Rodolphe Höss, directeur du camp d'Auschwitz, et sa femme Hedwig tentent de construire une vie de rêve pour leur famille dans une maison et un jardin situés à proximité du camp.Rodolphe Höss, directeur du camp d'Auschwitz, et sa femme Hedwig tentent de construire une vie de rêve pour leur famille dans une maison et un jardin situés à proximité du camp.Rodolphe Höss, directeur du camp d'Auschwitz, et sa femme Hedwig tentent de construire une vie de rêve pour leur famille dans une maison et un jardin situés à proximité du camp.
- Récompensé par 2 Oscars
- 64 victoires et 175 nominations au total
Slava the Dog
- Dilla
- (as Slava)
Histoire
Le saviez-vous
- AnecdotesHedwig tells her friends she got a coat from "Canada," mocking another woman who thought she meant the country. Kanada was the name given to Auschwitz's vast storehouse of goods confiscated from the prisoners.
- GaffesHis uniform rank was incorrect the entire movie. His rank is that of a Obersturmbannführer, and he was addressed as such a few times in the move. But his uniform rank insignia (collar and shoulder) was that of a Sturmbannführer, one rank lower.
- Citations
Hedwig Höss: I could have my husband spread your ashes across the fields of Babice.
- Crédits fousAfter the opening title card fades, the screen stays black for over two minutes
- ConnexionsFeatured in 2024 EE BAFTA Film Awards (2024)
- Bandes originalesChinesische Straßenserenade
Written by Ludwig Seide
Performed by students from the University of Michigan School of Music, Theatre & Dance
Conducted by Oriol Sans
Arranged by Members of the Auschwitz I Men's Orchestra
Licensed with kind permission of Richard Birnbach GmbH & Co. KG & University of Michigan School of Music, Theatre & Dance
Commentaire à la une
The Zone of Interest takes a unique angle in approaching the Holocaust. Certainly an angle I haven't seen before in a film. This different approach gives the film a really sinister quality that frames the evils of the Holocaust in a new and terrifying way.
It achieves this approach through stark juxtaposition. It compares the relatively banal, matter-of-fact homemaking of the Hoss family against the utterly horrendous tragedy being perpetrated just over their garden wall. By doing this, it is not an overly graphic or in your face film. Instead, the violence and evil is primarily heard and not seen, as the horrifying sounds of the camp constantly bleed into the Hoss family home. It is in this way that the film makes its mark. To have such tragedy and horror ignored by this family and their guests. To normalise the mass murder over the garden wall. The glib and matter of fact way it is treated by them all. That is where the horror lies.
Whilst this is all a very effective way of framing the horrors of the Holocaust, I do think this film lacks any storytelling merit. There is no real plot to speak of, so once the point the film is making has been made it is easy to want it to be over so as not to sit with these evil characters and horrendous events for too long.
Then again it is a tricky point because I think this is definitely a story worth telling. Looking at the Holocaust from this angle to understand how normalised it became to certain people is vital to reflect on, but I'm not sure if a feature film was necessary to convey this.
So overall, I thoroughly appreciate what this film was doing and the angle it took. The direction is class in creating this juxtaposition and drilling this point home, but beyond it's core message there is nothing in this film to get stuck into. No real plot. No characters you want to understand or connect with. As a result it feels like it overextended itself as a film, but delivers it's message nonetheless.
It achieves this approach through stark juxtaposition. It compares the relatively banal, matter-of-fact homemaking of the Hoss family against the utterly horrendous tragedy being perpetrated just over their garden wall. By doing this, it is not an overly graphic or in your face film. Instead, the violence and evil is primarily heard and not seen, as the horrifying sounds of the camp constantly bleed into the Hoss family home. It is in this way that the film makes its mark. To have such tragedy and horror ignored by this family and their guests. To normalise the mass murder over the garden wall. The glib and matter of fact way it is treated by them all. That is where the horror lies.
Whilst this is all a very effective way of framing the horrors of the Holocaust, I do think this film lacks any storytelling merit. There is no real plot to speak of, so once the point the film is making has been made it is easy to want it to be over so as not to sit with these evil characters and horrendous events for too long.
Then again it is a tricky point because I think this is definitely a story worth telling. Looking at the Holocaust from this angle to understand how normalised it became to certain people is vital to reflect on, but I'm not sure if a feature film was necessary to convey this.
So overall, I thoroughly appreciate what this film was doing and the angle it took. The direction is class in creating this juxtaposition and drilling this point home, but beyond it's core message there is nothing in this film to get stuck into. No real plot. No characters you want to understand or connect with. As a result it feels like it overextended itself as a film, but delivers it's message nonetheless.
- ethanbresnett
- 28 janv. 2024
- Permalien
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- How long is The Zone of Interest?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Zona de interés
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 15 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 8 659 464 $US
- Montant brut mondial
- 52 631 884 $US
- Durée1 heure 45 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1
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What was the official certification given to La Zone d'intérêt (2023) in India?
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