- Born
- Died
- Birth nameLaurence Kerr Olivier
- Nicknames
- Larry
- Kim
- Height5′ 10″ (1.78 m)
- Laurence Olivier could speak William Shakespeare's lines as naturally as if he were "actually thinking them", said English playwright Charles Bennett, who met Olivier in 1927. Laurence Kerr Olivier was born in Dorking, Surrey, England, to Agnes Louise (Crookenden) and Gerard Kerr Olivier, a High Anglican priest. His surname came from a great-great-grandfather who was of French Huguenot origin.
One of Olivier's earliest successes as a Shakespearean actor on the London stage came in 1935 when he played "Romeo" and "Mercutio" in alternate performances of "Romeo and Juliet" with John Gielgud. A young Englishwoman just beginning her career on the stage fell in love with Olivier's Romeo. In 1937, she was "Ophelia" to his "Hamlet" in a special performance at Kronborg Castle, Elsinore (Helsingør), Denmark. In 1940, she became his second wife after both returned from making films in America that were major box office hits of 1939. His film was Wuthering Heights (1939), her film was Gone with the Wind (1939). Vivien Leigh and Olivier were screen lovers in Fire Over England (1937), 21 Days Together (1940) and That Hamilton Woman (1941).
There was almost a fourth film together in 1944 when Olivier and Leigh traveled to Scotland with Charles C. Bennett to research the real-life story of a Scottish girl accused of murdering her French lover. Bennett recalled that Olivier researched the story "with all the thoroughness of Sherlock Holmes" and "we unearthed evidence, never known or produced at the trial, that would most certainly have sent the young lady to the gallows". The film project was then abandoned. During their two-decade marriage, Olivier and Leigh appeared on the stage in England and America and made films whenever they really needed to make some money.
In 1951, Olivier was working on a screen adaptation of Theodore Dreiser's novel "Sister Carrie" (Carrie (1952)) while Leigh was completing work on the film version of the Tennessee Williams' play, A Streetcar Named Desire (1951). She won her second Oscar for bringing "Blanche DuBois" to the screen. Carrie (1952) was a film that Olivier never talked about. George Hurstwood, a middle-aged married man from Chicago who tricked a young woman into leaving a younger man about to marry her, became a New York street person in the novel. Olivier played him as a somewhat nicer person who didn't fall quite as low. A PBS documentary on Olivier's career broadcast in 1987 covered his first sojourn in Hollywood in the early 1930s with his first wife, Jill Esmond, and noted that her star was higher than his at that time. On film, he was upstaged by his second wife, too, even though the list of films he made is four times as long as hers.
More than half of his film credits come after The Entertainer (1960), which started out as a play in London in 1957. When the play moved across the Atlantic to Broadway in 1958, the role of "Archie Rice"'s daughter was taken over by Joan Plowright, who was also in the film. They married soon after the release of The Entertainer (1960).- IMDb Mini Biography By: Dale O'Connor <daleoc@worldnet.att.net>
- SpousesJoan Plowright(March 17, 1961 - July 11, 1989) (his death, 3 children)Vivien Leigh(August 31, 1940 - January 6, 1961) (divorced)Jill Esmond(July 25, 1930 - January 29, 1940) (divorced, 1 child)
- Children
- ParentsAgnes Louise Olivier (Crookenden)Gerard Kerr Olivier
- RelativesSheila Burrell(Cousin)
- Roles in Shakespeare adaptations
- A handsome man with a magnificent speaking voice
- Often played noble and fiercely proud leaders and royalty figures
- Often directed himself in his films
- Rich smooth voice
- While performing a live production of "Hamlet" he completely blanked during the "to be or not to be" soliloquy. He then sat down and remained there until he remembered the lines.
- Alec Guinness wrote about an incident at the Old Vic when, in the company of Olivier in the basement of the theater, he asked where a certain tunnel went. Olivier did not really know but confidently decided to take the tunnel as it must come out somewhere nearby. In reality, the tunnel went under the Thames, and they were rescued after several hours of fruitless navigation of the dark, damp corridor. Guinness remarked that Olivier's willingness to plunge into the dark and unknown was characteristic of the type of person (and actor) he was. As for himself as an actor, Guinness lamented at times that he did not take enough chances.
- Even with his noble titles, he refused to carry on a conversation with anyone who would not address him as "Larry".
- Lord Olivier perfected an Italian accent in order to play Don Vito Corleone in The Godfather (1972), and was signed to play the role. However, at the last moment, he fell sick and was replaced by Marlon Brando.
- In his 1983 autobiography "Confessions of an Actor", Olivier writes that upon meeting Marilyn Monroe preparatory to the commencement of production of The Prince and the Showgirl (1957), he was convinced he was going to fall in love with her. During production, Olivier bore the brunt of Marilyn's famous indiscipline and wound up despising her. However, he admits that she was wonderful in the film, the best thing in it, her performance overshadowing his own, and that the final result was worth the aggravation.
- Acting is illusion, as much illusion as magic is, and not so much a matter of being real.
- Without acting, I cannot breathe.
- Of all the things I've done in life, directing a motion picture is the most beautiful. It's the most exciting and the nearest than an interpretive craftsman, such as an actor can possibly get to being a creator.
- If I wasn't an actor, I think I'd have gone mad. You have to have extra voltage, some extra temperament to reach certain heights. Art is a little bit larger than life - it's an exhalation of life and I think you probably need a little touch of madness.
- Work is life for me, it is the only point of life - and with it there is almost religious belief that service is everything.
- Wild Geese II (1985) - $300,000
- The Bounty (1984) - $100,000
- The Jigsaw Man (1983) - $1,000,000
- Clash of the Titans (1981) - $300,000
- Inchon (1982) - $1,000,000
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