Jessica Stein è una giornalista di successo a New York, di famiglia benestante. Insomma, una vita perfetta, se non fosse per il principe azzurro... assente!Jessica Stein è una giornalista di successo a New York, di famiglia benestante. Insomma, una vita perfetta, se non fosse per il principe azzurro... assente!Jessica Stein è una giornalista di successo a New York, di famiglia benestante. Insomma, una vita perfetta, se non fosse per il principe azzurro... assente!
- Premi
- 8 vittorie e 3 candidature
Trama
Lo sapevi?
- QuizThe cab scene where Helen and Jessica talk about blending lipstick was filmed after the filmmakers hailed a cab, paid the driver $20, the director drove, the director of photography was in the front seat and the sound woman climbed in the back trunk.
- BlooperWhen Jessica and her mother are getting their bridesmaids dresses fitted, Helen is upset to learn that Jessica never mentioned her brother's upcoming wedding. But the wedding would surely have been discussed at the Shabbat dinner at the Steins' that Helen attended three months prior.
- Citazioni
Jessica: You don't appreciate the chaos and absurdity of life on this planet. You don't understand irony, or ethnicity, or eccentricity, or poetry, or the simple joy of being a regular at the diner on your block. I love that. You don't drink coffee or alcohol. You don't over eat. You don't cry when you're alone. You don't understand sarcasm. You plod through life in a neat, colorless, caffeine free, dairy free, conflict free way. I'm bold and angry and tortured and tremendous and I notice when someone has changed their hair part, or when someone is wearing two very distinctly different shades of black or when someone changes the natural temperment of their voice on the phone. I don't give out empty praise. I'm not complacent or well-adjusted. I can't spend fifteen minutes breathing and stretching and getting in touch with myself. I can't spend three minutes finishing an article. I check my answering machine nine times every day and I can't sleep at night because I feel that there is so much to do and fix and change in the world, and I wonder every day if I am making a difference and if I will ever express the greatness within me, or if I will remain forever paralyzed by muddled madness inside my head. I've wept on every birthday I've ever had because life is huge and fleeting and I hate certain people and certain shoes and I feel that life is terribly unfair and sometimes beautiful and wonderful and extraordinary but also numbing and horrifying and insurmountable and I hate myself a lot of the time. The rest of the time I adore myself and I adore my life in this city and in this world we live in. This huge and wondrous, bewildering, brilliant, horrible world.
- Curiosità sui creditiFor our parents.
- ConnessioniEdited into Sex at 24 Frames Per Second (2003)
- Colonne sonorePut on a Happy Face
Written by Lee Adams & Charles Strouse
Performed by Blossom Dearie
Courtesy of Strada Music Co. (ASCAP) and Capitol Records
Through arrangement with EMI-Capitol Special Markets
My main complaint with this film is its vapid intellectualism. Quoting famous authors and using lots of fancy (even foreign) words is all good in principle, but when you fail to capture the secular humanism that all great art and literature represent you might as well be reading a McDonald's menu. To illustrate this, Jessica begins the film at a job she hates and with only the memories of a failed relationship. She ends the film in another job she hates and with only the memories of another failed relationship. Where is the personal growth? Why are we watching this? The person that wrote this story seems to believe that simply because one relationship was hetero and the other homosexual, this somehow makes things different. I do not draw such distinctions.
Another thing I did not like about the film was its poor characterizations. The arguments in the film are so trivial that it depends on deep characters to make us believe they are real. I mean anyone that requires literature to get into the act of sex is really missing the point! From a masculine point of view the entire sexual experimentation shown in the film is as bland and uninteresting as the men Jessica is shown dating.
One last comment I would like to make is that the thing this movie does best is bring itself down. Routinely Jessica is told, "You're too obsessed with perfection in others", and that is exactly true for the entire film. She is also told "you're too conservative sexually for this kind of lifestyle", and this is true as well. What I would like to see is some kind change in Jessica to identify with these issues. To use a quote, "we must learn to be happy because of and not in spite of our flaws". Rent Manhattan for a true thinking person's film, and leave this on the shelf.
- scipantheist
- 24 apr 2002
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Seeking Same
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 7.025.722 USD
- Fine settimana di apertura Stati Uniti e Canada
- 346.999 USD
- 17 mar 2002
- Lordo in tutto il mondo
- 10.013.424 USD
- Tempo di esecuzione1 ora 37 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1