A trend had started in Bollywood cinema during the late fifties which continued through the sixties that an entertaining flick was made by weaving the script around some melodious songs and beautiful locales and adding some comic and romantic punches to it. Thus a formula-based product was prepared to satisfy the entertainment appetite of the typical Bollywood viewer without caring two hoots for the story of the movie. And why not ? The typical Hindi cinema spectator has always wanted a formulaic entertainment lasting for around two and a half hours in which a dish is served to him with spices like comedy, romance, action, music and dances being mixed in different proportions. And when the served dish is like that only, why should it not become a box office grosser ? Today I am reviewing a movie which falls in the same league. Made by Sasadhar Mukherjee (Joy Mukherjee's father) and directed by his nephew Ram Mukherjee (Raani Mukherjee's father), this movie is Leader (1964) starring Dilip Kumar and Vyjayantimala in principle roles.
The leader of our movie is a youth with multiple talents and multiple facets of his personality - Vijay Khanna (Dilip Kumar) who, on one hand is the ringleader of some loafer boys and a fearless journalist on the other. He is a law graduate and that's why able to defend himself in any lawsuit filed against him in the court. He dislikes the selfish and ethicless politics being played in his country and can sing patriotic songs as well as deliver inspiring speeches at his will. And he is quite jolly as well as highly romantic also who falls in love with Sunita (Vyjayantimala) who is the princess of the erstwhile princely state of Shah Garh. Her brother is said to have been induced by Vijay Khanna as a member of his loafer-gang. However she is smitten by the charm of our allrounder hero who masquerades as an astrologer before her. With comic and romantic moments and classic songs, the story moves ahead and the twist comes when Vijay is charged for the murder of a highly respected politician (Motilaal). Sunita helps him in escaping and now both of them are on the run. All's well that ends well in the expected climax when everything is set right for them.
I had watched this movie first on Doordarshan decades back in its complete form and watched it again recently on internet. First time, I had watched it in complete form but now the version that I saw (uploaded through Shemaroo VCD) was a moth-eaten one with several scenes missing from that (including that of the murder and the hero's getting reaching the spot). However the thing is that the movie contains a highly entertaining first half but loses its way in the later half. In the first half too, the entertainment is illigical. You just keep your brains under lock and key to enjoy the nonsense comedy, romance and patriotism. Logic, coherence and connectivity is seriously missing here. Still the movie is quite entertaining. How ?
Because of the comic timing and the romantic gimmicks of the legendary Tragedy King of Bollywood, i.e., Dilip Kumar and his amazing on-screen chemistry with ever-gorgeous Vyjayantimala. Dilip Kumar does comedy quite effortlessly You cannot stop your laugh at his performance in many scenes in the opening hour of the movie. And then, he romances also with equal proficiency. You know that whatever is being presented on the screen defies logic but you don't complain because the hero is entertaining you like anything. He won the Filmfare Best Actor award also for his performance in this movie.
And then there is Vyjayantimala, the great Bharatnatyam dancer as well as the highly beautiful Bollywood heroine whose on-screen chemistry with Dilip Kumar was always extra-ordinary may it be in Naya Daur (1957) or in Ganga Jamuna (1961) . Leader was the last movie done together by this beautiful pair and they win the heart of the audience in this movie also. Forget the logic and feel the romance which is tender, emotional and striking a chord in any romantic heart.
Naushad's outstanding music is a very big plus point of this movie which has ably supported the lead pair in taking this weak movie home. With the brilliant lyrics of Shakeel Badayuni and the great voices of Rafi, Lata and Asha; this legendary music director has composed unforgettable gems like Apni Aazaadi Ko Hum Hargiz Mita Sakte Nahin, Daiya Re Daiya Laaj Mohe Laage, Hameen Se Mohabbat Hameen Se Ladaai, Mujhe Duniya Waalon Sharaabi Na Samjho, Ek Shehenshaah Ne Banwa Ke Haseen Taaj Mahal and Aaj Hai Pyar Ka Faisla. My favourite two songs from this mesmerizing music album are - 1. Tere Husn Ki Kya Tareef Karoon, Kuchh Kehte Huye Bhi Darta Hoon and 2. Aajkal Shauq-e-Deedaar Hai, Kya Kahun Aapse Pyar Hai which are in the enchanting voice of Mohammed Rafi which was perfect for Dilip Kumar. Aajkal Shauq-e-Deedaar Hai is picturized as a song being sung over telephone and Dilip Kumar's performance on that is both comic and romantic at the same time.
This is a colour movie and the cinematographer has left no stone unturned in capturing the beauty of different locales. In the song Ek Shehenshaah Ne Banwa Ke Haseen Taaj Mahal, he has captured the beauty of Taaj at Agra with a great amount of aestheticism. This movie is not only a musical and romantic treat but also a visual treat. Editing is bad but when the script itself was lackluster, what could the poor editor do ?
All in all, Leader is an entertaining movie and was a box office hit of its time. Please don't look for any logic and enjoy the fun just like the hero of this movie.
