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America's Got Talent is live for the first time in season 12, and what better way to celebrate the move to the Dolby Theatre than by going live ourselves here at BuddyTV? So we're live blogging the first group of 12 quarterfinalists that's set to hit the stage in hopes of nabbing one of seven spots in the semifinals.

Many thanks to the esteemed Derek Stauffer for filling in on the recap last time, though I'm happy to have missed it considering the atrocious decisions made by the judges. Magicians Henry Richardson and Will Tsai join Tom London as the most egregious cuts of the season -- meaning I'm in favor of the yet-to-be announced wildcards all being from the same genre, with wistful longing for comedian Harrison Greenbaum and singer Darcy Callus, and in favor of not one but two choirs!

It is hard to tell if teen Evie Clair's moving song for her sick father, magician Tom London, dance crews Light Balance and Just Jerk, nine-year old Celine Tam's great version of Celine Dion's 'My Heart Will Go On' or the cringe inducing and near naked Men With Pans were the most captivating act on America's Got Talent (2.6/11) last night but such a plethora of riches is little to complain about for summer's top show as summer officially kicked off yesterday. Agt was up…...

On Tuesday’s episode of “America’s Got Talent,” Tom London made magic out of math and won over the four judges as well as the audience. Waiting backstage, he readily revealed the secret to his success. He had become obsessed with magic as a little boy and then with computers as a young man. He combined […]...

The 12th season of America's Got Talent is still going strong with a new night of astounding auditions on Tuesday, which saw some incredible musical performances, a few amazing dance crews and a magic trick that will blow your mind.

While the coveted Golden Buzzer is usually saved for the end of the episode, host Tyra Banks rang it early this week after she was wowed by the Light Balance Ukrainian dance crew, who delivered a psychedelic,...

A basic western formula has been combined with good characterization in “High Noon,” making it more of a western drama than the usual outdoor action feature. With the name of Gary Cooper to help it along, and on the basis of the adult-appealing dramatic content, the business outlook is favorable.

The Stanley Kramer production does an excellent job of presenting a picture of a small western town and its people as they wait for a gun duel between the marshal and revenge-seeking killer, an event scheduled for high noon. The mood of the citizens, of Gary Cooper the marshal, and his bride (Grace Kelly), a Quaker who is against all violence, is aptly captured by Fred Zinnemann’s direction and the graphic lensing of Floyd Crosby, which perfectly pictures the heat and dust of the sun-baked locale.

Zinnemann carefully and deliberately makes the most of the mood cast by the threat of impending violence.