Ian Fletcher, der frühere Leiter der olympischen Befreiungskommission, hat bei der BBC den Posten des Leiters für Werte übernommen.Ian Fletcher, der frühere Leiter der olympischen Befreiungskommission, hat bei der BBC den Posten des Leiters für Werte übernommen.Ian Fletcher, der frühere Leiter der olympischen Befreiungskommission, hat bei der BBC den Posten des Leiters für Werte übernommen.
- 1 BAFTA Award gewonnen
- 3 Gewinne & 3 Nominierungen insgesamt
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Handlung
WUSSTEST DU SCHON:
- WissenswertesThe cast list gives Ben and Jerry's surnames as Rosenstern and Guildencranz. This is a reference to Rosencrantz and Guildernstern, two minor characters in Shakespeare's play National Theatre Live: Hamlet (2015). In Tom Stoppard's play of 1966 National Theatre Live: Rosencrantz & Guildenstern Are Dead (2017) he flips the plot and they become the major characters. In Stoppard's play they are like two halves of a single character and other characters in the play have trouble distinguishing which one is which; much like the hapless Ben and Jerry.
- VerbindungenFeatured in The Wright Stuff: Folge #19.55 (2014)
Ausgewählte Rezension
I suspect that some of the reviews here have been made by people who are perhaps too close to the BBC, or are amongst a significant section of the British population who regard the licence fee as the wrong way to fund the Corporation.
I didn't see "Twenty Twelve" (but have just ordered the DVDs of Series 1 & 2), and in fact have only managed to see the first two episodes of "W1A". That clearly leaves me open to criticism for reviewing a series I haven't fully seen. On the other hand, it meant that I had no particular expectations before I viewed.
What I did see I found to be hugely funny - certainly one of the most wryly observed and succinctly written comedies of recent years.
Yes, I am sure that what it portrays is desperately close to reality! And indeed, that is what makes it all the funnier. The characters are, of course, caricatures with little depth, but in a light-hearted series of just four episodes, I doubt we would be expecting serious character development, especially when some of them speak the same (or similar) lines in every episode.
As a Brit who loves the BBC, despite its weaknesses and failings, and who thinks the licence fee is truly excellent value for money, I admire the organisation all the more for its willingness to have the mickey taken in this way.
Reading the other reviews, you might think that there was little to laugh at in this short series. Far from it. I very rarely laugh out loud, but this had me chortling more than most.
I didn't see "Twenty Twelve" (but have just ordered the DVDs of Series 1 & 2), and in fact have only managed to see the first two episodes of "W1A". That clearly leaves me open to criticism for reviewing a series I haven't fully seen. On the other hand, it meant that I had no particular expectations before I viewed.
What I did see I found to be hugely funny - certainly one of the most wryly observed and succinctly written comedies of recent years.
Yes, I am sure that what it portrays is desperately close to reality! And indeed, that is what makes it all the funnier. The characters are, of course, caricatures with little depth, but in a light-hearted series of just four episodes, I doubt we would be expecting serious character development, especially when some of them speak the same (or similar) lines in every episode.
As a Brit who loves the BBC, despite its weaknesses and failings, and who thinks the licence fee is truly excellent value for money, I admire the organisation all the more for its willingness to have the mickey taken in this way.
Reading the other reviews, you might think that there was little to laugh at in this short series. Far from it. I very rarely laugh out loud, but this had me chortling more than most.
- droopsnout
- 20. Apr. 2014
- Permalink
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