Passover
- Épisode diffusé le 28 juin 2007
- TV-MA
- 57min
Ajouter une intrigue dans votre langueIn the wake of Caesar's death, Mark Antony considers a move north, while Vorenus issues a curse he soon regrets.In the wake of Caesar's death, Mark Antony considers a move north, while Vorenus issues a curse he soon regrets.In the wake of Caesar's death, Mark Antony considers a move north, while Vorenus issues a curse he soon regrets.
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Le saviez-vous
- AnecdotesWhen the conspirators chase Antony, he heads toward a temple. According to the religious beliefs of the Ancient Romans, once a person touched a temple, he was inviolate, and was granted sanctuary. Even professional assassins respected this custom.
- GaffesAfter the death of Caesar the slave Posca becomes a freedman and starts working for Mark Antony. However, under the Roman code of patronage freedmen remained in service with their former master and subsequent heir. So Posca should have started working for Octavian, not Mark Antony.
- Citations
[On the morning of Caesar's funeral, Mark Anthony is still lying in bed]
Mark Antony: I don't think I ever fucked a woman in a funeral dress before.
Atia of the Julii: Nor shall you now.
Mark Antony: Now that's a shame. It'll have to be Merula, then
[referring to Atia's elderly servant, who looks up startled]
Mark Antony: . Come here, old girl. Jump on!
[pats his crotch]
Atia of the Julii: She'd eat you alive. Come on, this is no morning for foolery. Just get up.
Mark Antony: [Grabs her arm and pulls her towards him] Aw, come here!
Atia of the Julii: [Struggles free] Stop fooling around and just get up!
Mark Antony: I am not rising from this bed until I've fucked someone!
Atia of the Julii: Fine, fine. Merula, fetch that German slut from the kitchen.
- Bandes originalesOpening Montage (Point Pleasant score)
Written by Robert Duncan
This episode has a lot of explosive action, yet the title "Aftermath" would have been better than "Passover." In the upper world, it's the aftermath of Caesar's assassination. In the lower world, it's the aftermath of Vorenus' fatal argument with his wife Niobe. Watching characters high and low cope with life-or-death consequences, grief and danger makes for electrifying viewing!
Although I love Pullo and Vorenus very much, the reason this episode is my favorite is because you really see Marc Antony at his very best. James Purefoy just can't be beat and this episode really belongs to him. Betrayed, caught off guard, his father-figure and patron dead, Antony really rises to the occasion! He outruns the bad guys outside the senate, out-thinks Brutus and the well-born elite, carefully uses his playboy persona to keep everyone off-guard, and at the end literally changes history with the most explosive funeral oration ever!
At the same time, Max Perkis as the young Octavian (and future Emperor Augustus) is equally compelling and watchable. The frail and soft-spoken boy is so easy to overlook, until he opens his mouth and reveals an almost uncanny sense of purpose and a strength of character that equals or surpasses that of Mark Antony. The two of them are allies in this episode yet their fatal rivalry is already obvious. It's so amazing to see these historical icons come to life in a drama that's as much about family loyalty and grief as it is about historical events!
Last but not least, I have to mention that the actor who plays Cicero (David Bamber?) is sensational. On one level he's pure comic relief, a coward and hypocrite who switches sides at the drop of a hat. On the other hand the actor never lets you lose sight of the man's brilliance, his eloquence, or his sincere loyalty to the old republic. I can't think of a single bad performance in ROME, from the noble ladies to the lowest slaves. But this was truly special!
- Dan1863Sickles
- 8 août 2016
- Permalien
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