Aggiungi una trama nella tua linguaUS art dealer returns to his native Germany for a visit and is attracted by Nazi propaganda.US art dealer returns to his native Germany for a visit and is attracted by Nazi propaganda.US art dealer returns to his native Germany for a visit and is attracted by Nazi propaganda.
- Candidato a 2 Oscar
- 2 candidature totali
- Youngest Schulz Boy
- (as Larry Joe Olsen)
- Rock-Tossing Rioter
- (non citato nei titoli originali)
- Nazi Party Member
- (non citato nei titoli originali)
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Lo sapevi?
- QuizK.T. Stevens (real name: Gloria Wood) is the daughter of the film's producer, Sam Wood.
- BlooperWhen Griselle first puts her bloody hand on the frame of Schulz's entrance door after he opens up, the right hand is placed at a certain height and angle while the fingers are spread in a certain shape. But in the following cuts, the hand and fingers have constantly changed angles and positions. In addition, the shape of the bloody hand-print left on the door frame after Schulz closes the door does not match the shape and location Griselle originally placed her hand.
- Citazioni
Baron von Friesche: Does he know the conditions he doesn't like? I find that hard to understand. I myself would hesitate to form conclusions without firsthand evidence. You must set him right. I suppose it isn't easy for a foreigner to understand the agonies our people have suffered since the Treaty of Versailles. What years of less and less bread, of leaner bodies, of the end of hope...
[pauses to offer Herr Schulz a cigarette]
Martin Schulz: [accepting a cigarette] Oh, thank you.
Baron von Friesche: The quicksand of despair held us. Then just before we died, a man came and pulled us out.
Baron von Friesche: [turning to Herr Professor] You are a native of Munich, Herr Professor?
Professor Schmidt: Well, uh...
Baron von Friesche: You have *witnessed* this deliverance.
Professor Schmidt: If it *is* a deliverance...
Baron von Friesche: [turning to Herr Schulz] You know, there's a surge, my friend. A surge. Our whole despair has been thrown aside like a forgotten coat. No longer do we wrap ourselves in shame.
Baron von Friesche: [turning to Herr Professor] What can be wrong about a man who affects people so?
Professor Schmidt: When people are hungry, they don't care *what* kind of a man it is who gives them bread.
- Curiosità sui creditiThe final fade-out is a closeup of the returned letter, specifically the "Address Unknown" stamped in English. It forms an end title card, which was itself unusual for its time.
As such it is not only a brilliantly conceived horror story of how an evil idea poisons a society but how it continues on to destroy life.
The small book was re-issued in 2001 by Washington Square Press and at this writing currently available. No matter how you reacted to the movie this is a must read. It can be read in a single, short sitting but it packs an incredible wallop. The little story is compared to the best writing of O. Henry for its sly plot twists and lauded by Kurt Vonnegut who compares it to WWII as what Uncle Tom's Cabin was to the Civil War.
You can then return to the movie and enjoy it at a far deeper and more profound level. Beyond all of that if Paul Lukas is in a film, any film, you can trust that it is worth watching if only for his performance.
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Dettagli
- Tempo di esecuzione1 ora 15 minuti
- Colore
- Proporzioni
- 1.37 : 1