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North Woods: A Novel
North Woods: A Novel
North Woods: A Novel
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North Woods: A Novel

Rating: 4 out of 5 stars

4/5

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NATIONAL BESTSELLER • A NEW YORK TIMES BOOK REVIEW TOP TEN BOOK OF THE YEAR

A WASHINGTON POST TOP TEN BOOK OF THE YEAR • FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD AND THE MARK TWAIN AMERICAN VOICE IN LITERATURE AWARD


A sweeping novel about a single house in the woods of New England, told through the lives of those who inhabit it across the centuries—“a time-spanning, genre-blurring work of storytelling magic” (The Washington Post) from the Pulitzer Prize finalist and author of The Piano Tuner and The Winter Soldier.

“With the expansiveness and immersive feeling of two-time Booker Prize nominee David Mitchell’s fiction (Cloud Atlas), the wicked creepiness of Edgar Allan Poe, and Mason’s bone-deep knowledge of and appreciation for the natural world that’s on par with that of Thoreau, North Woods fires on all cylinders.”—San Francisco Chronicle


New York Times Book Review Editors’ Choice • A BEST BOOK OF THE YEAR: Time, The Boston Globe, NPR, Chicago Public Library, The Star Tribune, The Economist, The Christian Science Monitor, Real Simple, Kirkus Reviews, Publishers Weekly, Library Journal, Bookreporter

When two young lovers abscond from a Puritan colony, little do they know that their humble cabin in the woods will become the home of an extraordinary succession of human and nonhuman characters alike. An English soldier, destined for glory, abandons the battlefields of the New World to devote himself to growing apples. A pair of spinster twins navigate war and famine, envy and desire. A crime reporter unearths an ancient mass grave—only to discover that the earth refuse to give up their secrets. A lovelorn painter, a sinister con man, a stalking panther, a lusty beetle: As the inhabitants confront the wonder and mystery around them, they begin to realize that the dark, raucous, beautiful past is very much alive.

This magisterial and highly inventive novel from Pulitzer Prize finalist Daniel Mason brims with love and madness, humor and hope. Following the cycles of history, nature, and even language, North Woods shows the myriad, magical ways in which we’re connected to our environment, to history, and to one another. It is not just an unforgettable novel about secrets and destinies, but a way of looking at the world that asks the timeless question: How do we live on, even after we’re gone?
LanguageEnglish
Release dateSep 19, 2023
ISBN9780593597057
Author

Daniel Mason

Daniel Mason is a physician and author of the novels The Piano Tuner and The Winter Soldier. His work has been translated into twenty-eight languages, and adapted for opera and theatre. A recipient of a fellowship from the National Endowment for the Arts, he is currently a Clinical Assistant Professor of Psychiatry at Stanford University, where he teaches courses in the humanities and medicine. He lives in the Bay Area with his family.

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Reviews for North Woods

Rating: 4.1298341187845296 out of 5 stars
4/5

362 ratings40 reviews

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  • Rating: 4 out of 5 stars
    4/5
    Loved it, an easy new recommendation. Was widely tipped for the Pulitzer and I can certainly see why.
  • Rating: 5 out of 5 stars
    5/5
    Stories of deep connecting intertwined over time with nature. It all begins with an escape, for love. And, well, sort of ends there too.
  • Rating: 4 out of 5 stars
    4/5
    Story of a solitary house in New England told through the eyes of those who inhabit it accross the centuries. Very well written story for lovers of woods and nature.
  • Rating: 5 out of 5 stars
    5/5
    North Woods by Daniel Mason was a very different yet interesting read, almost like a short story collection where there are connections between characters. The whole story takes place at the setting of a yellow house in the woods of Western Massachusetts, and each section of the book carries through with a different family that live there. So we start with a couple that ran away from their Puritan parents , then an Indian kidnapping of a white girl and her release years later to the same woman that ran away. Many many characters, including a man who develops an apple orchard and a woman who sees homosexual ghosts and calls for a medium to come talk to the dead. But throughout these generations, the house remains, becoming a character as well. Mason does a wonderful job describing the local fauna, and the growth and decimation of various kinds of trees, even goes so far as to describe how a random beetle hits upon a certain kind of tree and leads to the destruction of the chestnut trees. In total the lesson here is change. NPR: North Woods manages, impressively, to balance both the narrow and the long view, intimately focusing on the lives of each of the house's inhabitants, yet expansively encompassing American history, natural history, and the relentless march of time and the cycle of the seasons…. "The only way to understand the world as something other than a tale of loss is to see it as a tale of change."
    One of the most interesting passages of time describes the growth of the apple seed.
    "Now, in the place that was once the belly of the man who offered the apple to the woman, one of the apple seeds, sheltered in the shattered rib cage, breaks its coat and drops a root into the soil, lifts a pair of pale green cotyledons. A shoot rises, thickens, seeks the bars of light above it, gently parts the fifth and sixth ribs that once guarded the dead man's meager heart."
    To some readers, trying to go back and find the connections between generations of characters may be a difficult, but I've always loved tracing character connections. I have to say reading in a kindle allows you to simply touch the name and search for all instances that it appears. Finally there is also a lot of American history to be learned as well.
    Highly recommend and will look forward to reading some of Mason's other works.

    Lines
    Mica dusted her heels like silver. Damselflies upon her neck. Flying squirrels in the trees above them, and in the silty sand the great tracks of cats.

    “Out here, no one tears down anyway—one just adds upon, agglutinates, house to house, shed to shed, like some monstrous German noun.”

    Take a man in perfect health, and let him assert against the general opinion, and you will find such man accused of deviancy, or error, or madness

    From there, according to the map, a road should have taken her into the mountains, but the asphalt soon gave way to dirt, dead-ending at a long driveway flanked by those twin heralds of American hospitality, Private Property and Beware of Dog.”

    I propose a new calendar: not one autumn but twelve, a hundred. The autumn when the birches are yellow but still have their leaves; when the beeches are green but the birch leaves have fallen; when the oaks tint to the color of ripe apricots and the beeches yellow; when the oaks turn a cigar brown and the beeches curl up into crispy copper rolls. And so on: I’ve missed a few. But to call it all just “autumn”!”

    Still, I was an old man of fifty when I came to this place, and no great beauty. Time had creased my brow, garlanded my chin with several companions, and furred both ear and nostril generously against the cold.”
  • Rating: 4 out of 5 stars
    4/5
    It certainly sounded like my sort of thing---multiple story lines tied to one spot in an ancient forest in Massachusetts, the past inhabiting the present, the present mirroring the past. It's the kind of thing I get utterly immersed in, usually. Although I really enjoyed parts of this one, (and have a lot of respect for that catamount!) for some reason the "magic" never took hold, and I wasn't as enchanted as I'd expected and hoped to be. I feel there may have been just too many casts of characters and too many plots, to the point where I sometimes lost the connecting thread. This is one of those times when I'm sure the book was better than my experience of it.
  • Rating: 5 out of 5 stars
    5/5
    Loved this book that spans over a century. It is basically a story of a place - a site in the north woods of Massachusetts. Beginning with two lovelorn colonists running away; a terrifying ordeal of a white woman and her child being captured by Native Americans and the woman who took her in and later kills. A former British soldier who his family believe has lost his mind wants to live in the wilderness to start an orchard of apples called the Osborn Wonder - his twin daughters and their tragic ending - the over important husband and wife who build a sort of mansion there and the woman who can talk with the dead - the grandson with schizophrenia and his mother who loves him believing him to be a prisoner whom she writes to - his sister and finally the young woman killed nearby in an auto accident.

    There is so much humor, memorable characters, great lines, sad tales, believable happenings along with some mystical realism all tossed together. Honestly, a book I didn't want to end. All showing how change in nature affects everything and is never ending. Loved it.

    I didn't realized that I had read other books by this author - loved them as well.
  • Rating: 3 out of 5 stars
    3/5
    I love books that I learn something from or that make me feel something. This book did neither. Three stars only because the structure was interesting including poems and faux historical sources.
  • Rating: 4 out of 5 stars
    4/5
    And in the same place in her heart where Alice kept her list of children's names, Mary kept a different list--far better referenced and annotated--of all the local husbands who got drunk and beat their wives.

    This novel follows the various inhabitants and visitors to a single house in the New England woods over centuries, beginning with the first small structure built by early colonists who had to flee into the woods. Over time the house is added on to or remodeled, the fortunes of the people living there rise and fall, the house itself growing in stature and then diminishing, along with the surrounding woods, which also change over time.

    This novel is almost interlinked short stories, except the length of each section varies and is sometime dependent on the reader having read the previous chapters. This is a superbly well-written book, and it is so cleverly and carefully constructed. By using the house as the center, while really being about the surrounding natural world, Mason avoids having to start the novel sometime in prehistory, like a Michener tome, or even having the include the indigenous people living in the area before the colonists arrived. The lives depicted range widely, from two sisters running a small apple orchard, to a opportunistic grifter riding the fad for séances, to a painter in love with his traveling companion, all the way into sometime near the present day.

    While I admire this book, I didn't love it. There's a feeling of separation between the characters and the reader, a sense that abated as the novel grew closer to the present moment, and the final section was lovely, shedding light on the previous chapters, but also making clear that this novel is about a place, more than about the people who temporarily occupy the space.
  • Rating: 4 out of 5 stars
    4/5
    Advertised as "one of NYT 10 best books of the year." Please don't buy it for that reason.

    It was well-written. It was different. It spanned generations. But when we come full circle, we don't come back to the original settlers of that land.

    The catamount on the cover? Misplaced as a cover image, in my opinion, and misplaced in the book. The carnage wrought by that cat could have been left out completely and the story, again in my opinion, would have been better for it.

    What put me off most was the violence.

    To be honest, I almost stopped reading, but I'm glad I persisted as the final two chapters were the best.

    I know I'm not giving you much to go on, but since it's now available in paperback and eBook, you don't risk much in getting a copy. Better yet, check it out from your local library.
  • Rating: 3 out of 5 stars
    3/5
    A unique saga that follows a plot of land for generations.
  • Rating: 5 out of 5 stars
    5/5
    This is the story of a house outside of Boston, deep in the wood, deep in the mountains. It’s a story of the land it was built on, and the human, plant and animal lives that touched it for a few years or a few generations along the centuries of the house’s existence.

    At first it was only a shack, sheltering a young woman taken hostage by Natives whose village had been burned. Next it provided shelter for a Puritan couple, forbidden to marry until they took matters into their own hands and ran to the wilderness to forge a life for themselves.

    In the time of the French and Indian war, a boy showed a wanderer an apple tree on the property with the best apples he had ever eaten … and the house became a farmhouse, home to the man and his two daughters as they launched a new variety of apples onto the world.

    But humans after all have such short life spans – although some of them never left the place even after their passing. And some like the painter and the poet, returned after their deaths to the place where they had been their happiest and where they could noisily enjoy their forbidden love together for ever – much to the consternation of the woman who could hear them.

    Until the house itself passed onward and the land still remained.

    I found this to be beautifully written and quite compelling. – there are such a variety of people whose lives touched this place.
  • Rating: 5 out of 5 stars
    5/5
    Complicated book with many twists and turns. Focused on a house and the land in Western Massachusetts. Great ending. Some interesting characters.
  • Rating: 5 out of 5 stars
    5/5
    I read widely enough to appreciate the fact that truly original, gifted storytelling is a rare and precious thing. Daniel Mason’s North Woods is the first book in a while to join the rarified pantheon of books that surprised and delighted me.

    The novelty of the storytelling makes it hard to communicate the magic of the novel in the form of a summary or book review. At the most basic level, I suppose you’d characterize this the chronological tale of a single plot of land in the remote north woods of New England, a place that alternatively serves as a refuge, home, and/or prison to a succession of organisms - human, animal, vegetable – that occupy the land over the course of generations. Mason doesn’t confine himself to narration but expands his storytelling toolkit to include everything from photographs to sonnets, vintage almanac pages to snippets of birdsong, letters, botanical drawings, journals, topographical maps - even excerpts from a tantalizingly trashy tabloid.

    But in Mason’s world, time isn’t a river that travels in one direction; rather, it’s a geologic accretion, events piling up one atop the other, each stratigraphic layer impacting the shape of the layer above, with tectonic events occasionally collapsing the layers into each other. Relics abandoned by previous owners resurface, altering the paths of the lives of those who come after. Lives, loves, and secrets carve metaphorical initials in the walls of the house that appears, expands, transforms, and decays as the generations pass. Ghosts of the past – some figurative, others literal – linger and interact with the present.

    Each stratigraphic layer/mini-narrative possesses its own unique protagonist, plot, and sense of period. Some of the narratives are hopeful, some comic, some tragic, some poignant. What they share in common are depths of imagination, precision, and compassion, all couched in prose that is vivid and lyrical. The members of my book club each took a stab at identifying their favorite “geological layer” – what does it say that no two of us agreed on the same one?

    Mason's use of nature as a metaphor for a multitude of human experiences (hope, beauty, loneliness, exile, inspiration, refuge, madness …) is artful without feeling contrived, and sets the stage for the novel’s overarching theme, which seems to be “The only way to understand the world as something other than a tale of loss is to see it as a tale of change.” A fitting motif for this tale that explores the fragility of human aspiration and the unfathomable mysteries of the universe, but also celebrates the ultimate transcendency of life.
  • Rating: 4 out of 5 stars
    4/5
    Not my usual 4 star read, as the inclusion of magical realism parts doesn’t do it for me. However, the skill of bringing all these stories together and the incredible vivid imagination to create them warrants a high rating. I’m sure this book was too clever for me and I probably missed some hidden meanings and links between the stories; I was also confused in parts and I don’t like having to work hard to read a book.
    This would be a good book club book- lots to discuss.
  • Rating: 4 out of 5 stars
    4/5
    The novel is like a series of short stories linked by a common location, the accumulation of characters (despite their death), and beautiful descriptive writing about the local flora and fauna. The chapters did not all appeal to me, but I thought the best were at the end.
  • Rating: 4 out of 5 stars
    4/5
    Outstanding story, creatively crafted with a variety of narrator voices, that propels the reader forward. A true page-turner that is at times tragic and other times wonderfully humorous. Amazingly well-developed characters. The chapters are full of "Easter eggs," which make me want to read this book again just to spot them all. This book is difficult to summarize because it is so many things at once. Ultimately, I believe it is about the temporal nature of human life and the simultaneous meaningfulness and meaninglessness in what people choose to do with their limited time.
  • Rating: 2 out of 5 stars
    2/5
    Rambling, incoherent, boring are the first words that come to mind about this supposedly "great" book. I kept reading to the end thinking it would get better, maybe the ramblings would tie together or some plot would immerse, but none of those things happened. I guess the point was to tell how random and boring lives of people are over time in this one place. Life is meaningless and then it's on to the next person?? Anyway I wouldn't recommend to anyone I like.
  • Rating: 5 out of 5 stars
    5/5
    Reason read: I saw some great reviews and I was intrigued. I went on waiting list in Libby and finally received by audiobook. I would say that this epic in nature and the main protagonist is this bit of land in the North Woods or it might be the house. I prefer to think of it as the land. The stories are interconnected but there is a thread that binds them together and it is this land, this house. The lives that have lived there have left their mark but it isn't always easy to see unless you search for it or it finds you. So the setting is centuries long, the place is New England and the culture, etc changes with the passing of time and generations. There are 12 vignettes representing months/year. The span is 400 years or 4 centuries and the message is "life is change". We humans are like grass; here today and gone, but life does go on. There are other characters besides humans; catamount (mountain lion), beetle, fungus, etc. The author is US author and this is his 5th book but it is the first book that I've read by the author. I think it is deserving of a prize. The prose is fantastic. A pleasure to listen to, and book to have on the shelf. I will probably be purchasing this one.
  • Rating: 4 out of 5 stars
    4/5
    A beautifully written book that follows the lives of those who live on an apple farm in the north woods.
  • Rating: 3 out of 5 stars
    3/5
    Well-written book. Sort of in awe of the author. Really knows alot of stuff. Read avidly the first half of the book, but it slowed way down the second half, and I found it a bit difficult to follow.
  • Rating: 4 out of 5 stars
    4/5
    A young Puritan couple flees to the wilderness, where they build a little cabin in which they can live and love in peace. Thus begins the long history of a tract of land in rural Massachusetts which will see love and hate, murder and betrayal, prosperity and ruin over the course of the next three centuries.

    The writing style is fascinating, since Mason takes up the different voice of each character and era. There's also a thread of the supernatural running through, as ghosts and other uncanny occurrences pop up in many of the tales. A recurring theme is the interaction between nature and humans, and the way the land is shaped by the people who live on it and vice versa. Most of the stories end on a sad note, though there are happy moments, of course. An enjoyable read, well-written, but not one that I think I would ever revisit.
  • Rating: 2 out of 5 stars
    2/5
    SPOILER ALERT. This book has an unusual format that is interesting, But to actually like it you probably need to enjoy reading about psycho-killers in a book that includes fantasy, supernatural events and time travel. That's not for me. I forced myself to finish it, and consider it time wasted.
  • Rating: 4 out of 5 stars
    4/5
    This is the story of a piece of land, the house that sits on it and the souls that have passed through it. Seem to me a unique story line. From pre-revolutionary war to the present, the land evolves, dissolves, re-evolves, and over again. It does make me think about the numerous souls that passed through my 95 year old house, things that happened and didn't happen here. We all pass through visiting while the house stays here ready for the next inhabitant. This yellow house did feel to me to have more than its fair share of sad/troubled residents. Though there were happy moments for most of the inhabitants, almost everyone to the person lived a sad life. If we look at ourselves over the long haul and tried to measure our life happiness score, would we score a sad too? The only tick against the book is that I felt a couple of the residents over time disappeared without any explanation. There is one moment where Daniel Mason has a bounty hunter open a hatch hiding secrets from the house's past and it just ends. Did he find what he was looking for? Did something happen? There are a couple of these little cliff hangers with no answers.
  • Rating: 4 out of 5 stars
    4/5
    Interconnected stories tracing all the occupants (human, feral, spectral etc) of a bit of land in Massachusetts from before the revolutionary war and into the future. Told through a variety of means. Fascinating collection
  • Rating: 5 out of 5 stars
    5/5
    Evokes such a rich sense of place. I greatly appreciated Mason's novel approach to a history-based novel. This book will likely modify your perspective of abandoned homesteads and people wielding metal detectors, as well as send you out looking for apples. A fine read indeed!
  • Rating: 5 out of 5 stars
    5/5
    There's a sense of natural magic and poetry in this beautifully written story of a house and woodland in New England. Each chapture was set more into the future of the home and I was able to set it down and come back to the rich setting and characters. But I was always called back. Maybe a little wordy, so I founsd myself skimming at times, still really enjoying the book.
  • Rating: 4 out of 5 stars
    4/5
    North Woods is a unique novel of the eco-history of a woods in Western Massachusetts over the years from early colonial settlement to the present. The subject is a particular spot in these north woods and to a lesser degree, the individuals that spend a portion of their lives, from days to many years, in those very woods. There is a raw and primitive beauty that draws these people and yet leaves them affected in strange and often unsettling ways. The woods themselves as well are changed and affected by the efforts of the people to tame them.
    The book shows the ravages that people and nature can play on the land bringing disease and disaster. It also seems to illustrate a dichotomy between the almost naive nature of this beautiful place and the savagery and baseness of humanity. It is a haunting read filled with lovely language and description, but a sense of mystery and unease as well. I would recommend this title to readers who are interested in nature and man's connection to the natural world. It should also appeal to people interested in unique styles of writing as the author employs different features and methods of bringing this history to the reader.
    My thanks to the publisher and NetGalley for the opportunity to read and review this title.
  • Rating: 5 out of 5 stars
    5/5
    Tale of the North Woods of Massachusetts, beginning in colonial times, and progressing to the present. Early, a tribe avenges a killing, burning a village, but taking a woman to safety in the North Woods. When people come to take her back, there are deaths. So begins the haunting of this land. Then, Charles Osgood and his daughters, Alice and Mary, come to live there, planting an apple orchard. As successive people live on the land, there are tales of ghosts.
    At times funny, other times haunting, this is a unique story, beautifully written. Extremely enjoyable.
  • Rating: 5 out of 5 stars
    5/5
    I LOVED this book. It is a bit hard to describe, but a plot of land in Western Massachusetts anchors the stories as we learn about the lives of the people who lived there from the 1600s through the future. Each generation makes and experiences connections to the past and influences the future - sometimes through objects, sometimes through the environment, and sometimes through spiritual connections. At first, though the descriptions of the environment are beautiful, I didn't realize what a large part of the book the natural world would be. As the book progresses, that element of the story enlarges and becomes more meaningful.

    I loved all the small details that connect each generation. I did a lot of rereading as I went through the book. Sometimes I'd think I remembered the reference, but wanted to go back and reread the section referred to and I'm glad I took the time to do that. The book is laid out in a manner that makes this very easy to do.

    Highly recommended!
  • Rating: 5 out of 5 stars
    5/5
    North Woods is difficult to categorize. Is it a novel? Is it a collection of short stories? Is it a family saga? An environmental novel? The genealogy of a house over five centuries? A murder mystery? A ghost story? A gay romance? A social critique? My answer: All of the above and more.

    All of the stories are in some way connected to one New England house and to the land surrounding it. It begins when a pair of lovers flee north from their Puritan community, at first hunted, but eventually settling peacefully on a plot of land that seems like paradise. Mason ingeniously uses the cabin they build as the framework of the book, tracing a succession of inhabitants through the centuries: a retired British soldier with a passion for apple cultivation; his two spinster daughters; a painter seeking solace who corresponds with a poet friend; a catamount; a ghost; a beetle bringing Dutch Elm Disease; an artists' colony; a madman; an anthropologist; and many, many more, all connected to one another by blood, land, house, memory. Every story is fascinating, and every story makes you want to connect the links between them. When you do, you realize that Mason has something important to say about time, place, nature, and the human condition. We may think that we are the masters of our world, but North Woods reminds us that we are, always, a small organic part of it.

    Mason's book is beautifully written, brilliantly plotted, observant, sensitive to detail. And as so many professional reviewers have stated, it is simply magical. North Woods is a lament for all that we have lost but also a prayer for the time to come. I haven't read anything in years that comes close to it in originality and in its ability to make me not only feel but think. It's one of those rare books that, when I completed it, I felt I needed to rest awhile and then start it all over again. It's going to be difficult for any other book to nudge it from the top on this year's reading list.

Book preview

North Woods - Daniel Mason

Cover for North WoodsBook Title, North Woods, Subtitle, A Novel, Author, Daniel Mason, Imprint, Random House

North Woods is a work of fiction. Names, characters, places, and incidents are the products of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is entirely coincidental.

Copyright © 2023 by Daniel Mason

All rights reserved.

Published in the United States by Random House, an imprint and division of Penguin Random House LLC, New York.

Random House and the House colophon are registered trademarks of Penguin Random House LLC.

Published in the United Kingdom by John Murray Press, a Hachette company.

Photo credits: This page: Lucian Turner, National Anthropological Archives, Smithsonian Institution, [06549100]. This page: Daniel Huntington, Courtesy of the Century Association, New York. This page: Kate Wolff. This page: Courtesy of the Vermont Historical Society. This page: Courtesy of University of Michigan Library. This page: Courtesy of the Wellcome Collection. This page: artist unknown, likely Mark Jefferson; courtesy of the Eastern Michigan University Archives.

Library of Congress Cataloging-in-Publication Data

Names: Mason, Daniel (Daniel Philippe)

Title: North woods: a novel / Daniel Mason.

Description: First Edition. | New York: Random House, [2023]

Identifiers: LCCN 2022056687 (print) | LCCN 2022056688 (ebook) | ISBN 9780593597033 (Hardback) | ISBN 9780593597057 (Ebook)

Classification: LCC PS3613.A816 N67 2023 (print) | LCC PS3613.A816 (ebook) | DDC 813/.6—dc23/eng/20221205

LC record available at lccn.loc.gov/​2022056687

LC ebook record available at lccn.loc.gov/​2022056688

International ISBN 9780593730621

Ebook ISBN 9780593597057

randomhousebooks.com

Book design by Simon M. Sullivan, adapted for ebook

Cover design: Anna Kochman

Cover images: Private Collection © Purix Verlag Volker Christen/Bridgeman Images (cougar), Private Collection/Bridgeman Images (clouds)

ep_prh_6.1_148359409_c0_r4

…to build a fire on Ararat with the remnants of the ark.

Nathaniel Hawthorne, The American Notebooks

Contents

Cover

Title Page

Copyright

Epigraph

Chapter One

Anonymous, the Nightmaids Letter

Chapter Two

Osgood’s Wonder, Being the Reminiscences of an Apple-Man

Chapter Three

The Catamount, or a True Relation of a Bloody Encounter That Lately Happen’d; a Song for Voice and Fife, to the Tune of Cheerily and Merrily

From Proverbs and Sayings

Chapter Four

The Doleful Account of the Owl and the Squirrel; or How the Land Came to Be Forested Again, Being a New Winter’s Ballad; Written by a Pair of Grave Sisters, for Children. to the Tune Then My Love and I Will Marry

Letters to E.N.

Chapter Five

A December Song. Another Ballad by a Pair of Grave Maids, to the Tune of When Phoebus Did Rest, &C. for Fife and Voice

Chapter Six

Chapter Seven

Case Notes on Robert S.

Chapter Eight

Chapter Nine

Murder Most Cold

Chapter Ten

An Address to the Historical Society of Western Massachusetts

Chapter Eleven

A Cure for Lovesickness, Being a Spring Song, Sung to Celebrate the Remedy of a Long Affliction, to the Tune of the Yearning Maid

3 Bd, 2 Ba

Chapter Twelve

Succession

Dedication

Acknowledgments

By Daniel Mason

About the Author

_148359409_

One

THEY had come to the spot in the freshness of June, chased from the village by its people, following deer path through the forest, the valleys, the fern groves, and the quaking bogs.

Fast they ran! Steam rose from the fens and meadows. Bramble tore at their clothing, shredding it to rags that hung about their shoulders. They crashed through thickets, hid in tree hollows and bear caves, rattling sticks before they slipped inside. They fled as if it were a child’s game, as if they had made off with plunder. My plunder, he whispered, as he touched her lips.

They laughed with the glee of it. They could not be found! Solemn men marched past them with harquebuses cocked in their elbows, peered into the undergrowth, stuffed greasy pinches of tobacco into their pipes. The world had closed over them. Gone was England, gone the Colony. They were Nature’s wards now, he told her, they had crossed into a Realm. Lying beneath him in the leaves, in the low hollow of an oak, she arched her neck to watch the belted boots and leather scabbards swinging across the wormy ceiling of the world. So close! she thought, biting his hand to stifle her joy. Entwined, they watched the stalking dogs and met their eyes, saw recognition cross their dog-faces, the conspiring shiver of their tails as they continued on.

They ran. In open fields, they hid within the shadows of the bird flocks, and in the rivers below the silver veil of fish. Their soles peeled from their shoes. They bound them with their rags, with bark, then lost them in the sucking fens. Barefoot they ran through the forest, and in the sheltered, sappy bowers, when they thought they were alone, he drew splinters from her feet. They were young and they could run for hours, and June had blessed them with her berries, her untended farmer’s carts. They paused to eat, to sleep, to steal, to roll in the rustling meadows of goldenrod. In hidden ponds, he lifted her dripping from the water, set her on the mossy stone, and kissed the river streaming from her tresses and her legs.

Did he know where he was going, she asked him, pulling him to her, tasting his mouth, and always he answered, Away! North they went, to the north woods and then toward sun-fall, trespassing like fire, but the mountains bent their course and the bogs detained them, and after a week they could have been anywhere. Did it matter? Rivers carried them off and settled them on distant, sun-warmed banks. The bramble parted, closed behind them. In the cataracts, she felt the spring melt pounding her shoulders, watched him picking his way over the streambed, hunting creekfish with his hands. And he was waiting for her, winged in a damp blanket which he wrapped around her, lowering her to the earth.


They had met in, of all places, church. She had known of him, been warned of him, heard that he stirred up trouble back in England, had joined the ships only to escape. Fled Plymouth, fled New Haven, to settle in a hut on Springfield’s edge. They said he was ungodly, consorted with heathens, disappeared into the woods to join in savage ritual. Twice she’d seen him watching her; once she met him on the road. This was all, but this was all she needed. She felt that she had sprung from him. He watched her through the sermon, and she felt her neck grow warm beneath his gaze. Outside, he asked her to meet him in the meadow, and in the meadow, he asked her to meet him by the river’s bank. She was to be married to John Stone, a minister of twice her age, whose first wife had died with child. Died beaten with child, her sister told her, died from her wounds. On the shore, beneath the watch of egrets, her lover wrapped his fingers into hers, made promises, rolled his grass sprig with his tongue. She’d been there seven years. They left that night, a comet lighting the heavens in the direction of their flight.


From a midwife’s garden: three potatoes. Hardtack from the pocket of a sleeping shepherd. A chicken from a settler’s homestead, a laying chicken, which he carried tucked beneath his arm. My sprite! he called his lover in the shelter of the darkness, and she looked back into his eyes. He was mad, she thought, naked but for his scraps of clothing, his axe, his clucking hen. And how he talked! Of Flora, the dominion of the toad and muck-clam, the starscapes of the fireflies, the reign of wolf and bear and bloom of mold. And around them, in the forest, everywhere: the spirits of each bird and insect, each fir, each fish.

She laughed—for how could there be space? There’d be more fish than river. More bird than sky. A thousand angels on a blade of grass.

Shh, he said, his lips on hers, lest she offend them: the raccoon, the worm, the toad, the will-o’-the-wisp.


They ran. They married in the bower, said oaths within the oaken hollow. On the trees grew mushrooms large as saddles. Grey birds, red snakes, and orange newts their witnesses. The huckleberries tossed their flowers. The smell of hay rose from the fern they crushed. And the sound, the whir, the roar of the world.

They ran. The last farms far behind them; now only forest. They followed Indian paths through groves hollowed by fire, with high green vaults of celestial scale. On the hottest days, they climbed the rivers, chicken on his shoulder, her hand in his. Mica dusted her heels like silver. Damselflies upon her neck. Flying squirrels in the trees above them, and in the silty sand the great tracks of cats. Sometimes, he stopped and showed her signs of human passage. Friends, he said, and said that he could speak the language of the people this side of the mountains. But where were they? she wondered. And she stared into the green that surrounded them, for fear was in her, and loneliness, and she didn’t know which one was worse.

And then, one morning, they woke in the pine duff, and he declared they were no longer hunted. He knew by the silence, the air, the clear warp of summer wind. The country had received them. In the Colony, two black lines were drawn through two names in the register. The children warned of thrashings if they spoke of them again.

They reached the valley on the seventh day. Above them, a mountain. Deer track led through a meadow that rose and narrowed northly, crossed through the dark remnants of a recent fire. A thin trail followed a tumbling brook to a pond lined with rushes. Across the slope: a clearing, beaver stumps and pale-green seedlings rising from the rich black ash.

Here, he said.

Songbirds flitted through the burn. They stripped their last rags, swam, and slept. It was all so clear, so pure. From his little bag, he withdrew a pouch containing seeds of squash and corn and fragments of potato. Began to pace across the hillside, the chicken following at his feet. At the brook, he found a wide, flat stone, pried it from the earth, and carried it back into the clearing, where he laid it gently in the soil. Here.

Anonymous, The Nightmaids Letter

ON the 7th of July, came the heathens in great number, upon the village in the middle of the night. And I was awake with my babe when I saw fire at the stockades and heard shots and shouting. Then my husband woke, and bid me hide with the child. Swiftly, he ran to lock the door, but then they breachd it and struck him down and murderd him, still in his nightclothes. Then came one and orderd me to follow, but such was my fear I could not move, though the house was burning and cinders were falling from the rafters. I thought I should prefer to die with my husband than go with these murderous creatures, but the heathen grabbd me and my babe. Outside the fires made it light as day. I saw my kin and neighbours slaughterd, my brother-in-law cut down before my eyes, my cousin shot, his belly slit, they fell on us like beasts on sheep. Everywhere were scatterd chairs and rakes and other things that people fought with. Then a panic seemd to come upon the heathens, for they calld to one another and, shouting, they ran to the breach in the stockade. Then was I taken by the one who first seizd me, and I had but stockings and no boots. With me were my neighbours and some carryd children and some wore nothing but their bedclothes. When we stoppd I lookd back, I could see the village burning, and in the light my neighbours’ weeping faces. Then our captors came and commanded us to follow. Through the woods they marchd us, there were six Indians and twenty capturd, but none made escape, so woeful were our hearts and so forbidding was the wilderness. Near me was my cousin, and she was weeping, and she told me all were gone, my father slayn, my mother slayn, my sister slayn—for she had seen them hatcheted. Then I prayd to God that He might take me, but I had displeasd Him and he wishd me to suffer longer on this earth. Each step took me farther from my home and into the darkness of the forest. Then dawn came and they bid us march faster, for they feard we would be discoverd. I was so benumbd, I wishd to lie down, but those that falterd were beaten, I but held my babe and tried to give him suck. In the afternoon we rested, and, seeing that many of us had only stockings on our feet, our captors made us shoes of birch bark. Then night came and they bound us together by hand and foot. And sleep came not to my eyes, for all night I thought only of my sorrows. I listend to my cousin praying for one who might save us, break the jaws of the wicked, and pluck the spoil out of his teeth. I tried to join, but my spirit was so oppressd that only cries came from my mouth. And this was the first night, and in the morning, when we were walking, my neighbour J—— came and said, Let us run, no fate can be worse than this. But I did not dare, and God blessd me in my wisdom, for shortly after noon I heard Indian shouts and saw a body crashing through the brush and they after him, and we were made to stop and wait, and all of us prayd that he might escape and bring help or at least save his own life. And though it was warm we were cold and shaking, and one of the heathens said, Think! Who has brought this suffering upon you? Who has made you wait here? And no sooner had he said this than there appeard the one who’d given chase, and he wiped his bloody hatchet on the moss and said, This be a lesson. And we walkd on, and night came, and this was the second night we slept in the muck, and in the morning I saw my babe was sick and not sucking, and I thought, He died, but still his body was warm when I pressd him to me. And such was my pain for my child that I could not feel my own pain, I walkd as if it was a dream, and sometimes I stumbld and fell. Then my friends would help raise me, for they too knew what fate would befall me if I delayd. This was the third day, but little I remember, for come evening, I began to feel weak and feverish, and all night I coughd. And in the morning, my captor came, and I knew he would kill me, but his blood lust had ebbd, for he went and conferd with another, and this one came down from his horse and they lifted me upon it. I did not know why he showd me this compassion, perhaps we were not many now, and they were displeasd with what they would get for ransom. And we walkd until night and stoppd beneath a ledge, but the heathen said, Come, and led my horse down a trail. Then I was weeping, and he said in English, Why do you cry, and I, I want to return to my people, and he, They are not your people anymore. And this filld me anew with terror, and truly, I thought to run so he would kill me and my child, for now I knew I would never see my home again. And I thought bitterly upon the words of Jeremiah, But shall he die in the place whither they have led him captive, and shall see this land no more. Then we came upon a clearing beneath a mountain, and there I saw what seemd to be a hut of log and stone, and a chicken in the yard, and there, my master whistld and the door opend, and an old woman most strange came out, she was dressd in skirts and blankets like an Indian, but her face was English and she spoke both English and the heathen’s tongue. And after some words I did not understand, my captor left me with this one. Come, she said, and took me in. It was a small house, with one room, and there was a hearth and she stoked the fire, then she strippd me and wrappd me in a blanket with my babe. Then she took my wet clothes and hung them above the fire and brought a broth and I drank, and then she gave some to my child, who took it and began to cry, and she said, Quick, give it your breast. And my child took it and such was my relief that for a moment I forgot my sorry plight. Then, when my babe had finishd feeding, I drank again though the broth smelld unwholesome, I did not question, so far had I come in my hunger that I might drink from the spoon of the heathen’s friend. I slept and late that night I awoke, I was with fever and now a thought came upon me that the woman would harm me. This fancy grew stronger until all reason had left me, I knew she would kill me and my child or give it to the D—l. I rose and there next to the hearth was the poker and I got it and stood above the demon, I would have killd her but my child began to wail. Then I went to my babe and fed him but I kept the poker, and the woman must have seen though it was dark, for she said, Come, foolish child, I am not a witch, and she went and came back with a book, and I saw it was a Bible. And she gave her names, both her Christian name and Indian name, for she had fled the Colony with her husband many years ago and lost him in that forsaken wilderness, and marryd a Praying Indian and lost him too. And I knew her name and his name for I oft heard whisper of these Godless fleeing people, though I thought them dead. And were you marryd with this husband before God? I askd her, for I had seen she did adorn herself as would the wicked, with a ring of silver on her finger. Or was it the D—l who shaped that omen to your skin? You are sick, she said, and I said, I know a sinner! and she, Only God knows who has a true heart, and I, But God has given me the ability to see. Then your eyes have scales, said she. And she was sitting next to me, for she had crossd the room in the darkness. Oh! said I. Will you require of us a song? And a hand touchd my head and she said that I was raving, and I knew then that she had poysond me. I ran out but I was naked and fell and then she was beside me. Godly woman! she cried. You flee without your child! Come! Then the fever was upon me fully, for days I ravd, and when I came about she said a fortnight had passd. And I did not know if it was a fortnight, but when I held my babe, I saw how he had grown. Look, she said, while you ravd I pressd him to your breast. And he was well and smiled handsomely, but I had heard of false children, made of the D—l’s clay, and when she went, I checkd him for marks of stitching that would show the seams. And he was wailing, for it was cold, and the old woman came back and said, Come, why do you distress him so? Then I askd might we pray together and she took the Bible and when we reachd those words As for man, his days are as grass: as a flower of the field, so he flourisheth. For the wind passeth over it, and it is gone; and the place thereof shall know it no more, then I began to weep. And she leand close and I saw she wore a necklace with charms of bone and iron. Put off thy ornaments from thee! I thought to cry, but I had been softend by her verses. And I askd, Is the heathen who took me truly your friend? and she said, The one who savd you is my friend. Then anger filled me, and I said, And is he who slayd my father your friend, and is he who slayd my sister? And she said, Has he not a father and a sister who were also slayn? And I hated her but she did not say more, instead she went out and I heard the sound of an axe and she came in and said, Will you just drink my broth? so I went out and carryd the wood inside. Then she took me and showd me how she livd, how she kept dried meat and corn and acorn meal in the loft above. And in a shed she showd me the baskets for fishing, and the traps, and these she showd me how to set out in the wood. Then dark fell and we went back and ate and I thought how the last time I broke bread was with my family who was dead, and I wept bitterly, and when I saw she had nothing to say, I askd, Will you not comfort me? and she said, I do not have the comfort which you seek. So my misery was great, but in the morning again there was work, though I did not forget my sorrow. Now I had been there a month. Each day I expected my captor to return, and no longer did I fear for my life, but that he would make me live among them and become an enemy of my own people. When I askd my mistress what would become of me, she said she did not know, perhaps they would trade me for one of theirs that had been taken, as for each of us there were a hundred of them that had been stolen from their homes. Now that I was strong, I thought again of running, but I feard a worse fate were I capturd. In the garden, there were beans, and corn, and squash, for long ago, she said, there was a beaver pond and so the land was rich. And she taught me to set snares for rabbits, and which of the mushrooms we might eat and which ones she calld nightmaids that we were to avoid for they were poyson. And sometimes I spoke with my mistress of other things. I askd her, if she lovd the Indians so, why did she not go and live with her second husband’s people? To this she answerd that sometimes in the winter she went to them, but most had died from the pestilence, and this was her home, the land was good. Then she spoke freely, she told me of the rites and dances, and the beasts of the place. And I told her this sounded like the D—l talking, but she took me out when it was night, and said, Come, don’t you notice? But there was nothing save the mountain and the forest, and this I told her. No, she said, listen, and we were quiet, and suddenly there it was, pacing, and there are no words to describe it, I do not lie. And fear oppressd my heart, but my mistress comforted me, for had not He promisd, For every beast of the forest is mine? Then we went back, and time passd, maybe three weeks, and the days were the same, and we both wonderd what had happend to my captor, when there arrivd a party, and lo! they were not Indians but three English scouts, and such was their surprise when they saw me with my babe. And my spirit leapt though I knew none by name, but they knew my story, for some of our captives had been ransomd, and told them I’d been taken. And I wept because it paind me to recall my dear husband and my family. As for my mistress, now was I afrayd that they might slay her, so I said that she was a Christian who had been marryd to a Praying Indian, that she continued to bring light to these dark forests. I saw she had removd her ring and necklace to her pocket. Then we welcomd them and brought them food and one of them, he bid me sit near him and from his pockets took an apple and invited me to taste. And I laughd, and said, Who am I, Eve? for he frightend me so. That night, we slept up in the loft, and my mistress closd the trapdoor, and movd over it some boards and I knew that it was so that none would come to us unchastely. The next morning, before the sun rose, they went out, and when they came back it was evening and they were laughing and I askd what made them so. Then the one who had offerd me the apple reachd into his bag, and there, wrappd in leaves, was a hand, small like a child’s. Tomorrow, he said, they would leave to bring more soldiers, for the boy had told them the location of the village and they would avenge the murders of our people. Then it was time to eat, so my mistress went out into the garden and I could see that she was weeping. When she returnd I went to her, she did not let me prepare the supper, but sent me up into the loft. Then she came to me and closd the door again. She had her axe. Downstairs, the men were eating, and she said, You must understand what is about to happen must happen so that there is no more bloodshed. And I must have lookd afraid for she said, It is so the Evil stops. And I was crying and nodded, but I did not understand, I saw she had put back on her ornaments, and she said, It is what is right, and from below us came a groaning, and a scrape of chair, and plates crashing, and a body on the floor was heaving. Then a second groan rose and a third and one of them screamd that they’d been poysond and we heard the ladder creak and there was pounding on our door. There we went and tried to block them from coming up, but with their guns they hammerd and broke it open. Then my mistress went with her axe and struck one, but the other had his musket and shot her through her good heart and killd her and I took her axe. The man came and as God is my witness, I acted only to defend my child. Then I took his musket and went and found one retching who in his agony had pushd his way outside. I thought he was dead but he came at me and God did not forsake me, but steadyd my hand. Then, I was wailing, my child wailing, but I feard I must work swiftly for others would come and find them. I strappd my child to my back and got the shovel and went out into the meadow above the house and dug and didn’t stop until dawn and then I went and draggd the bodies through the high wet grass. There I buryd them, the men together and my mistress nearer to the house, and prayd for their souls, that they might be forgiven for their sinning. And this I write and swear to be true, for I must leave and I cannot bear my secret any longer. May you that find it know what happend here, in this time of great conflict, in the Colony of Massachusetts, by she who briefly calld this place her home.

Two

IT is late August when the woman bundles up her child, closes the door to the cabin, and follows the trail to the edge of the clearing, where she stops to look back before she vanishes into the woods. Deer, lifting their heads above the goldenrod, watch her depart, and then move cautiously toward the garden. Across the valley

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