Edith Atwater(1911-1986)
- Actress
A respected stage actress, brunette Edith Atwater was another of those
performers who never quite managed to break into films. She was trained
at the American Laboratory Theatre and began her acting career at the
age of eighteen. She was on Broadway from 1931, her carefully coiffed
patrician looks and mature manner rather suited to playing well-bred
socialites. Her first lead was in a forgotten comedy, "Springtime for
Henry" (which has the singular distinction of having its title co-opted
by Mel Brooks for
The Producers (1967) as "Springtime
for Hitler"). However, better parts were in store: leads in hit plays
like "The Country Wife" (1936), "Susan and God" (1937), "State of the
Union" (1945), and, her best role yet, as Maggie Cutler opposite
Monty Woolley in "The Man Who Came to
Dinner" (1939). Bette Davis eventually got
to star in the classic film version, whereas Edith had a just few
inconsequential movie bits to show for in the
30's.
She didn't make an impact on screen until her role as Henry Daniell's housekeeper Meg Cameron in Val Lewton's brilliant horror thriller The Body Snatcher (1945). Nothing of substance followed until much later, when she popped up as an indomitable, over-protective socialite mother in William Castle's lurid psycho-thriller Strait-Jacket (1964). For the most part, however, Edith was typecast in maternal roles, or as nurses or secretaries which she always played believably. More often than not, we'd see her on the small screen, often in recurring roles as in the "Barefoot in the Park" lookalike Love on a Rooftop (1966), Grace Morton in Peyton Place (1964), or as Aunt Gertrude in The Hardy Boys/Nancy Drew Mysteries (1977).
Edith was married to actors Hugh Marlowe and Kent Smith who both predeceased her.
She didn't make an impact on screen until her role as Henry Daniell's housekeeper Meg Cameron in Val Lewton's brilliant horror thriller The Body Snatcher (1945). Nothing of substance followed until much later, when she popped up as an indomitable, over-protective socialite mother in William Castle's lurid psycho-thriller Strait-Jacket (1964). For the most part, however, Edith was typecast in maternal roles, or as nurses or secretaries which she always played believably. More often than not, we'd see her on the small screen, often in recurring roles as in the "Barefoot in the Park" lookalike Love on a Rooftop (1966), Grace Morton in Peyton Place (1964), or as Aunt Gertrude in The Hardy Boys/Nancy Drew Mysteries (1977).
Edith was married to actors Hugh Marlowe and Kent Smith who both predeceased her.