one. Peering through the window, she can make out the shapes of other boats, big ones, little ones, vaguely, through the downpour, docked in this tiny bay. Kiran’s father, Octavian Thrash IV, owns those boats, this bay, this island off the eastern seaboard, those waving trees, that massive house far above. How will we get to the house? she asks. She can see no road. Will we ascend through the rain, like scuba divers?

Kiran snorts, then surprises Jane by shooting her a small, approving smile. By car, she says, not elaborating. I’ve missed the funny way you talk. Your clothes too.

Jane’s gold zigzag shirt and wine-colored corduroys make her look like one of Aunt Magnolia’s sea creatures. A maroon clownfish, a coral grouper. Jane supposes she never dresses without thinking of Aunt Magnolia. Okay, she says. And when’s the spring gala?

I don’t remember, Kiran says. The day after tomorrow? The day after that? It’s probably on the weekend.

There’s a gala for every season at Octavian Thrash IV’s house on the sea. That’s the reason for Kiran’s trip. She’s come home for the spring gala.

And this time, for some inexplicable reason, she’s invited Jane along, even though, until last week, Jane hadn’t seen Kiran since Kiran’s graduation almost a year ago. Kiran had stumbled upon Jane at her job in the campus bookshop, because, like many visiting alumni, Kiran had remembered it had a public restroom. Trapped behind the information desk, Jane had seen her coming, an enormous handbag on her arm and a harassed expression on her face. With any other ghost from her past, Jane’s first instinct would have been to turn her shoulder, hide behind her dark curls, and make herself into a statue. But the sight of Kiran Thrash brought Jane instantly to the strange promise Aunt Magnolia had extracted from her before she’d gone away on that last photography expedition.

Aunt Magnolia had made Jane promise never to turn down an invitation to Kiran’s family estate.

Hey, Kiran had said that day, stopping at the desk. Janie. It’s you. She’d glanced at Jane’s arm, where tattooed jellyfish tentacles peeked out from under her shirtsleeve.

Kiran, said Jane, instinctively touching her arm. The tattoo was new. Hi.

Do you go to school here now?

No, Jane said. I dropped out. I’m taking some time. I work here. In the bookstore, she added, which was obvious, and not something she wanted to talk about. But she’d learned to chat, to fill the silence with false enthusiasm, and to offer her failures as conversational bait, because sometimes it enabled her to head off the very next question Kiran asked.

How’s your aunt?

It was like muscle memory now, this steeling herself. She died.

Oh, Kiran said, narrowing her eyes. No wonder you dropped out.

It was less friendly, but easier to bear up against, than the usual reaction, because it brought a flare of annoyance into Jane’s throat. I might have dropped out anyway. I hated it. The other students were snobs and I was failing biology.

Professor Greenhut? Kiran asked, ignoring the dig about snobs.

Yeah.

Known school-wide as a pretentious douche, said Kiran.

Against her better instincts, Jane smiled. Greenhut assumed his students already knew a lot about biology, and maybe the assumption was just, because no one else in the class had seemed to struggle like Jane had. Aunt Magnolia, who’d been an adjunct marine biology teacher, had spluttered over the syllabus. Greenhut’s a superior, self-righteous donkey, she’d said in disgust, then added, No offense to Eeyore. Greenhut is trying to weed out students who didn’t go to fancy high schools.

It’s working, Jane had said.

Maybe you’ll go to school somewhere else, Kiran said. Somewhere far away. It’s healthy to get away from home.

Yeah. Maybe. Jane had always lived in that small, upstate university town, surrounded by students whenever she’d stepped outside. Tuition was free for faculty kids. But maybe Kiran was right, maybe Jane should have chosen a different school. A state school, where the other students wouldn’t have made her feel so . . . provincial. These students came from all over the world and they had so much money. Jane’s roommate had spent her summer in the French countryside and, once she’d learned that Jane had taken high school French, wanted to have conversations in French about towns Jane had never heard of and cheeses she’d never eaten.

How disorienting it had been to attend the classes she’d watched enviously through the windows her whole life, and wind up miserable. In the end, she’d spent most nights with Aunt Magnolia instead of in her dorm room, feeling like she was living a parallel version of her own life, one that didn’t fit her skin. Like she was a puzzle piece from the wrong puzzle.

You could be an art major somewhere, Kiran said then. Didn’t you used to make cool umbrellas?

They’re not art, said Jane. They’re umbrellas. Messy ones.

Okay, said Kiran, whatever. Where do you live now?

In an apartment in town.

The same apartment you lived in with your aunt?

"No, Jane said, injecting it with a touch of sarcasm that was probably wasted on Kiran. Of course she hadn’t been able to afford that same apartment. I live with three grad students."

How do you like it?

It’s fine, Jane lied. Her apartment-mates were a lot older than she and too pompously focused on their abstruse intellectual pursuits to bother with cooking, or cleaning, or showering. It was like living with self-important Owl from Winnie-the-Pooh, except that their hygiene was worse and there were three of them. Jane was hardly ever alone there. Her bedroom was a glorified closet, not conducive to umbrella-making, which required space. It was hard to move around without poking herself on ribs. Sometimes she slept with a work in progress at the end of her bed.

I liked your aunt, Kiran said. I liked you too, she added, which was when Jane stopped thinking about herself and began to study Kiran, who had changed somehow since she’d last seen her. Kiran had used to move as if she were being pushed by at least four different urgent purposes at once.

What’s brought you to town? Jane asked Kiran.

Kiran shrugged, listless. I was out driving.

Where are you living?

In the city apartment.

The Thrashes’ city apartment was the top two floors of a Manhattan mansion overlooking Central Park, quite a distance away for someone who was just out driving.

Though I’ve been called home to the island for the spring gala, Kiran added. And I may stay awhile. Octavian is probably in a mood.

Okay, said Jane, trying to imagine having a gazillionaire father, on a private island, in a mood. I hope you have a nice time.

What is that tattoo? asked Kiran. Is it a squid?

It’s a jellyfish.

Can I see it?

The jellyfish sat on Jane’s upper arm, blue and gold, with thin blue tentacles and spiral arms in white and black reaching all the way down below her elbow. Jane often wore her shirtsleeves rolled up to show a glimpse of the tentacles because, secretly, she liked people to ask to see it. She pushed her sleeve up to the shoulder for Kiran.

Kiran gazed at the jellyfish with an unchanging expression. Huh, she said. Did it hurt?

Yes, said Jane. And she’d taken on an extra job as a waitress at a diner in town for three months to pay for it.

It’s delicate, said Kiran. It’s beautiful, actually. Who designed it?

It’s based on a photo my aunt took, said Jane through a flush of pleasure, of a Pacific sea nettle jellyfish.

Did your aunt ever get to see your tattoo?

No.

Timing can be an asshole, Kiran said. Come get drinks.

What? said Jane, startled. Me?

After you get off work.

I’m underage.

So I’ll buy you a milkshake.

*   *   *

That night, at the bar, Jane had explained to Kiran what it was like to budget for rent, food, and health insurance on a part-time bookstore salary; how she’d sometimes believe in absentminded moments that Aunt Magnolia was just away on another of her photography trips; about the detours she found herself taking to avoid the apartment building where they’d lived together. Jane didn’t mean to explain it all, but Kiran was from the time when life had made sense. Her presence was confusing. It just came out.

Quit your job, Kiran said.

And live how? Jane said, irritated. Not everyone has Daddy’s bottomless credit card, you know.

Kiran absorbed the dig with disinterest. You just don’t seem very happy.

Happy! said Jane, incredulous, then, as Kiran continued to sip her whiskey, seriously annoyed. What’s your job, anyway? she snapped.

I don’t have a job.

Well, you don’t exactly seem happy either.

Kiran surprised Jane by shouting a laugh. I’ll drink to that, she said, then threw back her drink, leaned over the bar, reached into a container of paper umbrellas, and selected one, blue and black to match Jane’s shirt and her tattoo tentacles. Opening it carefully, she twirled it between her fingers, then presented it to Jane.

Protection, Kiran announced.

From what? Jane asked, examining the umbrella’s delicate working interior.

From bullshit, said Kiran.

Wow, Jane said. All this time, I could’ve been stopping bullshit with a cocktail umbrella?

It might only work for really small bullshit.

Thanks, said Jane, starting to smile.

Yeah, so, I don’t have a job, Kiran said again, holding Jane’s eyes briefly, then looking away. I apply for things now and then, but it never comes through, and I’ll be honest, I’m always kind of relieved.

What’s the problem? You have a degree. You had really good grades, didn’t you? Don’t you speak, like, seven languages?

You sound like my mother, said Kiran, her voice more weary than annoyed. And my father, and my brother, and my boyfriend, and every damn person I talk to, ever.

I was only asking.

It’s okay, she said. I’m a spoiled rich girl who has the privilege to mope around, feeling sorry for herself for being unemployed. I get it.

It was funny, because those were Jane’s thoughts exactly. But now, because Kiran had said it, she resented it less. Hello, don’t put bullshit in my mouth. I’m armed, Jane said, brandishing her cocktail umbrella.