L'empreinte des corbeaux

The premise was really interesting, and overall I enjoyed it, with some major reservations. The good: Cuba Gooding, who's always good; the use of New Orleans, which was quite well done; and the art direction, which was terrific. I wanted almost every painting I saw on every wall. The bad: I had a hard time believing our hero didn't notice the AWFUL AND OBVIOUS stage makeup on his fishing customer and the keywest detective, who sported the fakest mustache ever put on film! I also couldn't believe that an escaped murder suspect--whose face would not only have been on the news every night, but also prominently displayed on the back cover of a book we are told is a runaway bestseller nationwide-- would just blithely roam the streets of the two places he's known to reside in without fear of recognition by anyone but the police. Please. Finally the HORRID southern drawls affected by Eric Stoltz and Mark Pelligrino were among the most egregious I've heard yet... and that's saying something.

But for all that, I liked it. Big 'ol plot holes and all. So if you're up to suspending a hell of a lot of disbelief, it's a fun movie. If you insist your movies make sense, don't bother.