La cité humaine de Sion se défend contre l'invasion massive des machines alors que Neo se bat pour mettre fin à la guerre sur un autre front tout en affrontant également l'Agent Smith.La cité humaine de Sion se défend contre l'invasion massive des machines alors que Neo se bat pour mettre fin à la guerre sur un autre front tout en affrontant également l'Agent Smith.La cité humaine de Sion se défend contre l'invasion massive des machines alors que Neo se bat pour mettre fin à la guerre sur un autre front tout en affrontant également l'Agent Smith.
- Prix
- 5 victoires et 36 nominations au total
Histoire
Le saviez-vous
- AnecdotesThe street corner where Neo and Smith fight in the crater is the same corner from which Neo made his phone call at the end of La matrice (1999) - the corner of Pitt, Hunter, and O'Connell Streets in Sydney, Australia. You can see the phone booth to the right when they hit the ground.
- GaffesWhen Bane is talking to Neo while holding the knife to Trinity's throat, the blood appears and disappears on her throat.
- Citations
The Oracle: What about the others?
The Architect: ...What others?
The Oracle: The ones that want out.
The Architect: Obviously they will be freed.
The Oracle: I have your word?
The Architect: What do you think I am? Human?
- Générique farfeluThe giant robotic head is listed in the credits as "Deus ex machina" Meaning "a god from a machine." In Greek and Roman drama, deus ex machina referred to a god lowered by stage machinery to resolve a plot or extricate the protagonist from a difficult situation.
- Autres versionsWhen the film was released in theaters, the waste disposal machine shown at the end had red eyes but on the DVD release the eyes were changed to green. The making of documentary on the DVD still shows the machine with red eyes, obviously the documentary used older footage.
- ConnexionsEdited into The Matrix: Path of Neo (2005)
- Bandes originalesThe Trainman Cometh
Written by Ben Watkins and Don Davis
Produced by Juno Reactor
Co-produced by Don Davis
Performed by Juno Reactor and Don Davis
One of the film's most significant strengths is its ambitious exploration of themes such as free will, destiny, and the struggle between man and machine. The narrative takes bold leaps, diving deeper into the complexities of the Matrix universe, and raises intriguing questions that challenge the viewer's perception of reality.
Visually, "Revolutions" is nothing short of spectacular. The action sequences, particularly the climactic battle in Zion and the epic showdown between Neo and Agent Smith, showcase groundbreaking special effects and impressive choreography. The film pushes the boundaries of what action cinema can achieve, making it a visual feast.
The pacing can be inconsistent, and some viewers may find parts of the plot convoluted or difficult to follow. The dialogue, while profound at times, can also feel heavy-handed, especially in moments that require a more subtle touch.
"The Matrix Revolutions" is a fitting culmination of a beloved trilogy. Although it may not reach the heights of its predecessor, it successfully encapsulates the series' core themes and delivers a thought-provoking narrative. For fans of the trilogy, it's a film worth revisiting, as it invites discussion and contemplation long after the credits roll.
- chiragrathod09
- 21 juill. 2024
- Lien permanent
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- The Matrix Revolutions
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 150 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 139 313 948 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 48 475 154 $ US
- 9 nov. 2003
- Brut – à l'échelle mondiale
- 427 344 325 $ US
- Durée2 heures 9 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1