Stars: João Arrais, Anabela Moreira, Gustavo Sumpta, Leonor Silveira, Miguel Amorim, Ivo Arroja, André Cabral, João Cachola, Vicente Gil | Written and Directed by Carlos Conceicao
For me, it can only be a good thing when I say that Tommy Guns is like no film I have ever seen before. It covers several genres and with the genre shifts, almost feels like it’s changing the story each time – whether it covers wartime drama, zombie flick or art house, it’s always engaging.
The story begins in 1974, just one year before the country’s independence from decades of Portuguese rule. Wealthy colonists are fleeing the country as Angolan revolutionaries gradually claim their land back. A tribal girl discovers love and danger when her path crosses that of a Portuguese soldier. Another group of soldiers, completely cut off from the outside world, blindly follow the brutal orders of their commander in the name of serving their country.
For me, it can only be a good thing when I say that Tommy Guns is like no film I have ever seen before. It covers several genres and with the genre shifts, almost feels like it’s changing the story each time – whether it covers wartime drama, zombie flick or art house, it’s always engaging.
The story begins in 1974, just one year before the country’s independence from decades of Portuguese rule. Wealthy colonists are fleeing the country as Angolan revolutionaries gradually claim their land back. A tribal girl discovers love and danger when her path crosses that of a Portuguese soldier. Another group of soldiers, completely cut off from the outside world, blindly follow the brutal orders of their commander in the name of serving their country.
- 4/18/2023
- by Alain Elliott
- Nerdly
It’s time for a new episode of our Best Foreign Horror Movies video series, and in this one we’re looking back at the 2007 Spanish production [Rec] (watch it Here), directed by Jaume Balagueró and Paco Plaza. To find out what we had to say about [Rec], check out the video embedded above!
Balagueró and Plaza wrote [Rec] with Luis A. Berdejo, crafting the following story:
A young TV reporter and her cameraman cover the night shift at the local fire station. Receiving a call from an old lady trapped in her house, they reach her building to hear horrifying screams – which begins a long nightmare and a uniquely dramatic TV report.
The film stars Manuela Velasco, Ferrán Terraza, Jorge-Yamam Serrano, Pablo Rosso, David Vert, Vicente Gil, Martha Carbonell, Carlos Vicente, Carlos Lasarte, María Lanau, Claudia Silva, Akemi Goto, Chen Min Kao, María Teresa Ortega, Manuel Bronchud, Ben Temple, Ana Velasquez, Daniel Trinh,...
Balagueró and Plaza wrote [Rec] with Luis A. Berdejo, crafting the following story:
A young TV reporter and her cameraman cover the night shift at the local fire station. Receiving a call from an old lady trapped in her house, they reach her building to hear horrifying screams – which begins a long nightmare and a uniquely dramatic TV report.
The film stars Manuela Velasco, Ferrán Terraza, Jorge-Yamam Serrano, Pablo Rosso, David Vert, Vicente Gil, Martha Carbonell, Carlos Vicente, Carlos Lasarte, María Lanau, Claudia Silva, Akemi Goto, Chen Min Kao, María Teresa Ortega, Manuel Bronchud, Ben Temple, Ana Velasquez, Daniel Trinh,...
- 8/25/2022
- by Cody Hamman
- JoBlo.com
Ahead of the Academy Awards, we’re reviewing each short category. See the Live-Action section below and the other shorts sections here.
Ennemis intérieurs – France – 28 minutes
The definitive exchange in Hidden Figures—the one that defines America then and still today—is when Kirsten Dunst’s personnel manager tells Octavia Spencer’s yet-to-be-given-the-title supervisor, “Despite what you may think, I have nothing against y’all.” Spencer’s Dorothy Vaughan counters without missing a beat, “I know you probably believe that.” It’s such a perfect distillation of how racism permeates the very core of who we are to the point where we don’t even understand why we are racist. It happens all the time now, white people accusing black people of screaming racism as a knee-jerk reaction because they believe their racist actions are normal. Their fear has made it so other colors are inferior, dangerous, and untrustworthy. In...
Ennemis intérieurs – France – 28 minutes
The definitive exchange in Hidden Figures—the one that defines America then and still today—is when Kirsten Dunst’s personnel manager tells Octavia Spencer’s yet-to-be-given-the-title supervisor, “Despite what you may think, I have nothing against y’all.” Spencer’s Dorothy Vaughan counters without missing a beat, “I know you probably believe that.” It’s such a perfect distillation of how racism permeates the very core of who we are to the point where we don’t even understand why we are racist. It happens all the time now, white people accusing black people of screaming racism as a knee-jerk reaction because they believe their racist actions are normal. Their fear has made it so other colors are inferior, dangerous, and untrustworthy. In...
- 2/8/2017
- by Jared Mobarak
- The Film Stage
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