Un astronauta es abandonado en Marte cuando su tripulación le da por muerto, y debe encontrar la forma de hacer saber a la Tierra que aún está vivo.Un astronauta es abandonado en Marte cuando su tripulación le da por muerto, y debe encontrar la forma de hacer saber a la Tierra que aún está vivo.Un astronauta es abandonado en Marte cuando su tripulación le da por muerto, y debe encontrar la forma de hacer saber a la Tierra que aún está vivo.
- Nominado a 7 premios Óscar
- 40 premios ganados y 199 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaRich Purnell slips and falls after he finds a way to rescue Mark Watney and tells his boss "I need more coffee." Donald Glover revealed in an interview that he slipped for real and just got up and continued to act, and the footage was retained in the final edits for the movie.
- ErroresThe film shows Watney following a parachute and shrouds to find the buried Pathfinder lander, but the Pathfinder used a unique airbag system that involved cutting the lander loose from the parachute and Rocket Assisted Deceleration System above the surface. The lander then bounced at least 15 times inside the airbag cocoon before coming to a rest, while the remaining rocket thrust carried the backshell and parachute away from the landing site.
- Citas
Mark Watney: I don't want to come off as arrogant here, but I'm the greatest botanist on this planet.
- Créditos curiososDisco music, which had been a running gag throughout the film, is played during the ending credits. Appropriately, the first song played is "I Will Survive," which features the lyric "And so you're back, from outer space."
- Versiones alternativasIn June of 2016, an extended cut was released on Blu-Ray and Ultra HD 4K Blu-Ray that adds 10 additional minutes of footage:
- Extended footage of Watney shortly after his abandonment, waking up in the habitat
- Additional moments when Watney charts a course for the rover and dozes off at the wheel, commenting on this to his vlog
- An additional scene after the NASA press conference confirming Watney survived, in which PR Director Annie warns director Vincent Kapoor not to use the phrase "bring him home alive", and also complains about her private life
- Additional moments while Watney and the Pathfinder team communicate, including more repartee between Kapoor and the young JPL technician, and Watney using an unusual insult when he hears his crew have not been told he is alive, followed by the reaction of NASA team members to this
- A short scene after Watney patches the hole in the habitat after the explosion using plastic sheets, in which he uses smoke currents to detect and patch holes with sealant
- Additional scenes showing Rich Purnell requiring the use of a supercomputer to deliver his Earth slingshot calculations
- A scene in which Watney completes the soil analysis started by his crewmates in order to complete their original mission before he leaves Mars
- A scene in which Watney inflates a pressurized tent to eat and clean his body outside the rover on his way to the Ares IV coordinates. He also leaves an apology to the Ares IV team for using their supply drop.
- A short moment in which Commander Lewis and Martinez discuss how many times their simulated rescue mission has resulted in Watney's death
- ConexionesFeatured in Ares III: Farewell (2015)
- Bandas sonorasHappy Days Theme
Written by Charles Fox and Norman Gimbel
Performed by Pratt and McClain (as Pratt & McClain)
Courtesy of Reprise Records
By arrangement with Warner Music Group Film & TV Licensing
Opinión destacada
My title sounds sarcastic, but I really mean it. If it doesn't bother you when films depict bangs, crashes, rumbles, booms, and pew-pew "laser" beams (add Austin Powers finger quotes) in the vacuum space, then load up your popcorn and get set for a wild ride. If, on the other hand, the aforementioned cinematic gimmicks bother you, then you still might enjoy this film but just be prepared for that and more.
Although The Martian gives us just an occasional low, tasteful rumble when spaceships fly by, that's the least of its scientific transgressions, and things get pretty "Mars Attacks" preposterous in the final 20 minutes. Normally I wouldn't even bring this up since basically EVERY space movie in the history of EVER, except for 2001: A Space Odyssey (1969), has sound effects in space. But the problem is that "The Martian" takes a very committed, scientific, realistic tone which sets us up for an extremely scientific, realistic story. It falls short on that mark, and rather than bore you and pretentiously inflate my own ego by pointing out every flaw, I'll let you read the other reviews, or better yet: just accept that there are scientific loopholes so big that you can drive a Quasar through it (and I'm not talking about the car made in 1967).
Ok if I haven't lost you, then let's talk about the fun stuff. The special effects are FANTASTIC. Director Ridley Scott ("Alien", "Blade Runner") outshines himself once again with a truly magnificent feast for the eyes, and especially if you watch it on a large UHD screen, that alone is worth the price of admission.
The story itself is riveting. It's a tale of survival on a barren planet where Matt Damon fights a constant battle NOT against little green men or pew-pew "laser" beams but against the cold and sterile reality of space. That was my favorite part of the movie, the fact that it can carry our interest for 2 1/2 hours with the only real conflict being how to survive on a planet where nothing works.
Matt Damon does an incredible job of acting, portraying a complex character who realizes he's a dead man but rises to the challenge and pits every brain cell he's got against the universe. Similar to the excellent "Cast Away" or even the iconic "Papillon", it's a story about never giving up even if it kills you, and that regardless of whether we get a happy ending or a sad one, is the takeaway of this flick.
I would group this film with other modern, minimalistic sci-fi flicks that take a realistic ("boring" to some) approach but deliver a lot of drama. Flicks like "Moon", "Solaris", or on the older shelf "Contact", "2010" and possibly even the grandfather of them all, "2001" (though don't get your hopes up too high as I mentioned up front) will give you a taste for what's in store if you decide to watch "The Martian".
Although The Martian gives us just an occasional low, tasteful rumble when spaceships fly by, that's the least of its scientific transgressions, and things get pretty "Mars Attacks" preposterous in the final 20 minutes. Normally I wouldn't even bring this up since basically EVERY space movie in the history of EVER, except for 2001: A Space Odyssey (1969), has sound effects in space. But the problem is that "The Martian" takes a very committed, scientific, realistic tone which sets us up for an extremely scientific, realistic story. It falls short on that mark, and rather than bore you and pretentiously inflate my own ego by pointing out every flaw, I'll let you read the other reviews, or better yet: just accept that there are scientific loopholes so big that you can drive a Quasar through it (and I'm not talking about the car made in 1967).
Ok if I haven't lost you, then let's talk about the fun stuff. The special effects are FANTASTIC. Director Ridley Scott ("Alien", "Blade Runner") outshines himself once again with a truly magnificent feast for the eyes, and especially if you watch it on a large UHD screen, that alone is worth the price of admission.
The story itself is riveting. It's a tale of survival on a barren planet where Matt Damon fights a constant battle NOT against little green men or pew-pew "laser" beams but against the cold and sterile reality of space. That was my favorite part of the movie, the fact that it can carry our interest for 2 1/2 hours with the only real conflict being how to survive on a planet where nothing works.
Matt Damon does an incredible job of acting, portraying a complex character who realizes he's a dead man but rises to the challenge and pits every brain cell he's got against the universe. Similar to the excellent "Cast Away" or even the iconic "Papillon", it's a story about never giving up even if it kills you, and that regardless of whether we get a happy ending or a sad one, is the takeaway of this flick.
I would group this film with other modern, minimalistic sci-fi flicks that take a realistic ("boring" to some) approach but deliver a lot of drama. Flicks like "Moon", "Solaris", or on the older shelf "Contact", "2010" and possibly even the grandfather of them all, "2001" (though don't get your hopes up too high as I mentioned up front) will give you a taste for what's in store if you decide to watch "The Martian".
- rooprect
- 20 sep 2019
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- How long is The Martian?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Misión rescate
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 108,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 228,433,663
- Fin de semana de estreno en EE. UU. y Canadá
- USD 54,308,575
- 4 oct 2015
- Total a nivel mundial
- USD 630,621,406
- Tiempo de ejecución2 horas 24 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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