While I disagree with Eddie Muller's opinion, voiced on TCM's Noir Alley, that this 1961 German film is a masterpiece...the American characters, played by Germans, are too stiff/caricatured, for one thing, and the key scene where Bill/Anni are killed is badly edited, for another...I do think it's a very good late era noir. It does what all fine entries in this darkest of genres must do, namely create a believable moral hellscape. In this case it is West Germany in the uneasy period when WW2 was still very much alive in the hearts/minds of the defeated Germans and relations with the victors is fraught, to say the least. The key visual symbols of this tense, fearful and more than occasionally violent mood are the gravel pit/burial ground and the divey bar/brothel where ceremonies of moral corruption, from stealing to anti Semitism to murder, are enacted. And through these images the tawdry, bleak, lost atmosphere is powerfully conveyed by director Helmut Kautner. Indeed, too powerfully for the German censors of the time who preferred a more "uplifting" vision of their country in the Kennedy 60s (think Elvis in "GI Blues") and thus falsely accused the film of hostility toward Jews (it is, actually, quite the opposite) and ostracized Kautner from film making . Hard to feel too sorry for the guy who, after all, worked steadily in Germany under the Nazis, but certainly not difficult to feel exasperation at the willful misunderstanding from the cultural establishment. B plus.
