IMDb-BEWERTUNG
7,5/10
53.491
IHRE BEWERTUNG
Eine Psychologin schützt die Identität eines Amnesiepatienten, der des Mordes beschuldigt wird, während sie versucht, sein Gedächtnis wiederherzustellen.Eine Psychologin schützt die Identität eines Amnesiepatienten, der des Mordes beschuldigt wird, während sie versucht, sein Gedächtnis wiederherzustellen.Eine Psychologin schützt die Identität eines Amnesiepatienten, der des Mordes beschuldigt wird, während sie versucht, sein Gedächtnis wiederherzustellen.
- 1 Oscar gewonnen
- 7 Gewinne & 6 Nominierungen insgesamt
Jean Acker
- Matron
- (Nicht genannt)
Irving Bacon
- Railway Gateman
- (Nicht genannt)
Richard Bartell
- Ticket Taker
- (Nicht genannt)
Harry Brown
- Gateman
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesSir Alfred Hitchcock was a big admirer of Salvador Dalí's work, and realized that no one understood dream imagery better. Producer David O. Selznick was opposed to using Dalí from an expense point of view, until he realized the marketing mileage that could be gained from such a hiring.
- PatzerThe burn on J.B.'s hand is only visible when Petersen notices it. It disappears in every other scene where his hand is visible (like when he is sitting on the couch with Dr. Brulov).
- Zitate
Dr. Alex Brulov: Good night and sweet dreams... which we'll analyze at breakfast.
- Crazy CreditsOpening credits: THE FAULT . . . . . IS NOT IN OUR STARS, BUT IN OURSELVES . . . . . - SHAKESPEARE
Our story deals with psychoanalysis, the method by which modern science treats the emotional problems of the sane.
The analyst seeks only to induce the patient to talk about his hidden problems, to open the locked doors of his mind.
Once the complexes that have been disturbing the patient are uncovered and interpreted, the illness and confusion disappear.....and the devils of unreason are driven from the human soul.
- Alternative VersionenThe original theatrical version had an Overture and Exit Music by Miklós Rózsa, to a total running time of 118m09s. It was suppressed from distribution until the 1999 restoration based on the negatives of Selznick library (that came to be owned by Walt Disney Company via ABC-TV) and two DVD editions.
- VerbindungenEdited into The Clock (2010)
Ausgewählte Rezension
"Spellbound" is a psychological thriller that tells the story of the new head of a mental asylum (Peck) who turns out to be an imposter. It's love at first sight for Constance (Bergman), a psychiatrist at the asylum, who falls for Anthony (Peck). However, his amnesia and dizzy spells reveal that he isn't the man he says he is, and he may have actually killed the man he's pretending to be.
As things begin to unravel and the situation becomes public knowledge, Anthony does a runner and Constance leaves the asylum to track him down. The pair reunites and Constance quests to prove the innocence of her new lover.
This movie has suspense written all over it. I'm a big fan of Hitchcock movies, especially the cinematography. I love it when the shot cuts to a new location or landscape - almost in complete silence. It gives a certain eerie 'what's going to happen here?' feel to it. Even in the opening titles with the bare tree branches rattling in the wind - you know you're in for a real treat with that spooky music.
At times Peck's character does come across a bit of wimp during his funny 'spells' where he flashes back to a time when he THINKS he may have committed a crime. You want him to pull himself together and snap out of it, yet it's part of the plot so all is forgiven.
When all the signs point to guilt Constance, in what we can only assume is her own delusion and blindness, refuses to believe that Anthony could ever do something so heinous. Her scepticism rings true towards the end when her psychiatric training comes in handy and we discover what really happened. She calls on the expertise of her former mentor, played by Michael Chekhov, who plays the part of the probing, and rather peculiar, psychoanalyst well.
Bergman and Peck make a terrific pairing. The love their characters have for each other is so convincing, you pray (and hope) that Anthony is innocent and it's all a misunderstanding. Bergman portrays Constance's desperation so well - she is desperate to prove Anthony is a good man despite his multiple admissions of guilt.
As things begin to unravel and the situation becomes public knowledge, Anthony does a runner and Constance leaves the asylum to track him down. The pair reunites and Constance quests to prove the innocence of her new lover.
This movie has suspense written all over it. I'm a big fan of Hitchcock movies, especially the cinematography. I love it when the shot cuts to a new location or landscape - almost in complete silence. It gives a certain eerie 'what's going to happen here?' feel to it. Even in the opening titles with the bare tree branches rattling in the wind - you know you're in for a real treat with that spooky music.
At times Peck's character does come across a bit of wimp during his funny 'spells' where he flashes back to a time when he THINKS he may have committed a crime. You want him to pull himself together and snap out of it, yet it's part of the plot so all is forgiven.
When all the signs point to guilt Constance, in what we can only assume is her own delusion and blindness, refuses to believe that Anthony could ever do something so heinous. Her scepticism rings true towards the end when her psychiatric training comes in handy and we discover what really happened. She calls on the expertise of her former mentor, played by Michael Chekhov, who plays the part of the probing, and rather peculiar, psychoanalyst well.
Bergman and Peck make a terrific pairing. The love their characters have for each other is so convincing, you pray (and hope) that Anthony is innocent and it's all a misunderstanding. Bergman portrays Constance's desperation so well - she is desperate to prove Anthony is a good man despite his multiple admissions of guilt.
- BrandoOnTheWaterfront
- 14. Aug. 2020
- Permalink
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Cuéntame tu vida
- Drehorte
- Alta Lodge - 10230 E. Little Cottonwood Road, Alta, Utah, USA(skiiing scenes)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 1.696.377 $ (geschätzt)
- Weltweiter Bruttoertrag
- 19.000 $
- Laufzeit1 Stunde 51 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen