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The Death of Napoleon
The Death of Napoleon
The Death of Napoleon
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The Death of Napoleon

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Napoleon Bonaparte escapes exile just before death in this quirky alternate history novel that reimagines the life of the great French emperor.

“This comic tale of Napoleon’s imaginary yet all-too-human tribulations poses serious questions about the relationship of truth, history and imagination.” —The Wall Street Journal

Napoleon has escaped from St. Helena, leaving a double behind him. Now disguised as the cabin hand Eugène Lenormand and enduring the mockery of the crew (Na­po­leon, they laughingly nickname the pudgy, hopelessly clumsy little man), he is on his way back to Europe, ready to make contact with the huge secret organization that will return him to power. But then the ship on which he sails is rerouted from Bordeaux to Antwerp. When Napoleon disembarks, he is on his own.

He revisits the battlefield of Waterloo, now a tourist destination. He makes his way to Paris. Mistakes, misunderstandings, and mishaps conduct our puzzled hero deeper and deeper into the mystery of Napoleon.
 
Adapted into Alan Taylor’s 2001 film The Emperor’s New Clothes, The Death of Napoleon is a smart alternative history for the Napoleon obsessed—as deep and compelling as it is quirky and fresh.
LanguageEnglish
PublisherNYRB Classics
Release dateMay 5, 2015
ISBN9781590178430
The Death of Napoleon
Author

Simon Leys

Simon Leys’ many books include The Hall of Uselessness, Chinese Shadows, The Death of Napoleon and Other People’s Thoughts. He was a regular contributor to The New York Review of Books, Le Monde and Le Figaro Littéraire.

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    The Death of Napoleon - Simon Leys

    I. A SUNRISE ON THE ATLANTIC

    AS HE BORE a vague resemblance to the Emperor, the sailors on board the Hermann-Augustus Stoeffer had nicknamed him Napoleon. And so, for convenience, that is what we shall call him.

    Besides, he was Napoleon.

    How the Emperor’s escape from St. Helena eventually succeeded during the last stage of an extraordinarily ingenious plot is a story that has already been narrated elsewhere (see The Prisoner of St. Helena in Fireside Stories, June/ July 1904). Suffice it to recall here the main outline of the stratagem: a humble and loyal sergeant who, in the past, had often served as a double of the Emperor was dropped on a beach of St. Helena one moonless night; simultaneously, Napoleon boarded a Portuguese seal-hunting lugger that had been chartered for this daring venture.

    For the English jailers (as well as for the rest of the world) the next day was very much like any other day. Napoleon got up at the usual time, drank his customary chocolat, played (and cheated) at patience, and took his constitutional according to daily routine. Except for a tiny handful of devoted servants who were involved in the conspiracy, no one knew that these various activities were being performed by a double, and that the genuine Napoleon was sailing on the sealer that was to bring him a few weeks later to the island of Tristan da Cunha—a desolate rock, uninhabited except for a few penguins and other wretched natives whose description we shall spare the reader.

    From Tristan da Cunha, he was given a berth on a crayfish schooner bound for Cape Town. At no stage of his journey was anything left to his initiative; every move had been minutely planned for him, and each time he was notified of it at the last moment, by a series of anonymous agents, themselves mere cogs that fitted blindly into a huge, mysterious machine. This second leg of the journey had been long and rough. He was traveling under the name of Eugène Lenormand; at the time, however, his assumed identity had little practical use: the crew of the schooner was made up of Norwegians who would never have considered speaking to him. This attitude did not reflect any ill will on their part—they were no more talkative among themselves—the fact is, after years of seafaring, these Scandinavian mutes had lost all aptitude for social intercourse. As a result, the resemblance—somewhat vague yet still discernible—which the newcomer presented to the hero who had shaken Europe and the world was not likely to provoke any embarrassing curiosity. And anyway, the only crowned head that was faintly familiar to the crew was that of a Danish king whose lithographic portrait was yellowing on the bulkhead in the forecastle.

    Now, however, on the third and last leg of his journey, the situation had entirely changed. On board the Hermann-Augustus Stoeffer—the brig that was at last carrying him back to France—the sailors were a fairly sophisticated collection of cosmopolitan scoundrels. They were not entirely devoid of culture générale: what is more, the boatswain was a Frenchman who had served on the Egyptian expedition and persisted in professing his Bonapartist religion. Yet, of all the crew, he would have been the most reluctant to acknowledge that there could be the slightest resemblance between his god and the new cabin hand (for it was in this capacity that Napoleon appeared on the roll).

    It all began with a cheeky remark from the ship’s boy.

    One morning, as the boy had to carry astern the officers’ breakfast trays, he called out to the cabin hand to come and help him. As the latter remained lost in his perpetual daydreams, the boy, who was observant and not without wit, finally shouted, Ahoy! Napoleon!

    The effect far exceeded his expectations. The man leaped to his feet as if lashed with a whip. For a fraction of a second, his eyes lit up with the fearsome intensity of a wild animal caught in a trap. Although the boy was still young, life at sea and the rough company of the crew had already endowed him with a fair dose of cynicism; therefore, Eugène’s brief metamorphosis did not overly impress him—he merely noted what appeared to be a fairly efficient method of bringing the cabin hand back to earth. As, in his daily chores, he frequently needed the other’s assistance, he found the use of this new nickname very expedient.

    The rest of the crew, continually hearing Napoleon! here, Napoleon! there, eventually ratified the vague resemblance there might have been between the cabin hand and the prisoner of St. Helena; thus, for everyone in the forecastle, he became Napoleon from then on.

    The boatswain alone found the joke to be in very poor taste. That any form of association could be established between his idol and this ugly little man, with his potbelly and knotty knees, was sacrilege to him. It must also be said that Napoleon had aged considerably over the last few years; he had lost most of his hair and, to protect his head from the cold sea wind, had taken to wearing a woolen cap which his landlady on Tristan da Cunha had knitted for him in a mixture of gaudy colors. This comfortable but slightly ridiculous hat added the last touch to a silhouette the very sight of which was enough to irritate the boatswain.

    The latter’s exasperation was further exacerbated by the seeds of irritation repeatedly sown by the supercargo—an insolent young man, the son of a Birmingham solicitor, who had been banished to the high seas, having impregnated a parson’s daughter. This odious Englishman, knowing the boatswain’s devotion to the Bonapartist cause, took a perverse delight in addressing the wretched cabin hand with mock courtesy as Monsieur de Buonaparte whenever the boatswain was within earshot.

    These indirect insults to his idol filled the boatswain with a rage which he usually vented upon the unfortunate Eugène. There were plenty of opportunities, for the cabin hand, being no good at anything, was obliged to do everything—there was no mindless, humiliating, or dirty task that did not eventually fall on his shoulders. Even the ship’s boy had the cheek to unload some of his duties onto him.

    Naturally, he was denied the essential dignity of the topmen, who, during their watches, could escape from the suffocating heat below decks, and, in the swaying of the spars and billowing whiteness of the sails, became like weightless giants, brothers of the seabirds in the wind. His physical debility chained him to the deck. Yet, what did it matter to him if he was a mere insect in the eyes of those aloft? He rarely looked up, even absentmindedly, in their direction. He endured his abject state with complete stoicism, making no attempt to evade his present condition. He was beyond all humiliation: his real self existed elsewhere, in a cold lucid dream flying to meet the future, toward France and empires still to come!

    As everyone knows, sailors are a rough lot, but not mean-spirited. They tolerated him, paying as little attention to him as to the parrot of the

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