Une adolescente naïve est envoyée dans un centre de désintoxication lorsque ses parents et amis la soupçonnent d'être lesbienne.Une adolescente naïve est envoyée dans un centre de désintoxication lorsque ses parents et amis la soupçonnent d'être lesbienne.Une adolescente naïve est envoyée dans un centre de désintoxication lorsque ses parents et amis la soupçonnent d'être lesbienne.
- Prix
- 2 victoires et 2 nominations au total
Danielle Rene
- Cheerleader #2
- (as Danielle Reneau)
Histoire
Le saviez-vous
- GaffesWhen the pickup truck is pulling away in the last scene, a larger truck pulling the pickup can be seen through the tree and even hitting branches of the tree.
- Autres versionsThe version that ran in theaters had the Lion's Gate logo, then the Fine Line logo, and then the credit: "Fine Line Features presents." This wasn't changed in time, as a deal with Fine Line and the film's production company fell through. On the DVD release the Lion's Gate logo appears and then there is a new credit: "Lion's Gate Films presents." No mention of Fine Line appears.
- Bandes originalesChick Habit
(Laisse Tomber les Filles)
Music by Serge Gainsbourg
French lyrics by Serge Gainsbourg
English lyrics by April March
Performed by April March
Published by Yé Yé Music (BMI)
©1964 Bagatelle S.A. (transferred to Sidonic Publishing)
Courtesy of Ideal Records
Commentaire en vedette
This film is a biting and hilarious parody of people who not only force themselves into artificial molds but also feel the to make other people fit the same stereotypical molds. The main attack of the satire is on the delusion that homosexuals can be cured by people who are themselves repressed homosexuals.
Deliciously silly victorian roles of males and females are superimposed on the teenagers who struggle not to be who they really are. But the garishly-colored costumes of the 1950's "Father Knows Best" and "Leave It To Beaver" style are as incongruous as the fake role-playing. In the end, at least some of the young victims of this cruelty escape to face a life of being themselves.
Deliciously silly victorian roles of males and females are superimposed on the teenagers who struggle not to be who they really are. But the garishly-colored costumes of the 1950's "Father Knows Best" and "Leave It To Beaver" style are as incongruous as the fake role-playing. In the end, at least some of the young victims of this cruelty escape to face a life of being themselves.
- mermatt
- 26 juill. 2000
- Lien permanent
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Détails
Box-office
- Budget
- 1 200 000 $ US (estimation)
- Brut – États-Unis et Canada
- 2 205 627 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 60 410 $ US
- 9 juill. 2000
- Brut – à l'échelle mondiale
- 2 595 910 $ US
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