VALUTAZIONE IMDb
7,0/10
7034
LA TUA VALUTAZIONE
Un ladro inglese ha bisogno dell'aiuto di una ballerina eurasiatica per portare a termine il colpo perfetto, ma anche gli schemi più infallibili hanno un modo di fallire.Un ladro inglese ha bisogno dell'aiuto di una ballerina eurasiatica per portare a termine il colpo perfetto, ma anche gli schemi più infallibili hanno un modo di fallire.Un ladro inglese ha bisogno dell'aiuto di una ballerina eurasiatica per portare a termine il colpo perfetto, ma anche gli schemi più infallibili hanno un modo di fallire.
- Candidato a 3 Oscar
- 7 candidature totali
Joe Abdullah
- Restaurant Manager
- (non citato nei titoli originali)
Tommy Andre
- Bellhop
- (non citato nei titoli originali)
Jan Arvan
- Airport Official
- (non citato nei titoli originali)
Kanan Awni
- Arab on Telephone
- (non citato nei titoli originali)
Al Beaudine
- Commuter at Airport
- (non citato nei titoli originali)
Jack Berle
- Departing Airline Passenger
- (non citato nei titoli originali)
Nick Borgani
- Citizen
- (non citato nei titoli originali)
Paul Bradley
- Cafe Patron
- (non citato nei titoli originali)
John Breen
- Cafe Patron
- (non citato nei titoli originali)
John Burnside
- Cafe Patron
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizThe first draft of the screenplay was written by Bryan Forbes in 1960, when the story was designed as a vehicle for Cary Grant. He eventually dropped out of the project, which subsequently underwent many changes. It was eventually decided to make the girl the central character, and Shirley MacLaine was signed for the lead. After seeing Ipcress (1965), she suggested Michael Caine as her leading man, which led to still more re-writing to accommodate his working-class cockney persona.
- BlooperNicole tries to impress Shahbandar with her knowledge of art by questioning whether his Picasso 'Blue Period' painting was from 1906 (as he states) or 1907. However, Pablo Picasso's 'Blue Period' was between 1901 and 1904, so both of them are incorrect.
- ConnessioniFeatured in Michael Caine: Breaking the Mold (1994)
Recensione in evidenza
In the 1960s Hollywood combined the classic "caper" film with a healthy dose of romantic comedy. The result was a series of charming films such as CHARADE (1963) and HOW TO STEAL A MILLION (1966)--films that combined major stars, clever plots, witty scripts and which balanced suspense with comic and romantic complications.
Made in 1966 and released in 1967, GAMBIT was among the last of these films, and like all others in the genre it had a complex plot. Ahmad Shahbandar (Herbert Lom) is quite possibly the richest man in the world and a recluse to boot, a man who has never gotten over the death of his beautiful Eurasian wife some twenty years ago. Harry Dean (Michael Caine) devises a clever plan to gain access to his luxury apartment and rob him blind: he will use honky-tonk dancer Nicole Chang (Shirley MacLaine), who bears a striking resemblance to Shahbandar's long dead wife, to breach Shahbandar's defenses.
There's only one problem: it won't work. To tell exactly why it won't work is to betray the plot, which is extremely clever; suffice to say that Dean has made a number of incorrect assumptions about both the situation and the personalities involved. When the plot begins to twist, it does so in a truly unexpected way, taking both Dean and the audience completely by surprise.
This is the sort of film that Hollywood used to do so well but which we seldom see today, a frothy, glamorous confection with first rate production values and expert performances from major stars. MacLaine gets top billing, and she is quite fine, but the weight of the film rests on Caine and Lom, who give memorably dry performances, and director Ronald Neame (who was responsible for a host of memorable films including THE PRIME OF MISS JEAN BRODIE) keeps everything moving along at a smart pace with plenty of style.
This may not be the best of the genre--I think both CHARADE and HOW TO STEAL A MILLION, to name but two, outpace it. But even so it is a perfectly charming film, the perfect antidote to a drab afternoon. Just add popcorn! GFT, Amazon Reviewer
Made in 1966 and released in 1967, GAMBIT was among the last of these films, and like all others in the genre it had a complex plot. Ahmad Shahbandar (Herbert Lom) is quite possibly the richest man in the world and a recluse to boot, a man who has never gotten over the death of his beautiful Eurasian wife some twenty years ago. Harry Dean (Michael Caine) devises a clever plan to gain access to his luxury apartment and rob him blind: he will use honky-tonk dancer Nicole Chang (Shirley MacLaine), who bears a striking resemblance to Shahbandar's long dead wife, to breach Shahbandar's defenses.
There's only one problem: it won't work. To tell exactly why it won't work is to betray the plot, which is extremely clever; suffice to say that Dean has made a number of incorrect assumptions about both the situation and the personalities involved. When the plot begins to twist, it does so in a truly unexpected way, taking both Dean and the audience completely by surprise.
This is the sort of film that Hollywood used to do so well but which we seldom see today, a frothy, glamorous confection with first rate production values and expert performances from major stars. MacLaine gets top billing, and she is quite fine, but the weight of the film rests on Caine and Lom, who give memorably dry performances, and director Ronald Neame (who was responsible for a host of memorable films including THE PRIME OF MISS JEAN BRODIE) keeps everything moving along at a smart pace with plenty of style.
This may not be the best of the genre--I think both CHARADE and HOW TO STEAL A MILLION, to name but two, outpace it. But even so it is a perfectly charming film, the perfect antidote to a drab afternoon. Just add popcorn! GFT, Amazon Reviewer
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Ladrón burlado
- Luoghi delle riprese
- Stearns Wharf, Santa Barbara, California, Stati Uniti(Greg Hartley)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 49 minuti
- Proporzioni
- 2.35 : 1
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What is the Brazilian Portuguese language plot outline for Gambit - Grande furto al Semiramis (1966)?
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