IMDb-BEWERTUNG
7,2/10
26.547
IHRE BEWERTUNG
Ein Mitarbeiter eines Unternehmens mit einem lukrativen Geheimverfahren ist versucht, dieses zu verraten. Aber es steckt mehr dahinter.Ein Mitarbeiter eines Unternehmens mit einem lukrativen Geheimverfahren ist versucht, dieses zu verraten. Aber es steckt mehr dahinter.Ein Mitarbeiter eines Unternehmens mit einem lukrativen Geheimverfahren ist versucht, dieses zu verraten. Aber es steckt mehr dahinter.
- Auszeichnungen
- 3 Nominierungen insgesamt
Mike Robinson
- Security Person
- (as Michael Robinson)
Handlung
WUSSTEST DU SCHON:
- WissenswertesDavid Mamet cast Steve Martin in an atypically villainous role after seeing him perform in Waiting for Godot on stage. He felt instinctively that comedians can make very strong dramatic actors as Jackie Gleason proved in Haie der Großstadt (1961) and Jerry Lewis did in King of Comedy (1982).
- PatzerWhen the rendezvous in Central Park is set up, Scott is told to go to the Navy Fountain. The fountain that he goes to is actually the Bethesda Fountain.
- Zitate
George Lang: Worry is like interest paid in advance on a debt that never comes due.
- SoundtracksI Wonder Who's Kissing Her Now
Written by Frank R. Adams (as Frank Adams), William M. Hough (as Will Hough),
Joseph E. Howard (as Joseph Howard) and Harold Orlob
Arranged by Play-Rite Music Rolls, Inc.
Played at the carousel
Ausgewählte Rezension
Joseph Ross is a researcher for a major corporation. He is in the Caribbean for a business trip to discuss his invention with the heads of the firm - a formula that stands to make the company very, very rich. While on the trip he meets the charismatic Jimmy Dell who he does a favour for and gradually befriends. As Joe starts to realise that his employers are trying to squeeze him out for his just deserves, Jimmy starts to offer him understanding and legal help to secure his end.
I first discovered this film on late night sky about 5 years ago now and was very taken by it. Later I got to see it again when I had a free weekend of FilmFour (this weekend in fact!) and I was happy to see it again. The film is a con, from start to finish it is what the tagline claims - never what it seems. The whole audience know this and therefore are ready for twists and turns and it is to the film's credit that the twists are still gripping and enjoyable even if we expect it. The film has a very slow pace and is quite unshowy all the way.
In one regard this is to it's detriment but it does create a film that is unassuming and all the more surprising for it. However the lack of fire works also meant that it never got the audience it deserved. I believe that, if it had gone more dramatic and tense that it would have played better in multiplexes and drawn in less patient audiences.
In a rare (at the time) serious role, Martin is actually very good. He may not have a great character but he does a really good job with the two sides of his performance - even if the darker side is more revealed through Joe's fate than it is through his performance. Scott is good but is forced to play a rather bland simple man - meaning that his performance was rather bland at times. The support cast is good and features several Mamet regulars including the charismatic and distinctive Ricky Jay. Talking of Mamet, he is great as writer and director and this is yet another film that justifies his reputation in my mind.
Overall this is a great film that will engage you and entertain you with it's twisty and enjoyable plot. It may lack the fireworks or heavy slick style of other films of the genre but it is all the better for it. Criminally under seen and deserves to be discovered.
I first discovered this film on late night sky about 5 years ago now and was very taken by it. Later I got to see it again when I had a free weekend of FilmFour (this weekend in fact!) and I was happy to see it again. The film is a con, from start to finish it is what the tagline claims - never what it seems. The whole audience know this and therefore are ready for twists and turns and it is to the film's credit that the twists are still gripping and enjoyable even if we expect it. The film has a very slow pace and is quite unshowy all the way.
In one regard this is to it's detriment but it does create a film that is unassuming and all the more surprising for it. However the lack of fire works also meant that it never got the audience it deserved. I believe that, if it had gone more dramatic and tense that it would have played better in multiplexes and drawn in less patient audiences.
In a rare (at the time) serious role, Martin is actually very good. He may not have a great character but he does a really good job with the two sides of his performance - even if the darker side is more revealed through Joe's fate than it is through his performance. Scott is good but is forced to play a rather bland simple man - meaning that his performance was rather bland at times. The support cast is good and features several Mamet regulars including the charismatic and distinctive Ricky Jay. Talking of Mamet, he is great as writer and director and this is yet another film that justifies his reputation in my mind.
Overall this is a great film that will engage you and entertain you with it's twisty and enjoyable plot. It may lack the fireworks or heavy slick style of other films of the genre but it is all the better for it. Criminally under seen and deserves to be discovered.
- bob the moo
- 9. Apr. 2004
- Permalink
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Details
Box Office
- Budget
- 10.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 9.593.903 $
- Eröffnungswochenende in den USA und in Kanada
- 124.011 $
- 5. Apr. 1998
- Weltweiter Bruttoertrag
- 9.593.903 $
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
Oberste Lücke
By what name was Die unsichtbare Falle (1997) officially released in India in English?
Antwort