IMDb-BEWERTUNG
7,4/10
64.301
IHRE BEWERTUNG
Eine Studie zu den Auswirkungen des Religionsunterrichts und des sexuellen Missbrauchs auf das Leben von zwei langjährigen Freunden zu Zeiten des Franco-Regimes.Eine Studie zu den Auswirkungen des Religionsunterrichts und des sexuellen Missbrauchs auf das Leben von zwei langjährigen Freunden zu Zeiten des Franco-Regimes.Eine Studie zu den Auswirkungen des Religionsunterrichts und des sexuellen Missbrauchs auf das Leben von zwei langjährigen Freunden zu Zeiten des Franco-Regimes.
- Nominiert für 1 BAFTA Award
- 16 Gewinne & 42 Nominierungen insgesamt
Nacho Pérez
- Ignacio
- (as Ignacio Pérez)
Raúl García Forneiro
- Enrique
- (as Raúl Gª Forneiro)
Agustín Almodóvar
- Limpiador Piscina
- (Nicht genannt)
Pedro Almodóvar
- Limpiador Piscina
- (Nicht genannt)
Robert Forcadell
- Man in public
- (Nicht genannt)
Luis Lobos Negros
- Motero ochentero
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesGael García Bernal fired off an angry riposte to New York Times reporter Lynn Hirschberg after she claimed that he had fallen out with Pedro Almodóvar over filming the explicit homosexual love scenes in the film. Bernal wanted it on record that he had had absolutely no reservations about taking the role.
- PatzerWhen Burenguer declines Ignacio's story over the phone, he says that he wouldn't be accepting it for "Short Stories of the 80's." According to his story, it would have had to been at least 1977, three years before the 1980s, let alone before a compilation of stories from the 1980s would be released.
- Alternative VersionenAn R-rated version of the film that trims or cuts some scenes was released on DVD, though the original NC-17 one is also available in the exact same format.
- SoundtracksQuizás, Quizás, Quizás
Written by Osvaldo Farrés
Published by Peer International Corporation (BMI)
(c) 1947 by Caribbean Music Co. Ltd
Performed by Sara Montiel
By the license from Dpto. de Productos Especiales de (p) EMI Odeon, S.A., Madrid, España, 2003
Ausgewählte Rezension
The title "Bad Education" only hints at what Almodovar's magnificent new film is all about. While certainly the sexual abuse the boy Ignacio suffers at the hands of Father Monolo is largely the contributing factor in the way his life turns out, (the film's most telling line occurs when the boy, on realising the priest's betrayal, says that at that moment he lost his faith and his belief in God and hell, that he was no longer afraid and without fear was capable of anything), it is not, essentially, what the film is about.
Indeed, a much better, if perhaps a more blase title might have been "All About My Father", for like Almodovar's earlier masterpiece "All About My Mother" it is a film about artifice, role-play and deception. The opening credits, (a pastiche of Saul Bass with a Herrmanesque score) deliberately evokes late Hitchcock and the film recalls "Vertigo", stylistically as well as thematically, another film about someone loving someone who is not whom they appear to be, each revelation building inexorably to a denouement as layers are quite literally stripped away. In a film which. in a sense, is 'about' acting, the performances are uniformly excellent, though to be fair, Gael Garcia Bernal, (certainly the best actor of his generation), stands head and shoulders above the rest playing a variation of roles, or rather a variation of the same role. All in all this is exquisite, pertinent all-encompassing film-making that only confirms Almodovar's position in the front rank of world class directors.
Indeed, a much better, if perhaps a more blase title might have been "All About My Father", for like Almodovar's earlier masterpiece "All About My Mother" it is a film about artifice, role-play and deception. The opening credits, (a pastiche of Saul Bass with a Herrmanesque score) deliberately evokes late Hitchcock and the film recalls "Vertigo", stylistically as well as thematically, another film about someone loving someone who is not whom they appear to be, each revelation building inexorably to a denouement as layers are quite literally stripped away. In a film which. in a sense, is 'about' acting, the performances are uniformly excellent, though to be fair, Gael Garcia Bernal, (certainly the best actor of his generation), stands head and shoulders above the rest playing a variation of roles, or rather a variation of the same role. All in all this is exquisite, pertinent all-encompassing film-making that only confirms Almodovar's position in the front rank of world class directors.
- MOscarbradley
- 20. Nov. 2004
- Permalink
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- Bad Education
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Box Office
- Budget
- 5.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 5.284.284 $
- Eröffnungswochenende in den USA und in Kanada
- 147.370 $
- 21. Nov. 2004
- Weltweiter Bruttoertrag
- 40.432.275 $
- Laufzeit1 Stunde 46 Minuten
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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By what name was La Mala Educación - Schlechte Erziehung (2004) officially released in India in Hindi?
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