Hitchcock/Truffaut
- 2015
- Tous publics
- 1h 19min
NOTE IMDb
7,3/10
7,4 k
MA NOTE
Ajouter une intrigue dans votre langueFilmmakers discuss how Francois Truffaut's 1966 book "Cinema According to Hitchcock" influenced their work.Filmmakers discuss how Francois Truffaut's 1966 book "Cinema According to Hitchcock" influenced their work.Filmmakers discuss how Francois Truffaut's 1966 book "Cinema According to Hitchcock" influenced their work.
- Récompenses
- 1 victoire et 1 nomination au total
Bob Balaban
- Narrator
- (voix)
Jean-Claude Brialy
- Self
- (images d'archives)
- (non crédité)
Claude Chabrol
- Self
- (images d'archives)
- (non crédité)
Jean-Luc Godard
- Self
- (images d'archives)
- (non crédité)
Alfred Hitchcock
- Self
- (images d'archives)
- (non crédité)
Vera Miles
- Self
- (images d'archives)
- (non crédité)
Anny Ondra
- Self
- (images d'archives)
- (non crédité)
Alma Reville
- Self
- (images d'archives)
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesBoth Sir Alfred Hitchcock and François Truffaut could actually speak quite adequately in the language of the other, as can be heard in off camera moments. However neither felt confident enough, so they used Helen Scott, a bilingual Truffaut collaborator, to provide simultaneous translation.
- Citations
Alfred Hitchcock: Silent pictures are the pure motion picture form. There's no need to abandon the technique of the pure motion picture, the way it was abandoned when sound came in.
- ConnexionsFeatures Les cheveux d'or (1927)
Commentaire à la une
Director Kent Jones invites the greatest directors of our time to share their thoughts on the enduring legacy and influence that the genius of the master of suspense Hitchcock has left on them. This wonderful and magical documentary, is a must-see for any film school in the world, features archival material from throughout Hitchs' career and the opinions of some of the greatest directors of our time. It is being presented in the Official Section of the 2015 Cannes Film Festival. Half a century after the publication of "Cinema According to Hitchcock," the book about the long interview that French director Francois Truffaut conducted with Hitchcock emerge this documentary/homage that was well written and directed by Kent Jones, it reexamines the vast filmography and legacy of one of the greatest filmmakers of the 20th century through his own voice. Questions about Hitchcock's films and life will be answered in this good documentary. Some of his films were undisputed masterpieces and their past or immediate impact and future influence on filmmakers were and will be enormous and cannot be underestimated.
Based on the original recordings of this meeting-used to produce the mythical book Hitchcock/Truffaut-this film illustrates the greatest cinema lesson of all time and plummets us into the world of the creator of a number of masterpieces. In 1962 Hitchcock and Truffaut locked themselves away in Hollywood for a week to excavate the secrets behind the mise-en-scène in cinema of Psycho, The Birds, and especially Vertigo with James Stewart and Kim Novak. Hitchcock's incredibly modern art is elucidated and explained by today's leading filmmakers: Martin Scorsese, David Fincher, Arnaud Desplechin, Kiyoshi Kurosawa, Wes Anderson, James Gray, Olivier Assayas, Richard Linklater, Peter Bogdanovich and Paul Schrader.
Hitchcock/Truffaut (2015) pays tribute to Hitch's films with scenes from Rebecca, Suspicion, Notorious, Shadow of a Doubt, Foreign Correspondent, Lifeboat, The Rope, Strangers on a Train, Rear Window, Vertigo, The Man who Knew Too Much, North by Northwest, To Catch a Thief, The Birds, Topaz, Torn Curtain, Frenzy . And of course, his two most praised films: ¨Vertigo¨ and "Psycho" was not only Hitchcock's most successful film, it was a phenomenon in itself and the highlight of the film is, of course, the shower scene with 78 shots and 52 cuts that changed cinema forever. There's an unprecedented look at the iconic shower scene in Alfred Hitchcock's Psycho (1960), a tribute to the film of the master's best-known thriller.
2022 marked the centenary of Hitchcock's first feature film. A century later he remains one of the most influential filmmakers in the history of cinema. Explore the work and personality of the British director who managed to fascinate the public with films such as ¨Rear Window¨, Vertigo¨, ¨North by Northwest¨ or ¨Psycho¨. A cinematographic essay that analyzes Hitch's public personality, and delves deeply into his works, including the lesser-known ones and those from his silent era. As a fictional Alfred Hitchcock narrates an explanation of some of the lesser known cinematic techniques he used in his movies, richly illustrated with clips from his entire 50-year career. Depicting Hitch's early British period when he directed silent films such as the successful ¨The lodger¨ (1926) , ¨The ring¨(1927) , ¨Easy virtue¨ (1927) , ¨The Manxman¨(29) ; being ¨Blackmail¨(29) made as a silent , this was reworked to become a talkie . Following sound movies and early talkies as ¨June and the Paycock¨(30) , ¨Skin Game¨(31) , ¨Rich and strange¨(32) , ¨Number 17¨(32) , ¨The man who knew too much¨(34) , ¨The 39 steps¨ (35) , ¨The secret agent¨(36) , ¨Blackmail¨(36) , ¨The lady vanishes¨(38) . After ¨39 Steps¨ and ¨Jamaica Inn¨, Hitch was encouraged to go to America and quickly filmed his first work in Hollywood hired by the great producer David O'Selznick to shoot ¨Rebecca¨ and after ¨Suspicion¨, ¨Notorious¨ and ¨Spellbound¨. Because Hitch felt controlled by O'Selznick, he founded his own company Trasatlantic along with Sidney Bernstein with which he produced ¨Rope¨ and the flop ¨Under Capricorn¨. At the same time, there is a brief examination of Francois Truffaut's career running parallel to his master Hitchcock, including some images from his best-known films such as The 400 Blows, The Mississippi Mermaid, Fahrenheit 451 or Jules and Jim
Director Kent Jones, approaches the iconic British author with a radical new approach: through of his own voice. As Hitch rewatches his films, we embark on an odyssey through a vast career: his vivid silent films and the legendary films of the 50s and 60s and the subsequent ones. Although Hitch was nominated for an Oscar 5 times, he never won the Academy Award for Best Director, however he finally won the honorary Oscar and was lovingly honored by the American Film Institute with the attendance of the greatest Hollywood stars of the past and present. Others documentary film in similar style are: 78/52 (2017) by Alexandre O. Philippe, I Am Alfred Hitchcock (2021) and My Name Is Alfred Hitchcock(2022) by Mark Cousins.
Based on the original recordings of this meeting-used to produce the mythical book Hitchcock/Truffaut-this film illustrates the greatest cinema lesson of all time and plummets us into the world of the creator of a number of masterpieces. In 1962 Hitchcock and Truffaut locked themselves away in Hollywood for a week to excavate the secrets behind the mise-en-scène in cinema of Psycho, The Birds, and especially Vertigo with James Stewart and Kim Novak. Hitchcock's incredibly modern art is elucidated and explained by today's leading filmmakers: Martin Scorsese, David Fincher, Arnaud Desplechin, Kiyoshi Kurosawa, Wes Anderson, James Gray, Olivier Assayas, Richard Linklater, Peter Bogdanovich and Paul Schrader.
Hitchcock/Truffaut (2015) pays tribute to Hitch's films with scenes from Rebecca, Suspicion, Notorious, Shadow of a Doubt, Foreign Correspondent, Lifeboat, The Rope, Strangers on a Train, Rear Window, Vertigo, The Man who Knew Too Much, North by Northwest, To Catch a Thief, The Birds, Topaz, Torn Curtain, Frenzy . And of course, his two most praised films: ¨Vertigo¨ and "Psycho" was not only Hitchcock's most successful film, it was a phenomenon in itself and the highlight of the film is, of course, the shower scene with 78 shots and 52 cuts that changed cinema forever. There's an unprecedented look at the iconic shower scene in Alfred Hitchcock's Psycho (1960), a tribute to the film of the master's best-known thriller.
2022 marked the centenary of Hitchcock's first feature film. A century later he remains one of the most influential filmmakers in the history of cinema. Explore the work and personality of the British director who managed to fascinate the public with films such as ¨Rear Window¨, Vertigo¨, ¨North by Northwest¨ or ¨Psycho¨. A cinematographic essay that analyzes Hitch's public personality, and delves deeply into his works, including the lesser-known ones and those from his silent era. As a fictional Alfred Hitchcock narrates an explanation of some of the lesser known cinematic techniques he used in his movies, richly illustrated with clips from his entire 50-year career. Depicting Hitch's early British period when he directed silent films such as the successful ¨The lodger¨ (1926) , ¨The ring¨(1927) , ¨Easy virtue¨ (1927) , ¨The Manxman¨(29) ; being ¨Blackmail¨(29) made as a silent , this was reworked to become a talkie . Following sound movies and early talkies as ¨June and the Paycock¨(30) , ¨Skin Game¨(31) , ¨Rich and strange¨(32) , ¨Number 17¨(32) , ¨The man who knew too much¨(34) , ¨The 39 steps¨ (35) , ¨The secret agent¨(36) , ¨Blackmail¨(36) , ¨The lady vanishes¨(38) . After ¨39 Steps¨ and ¨Jamaica Inn¨, Hitch was encouraged to go to America and quickly filmed his first work in Hollywood hired by the great producer David O'Selznick to shoot ¨Rebecca¨ and after ¨Suspicion¨, ¨Notorious¨ and ¨Spellbound¨. Because Hitch felt controlled by O'Selznick, he founded his own company Trasatlantic along with Sidney Bernstein with which he produced ¨Rope¨ and the flop ¨Under Capricorn¨. At the same time, there is a brief examination of Francois Truffaut's career running parallel to his master Hitchcock, including some images from his best-known films such as The 400 Blows, The Mississippi Mermaid, Fahrenheit 451 or Jules and Jim
Director Kent Jones, approaches the iconic British author with a radical new approach: through of his own voice. As Hitch rewatches his films, we embark on an odyssey through a vast career: his vivid silent films and the legendary films of the 50s and 60s and the subsequent ones. Although Hitch was nominated for an Oscar 5 times, he never won the Academy Award for Best Director, however he finally won the honorary Oscar and was lovingly honored by the American Film Institute with the attendance of the greatest Hollywood stars of the past and present. Others documentary film in similar style are: 78/52 (2017) by Alexandre O. Philippe, I Am Alfred Hitchcock (2021) and My Name Is Alfred Hitchcock(2022) by Mark Cousins.
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 260 430 $US
- Week-end de sortie aux États-Unis et au Canada
- 28 178 $US
- 6 déc. 2015
- Montant brut mondial
- 386 471 $US
- Durée1 heure 19 minutes
- Couleur
- Rapport de forme
- 1.78 : 1
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
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By what name was Hitchcock/Truffaut (2015) officially released in Canada in English?
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