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Adaptación del musical de Broadway de Andrew Lloyd Webber, a su vez una adaptación de la colección de poemas sobre gatos de T. S. Elliot.Adaptación del musical de Broadway de Andrew Lloyd Webber, a su vez una adaptación de la colección de poemas sobre gatos de T. S. Elliot.Adaptación del musical de Broadway de Andrew Lloyd Webber, a su vez una adaptación de la colección de poemas sobre gatos de T. S. Elliot.
- Dirección
- Guionista
- Elenco
Geoffrey Garratt
- Skimbleshanks
- (as Geoffrey Garrat)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaThe closing credits indicate that the characters of Mungojerrie and Rumpleteazer were "dubbed" by other singers. Drew Varley and Jo Gibb sang the entire song themselves but they couldn't get the giggling and "Shh"-ing at the beginning of the song down.
- ErroresThe poem/song "The Naming of Cats" states that a cat's "second name," such as those used by the characters in this show, is unique and not shared by any other cat. However, the song introducing Old Gus the Theatre Cat says that his full name is Asparagus, which is also the name of another cat in the show. This is because John Mills, who played Gus, was unable to do the rest of the singing and dancing the role required, so the character was split into two identically-named characters.
- Citas
Grizabella: Touch me! It's so easy to leave me all alone with the memory of my days in the sun. If you touch me, you'll understand what happiness is. Look! A new day has begun.
- Créditos curiososCredits show clips of each person in their characters costume from the video along with their name and character role.
- ConexionesFeatured in The 100 Greatest Musicals (2003)
- Bandas sonorasJellicle Songs for Jellicle Cats
Music by Andrew Lloyd Webber
Lyrics by T.S. Eliot, Richard Stilgoe and Trevor Nunn
Performed by Michael Gruber, Rosemarie Ford, John Partridge,
Jacob Brent, Veerle Casteleyn, Ken Page and chorus
Opinión destacada
The fact that this Great Performances special, "Cats," was filmed on a stage like a performance of the show, but not before a live audience, offers pluses and minuses. The closeups reveal the actors' facial expressions very clearly, which is a great plus, particularly in the case of Elaine Page's Grizabella. Also, the sound is clearer than in recordings of this show. However, the special is a little weak on conveying the excitment of being in a live theater. Nevertheless, on the whole it was a good show.
For all the theatrical appeal, visual appeal, and the long runs, "Cats" is not the greatest thing to have ever hit musical theater. It's long on the above mentioned theatrics and visuals, but way too short on plot and substance. But it is really not a bad show by any means. The songs (Poetry from a book of T.S. Elliot's set to Andrew Lloyd Webber's music) are catchy and engaging, performed by a very energetic cast. The dancing is good, too. And as for the casting, that is also well-done. I would have loved to see Betty Buckley recreate her Broadway role of Grizabella, but Paige, who played the role in London, is not bad at all; her expressions, as I said, are... well, very expressive, and her rendition of "Memory" is just as good and moving as Buckley's. Ken Page, the original Broadway Old Deutoronomy, is also good. Sir John Mills' cameo as Gus, the Theatre Cat, is exploitive but touching. (And you can see why they cut his character's "Growltiger's Last Stand:" he may not have been able to get through it, unfortunatly)
Having not seen this show on stage yet, I think this special is a pretty good substitute for it. Perhaps you will feel the same way.
For all the theatrical appeal, visual appeal, and the long runs, "Cats" is not the greatest thing to have ever hit musical theater. It's long on the above mentioned theatrics and visuals, but way too short on plot and substance. But it is really not a bad show by any means. The songs (Poetry from a book of T.S. Elliot's set to Andrew Lloyd Webber's music) are catchy and engaging, performed by a very energetic cast. The dancing is good, too. And as for the casting, that is also well-done. I would have loved to see Betty Buckley recreate her Broadway role of Grizabella, but Paige, who played the role in London, is not bad at all; her expressions, as I said, are... well, very expressive, and her rendition of "Memory" is just as good and moving as Buckley's. Ken Page, the original Broadway Old Deutoronomy, is also good. Sir John Mills' cameo as Gus, the Theatre Cat, is exploitive but touching. (And you can see why they cut his character's "Growltiger's Last Stand:" he may not have been able to get through it, unfortunatly)
Having not seen this show on stage yet, I think this special is a pretty good substitute for it. Perhaps you will feel the same way.
- Tommy-92
- 12 jun 2000
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Detalles
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- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución2 horas
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.78 : 1
- 1.33 : 1
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